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Click here to subscribeCURRIER and IVES, publishers -- After George H. DurrieWinter in the Country. A Cold Morning, 1864. (G. 7273). Lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed. Some overall browning, toning from old matting, some mostly marginal staining, staining from old framing verso.Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CURRIER and IVES, publishers -- After George H. DurrieWinter in the Country. Getting Ice, 1864. (G. 7274). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 598 x 810 mm sheet. Some mostly marginal dampstaining, some pale spotting, some staining verso from old framing, short closed tear upper margin, discreet dealer pencil annotations verso. RARE: According to online records, only 2 examples of this print have sold at auction in the last 60 years.Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CURRIER and IVES, publishersWinter Morning, 1861. (G. 7277). Medium format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 394 x 480 mm sheet. Very minor soiling and a few dealer's pencil annotations verso.Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CURRIER and IVES, publishers -- After George H. DurrieWinter Morning. Feeding the Chickens, 1863. (G. 7279). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 483 x 608 mm sheet. Some toning from old matting or framing, a few tiny spots in background, some browning from old framing verso, a few tiny chips to lower margin, tiny pencil annotation verso.Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
N. CURRIER, publisher -- After Frances F. PalmerWinter Pastime, 1855. (G. 7281). Medium format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 378 x 479 mm sheet. Some minor mostly marginal soiling, a few short marginal tears repaired verso, a few tiny dealer pencil annotations.Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CURRIER and IVES, publishersWinter Pastime, 1855. (G. 7281). Medium format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 356 x 428 mm sheet. Slight chipping with minor losses to two corners, marginal toning from old framing, 1-in. tear just touching border left margin, some slight mostly marginal spotting or staining, some soiling and a few old pencil annotations verso.Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CURRIER and IVES, publishers --After George B. DurrieAutumn in New England. Cider Making, 1866. (G. 0350). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 180 x 708 mm sheet. A few pale mostly marginal stains or tiny spots, some staining verso from old framing, tiny chip to left outer margin, discreet dealer pencil annotation recto. Provenance: L. F. Bull (near-contemporary signature verso). Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CURRIER and IVES, publishers -- After C. ParsonsHolidays in the Country. Troublesome Flies, 1868. (G.). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 520 x 697 mm sheet. Some minor mostly marginal spotting, some toning from old matting, dampstained verso not affecting image, old dealer pencil annotation verso. RARE: According to online records, only 2 examples of this print have sold at auction in the last 75 years.Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CURRIER and IVES, publishers -- After Frances F. PalmerThe Wayside Inn, 1864. (G. 7103). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, 605 x 754 mm sheet. A few marginal dealer or framer pencil annotations recto, 1 1/2-in. tear upper margin repaired verso, lower left corner creased, some very minor mostly marginal soiling.Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CURRIER and IVES, publishersAmerican Coast Scene Desert Rock Light House, Maine, n.d. (G. 0130). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 454 x 605 mm sheet. Dark stain to lower left margin visible recto and verso, with apparent old concealment verso, some very minor toning from old matting, discreet dealer pencil annotations recto and verso. VERY RARE: According to online records, no example of this print has sold at auction since 1924 (Anderson Galleries, 28 February 1924, described as "the only copy known.")Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CURRIER and IVES, publishers -- After Charles R. Parsons and Lyman W. AtwaterAmerican Steamboats on the Hudson. Passing the Highlands, 1874. (G. 0210). