We found 70555 price guide item(s) matching your search

Edward Ardizzone CBE, RA (British 1909-1979), Pleasure Steamer, titled and signed 'Edward Ardizzone' (lower right); numbered 22/30, lithograph, 25 x 33cmCondition report: Surface foxed and slightly toned. The foxing is mostly located to the top half of the image, with a deeper vertical line of discolouration visible in the centre of the image. See additional images.

Allen Jones RA (British 1937-), STAMP!, a collection of 44 stamps from "Culture Carriers Stamp Out Art", 1971, lithograph, unnumbered from an edition of 250, unframed, each 5 x 3.5cmFootnote: The present lot represents one of a number of stamps designed in 1971 as part of the “culture carriers stamp out art” project. Bringing together a group of highly regarded contemporary British artists, including Hockney, Boshier, Paolozzi and Tilson, the project was intended to raise funds for striking postal workers. The strike, which lasted for seven weeks, was Britain’s first national postal strike and involved around 200,000 Post Office staff.

Collection of five prints; to include, Martin Amsler Rushton (1903-1970), three wood engravings; In the Woods outside Cridos, signed titled and numbered '5/25' (bottom margin), 18.5 x 14.5cm; Demophon Storm-tossed, signed titled and numbered '4/25' (bottom margin); 18.5 x 14.5cm, Troilus awaiting Creseyde, signed titled and numbered '6/25' (bottom margin), 17 x 18cm; Francis Robert Kelly (1927-2012), Armarda, signed 'FRANCIS KELLY' (lower left) and titled and numbered 'ARMARDA 26/50', coloured lithograph, 55 x 61cm (4)

After David Roberts, Ancient Joppa, coloured lithograph publ. by Moon, 1843 [or later], 34 x 49cm (image), modern gilt frameCondition report: Minor evidence of Foxing to the sky and lower right cornerPaper slightly browning to the edgesGeneral colour is goodSee photos for front, back and inscriptions

Keith Haring (American 1958-1990), Crack Down!, 1986, offset lithograph in colours on paper, produced as part of The Crack-Down Fund, New York, unframed, 56 x 43.5cm

Pablo Picasso (Spanish 1881-1973), an exhibition poster for Picasso Keramik, Louisana, 2018, offset lithograph, unframed, showing Still Life with Fish, Fork and Slice of Lemon, 1955, 42 x 30cmCondition report: The top left with a minor handling crease visible under raking light. Otherwise in good, clean condition.

David Hockney OM, CH, RA (British 1937-), exhibition poster for fotógrafo, Galeria de Exposições Temporárias, Lisbon, offset lithograph, unframed, showing Christopher Isherwood talking to Bob Holman, 1983, 68 x 47cm

David Hockney RA (British 1937-), Skater (XIV Olympic Winter Games, Sarajevo, 1984), offset lithograph, unframed, 84.5 x 62cm

Yayoi Kusama (Japanese 1929-), two offset lithograph exhibition posters, unframed, 46 x 60cm and 89 x 64.5cm

David Hockney OM, CH, RA (British 1937-), exhibition poster for 1853 Gallery, Salts Mill, Bradford, offset lithograph, unframed, showing Montcalm Interior at Seven O'Clock, 1988, 70 x 84cmCondition report: Badly creased in a few areas along the bottom edgeMinor discolouration around the edge of the reverse, see photos

David Hockney RA (British 1937-), Exhibition poster for The Metropolitan Museum, New York, offset lithograph, unframed, showing Mount Fuji and Flowers (1972), 86.5 x 64cmCondition report: Colour is good, minor creasesCondition consistent with age

Richard Joseph Anuszriewicz, lithograph, "Yellow Reversed", framed, overall 42cm x 52cm

Lennart Rosensohn (1918-1994) Swedish, a modern lithograph, signed and numbered 3/5 in pencil and dated 1969, also indistinctly titled, 16.5" x 21", along with another by the same hand, also signed in pencil, 23.5" x 19".

Andre Masson (1896-1987) French, a print of entwined figures, lithograph, signed in pencil and numbered 71/125, 21" x 15".

