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A George I silver cruet with later fittings, William Spring, London, 1710, Britannia standard, one bottle mount Thomas Heming, circa 1750, other bottle mounts circa 1750, conjoined ring frame on pilaster supports and with leaf capped scroll handle, scratch weight all 54=16 55=3, two larger and one other cut-glass covered pots with lion rampant crest below earl's coronet and two small pots 21cm, 8in long, 1100gr, 35oz 7dwt
AN ELKINGTON & CO. CLARET JUG with plated lid and collar, the former having a finial cast as a seated cherub with symbals, within a relief-decoration of further cherubs, c-scrolls and floral swags, the collar displaying similar disporting figures, stamped E & Co and 12348 beneath lid, on a clear broadening cylindrical glass body with star-cut base, 28cm, (11in) high A11271
A SILVER-PLATED INK STANDISH of rectangular form with rounded corners and gadrooned edge and two pen depressions, complete with two square cut-glass inkwells having hinged covers, flanking a cylindrical wafer box, the cover in the form of a taperstick, the whole on four button feet, 29cm x 22cm, (11.5in x 8.5in), E.P.N.S.
A GOOD VICTORIAN PART SUITE OF 77 PIECES OF MATCHING TABLE GLASS, each engraved with a beaded border and dentate frieze, the heavier pieces having star-cut bases, comprising: a lemonade jug, 4 decanters with long facet-cut necks (with 3 matching stoppers and another), 3 tumblers, 2 claret glasses and another similar, 7 champagnes, three groups of 14,12 and 7 various sherry port and madeira glasses, 8 liqueur glasses and 14 finger bowls, (77)
A Liberty & Co Cymric round tapering mustard pot and domed cover, Birmingham 1901, a pair of conical shaped salt cellars, stamped Liberty & Co, 1906, and an art deco white metal cut glass and enamelled atomiser of tapering hexagonal form, each panel decorated with a geometric pattern in black enamel, the top in black and white enamel, stamped 'Sterling' (see illustration part lot)
An Orrefors decanter and glasses, the clear glass decanter of shaped tapering form with a black knop and stopper and spreading round foot, the upper body cut with an intersecting geometric pattern, accompanied by eight large and five small matching glasses, the funnel bowls supported on a short stem and conical foot, decanter 30cm. high, etched marks
A pair of late 19th Century Bohemian glass pedestal dishes each having a shallow bowl with shaped rim overlaid in opaque white and cut with arched panels painted with flowers, alternating with hatching. The tall pedestal with an oval opaque panel painted with female half length portrait, decorated overall with gilt leaf scrolling and on domed foot. 11" high.
A George III double cruet frame, with a central handle fitted eight cut glass bottles (one odd and one damaged); two with silver covers with ball finials, another with a gilt soy spoon, the oval base wood inset underneath, on fan fluted panel feet. Makers, Robert & Samuel Hennell, London 1792.
A cut glass decanter with silver rim and cut glass stopper with whisky label (Birmingham, modern), a four division toast rack, an ash tray, various Victorian fiddle pattern cutlery (worn), a jam spoon with mother of pearl handle, a later pair of sugar tongs, five coffee spoons and a three piece condiment set (various dates and makers), 18oz weighable silver. (30)
A Victorian Officer's painted tin despatch case, black with gilt line decoration, the interior with black leather folder and a blue painted pen rest, a pair of brass capped cut glass ink pots and a lift-out tray, brass lock by Hobbs & Co., London and lined leather out travelling case. 16in. (40.5cm.)
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154272 item(s)/page