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, 643 x 1012 mm sheet. Small hole in left margin repaired verso, some minor surface abrasions to margins, some minor mostly marginal soiling, a few very short marginal tears, some minor soiling verso, a few small pencil annotations recto and verso. RARE: According to online records, no example of this print has sold at auction in the last 70 years.Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CURRIER and IVES, publishersThe Great International University Boat Race On the River Thames (England) from Putney to Mortlake 4 Miles 2 Furlongs August 27th 1869. Between the Picked Crews of Harvard (American) and Oxford (English) Universities, 1869. (G. 2843). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, 605 x 810 mm sheet. Some minor marginal soiling, a few old marginal dealer or framer pencil marks, some light soiling verso. VERY RARE: According to online records, no example of this print has sold at auction in over 80 years. A Goodspeed description from 1937 notes: "This is an extremely rare print. To most people, it is practically a myth. The print was probably unpopular since Harvard lost the race. This may have caused the stone to have been destroyed before many impressions were issued."Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CURRIER and IVES, publishers -- After Charles ParsonsThe Low Pressure Steamboat "Isaac Newton." Passing the Palisades on the Hudson River New York, 1855. (G. 4148). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 504 x 786 mm sheet. Some minor chipping or tears with small losses to corners and upper margin, a few short tears along top margin including one just entering image, some overall toning, some staining verso from old framing. VERY RARE: According to online records, no example of this print has sold at auction in over 70 years.Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CURRIER and IVES, publishers -- After Charles R. Parsons and Lyman W. AtwaterThe New Excursion Steamer Columbia. "Gem of the Ocean", 1877. (G. 4802). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, 610 x 963 mm sheet. Backed with Japanese tissue, bottom margin trimmed just shaving title and with loss of additional text line "The Largest Steamboat...", 2-in. tear with loss to blank lower left margin repaired recto, 2 1/2-in tear left margin crossing image with some minor retouching, some very minor spotting or soiling. RARE: According to online records, only one example of this print has sold at auction in the last 90 years.Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CURRIER and IVES, publishersThe Great St. Louis Bridge. Across the Mississippi River, n.d. (G. 2872). Small format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 314 x 450 mm sheet. Some minor marginal toning from old matting, tiny hole to outer margin upper left corner, a few tiny pale mostly marginal spots.Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
N. CURRIER, publisher -- After Charles ParsonsHigh Pressure Steamboat Mayflower. Capt. Joseph Brown. First Class Packet between St. Louis and New Orleans on the Mississippi River, 1855. (G. 3052). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 590 x 830 mm sheet. A few surface abrasions to sheet edge left side, a few tiny spots in image, very minor toning from matting, a few short tears upper margin, some very slight toning or spotting from old framing verso, discreet dealer pencil annotations recto and verso. VERY RARE: Only one example of this print has sold at auction in the last 60 years.Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CURRIER and IVES, publishers -- After Frances F. Palmer"High Water" in the Mississippi, 1868. (G. 3057). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 578 x 820 mm sheet. 3 1/4-in. tear lower margin crossing image repaired verso, 1-in. tear crossing imprint lower margin repaired verso, lower corner torn and repaired verso, a few other mostly marginal chips or short tears, slight toning from old matting, some mostly marginal staining.Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CURRIER and IVES, publishers -- After Frances F. PalmerLow Water in the Mississippi, 1868. (G. 4149). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 579 x 831 mm sheet. Backed with japan tissue, a few minor marginal surface abrasions, discreet booksellers pencil annotations lower margin recto.Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CURRIER and IVES, publishers -- After Frances F. PalmerA Midnight Race on the Mississippi, 1860. (G. 4476). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, 525 x 765 mm sheet. Dampstaining to lower half of sheet more pronounced verso, a few other marginal stains, short tear to top margin.Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CURRIER and IVES, publishers -- After Frances F. PalmerThe Mississippi in the Time of Peace, 1865. (G. 4519). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, 605 x 809 mm sheet. A few small surface scratches or abrasions affecting image and title, Some minor mostly marginal spotting or toning, staining verso from old framing, old pencil annotations lower margin.Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CURRIER and IVES, publishers -- After Frances F. PalmerAcross the Continent. "Westward the Course of Empire Takes Its Way", 1868. (G. 0039). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 568 x 765 mm sheet. Tiny surface abrasion to sky with small loss of color, 1-in. marginal tear left upper margin, some minor toning from old matting, a few very minor marginal surface scuffs, a few very pale marginal stains, some minor soiling verso. A BRIGHT EXAMPLE.Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
N. CURRIER, publisher -- After Charles ParsonsAmerican "Express" Train, 1855. (G. 0142). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 510 x 734 mm sheet. 1-in. tear to upper margin repaired, toning from old matting, browning from old framing verso, discreet dealer pencil annotations verso. Provenance: Mrs. Kelley (old pencil note verso regarding framing). VERY RARE: According to online records, no example of this print has sold at auction since 1929.Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CURRIER and IVES, publishersAmerican Railroad Scene. Snow Bound, 1871. Small format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 298 x 362 mm sheet. Some overall toning, marginal mat burn, a few mostly marginal stains.Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CURRIER and IVES, publishersThe Express Train, 1870. (G. 1944). Small format lithograph with hand-coloring, on wove paper, matted and framed, 292 x 398 mm sheet. Some minor marginal surface abrasions or adhesive remnants, 1 1/4" tear upper right margin just crossing into image, some light browning verso, a few old pencil annotations verso.Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CURRIER and IVES, publishersThe Express Train. 127, n.d. (G. 1946). Small format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 292 x 398 mm sheet. Slight mat burn and overall minor toning, tiny pencil annotation verso. According to Gale, "this print also appears with no stock number" (see next lot).Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CURRIER and IVES, publisherThe Express Train, n.d. (G. 1946). Small format lithograph with hand-coloring, heightened in gum arabic, on wove paper, matted and framed, 256 x 360 mm sheet. Slight rippling to the sheet, some minor mostly marginal mat burn, very slight chipping to lower left edge, some minor soiling verso from old framing, a few small pencil annotations verso. The version of this print with no stock number (see previous lot).Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CURRIER and IVES, publishersThe Express Train, n.d. (G. 1947). Small format lithograph with hand coloring, on wove paper, matted and framed, 252 x 382 mm sheet. Some rippling to sheet, minor marginal staining, a few tiny marginal pinholes or chips, some staining verso, old signature lower margin partially effaced.Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CURRIER and IVES, publisherThe Great West, 1870. (G. 2879). Small format lithograph with hand coloring, on wove paper, matted and framed, 252 x 355 mm sheet. Mostly marginal mat burn, some minor toning, slight browning verso from old framing, a few tiny spots, tiny dealer pencil annotation extreme lower margin.Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CURRIER and IVES, publishersThe Lightning Express, n.d. (G. 3801). Small format lithograph with hand coloring, on wove paper, matted and framed, 280 x 356 mm sheet. Spotting upper margin verso with some show-through, minor chipping with small losses to lower right corner. Provenance: JLS (signature lower right corner).Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CURRIER and IVES, publishersThe Route to California. Truckee River Sierra-Nevada, 1871. (G. 5664). Small format lithograph with hand coloring, on wove paper, matted and framed, 252 x 330 mm sheet. Slight marginal mat burn, some minor browning verso from old framing, some minor spotting verso, a few pencil annotations verso.Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CURRIER and IVES, publishersThe Through Express, n.d. (G. 6525). Small format lithograph with hand coloring, on wove paper, matted and framed, 305 x 382 mm sheet. Marginal mat burn, blank area of upper left corner repaired, browning from old framing verso. Provenance: Victor [Knight] (7-line inscription verso).Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CURRIER and IVES, publishersThrough to the Pacific, 1870. (G. 6527). Small format lithograph with hand coloring, on wove paper, matted and framed, 284 x 371 mm sheet. Marginal mat burn, some minor toning, a few very minor spots.Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CURRIER and IVES, publishers -- After Frances F. PalmerThe Rocky Mountains. Emigrants Crossing the Plains, 1866. (G. 5633). Large format lithograph with hand-coloring heightened in gum arabic, printed on very thick wove paper, matted and framed, 600 x 783 mm sheet. Minor toning from matting, a few very minor spots not affecting image, otherwise very bright, discreet dealer pencil annotation recto. VERY RARE: According to online records, only one example of this print has sold at auction in the last 60 years.Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CURRIER and IVES, publishers -- After Frances F. PalmerYosemite Valley "“ California: The Bridal Veil Falls, 1866. (G.). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 553 x 718 mm sheet. Some toning from old matting, small portion of lower left corner repaired, pinholes upper corners, 1-in. tear left margin not crossing image, some light spotting, some soiling verso. VERY RARE: According to online records, only one example of this print has sold at auction in the last 60 years.Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CURRIER and IVES, publishersThe Great Fire at Chicago, Octr. 8th 1871, 1871. (G. 2835). Large format lithograph with hand-coloring heightened in gum arabic, matted and framed. 510 x 660 mm. Laid down on backing board, several tears crossing and affecting image including one long vertical tear, some losses to lower margin affecting caption.19 x 25 inches.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
N. CURRIER, publisher -- After Frances F. PalmerView of San Francisco, California. Taken from Telegraph Hill, April 1850, by Wm. B. McMurtrie, Draughtsman of the U. S. Surveying Expedition, 1851. (G. 6922). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, 623 x 878 mm sheet. 2 1/2-in. tear with small loss to lower right corner, 2 1/2-in. closed tear just crossing image left margin, a few pinholes in corners or margin, small surface abrasion to blank area near title, a few stains to margin or verso, old dealer pencil annotations recto and verso. Original Best 50 No. 25. VERY RARE: According to online records, only one example of this print has sold at auction in the last 75 years.Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CURRIER and IVES, publishers -- After Frances F. PalmerFairmount Water Works. Philadelphia, n.d. (G. 1964). Medium-format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted and framed, unexamined out of frame, 323 x 417 mm sight. A few minor surface abrasions in the upper margin.Property from the Collection of LSC Communications, Inc.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
[CHICAGO]. A group of two views, comprising:WHITEFIELD, E. View of Rush St. Bridge & c. Chicago: E. Whitefield, 1861 [but actually 20th century digital reproduction]. A modern reproduction of Whitefield's scarce pre-fire Chicago lithograph, matted and framed, 345 x 495 mm sheet. Creased, adhesive remnants verso.[With:] VARIN, Raoul, after. Corner of State and Washington Streets Chicago, 1923. Aquatint and etching with hand-coloring, matted and framed, unexamined out of frame.Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
