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Lot 289
§ Edwin La Dell, ARA, RBA, ARCA (British, 1914-1970) Welsh Guards with their Irish Wolfhound in the City of London signed lower right "Edwin La Dell" lithograph 46 x 33cm (18 x 13in) A former head of printmaking at the Royal Academy, La Dell was instrumental in raising the profile of printmaking as an art form. A littel browning around the mount but fine.
Lot 391
§ Le Corbusier (French, 1887-1965) Totem signed lower left within the print "Le Corbusier 18/10/63" lithograph 72 x 80cm (28 x 31in) Provenance: The Heidi Weber Galerie, Zurich, Switzerland. From the collection of Peter Inskip, MBE. Charles Edouard Jeanneret, better known as 'Le Corbusier', was a world-renowned Swiss painter, designer and architect, and a pioneer of urban planning, as well as the author of the seminal 'Five Points of Architecture'. In an old box frame and with dirt under the glass. Colours are good.
Lot 351
§ Marc Chagall (French/Russian, 1887-1985) "Esther" from the Bible Series lithograph, 1960 34 x 24cm (13 x 9in) Marc Chagall created the first 65 etchings for The Bible series between 1931 and 1939, and a further 40 between 1952 and 1956, creating 105 etchings in total, illustrating themes throughout the Bible. Condition appears fine.
Lot 297
Julian Trevelyan, RA (British, 1910-1988) Harbour signed within the print "Julian Trevelyan '46" and "SP9" a lithographic print in colours, a School Print, printed in England at the Baynard Press for School Prints Ltd., London 48 x 75cm (19 x 29in) Julian Trevelyan taught at Chelsea (1950-55) and at the Royal College of Art (1955-63), becoming Head of Etching. Besides some mural work, he was a prolific printmaker and illustrator, and he became a Royal Academician in 1987. "Harbour" was the first lithograph that Trevelyan made.
Lot 558
After Alan Lowndes (1921-1978), "The Organ Grinder", signed and numbered 58/100 in pencil in the margin, published in 1972, lithograph, 19.5 x 20.5cm.; 7.75 x 8in. Provenance: To be sold on the instructions of the Executors of the late Mr William Turner. Artists' Resale Right ("droit de suite") may apply to this lot.
Lot 617
After Snaffles, Charles Johnson Payne (1884-1967), "The Worst View in Europe", signed in pencil in the margin, with printed remarque and Snaffles' bits blindstamp, unframed, colour lithograph, image size 23 x 49cm.; 9 x 19.25in, together with "Oh! To be in England now that April's There (Robert Browning)", signed in pencil in the margin, with Snaffles' bits blindstamp, unframed, colour lithograph, image size 32 x 54cm.; 12.75 x 21.25in (2).
Lot 6
Items relating to Lindbergh’s first solo crossing of the Atlantic, 1927, comprising: folding menu printed in black and yellow for “Luncheon offered by the American Club of Paris to Capt Charles A. Lindbergh at the Hotel Ambassador on May 24th 1927” including “Bombe glacée Lindbergh”, with top of the globe and details of flight route, on the front is a lithograph of Lindbergh’s plane Spirit of St Louis, the Eiffel Tower and searchlights and on the back the plane flying over the Atlantic; a small card with autograph of “Charles A Lindbergh”; an etching of the plane in a blaze of light; 2 etchings of French walled towns; all the artwork is signed by the artist A.C.Webb. Good Condition. Plate 3
Lot 383
British School, mid 20th century- Still life with flowers beside a mirror; pastel, 61x47.1cm: Phillipe Benoist, French 1813-c.1880- "Le Nouvel Opéra, Boulevard des Capucines" from Louis Fournel, Paris et ses ruines, publ. by Henri Charpentier c.1872-1874; tinted lithograph, 29.4x39.4cm: After Jean-Baptiste-Camille Corot, French 1796-1875, Henry Scott Bridgewater, British 1864-1946- "L'Eclogue", publ. by The Museum Galleries, London, 1929; mezzotint, signed in pencil, 38.5x47cm: together with four figure studies by a separate hand in pencils and chalks, one inscribed 'Feb 15/10 J H Ballard' in pencil, various sizes, (7) CONDITION REPORT: flowers - mounted in a glazed, wooden frame bears label for 'Chas H. West Ltd, 117 Finchley Road Swiss Cottage London NW3' attached to the reverse of the frame two minor blemishes to surface on left side otherwise in very good original condition L'Eclogue - mounted in a glazed frame may or may not be stuck down as unexamined out of the frame sheet very slightly ruckled in very good original condition
Lot 475
European School, late 19th/early 20th century- Landscape with cottage and mountains in the distance; oil on board, bears signature, 23x32.5cm: together with two other oil paintings on board by a different hand depicting landscape scenes, four colour reproduction prints depicting racing and hunting scenes and a further lithograph in colours by a different hand depicting a portrait of a lady, various sizes, (8)
Lot 523
Louis Hague HPRI, British 1806-1885- ''Encampment of Pilgrims Jericho'' after David Roberts RA, Published by F. G. Moon, 20 Threadneedle St. April 1st 1834; hand-coloured lithograph, 23.5x34.5cm: together with two more prints by the same artist- 'Tomb of Aaron, Mount Hor', & 'Chapel of the Convent of St. Saba', after David Roberts RA, Published by F. G. Moon, 20 Threadneedle St in March & April 1839; hand-coloured lithographs, 23.5x34.5cm ea., (3) (in matching frames) CONDITION REPORT: In matching gilded, moulded and glazed frames with gold mounts Losses to the frames Unexamined out of frame All prints are a little discoloured Ruckled slightly under the mount Brown spotting/faint staining on all prints One print has mount shadow Otherwise in general good condition
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