After Felice Regan, A colour lithograph poster of a Panda, 30" x 24.5".

Dickinson after McIan, A 19th Century hand coloured lithograph, 'Mac Rimmon', a Scottish bagpiper, 15" x 10"

After Oskar Kokoschka (1886-1980) Austrian, 'Amsterdam', lithograph, trade label verso, The Zwemmer Gallery, London, 24" x 33".

After John Downman (1750-1824) A coloured lithograph, Portrait of a lady, published 1909, trade label verso, 16.25" x 12.5", Provenance: Henry Graves & Co; Ltd.

Pictures to include a Science and Technology limited edition lithograph print after Roy Anthony Nockolds published by Thackwell & Co Monte Carlo, titled and numbered in pencil 22/100, 66cm x 90cm mounted in a glazed frame; a wooded river landscape, oil on canvas, signed lower right 61cm x 91.5cm in a gilt frame; an Impressionist style oil on board of a French town scene with figures walking down the street, signed, 63.5cm x 48cm framed; and a framed and glazed print of the Cutty Sark after Montague Dawson (4)Location:

AFTER JOHN GOULD AND H.C. RICHTER "Recurvirostra avocetta" colour lithograph by Walter & Cohn, image size 51 cm x 34 cm together with another "Numenius arquata"

LÉONARD? "Still life with jug of flowers on a ledge", lithograph, limited edition No'd. 105/175, No'd lower left, indistinctly signed lower right, paper size 54 cm x 74 cm, AFTER NORMAN WADE "York Minster", colour print, limited edition 45/60, signed in pencil, dated '71, KARLA LEOPOLD "My mothers dress" a framed and glazed collage study, a reproduction framed and glazed map of Gloucestershire, STUART BIRD "Surrealist study", colour print 358/750 signed in pencil and four other various paintings and prints

JOHN FERGUSON ROSS Shipyard, signed, lithograph, 2 of 12, signed and dated, 1935, 40 x 61cm Condition Report:Available upon request

JOHN FERGUSON ROSS Liner, signed, lithograph, 6 of 20, 41 x62cm Condition Report:Available upon request

JOHN FERGUSON ROSS Aerial view of liner, 2 of 12, signed, lithograph, dated, 1935, 53 x 42cm Condition Report:Available upon request

A small framed oil finished lithograph after Picasso with Picasso museum label verso, frame size 19 x 23cm.

After Alfred Grenfell Haigh (1870-1963) Hunting Scene, lithograph, measurements 43 x 58 cm (PL), frame 86 x 99 cm

Snaffles (1884-1967) (Charles Johnson Payne) Foxcatchers 'For the Love of It', lithograph with pencil signature and artist stamp, measurements 23.3 x 26.5 cm (PL), 42 x 38.5 cm (SH)

Snaffles (1884-1967) (Charles Johnson Payne) Merry England and worth a guinea a minute, lithograph with pencil signature, measurements 26 x 24.2 cm (PL), 39 x 36 cm (SH)

Salvador Dali (Spanish 1904-1989) A Monument to Picasso, signed pencil lower right, numbered 158/500, lithograph, measurements 63 x 46 cm (i), 76 x 56 cm (SH) together with a statement of authenticity from Hope Laboratories Ltd, Blenheim Gardens, London dated 1974

After Stanhope A. Forbes (19thC British School). Landscape with horses and cart with figures, lithograph, 32cm x 52cm.

Contemporary School. The Human Canon, mixed media, 75cm x 55cm; Marcelle Mouly (French, b. 1980), Nature Mort Bleue, coloured lithograph, signed, 75cm x 56cm; a print of a Pierrot playing a violin, and a lithograph on metal of Guernica, after Picasso. (4)

Belleroche (Albert de, 1864-1944). Daydream, lithograph, depicting a woman in profile with her head tilted to the right, wearing an extravagant hat and looking wistful, signed lower right, 57 x 46.5cm (22 2/4 x 18 1/4ins), typewritten catalogue note from 1967 to verso including name of artist and name of painting 'Reverie', mounted, framed and glazed (83.5 x 69.5cm)Qty: (1)