OMAHA LITHOGRAPHING CO., publisher -- After G. W. HallCuster, Idaho -- 1880, n.d. Lithograph, on wove paper, 452 x 624 mm sheet. Very faint dampstain lower outer margin, some minor discoloration verso from old framing, a few small marginal pencil notes. Provenance: Mrs. Beardsley (faint framer's note in pencil verso). Custer, Idaho, established in 1877, is now a ghost town. RARE: According to online records, no example of this print has ever sold at auction. See John Reps, Views and Viewmakers of Urban America: Lithographs of Towns and Cities in the United States and Canada, 765.Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
LIMITED EDITIONS CLUB.A very extensive run of The Limited Editions Club publications through 2010, v.p. [mostly New York], 1929-2010, approximately 555 works, comprising all but 59 of the primary publications and one of the special publications listed in Limited Editions Club A Collectors Guide & Checklist 1929-2012 (Bill R. Majure, compiler). Various Folio to 8vo sizes. Illustrated. Original bindings. (Some light occasional wear to a few volumes, but generally in fresh condition). LIMITED EDITIONS, most one of 1,500 copies signed by the artists. Included are: · SWIFT, Jonathan. The Travels of Lemuel Gulliver. 1929. Signed by Alexander King. (No. 1)· HUGO, Victor. Notre-Dame de Paris. 1930. Signed by Frans Masereel. In the original European-style paper wraps. (No. 13)· DODGSON, Charles Lutwidge. Alice's Adventures in Wonderland. 1932. Signed by Frederick Warde. (No. 36)· APULEIUS, Lucius. The Golden Asse. 1932. Signed by Percival Goodman. (No. 37)· ARISTOPHANES. Lysistrata. 1934. Illustrated and signed by Pablo Picasso. (No. 57)· O. HENRY. The voice of the City. 1935. Signed by George Grosz. (No. 67)· JOYCE, James. Ulysses. 1935. Illustrated and signed by Henri Matisse. (No. 71)· THOREAU, Henry David. Walden. 1936. Illustrated and signed by Edward Steichen. (No. 78)· LEWIS, Sinclair. Main Street. 1937. Illustrated and signed by Grant Wood. (No. 89)· STOWE, Harriet Beecher. Uncle Tom's Cabin. 1938. Signed by Miguel Covarrubias. (No. 97)· BAUDELAIRE, Charles. Les Fleurs Du Mal "“ Flowers of Evil. 1940. With both the English- and French-language editions. (No. 117)· GRAHAME, Kenneth. The Wind in the Willows. 1940. Signed by Bruce Rogers. (No. S-7)· STEINBECK, John. The Grapes of Wrath. 1940. Signed by Thomas Hart Benton. (No. S-8)· SHAKESPEARE, William. The Comedies, Histories, and tragedies of William Shakespeare. 1939-1940. (No. 118)· COOPER, James Fenimore. The Prairie. 1940. Signed by John Steuart Curry. (No. 119)· WHITMAN, Walt. Leaves of Grass. 1942. Signed by Edward Weston. (No. 141)· TWAIN, Mark. Life on the Mississippi. 1944. Signed by Thomas Hart Benton. (No. 158)· GIBBON, Edward. The History of the Decline and Fall of the Roman Empire. 1946. (No. 174)· BROWNING, Elizabeth Barret. Sonnets from the Portuguese. 1948. Signed by Valenti Angelo. (No. 186)· ZOLA, Emile. Nana. 1948. Signed by Bernard Lamotte. (No. 188)· SWIFT, Jonathan. A Voyage to Lilliput"¦ -- A Voyage to Brobdingnag. 1950. (No. 204)· TURGENEV, Ivan. Fathers and Sons. 1951. Signed by Fritz Eichenberg. (No. 212)· Beowulf. 1952. Illustrated by Lynd Ward. (No. 225)· DOSTOEVSKY, Feodor. The Idiot. 1956. Illustrated and signed by Fritz Eichenberg. (No. 264)· VERNE, Jules. Twenty Thousand Leagues Under the Sea. 1956. Signed by Edward A. Wilson (No. 268)· HARDY, Thomas. Far From the Maddening Crowd. 1958. Signed by Agnes Miller Parker. WITH ORIGINAL ENGRAVING LAID-IN. (No. 287)· The Living Talmud: The Wisdom of the Fathers. 1960. Signed by Ben-Zion. (No. 315)· WELLS, H. G. The War of the Worlds. "“ The Time Machine. 1964. Signed by Joe Mugnaini. (No. 354)· STOKER, Bram. Dracula. 1965. Signed by Felix Hoffman. (No. 376)· JEFFERSON, Thomas. The Writings of Thomas Jefferson. 1967. Signed by Lynd Ward. (No. 397)· STEINBECK, John. Of Mice and Men. 1970. Signed by Fletcher Martin. (No. 423)· WILDE, Oscar. Lady Windermere's Fan. "“ The Importance of Being Earnest. 1973. Signed by Tony Walton. (No. 457)· CRANE, Stephen. Maggie, a Girl on the Streets. 1974. Signed by Sigmund Abeles. WITH THE ORIGINAL SIGNED LIMITED EDITION ORIGINAL COPPER ETCHING OF THE FRONTISPIECE laid-in. (No. 472)· WALCOTT, Derek. Poems of the Carribbean. 