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Lot 38
A PAIR OF LATE VICTORIAN SILVER MOUNTED THISTLE FORM WHISKY DECANTERS the silver collars with integral spouts by Hukin & Heath, Birmingham 1896, the diamond and panel cut glass bodies with tapered circular bases, the stoppers doubling as tot glasses, each 23cm highNote: the collars engraved respectively 'From Lt Col. Le Fleming, Major Jenkins, Collingwood, Jones' and 'From Capt. Sturton, Macbride, Cooch, Norman, Lieut. Crackanthorpe, Isaac'
Lot 89a
AN EDWARDIAN SILVER INKSTAND BY CHARLES BOYTON & SON LTD London, the shaped gallery pierce-decorated with scrolling foliage, a pen recess to the front, monogrammed, on scrolling feet, fitted with two cut glass inkwells, 6.5cm high (including inkwells) x 22cm wide x 15.5cm deep, gross weight 440g
Lot 296
A VICTORIAN SHEFFIELD PLATE THREE BOTTLE TANTALUS by George M. Hulley of Sheffield, of Betjemann type, with rope twist handle, engraved with leaves, and cast with floral garlands, on stepped reeded base and ball feet, 32cm high x 35cm wide x 15cm deep, containing three cut glass square decanters hung with three silver plated labels Provenance: Purchased from Lawrence's 27th October 1994, lot 424
Lot 319
A VICTORIAN SILVER PLATED FIVE DIVISION CRUET by the Goldsmiths & Silvermsmiths Co and after a design by Dr Christopher Dresser, 14cm high x 13cm square, containing five cut glass bottles, a similar four division cruet with Y shaped handle, engraved 'Thorley's Special Prize' to underside, with four cut glass bottles, together with a similar four division cruet by Mappin & Webb (3)Provenance: Property of a Private Collector
Lot 453
A mixed lot to include a Haviland Limoges part set to include teapot, cups and saucers, cream jug, side plates and others, a cut crystal decanter and one other A/F, a pair of ceramic and cast metal three-branch candlesticks having floral decoration with birds, along with a pair of retractable arm wall hanging ruby glass and brass mounted lights Location:
Lot 187
George Engleheart (London 1750-1829)A portrait miniature of a gentleman said to be Theobold Wolfe Tone (1763-1798), wearing a blue coat, white waistcoat, stock and tied cravat, his wig powdered. Watercolour on ivory, gold frame, the reverse with a navette-shaped hairwork compartment, within a surround of blue glass studded with eight rose-cut diamonds. Oval, 51mm (2in) highFootnotes:Theobald Wolfe Tone, posthumously known as Wolfe Tone was a leading Irish revolutionary figure and one of the founding members of the United Irishmen in Belfast and Dublin, a republican society determined to end British rule, and achieve accountable government. Throughout his political career, Tone was involved in a number of military engagements against the British navy. He was active in drawing Irish Catholics and Protestants together in the United cause, and in soliciting French assistance for a general insurrection. In November 1798, on his second attempt to land in Ireland with French troops and supplies, he was captured by British naval forces. The United Irish risings of the summer had already been crushed. Tone died in advance of his scheduled execution, probably, as modern scholars generally believe, by his own hand. Later generations were to regard Tone as the father of Irish Republicanism and his grave in Bodenstown, County Kildare, is the site of annual commemorations.This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the UK, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
Lot 142
A VICTORIAN BRASS SKELETON CLOCKUNSIGNED BUT PROBABLY BY JOHN SMITH AND SONS, LONDON, CIRCA 1860The thick scroll-pieced waisted plates united by six columnar pillars enclosing twin chain fusees and five spoke wheel crossings, the going train with half-dead-beat escapement regulated by half-seconds lenticular bob pendulum suspended behind the backplate and with holdfast screw, the strike train with rack visible on the frontplate and sounding the hours on a bell vertically mounted above the plates, the dial with silvered skeletonised Roman numeral chapter ring and blued steel moon hands, mounted via ogee-capped cylindrical brass feet onto a velvet lined ogee moulded D-ended wooden plinth cut with a channel to take the glass dome cover and with disc-tuned feet.The clock 35cm (13.75ins) high, 18.75cm (7.25ins) wide, 12cm (4.75ins) deep; the clock, stand and dome 42cm (16.5ins) high, 34cm (13.5ins) wide, 21.5cm (8.5ins) deep.