Belleroche (Albert de, 1864-1944). 'Mantilla', lithograph, showing the head & shoulders of a young woman looking to the right, wearing a mantilla, signed lower right, sheet size 56.5 x 43.5cm (22 2/8 x 17 1/8ins), typewritten catalogue note from 1967 to verso stating name of artist and name of painting 'La Mantille', mounted, framed and glazed (83.5 x 68cm)Qty: (1)

Belleroche (Albert de, 1864-1944). Seated Nude, lithograph, depicting a naked woman sitting, with loose shoulder length hair, her elbows on her knees resting her chin on her hand, signed lower left, some spotting to margins, sheet size 49 x 39cm (19 1/4 x 15 1/4ins), typewritten catalogue note from 1967 to verso including name of artist and name of painting 'nue', some water damage to mount lower left, mounted, framed and glazed (69.5 x 57cm)Qty: (1)

Benton (Thomas Hart, 1889-1975). Shallow Creek, 1939, lithograph on wove paper, from the edition of 250 impressions, published by Associated American Artists, New York, signed in pencil lower right, image size 36 x 24 cm (14.25 x 9.5 ins), sheet size 40 x 28 cm (15.75 x 11 ins), framed and glazedQty: (1)Footnote: FATH, lithographs of Thomas Hart Benton (1969), 32.

Nash (Paul, 1889-1946). Landscape of the Megaliths, London: Contemporary Lithographs Ltd, [1937], colour lithograph, depicting a landscape with three large stones casting shadows on the ground, closed tears to edge of paper, some encroaching into image with minor loss, water stain to middle right edge, right edge of image cut away with loss of roughly 7cm including margin, signed lower left, publishing details printed to lower left of margin, 50.4 x 70cm (19 7/8 x 27 5/8ins) Qty: (1)

Nash (Paul, 1889-1946). Moonlight voyage, Hampden flying above the clouds (Flying against Germany), London: Curwen Press, published by The National Gallery for The Ministry of Information, 1940, colour lithograph, showing a Hampden fighter airplane flying above the clouds with the moon behind it, signed lower right, some smudgy marks to margin, title, artist and publisher information printed on verso, 40.5 x 54.5cm (16 x 21 3/8ins)

Nash (Paul, 1889-1946). The Raider on the Moors, London: Curwen Press, published by The National Gallery for The Ministry of Information, 1940, colour lithograph, depicting a German fighter airplane downed on the moors, inscribed by artist with title to lower right, some smudgy marks to margin, title, artist and publisher information printed on verso, 38 x 56cm (15 x 22ins)Qty: (1)

Atché (Jeanne Louise Marie Euphrasie, 1872-1937). Reverie, 1903, circular colour lithograph, some toning and light overall discolouration, 34 cm diameter, framed and glazedQty: (1)Footnote: Atché's female heads - in particular the diptych Meditation and Reverie - are related to the very successful series of Tetes Byzantines of Alphonse Mucha, issued in 1897.

Hockney (David, 1937- ). Le Nid du Duc, May 1971, colour lithograph, depicting an apricot rose in a bud vase on a window sill, initialled, titled, and dated lower right, 48.8 x 38.8cm (19 1/4 x 15 1/4ins), framed and glazed (57.3 x 47.3ins)Qty: (1)

Hockney (David, 1937-). Red Square and The Forbidden City, 1982, colour lithograph on Somerset satin-finish mould-made rag paper, printed in five colours at Petersburg Studios, New York, 1982, in an edition of 1000, signed and numbered 38/1000 in pencil, folded three times, as issued, overall size 495 x 540 mm (19.5 x 21.25 ins), loosely contained in original red printed sleeve, with a copy of the published edition of China Diary by Stephen Spender and David Hockney, published by Thames and Hudson, 1982, signed by Hockney and Spender to half-title, bound in original red cloth gilt in fine condition, with original publisher's card slipcaseQty: (1)Footnote: Tokyo 254.