1982. Signed by Derek Walcott and Romare Bearden. WITH AN ORIGINAL HAND-NUMBERED LIMITED EDITION LITHOGRAPH laid-in. (No 525)· HERSEY, John. Hiroshima. 1983. Illustrated and signed by Jacob Lawrence. (No. 527)· POE, Edgar Allen. Fall of the House of Usher. 1985. Illustrated and signed by Raphael Soyer. (No. 534)· JOYCE, James. Dubliners. 1986. Illustrated and signed by Robert Ballagh. (No. 538)· PAZ, Octavio. Three Poems. 1988. Illustrated and signed by Robert Motherwell. (No. 545)· BECKETT, Samuel. Nohow On. 1989. Illustrated and signed by Robert Ryman. (No. 549)· WHITMAN, Walt. Song of the Open Road. 1990. Illustrated and signed by Aaron Siskind. (No. 552)· CONRAD, Joseph. The Heart of Darkness. 1992. Illustrated and signed by Sean Scully. (No. 560)· POUND, Ezra. Cathay. 1992. Illustrated and signed by Francisco Clemente. (No. 561)· KYOKA, Izumi. The Tale of the Wandering Monk. 1995. Illustrated and signed by Setsuko Ideta. 1995. (No. 568)· HUGHES, Langston. Sunrise is Coming After While. 1998. Signed by Maya Angelou, Illustrated and signed by Phoebe Beasley. (No. 576)· HURSTON, Zora Neale. Bookmarks in the Pages of Life. 2001. Signed by Betye Saar. (No. 580)· ANGELOU, Maya. Deep Rivers in My Soul. 2003. Signed by Maya Angelou, Dean Mitchell, and Wynton Marsalis. (No. 584)· CAVAFY, Constantine P. A Tribute to Cavafy"¦ 2003. Signed by Duane Michals.· KING, Martin Luther. Letter from a Birmingham City Jail. 2008. Illustrated and signed by Faith Ringgold. (No. 588)· The Declaration of Independence. 2010. Illustrated and signed by Robert Frank. (No. 589)[With:] A virtually complete run of all special and promotional publications, including: DWIGGINS. Towards a Reform of the Paper Currency. 1932. (No. S-1). -- The Dolphin, a Journal of the Making of Books. Nos. 1-3. 1933, 1935, 1938. (Nos. S-2, S-3, S-4). -- Bibliography of the Fine Books Published by the Limited Editions Club 1929-1985. (S-9). -- Monthly Letters: The First Fifty Monthly Letters, 1929-1933. (S-10). [Also with:] A complete run of Promotional Publications. -- A profusion of ephemera including prospectuses, pre-publication announcements and holiday greetings.Of the first fifty-eight series of LEC publications, twenty-four are absolutely complete; sixteen are lacking only one volume. The collection also includes the majority of the publications issued after series numbering was discontinued.The Limited Editions Club, founded in 1929 by George Macy, sought to publish finely illustrated and produced classics of world literature. It was the longest-lasting and most successful publishing venture of its kind. The present collection includes books from the golden era of the Club, when it was under the direction of George Macy, as well as livres d'artiste produced by The Club under the direction of Sidney Shiff.Property from the Collection of Jack BelcherFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
Gell (William). The Topography of Rome and its Vicinity, 2 volumes, London: Saunders & Otley, 1834, wood engraved illustrations, 5 lithograph maps & plans (one double-page), two lithograph plates of script (one folding), contemporary calf, gilt decorated spines with contrasting morocco title labels, upper compartment to spines with gilt monogram of Charles William Henry Montagu-Scott, 4th Duke of Buccleuch and 6th Duke of Queensberry (1772-1819), rubbed, 8voQty: (2)Provenance: Patricia Milne-Henderson (1935-2018), art historian.
Nicholson (William). An Almanac of Twelve Sports, London: William Heinemann, 1898, title with colour vignette, 12 colour lithograph plates, light offsetting to text leaves, original pictorial cloth-backed boards, previous owner signature at head of upper cover, some edge wear, 4to, together with London Types, William Heinemann, 1898, 12 colour lithograph plates, light offsetting to text, hinges tender, original pictorial cloth, spine lacking, some edge wear, 4to, plus a defective copy of An Almanac of Twelve Sports, 1898 (with 5 plates only: January-April & October)Qty: (3)
London. Martin (Robert after Cornelius Dankers). London, 1832, large uncoloured lithograph, printed on four sheets and conjoined, slight staining to margins and one repaired marginal closed tear, not affecting image, 470 x 2320 mmQty: (1)NOTESThis large panorama was originally produced by Wenceslaus Holler in 1647.