Lot 197
A REGENCY MAHOGANY BRASS INLAID MAHOGANY BRACKET CLOCK WITH TWO-IN-ONE QUARTER-STRIKINGGRAVELL AND SON, LONDON, CIRCA 1825The five pillar twin chain fusee movement ting-tang striking the quarters on a graduated pair of bells and sounding the hour on the larger of the two, with shallow-arch plates and deadbeat escapement for regulation by relatively long lenticular bob pendulum and incorporating banking pins for the crutch to the backplate, over engraved signature GRAVELL & SON, LONDON and serial number 4036 to centre, the 8 inch circular silvered brass Roman numeral dial further engraved GRAVELL & SON, LONDON, 4036 to centre and with steel spade hands set behind a hinged convex glazed cast brass bezel, the break-arch case with hinged brass carrying handle secured to a single brass fillet-edged panel to the curved top over ebonised shallow cavetto cornice and brass fillet edged recessed panel inlaid with stylised foliate designs beneath the dial, with canted angles further decorated with brass rosette and line decoration and the sides with arched brass fish scale sound frets, the rear with arched aperture to a door set within the frame of the case, on skirt base incorporating fluted ebonised band to upper margin and shaped brass line borders to fascia over brass ball feet, (lacking pendulum and rear door glass).44.5cm (17.5ins) high with handle down, 11.25ins (28.5cm) wide, 17cm (6.75ins) deep. The partnership between William Gravell and his son of the same name succeeded Gravell and Tolkien who are recorded in Baillie, G. H. Watchmakers & Clockmakers of the World as taking on Eardley Norton's business in 1792, and working from St. John s Clerkenwell, London 1795-1820. Gravell and Tolkien continued the serial numbering system instigated by Norton, which in-turn was continued by Gravell and Son and then William junior alone (who subsequently worked from Charterhouse Square and served Master of the Clockmakers Company 1841-42). Condition Report: The movement appears complete and all original with no visible evidence of alteration or noticeable replacements. The going train is running (abeit lazily) and is lacking the pendulum which was most likely half-seconds in length requiring a slot to be cut into the base of the case to allow clearance for the bob. The strike/quarter train is currently not operational most likely due to something 'catching' within the under-dial work or due to dry/gummed-up oil; the spring is wound and there are no obvious visible defects. The movement appears essentially untouched and a little neglected hence a gentle celan/service is required. The dial silvering is a little rubbed/tarnished otherwise the dial is in good original condition. The case is generally in good original with some slight veneer shrinkage cracking and a small chip to the leading edge of the curved top. The slender horizontal section to the left of the curved top is missing a slip of veneer to the upper surface. The front has some very slight lifting to the brass inlay beneath the dial. The rear door is lacking its glass and has wear/losses to the veneer overlap of the now vacant aperture and outside edge. Faults to the case are otherwise limited to minor bumps, scuffs, wear and other blemishes commensurate with age and use; the base has a brass-edge hole to centre indicasti9ng that the clock was at some time secured to a wall bracket.There is no pendulum or winder present but there is a case key. Condition Report Disclaimer
Lot 65
A GILT BRASS REPOUSSE PAIR-CASED VERGE POCKET WATCH WITH CHATELAINETHE MOVEMENT BEARING A SIGNATURE FOR WILLIAM CHASE, LONDON, BUT PROBABLY DUTCH, LATE 18th CENTURYThe gilt full plate single fusee movement with four square section baluster pillars pinned through the backplate, scroll-pierced stop-iron block and verge escapement regulated by sprung three-arm steel balance with Tompion type regulation, the backplate with symmetrical scroll pierced and chased bright cut balance bridge over engraved text W'm Chase, London, and number 1207, the slightly convex circular white enamel Roman numeral dial with arcaded minute ring and Arabic five minutes to outer track, the inner case applied with suspension post and ring (glass lacking), the outer repousse decorated in relief with Classical figures within generous scroll borders, the chatelaine finely cast in the high-rococo manner with three cartouche-shaped links incorporating figural allegorical decoration beneath a two-part hinged belt hook applied with four subsidiary fob chains, (2).The pillar plate 3.4cm (1.370ins approx.) diameter; the outer case 4.6cm (1.875ins approx.) diameter; the chatelaine 17.5cm (7ins approx.) long. William Chase does not appear to be recorded in the usual sources. The movement of the present watch is a typical example from a group of Dutch timepieces produced during the mid to late 18th century signed with 'spurious' London signatures. One diagnostic feature is that on such examples the layout of the regulation tends to vary slightly from typical English practice resulting in the silvered regulation disc being positioned on the opposite side of the movement (to the left rather than the right when viewed with balance bridge uppermost). The use of a balance bridge (rather than a cock) incorporating bright-cut scrolling decoration, and arcaded minute ring to the dial are also indicative of Dutch manufacture.