Moore (Henry, 1898-1986). Homage to Sacheverell Sitwell, 1979, lithograph over a reproduction in colour of a drawing by Moore, printed on T. H. Saunders paper, published in an edition of 50 impressions, printed at Skelton's Press, Wellingborough and Curwen Studio, published by the Fairfax Press 1980, York for the Henry Moore Foundation, as published in Valse des Fleurs by Sacheverell Sitwell, this being one of 30 hors commerce impressions, signed in pencil, and numbered HC 7/30, sheet size 44 x 30 cm (17.25 x 11.8 ins), framed and glazedQty: (1)Footnote: Kramer 537. The book was published in a total edition of 400 copies, although only 20 deluxe copies numbered I-XX, and 30 hors commerce impressions were issued with this signed print.

Nash (John, 1893-1977). The Avenue, colour lithograph, depicting a landscape, a line of trees acting as a boundary between a ploughed field and a road, published by the Fine Art Trade Guild, artists signature printed on image and in pencil to lower right margin, laid down onto backing board, image size 37 x 52.5cm (14 4/8 x 20 5/8ins), sheet size 50 x 64cm (19 6/8 x 25 2/8ins), window mounted, framed and glazed (56.2 x 69.7cm)Qty: (1)

Trevelyan (Julian, 1910-1988). As You Like It, 1964, colour lithograph on paper, signed and numbered 35/50 to lower margin, RCA watermark lower right, image size 355 x 480 mm (14 x 19 ins), sheet size 490 x 620 mm (19.25 x 24.5 ins), framed and glazedQty: (1)

ARTHUR MERRIC BLOOMFIELD BOYD (1920-1999). Australian school, 'Shoelhaven Riverbank Trees I 1996', signed in pencil lower right, coloured limited edition lithograph on paper with guild stamp, number 42 of 70, 82 x 60 cm

BARNETT FREEDMAN (1901-1958). Study of a fairground fighter, signed lower right, watercolour, unframed, together with four vignettes in one mount of women and writing equipment in one mount by the same artist, signed in plate lower left, lithograph on paper, unframed, site size 18 x 19 cm

Caricatures. A collection of 23 framed satirical prints, including 'Attention', hand-coloured etching on wove paper by Thomas Rowlandson after George "Mustard" Woodward; 'The Tooth Ache', two duplicate etchings by Rowlandson (both later restrikes); 'The Morning News', hand-coloured etching after Henry William Bunbury; 'Cham-Paign and Real-Pain', hand-coloured etching, anonymous; six engravings by Tim Bobbin (pseudonym of John Collier), four of which are trimmed and mounted on late-18th/early-19th century scrapbook pages; 'Acute Pain', later engraving after Bobbin; 'The Country Tooth Drawer' and 'The Town Tooth Drawer', engravings by William Davison of Alnwick, later hand-colouring; 'The Travelling Quack', chromolithograph of Gladstone by Tom Merry; 'Le baume L'acier', hand-coloured lithograph by Louis-Leopold Boilly; four hand-coloured prints after C. C. Henderson (later prints of engravings); two French cartoons (later copies of a lithograph and an engraving); 'For Faith and Freedom', wood engraving after Forestier (23)