* Napoleon Bonaparte. Maile (George), Après vous Sire! (Campagne de 1813), circa 1814, uncoloured aquatint after Chalet, very slight spotting, 415 x 480 mm, framed and glazed, together with Bataille de Marengo (14 Juin 1800). unattributed uncoloured engravings, 250 x 390 mm, mounted, framed and glazed, with Dubourg (M.). The Marquis of Anglesea Wounded whilst heading a charge of Heavy Cavalry at the close of the Battle of Waterloo, Edward Orme, 1815, aquatint with contemporary hand-colouring after J. A. Atkinson, 215 x 290 mm, mounted, framed and glazed, plus Cruikshank (George). Napoleon Bonaparte on his Celebrated White Charger [and] Napoleon's Decisive Victory over the Austrians at the Battle of Marengo, circa 1810, two aquatints with contemporary hand colouring, old folds, slight staining, 190 x 225 mm and 195 x 285 mm respectively, mounted, framed and glazed, and Levaches (Charles Francois). Officer Superieur des Guides de L'Empereur, circa 1810, lithograph with contemporary hand-colouring, slight overall toning, slight creasing to the title, 280 x 335 mm, mounted, framed and glazed, with another 30 prints and engravings, all related to Napoleon Bonaparte, the Napoleonic Wars, uniforms, portraits and three caricatures after R. Dighton, J. Kay & T. Rowlandson, various sizes and conditionQty: (36)
* Payne (Charles Johnson 'Snaffles). The Gent in Ratcatcher. "I have my man cleaning my 'osses not my breeches", [1922], lithograph heightened with bodycolour, uncoloured remarque of a groom brushing down a horse, snaffle bit blind stamp, signed in pencil by the artist to the lower right, very slight toning to backing paper, very slight water staining to margins, overall size 370 mm, framed and glazedQty: (1)
* Prints & Engravings. A collection of 36 prints, 18th & 19th century, engravings and lithographs of portraits, British & foreign topographical views, natural history, antiquities and genre, including 6 colour printed stipple engravings by Francisco Bartolozzi after Hans Holbein, an Edouard Traviés lithograph of a game bird, lithographs of the Pyrennes by Ciceri, a large lithograph of the interior of the Great Exhibition and uncoloured engravings of Persepolis, various sizes and conditionQty: (36)
* Richardson (Thomas Miles). The Ouse Burn Viaduct, in the Line of the Newcastle, North-Shields and Tynemouth Railway, John and Benjamin Green, Architects and Engineers 1838, London: T. McLean, Newcastle upon Tyne: F. Loraine Grey, [1838], tinted lithograph by A. Ducôtés after T.M. Richardson, with contemporary hand colouring, 345 x 475 mm, mounted, together with: Ibid., The Willington Dean Viaduct, in the Line of the Newcastle, North-Shields and Tynemouth Railway, John and Benjamin Green, Architects and Engineers 1838, London: T. McLean, Newcastle upon Tyne: F. Loraine Grey, [1838], tinted lithograph by A. Ducôtés after T.M. Richardson, with contemporary hand colouring, some toning, 348 x 469 mm, mountedQty: (2)
* Bridges. Mackworth (Henry Junr.), To the Encouragers of Arts. This Plan and Elevation of Wisbeach Bridge in the Isle of Ely and County of Cambridge is humbly Inscribed..., Sold by the engravers & W. Whittingham, Bookseller, 1761, uncoloured engraved prospect and elevation, some near-contemporary ink annotations and shading and some later pencil annotations, some creasing, 365 x 495 mm, mounted, together with Cumming (Alex). Viaduct across the River Tay at Cargill (Scottish Midland Junction Railway). J. Locke & J. E. Errington Engineers - John Stephenson & Co. Contractors, Allen & Ferguson, Glasgow, 1847, hand-coloured lithograph, slight marginal spotting, slight surface abrasion and one small repaired tear affecting image, 325 x 570 mm, with Basire (James). This plate exhibiting a Picturesque Elevation of the Iron Bridge Erected over the Thames at Vauxhall under the Direction of James Walker, Engineer & compleated A. D. 1816, is Respectfully Dedicated to the Vauxhall bridge Company..., Nov. 1st 1816, hand-coloured engraving after Samuel Cossart, dust soiled with some repaired marginal closed tears affecting image, 290 x 610 mm, mountedQty: (3)