Lot 103
A 19th Century clear glass drink dispenser of bucket form on a pedestal base with applied mouldings, the cover with flower head medallion embellishments 46 cm high together with a pair of hobnail cut onion shaped decanters, two further onion shaped decanters, a glass water jug, clear glass table lustre, candlestick, fruit bowl, powder bowl and cover etc
Lot 215
A late Victorian silver articulated fish container set with red stone eyes and two hanging loops to the body, stamped with import marks for London 1891, 12.5 cm long, together with a silver twin-handled trophy cup, a silver-mounted cut glass bottle, silver napkin ring, silver spoon, together with a base metal mounted hip flask and two silver plated mounted glass salt and peppers, weighable silver 3.7 oz
Lot 245
A collection of items comprising a silver mounted decanter (by W I Broadway & Co., Birmingham 2005), together with a silver mounted cut glass fruit bowl, a silver mounted cut glass butter dish (by Reed & Son, Birmingham 1934), a silver mounted dressing table box of rectangular form (by George Reid, London 1839) weighable silver 4.5 oz
Lot 67
A collection of various cut glass ware including a fluted fruit bowl with WMF EPNS swag decorated rim, flared cut glass vase, pair of onion-shaped decanters, smaller onion-shaped decanter, two water jugs, four champagne flutes, another fruit bowl, sundae dish, small vase, three tumblers, various punch glasses and four plates
Lot 89
A collection of various glassware to include three cylindrical storage jars with painted tin covers and labels inscribed "Cire Blanche", "Rosae Rubrae" and "Sucre", together with seven various coloured glass witch's balls, various sizes, a small pallet-shaped cut glass dressing mirror, a mirrored rectangular stand, an oval wall mirror with floral painted decoration, 19th Century green glass wine bottle and a moulded penny lick glass
Lot 90
A box of various china wares, glass wares, silver and plated wares to include a Royal Worcester "Cabbage leaf" jug, Cauldon cream jug, WH Goss "Victoria 1887 Jubilee" mug, Noritake oval dish, "Victoria 1887 Jubilee" octagonal transfer decorated plate with symbols of the Empire, Foley China saucer to commemorate the 1897 Jubilee, Japanese porcelain teacup and saucer, teacup with transfer decoration to commemorate the 1897 Jubilee, five stemmed drinking glasses, four cut glass punch cups, two dressing table jars with plated mounts, silver napkin rings, silver vesta case, white metal medallion "National Temperance Caterer's Association Exhibition 1912", "Wilson's Pure Tea of Croydon" caddy spoon, six brass miniature Dickens figures, brass bell inscribed "Cygnus", a bull's eye watch stand in brass chain link frame, etc.
Lot 91
A 19th Century scratch-built Noah's Ark with sixteen various figures, a pair of 19th Century child's leather lace-up boots, two section cutlery tray, wooden mounted slate board, two grape and vine carved and painted furniture adornments, a foliate carved miniature picture frame, a carved and painted figure, pair of giltwood furniture finials, a similar pineapple finial, cut glass bag light, two brass door knockers, gilt bronze panel depicting two satyrs with musical instruments and a leather covered autograph album containing three circa 1939 drawings various
Lot 132
A Great War Medal of the Order of the British Empire awarded to Miss Margaret Waller Medal of the Order of the British Empire, (Civil), privately engraved ‘Margaret Waller’, extremely fine £240-£280 --- Medal of the Order of the British Empire London Gazette 15 January 1919: ‘For courage in helping the injured on the occasion of a serious explosion in a filling factory. She was severely cut by falling glass, but remained at work until she had to be taken to hospital.’ A portrait of the recipient is held in the Imperial War Museum’s ‘Women’s Work Collection.’