Full title: Jean Carzou (1907-2000): Two lithographs in colours, the catalogue raisonnŽ of the graphic works and some documentationDescription: Work: 65,5 x 49 cm (the harbor, ed. 2/32, dated (19)74)Ê Frame: 78,7 x 56,8 cmÊ Work: 26 x 20 cm (the woman, ed. 8/156, dated (19)74)Ê Frame: 50,8 x 35,8 cmCatalogue raisonne: M. Furhange, 'Carzou. Graveur et lithographe. Engraver and lithographer. Graveur und Lithograph. Catalogue raisonne et commente de l'oeuvre grave et lithographie. Descriptive and annotated catalogue of the engraved and lithographed work. Bearbeitetes und kommentiertes Verzeichnis der Stiche und Lithographien', 2 vols. (1948-1962 and 1963-1968), Editions d'Art de Francony, Nice. The first volume with three original lithographs in colours.Ê Documentation: J. Marcenac, 'Carzou. Peintures', F. Hazan, Paris, 1972.Ê Ê Condition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: Paul Delvaux (1897-1944): 'Le tramway', lithograph, ed. E.A., dated (19)71Description: Work: ca. 70 x 32 cmÊ Frame: 100 x 70 cmÊ Condition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: Pablo Picasso (1881-1973): 'Les deux femmes nues' (Two nude women), lithograph, state seven, 30 December 1945Description: Work: ca. 44 x 33 cmÊ Paper: 52,4 x 37,3 cmÊ Frame: 60,6 x 50,8 cmPrinted by Fernand Mourlot, Paris.Ê Exhibition & Provenance: 'Picasso Intime', 13 November 1975 - 19 January 1976, Galerie d'Art Claude Jongen (Chaussee de Charleroi, Brussels).Condition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: Roger Raveel (1921-2013): 'Genesis 21', lithograph in colours, ed. 39/80, (1969)Description: Work: ca. 76 x 57 cmÊ Frame: 112 x 93,5 cmÊ Condition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: RenŽ Magritte (1898-1967, after): 'La reconnaissance infinie', lithograph in colours, ed. 84/275, dated 2010Description: Work: ca. 46,4 x 38 cmÊ Frame: 87,7 x 74,8 cmThe lithograph based on the painting 'La reconnaissance infinie' by Rene Magritte and edited by Philippe Moreno, with the autorisation and under control of the ADAGP, representing 'La Succession Magritte' (see also the stamps in the left and right bottom corner).Condition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: Walasse Ting (Ding Xiongquan, 1929-2010): 'Le cheval rouge', lithograph in colours, ed. 14/200, dated (19)81Description: Work: 59,3 x 44,7 cmÊ Frame: 91,6 x 76,6 cmCondition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: RenŽ Magritte (1898-1967, after): 'Lithographies V', twenty lithographs in colours, dated 2010Description: Work: ca. 46,5 x 38 cmThe lithographs based on the paintings by Rene Magritte and edited by Philippe Moreno, with the autorisation and under control of the ADAGP, representing 'La Succession Magritte' (see also the stamps in the left and right bottom corner). The lithographs also countersigned in pencil by Mr. Charly Herscovici,President of the Magritte Foundation, Chairman of the Magritte Museum and unique representative of the Magritte Succession.A proof of edition is printed on the back of each lithograph, guaranteeing its authenticity. Different editions.Condition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: Pierre Alechinsky (1927): 'Gans Belgi‘', lithograph in colours, dated 1980Description: Work: ca. 90,5 x 63,5 cmÊ Frame: 115 x 87,5 cmThis work is a very first printing proof. This 'epreuve', dedicated by Alechinsky to Dotremont, is exceptional due to the fact that the game rules (drafted by Hugo Claus), as well as the numbers in the different boxes, are still missing.Ê Condition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Nine 19th century framed botanical and bird pictures, some in maple framesComprising: a hand coloured lithograph Trogon Ambiguus (Doubtful Trogon) by J & E Gould, from the 'Family of Trogons', in a rosewood frame, 34cm x 26cm, a watercolour by Barbara Everard, 33cm x 26cm, the others, 26cm x 20cm, 22cm x 17cm, 26cm x 29cm, 27cm x 22cm, 28cm x 22cm, and a pair in mahogany frames, 30cm x 22cm, 27cm x 22cm. (9)N.B: This lot is subject to CITES regulations

