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Click here to subscribeFIVE ST. LOUIS CUT-GLASS VASESMID-LATE 20TH CENTURY all of slightly everted and tapering form, deeply cut with diamonds and variously coloured, maker's marks, comprising a large red example, 25cm high; a smaller red vase, 17.5cm high; a blue example, 17cm high; a green example, and a blue example, both 15cm high (5)Provenance: Private Collection from an Ambassador’s Residence
PART SUITE OF MOSER 'LADY HAMILTON' PATTERN GLASS20TH CENTURY with six cut ovals to the glass bowls, on spreading hexagonal baluster stems and flat feet, some with acid-etched maker's marks, comprising 22 water glasses, 17.5-17cm high; 12 red wine glasses, 15.5cm high; 29 white wine glasses, 14.5cm high; 16 mixed coloured high white wine glasses, 18.5cm high; 24 champagne coupes, 13cm high; and seven liqueur glasses, 12cm high (qty)Note: The 'Lady Hamilton' pattern was first produced by Moser in 1934.Provenance: Private Collection from an Ambassador’s Residence
PART SUITE OF ST. LOUIS 'TOMMY' GLASS20TH CENTURY with stylised flowers above strawberry-cut bands and knops, raised on panelled stems and star-cut feet, some with acid-etched maker's marks, comprising eight water glasses, 18cm high; nine red wine glasses, 17cm high; eight light blue white wine glasses, 15cm high; 14 mixed coloured glasses, 20cm high; six champagne coupes, 15cm high; six champagne flutes, 19cm high; six dark blue glasses, 18cm high; seven port glasses, 14cm high; four liqueur glasses, 10cm high; a further glass, 15cm high; and a jug, 27cm high (qty)Provenance: Private Collection from an Ambassador’s Residence
GROUP OF FOUR CUT-GLASS JUGS20TH CENTURY comprising a Baccarat 'Piccadilly' jug, acid-etched maker's marks, 18cm high; an example with lobed-cut panels to the neck and shoulder, with corresponding panels below, 24cm high; a jug with star-cut reserves between cut ribs, 26cm high; and a white metal mounted jug, with scrolling foliage above thin etched lines, 24.5cm high (4)Provenance: Private Collection from an Ambassador’s Residence
SIX BACCARAT 'DAUPHIN' GLASS CANDLESTICKS20TH CENTURY with lobed and reeded nozzles, above corresponding lobed drip trays hung with cut-glass prisms, raised on frosted glass dolphin-form stems and stepped bead-moulded bases, acid-etched maker's marks (6)35.5cm highProvenance: Private Collection from an Ambassador’s Residence
FIVE BACCARAT GLASS CANDLESTICKS20TH CENTURY comprising two pairs and a single candlestick, all with beaded and oval-moulded nozzles above lobed drip trays, of slightly varying design, hung with cut-glass prisms and raised on baluster stems, with corresponding domed bases, four with acid-etched maker's marks (5)30cm highProvenance: Private Collection from an Ambassador’s Residence
A FRENCH GILT TOOLED LEATHER SCENT CASKET, C1870 the plush lined and fitted interior retaining a pair of contemporary cut glass bottles and stoppers, key, 12cm h excluding handle++Glass undamaged, leather slightly scuffed and with several scorch marks, lifting in part but without loss and free from tears
Waterford crystal, The Millennium Collection, five pairs of cut glass toasting flutes, each in original presentation box. CONDITION REPORT: All glasses are in good order and free from any obvious chips, cracks or scratches. Each pair of glasses comes with its relevant packing box most of which are a little tired with some knocks due to storage but all complete.
Two cut glass table lamps, each with shade, tallest 36 cm. CONDITION REPORT: The smaller of the two lamps appears to be in good order throughout with no obvious chips, cracks or flaws. On the centre of the shade there is a 5 cm diameter circle of crazed glass. It is difficult to determine how this appeared and one can only assume that it is a reaction to the heat of the lamp. The taller of the two lamps appears to be free from any chips, cracks or repairs. Overall both in good condition.
A George III glass vase, circa 1780, of tumbler form with wheel cut edge decorations, a bird upon a pedestal within a star shaped border, floral sprig verso, and a pair of Georgian wine glasses, each with wheel cut undulating pendant decoration upon a square foot, 14 cm and 13 cm respectively. CONDITION REPORT: The vase appears to be in good condition throughout with no chips, cracks, losses or restorations. The glassware is all clear and there are no signs of clouding. The first glass underside shows a small chip to one corner and two small nibbles on opposing corners. One wine glass has minute nibbling to one corner of the foot rim but the bowl appears to be free from any issues. Its partner glass again has small tiny nibbles on three sides of the foot rim. On the underside three corners have very tiny nibbles. The bowl is in good order throughout with no obvious faults.
A 19th century mahogany teapoy, the top hinging to four lidded compartments, two glass bowls and raised on a turned stem with quatreform base and bun feet. Width 43 cm. CONDITION REPORT: The glass bowls are both in very good order with no issues. They are not original. Diameter 11.8 cm, height approximately 5.8 cm. The teapoy is in generally good original unrestored condition. The top is flat with no cracks. The lower step to the top has a small stress fracture to the veneers on the front edge. The front right-hand corner of the cornice moulding has a loss. The left-hand return has a small repair. The hinges are original and sound. The underside edge of the lid has a full width stress fracture to the veneers. All interior boxes are in basically good order as are the hinges. The lead linings are all perished. The lock is present. We have the key but it does not seem to operate. The frieze beneath the top and the moulding also are in good order all round. The centre column is in good order. The ring turned moulding at the bottom of the column has a crack and it is slightly loose. The quatreform base has some stress fractures to the veneers and dents to the corners with small veneer losses. The bun feet are original as are the castors which are present. We can see no evidence of any woodworm. The bowls do not fit particularly well. The aperture beneath is larger than the base of the bowl. Both bowls have ground pontil marks and are cut glass. We are not sure what they will have originally been for. They do not look like dessert dishes and in our opinion the internal aperture is a little small for mixing. Judging by the ground pontil mark they are probably late Victorian but it is very difficult to tell.
Ceramics and Glass - a late Victorian part tea set, for ten, comprising cups, saucers, side plates, bread and butter plates, milk jug and sugar bowl; an early 20th century cut glass decanter; a 19th century Chinese cylindrical vase (faults); a ruby flashed glass decanter, c.1950; others, paperweights, biscuit barrel, etc
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