Lot 851
A Victorian onyx and brass oil lamp, in the form of a Corinthian column with Arts & Crafts motifs, with a star cut glass reservoir and globe, double wick and glass chimney. Height to include chimney 88 cm. (see illustration). CONDITION REPORT: The shade is free of damage except for occasional areas of wear to both the bottom and the top rim. It is intact structurally. The chimney is also in structural good condition. The glass reservoir appears to be sound. The double wick mechanism appears in reasonable order and the column and base without any significant losses.
Lot 213
A German silver mounted glass claret juglate 19th century, in the Renaissance Revival styleformerly gilt, the shaped lidded spout above a tapered body with scroll handle, etched with entwined foliage and harebells, together with two Bohemian flash glass jugs, circa 1900, one red and one green, the ovoid stoppers above tapered cut glass bodies, (3)height 36cm, height 23cmCondition: The gilt is worn way from the mounts, small areas are visible, the underside of the lid is still gilt. The handle has become detached from where it connects with the body. There is staining inside to the base.Tiny chip to the base edge of the green jug, old crack to top of the handle where it connects. Red example in good condition.
Lot 249
A collection of early 19th century coloured glass bottle shaped decanters comprising a Bristol green wrythen moulded example, three wrythen moulded Bristol blue bottles, another with slice cut neck and base, together with plain green, amethyst and orange bottles, (9)first height 30.7cm.Condition: Good condition, without faults or damages
Lot 317
An Edwardian silver mounted cut glass scent bottle other itemsfirst with stopper together with an .800 oval pill box mounted with green hardstone and gilt interior, a Mexican silver oval pill box mounted with a carved hardstone Aztec mask, a Chinese figure of a seated Buddhist lion dog, a late Victorian silver locket and two Peruvian hardwood boxes with planished silver mounted glazed lids inset with textiles, (7)first height 11.5cm., weighable silver total weight approx. 16oztCondition: Scent bottle in good condition. Dings to lid of smaller pill box
Lot 331
A collection silver to include cased sets, toast racks and other items various dates, makers markscomprising an Edwardian hexagonal tapering spill vase with weighted base, London, 1903, William Comyns,a late Victorian cut glass globular table scent with screw fitting lobed cap and internal stopper, a pair of George V ogee form baluster pepper pots in George III style, a George VI Art Deco christening mug engraved Jill, two four division toast racks, a late 19th century mahogany cased set of ten Dutch teaspoons, a cased pair of late Victorian napkin rings pierced with flowers, crested and numbereda cased set of six demitasse coffee spoons, a cased egg cup with weighted base and soon, a cased engine turned Art Deco napkin ring, five assorted napkin rings, an electroplated tea canister and a continental plated Art Nouveau design oval slat with blue glass liner, (qty)first height 15.2cm., weighable silver approx. 17.75oztCondition: Knocks to pepepr pots,egg cup case a/f
Lot 333
A late George III silver fiddle pattern fish slice, a Scottish quaich and other silverfirst London, 1819, William Nixon, the pierced with a fish and with bright cut engraving, second Edinburgh, 1920, Brook & Sons, of plain typical twin handled form, engraved with initials and dated dated 1921, a late Victorian butter knife with filled silver handled, a late Victorian half gadrooned mustard pot with clear glass liner, an Elizabeth II Coronation spoon, Sheffield, 1953, Mappin & Webb in a fitted card box assorted napkin rings, a French serving slice with filled silver handle, four matching late Victorian napkin rings variously numbered, a French plated set of seven coffee spoons and cased set of matching serving utensils by Christofle, (qty) first length 29.5 cm. weighable silver approx. 15.74oztCondition: Slight buckle to slice blade, Quaich bowl slightly pushed. Two napkin rings knocked and
Lot 334
A George VI cased silver and enamel commemorative 1937 coronation spoon and other silver first Birmingham, 1936, Turner & Simpsonthe bowl with the double portraits facing left in relief titled George VI and Elizabeth Crowned 1937, the terminal decoration in enamel with St George and the dragon and the Royal Coat of Arms, in a fitted case stamped Coronation 1937 together with a pair of French rock crystal handled silver butter knives and other silverfirst .950 Minerva mark, makers mark indistinct, together with an early 19th century silver mounted cut glass cruet bottle and stopper, unmarked with reed scroll handle and a set of six Edwardian bright cut engraved coffee spoons, Sheffield, 1905, Joseph Rogers & Sons, Ltd, (qty)first length length 21.3cm., weighable silver approx. 6.55oztCondition: Two slight small flake chips to enamel terminal only visible on close inspection. One butter knife handle is detached but present
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