ANTONI TÀPIES PUIG (Barcelona, 1923 - 2012).Untitled.Lithograph, copy H.C. I/XX.Signed and justified by hand.Work published in the Catalogue Raisonné of Graphic Work 1973-1978, Barcelona, Mariuccia Galfetti, 1980, p.127, n. 513.Measurements: 87 x 68 cm; 88 x 69 cm (frame).Antoni Tàpies was initiated into art during his long convalescence from a lung disease. He progressively devoted himself more intensely to drawing and painting, and finally gave up his law studies to devote himself entirely to art. Co-founder of "Dau al Set" in 1948, he began to exhibit at the Salones de Octubre in Barcelona, as well as at the Salón de los Once held in Madrid in 1949. After his first solo exhibition at the Galerías Layetanas, he travelled to Paris in 1950, with a grant from the Institut Français. In those years he began to take part in the Venice Biennale, exhibited again at the Layetanas and, after a show in Chicago, in 1953 he had a solo exhibition at Martha Jackson's gallery in New York. Since then he has exhibited his work, both in group and solo shows, all over the world, in leading galleries and museums such as the Guggenheim in New York and the Musée d'Art Moderne in Paris. He has been awarded prizes such as the Prince of Asturias, the Praemium Imperiale of the Japan Art Association, the National Culture Prize, the French Grand Prix for Painting, etc., and anthologies have been dedicated to him in Tokyo (1976), New York (1977 and 2005), Rome (1980), Amsterdam (1980), Madrid (1980), Venice (1982), Milan (1985), Vienna (1986) and Brussels (1986). He is represented in major museums around the world, such as the foundation that bears his name in Barcelona, the Reina Sofía in Madrid, the Guggenheim in Berlin, Bilbao and New York, the Fukoka Art Museum in Japan, the MoMA in New York and the Tate Gallery in London.

EDUARDO ARROYO (Madrid, 1937-2018)."Parmi les peintres", 1977.Lithograph, copy H.C.XI/XX.Signed, dated and justified in pencil.Size: 53 x 89 cm; 54 x 90 cm (maco).Painter, sculptor and engraver, Arroyo stands out as an important figure within the neo-figurativist movement. A key figure in the new Spanish figuration, Arroyo came to prominence on the national art circuit only belatedly, from the 1980s onwards, after a two-decade-long period of withdrawal forced by the Franco regime. Today, his works hang in the most reputed Spanish museums and his creativity extends to theatrical scenographies and illustrated editions. Arroyo began his career in journalism, finishing his studies in 1957. He then left for Paris, fleeing the stifling Spanish political climate of the time. Although his first vocation was as a writer, a task he continues to pursue to this day, by 1960 he was already making a living as a painter. That year he took part for the first time in the Salon de Peinture Jeunesse in Paris. His critical attitude towards dictatorships, both political and artistic, led him to take controversial initiatives. He opted for figurative painting at a time when abstract painting was overwhelmingly dominant in Paris, and his early themes were reminiscent of "black Spain" (effigies of Philip II, bullfighters, dancers), worked in a caustic and unromantic manner. At the beginning of the 1960s his plastic vocabulary moved under the American influence of pop art, and in 1964 his break with informal art became definitive. His first public impact came in 1963, when he presented a series of effigies of dictators at the Third Paris Biennial, which provoked protests from the Spanish government. That same year, Arroyo prepared an exhibition at the Biosca gallery in Madrid, which opened without his presence as he had to flee to France, pursued by the police; the exhibition was censored and closed a few days later. However, Arroyo's figurative option was slow to be accepted in Paris. The painter rejected the unconditional devotion to certain avant-gardists, such as Duchamp or Miró, which he considered imposed by fashions. His real interest was in demystifying the great masters and defending the role of the market as a protector and thermometer of art, as opposed to the network of museums and influences paid for with public money. In 1974, Arroyo was expelled from Spain by the regime, and would not recover his passport until Franco's death. However, his critical breakthrough in Spain was not immediate, and was delayed until the early 1980s. In 1982 he was awarded the Premio Nacional de Artes Plásticas, and anthological exhibitions were held at the Biblioteca Nacional in Madrid and the Centre Pompidou in Paris. Arroyo is currently represented at the Museo Nacional Reina Sofía in Madrid, the Patio Herreriano in Valladolid, the Museo de Bellas Artes in Bilbao, the Hirshhorn Museum and Sculpture Garden in Washington D.C. and the Museo de Arte Moderno in Lille (France), among others.

Dinky Supertoys No 561 Blaw Knox Bulldozer: re with cream driver, black wheels and treads, original inner packing in a green box with lithograph pictorial label.

Crescent Toys. Two boxed sets of Cowboys and Indians: mounted and on foot, in lithograph printed boxes (2)