* British Topographical Views. A good collection of approximately 45 views, mostly 19th century, including Croydon (E. publisher). The Parson and Clerk Rock, Dawlish, Devon, Newman & Co, lithographers, circa 1848, hand-coloured lithograph showing an early steam train travelling along the seafront at Dawlish, one repaired closed tear affecting image, 175 x 250 mm, mounted, together with Ambrose (J. publisher). The Britannia Tubular Bridge over the Menai Straits, published in Bangor, lithographed by Day & Son, circa 1850, hand-coloured lithograph, small margins, laid on later stiff paper, 240 x 310 mm, with Crane (W.). The Menai Bridge, Messrs Potter & Co. Carnarvon, circa 1830, hand-coloured-lithograph, small margins, 210 x 270 mm, mounted, plus Picken (A.). The Viaduct over the River Eden at Wetheral..., Charles Thurnam, 1835, hand-coloured lithograph on India wove after M. E. Nutter, slight mount staining, 225 x 310 mm, mounted, and Stubbs (J.). View of the Cast Iron bridge and Museum, Scarborough, Engleman & Co. 1828, hand coloured lithograph, 205 x 300 mm, mounted, together with Pidgeon (G. Bookseller & Publisher). Basingstoke from Chapel Field, lithographed by Newman & Co. circa 1850, tint stone lithograph, slight spotting to margins, 180 x 260 mm, mounted, with another approximately 40 engravings and lithographs of British topographical views, the majority illustrating bridges, piers, viaducts and ports and harbours, nearly all mounted and small format, but various sizes and conditionQty: (approx. 45)
* British Topographical Views. A collection of twenty-one prints, 19th century, lithographic and engraved topographical views, including Buckler (E. H.). High Street Bromsgrove, C. Moody, circa 1850, uncoloured lithograph, 260 x 335 mm, mounted, together with Moore (G.). The North Euston Hotel, Fleetwood on Wyre, Lancashire, Day & Haghe, circa 1850, uncoloured tint stone lithograph, narrow margins, slight spotting, 350 x 465 mm, with Newman & Co. (lithographers). Sackville Street, Dublin, circa 1840, hand-coloured lithograph, some dust soiling, blind stamp of a Dublin printseller (Mr W. M. Cleary Wightman) below image, 250 x 350 mm, mounted, plus Day & Haghe (lithographers). Mr Dredge's Design for the Bath Bridge, circa 1850, unattributed uncoloured lithograph, some dust soiling and slight staining, 285 x 370 mm, and Greenwood (C. J.). The Harbour of Whitehaven, R. Gibson & Son, Whitehaven, circa 1860, uncoloured tint stone lithograph, slight spotting, slight marginal fraying, repaired on verso, 275 x 360 mm, mounted, with another 17 topographical engravings and lithographs, various sizes and conditionQty: (21)
* Marine. Sbonski de Passebon (Henri ), Galeasse a la rame, Laurent Bremond, Marseille, circa 1693, hand-coloured engraving by Claude Randon, slight marginal fraying but not affecting image, 440 x 565 mm, mounted with an old Weinreb & Douwma label to verso, together with Isaac (John R.). The Iron Steam Ship Great Britain..., Liverpool, circa 1860, uncoloured lithograph after C. P. Williams, repaired marginal fraying, chipping and closed tears, some affecting the image, 380 x 490 mm, with Lifeboats. The "Captain Hans Busk" Lifeboat (built by Messrs. White of Cowes) was presented by him, whose name she bears, to the Town of Ryde, on the 5th May 1869..., unattributed, uncoloured lithograph, some spotting and slight mount staining, 280 x 310 mm, mounted, plus Stevengraph. Britain's Bulwarks H. M. S. Mars, circa 1900, view of a British warship, woven in silk, contemporary mount with printed title below image on the mountboard, slight spotting, image size 140 x 230 mm, framed and glazed in a contemporary maple frame, overall size 365 x 490 mm, and Hamilton Ellis (Cuthbert). Travel in 1885. Furness Railway Steamer "Gondola" on Lake Coniston [British Railways, London Midland Region, 1951], chromolithograph, slight marginal creasing, 210 x 590 mm, mounted, with another five engravings, lithographs and photographs of ships, various sizes and conditionQty: (10)NOTESThe first described item is from a rare collection of prospects of ships and their architecture that were to be found in the Mediterranean. The volume was called "Plan de Plusieurs Batiments de Mer avec leurs Proportions" and was published in Marseille in1690.The plates were rapidly re-published by Pierre Mortier in Amsterdam between 1693 & 1700 and this is an example from this slightly later edition.
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