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Click here to subscribeLouis Haghe (1806-1985) after David Roberts (1796-1864) - coloured lithograph - "Karnak" - View of ruined temple with figures and camels to foreground and stepped mountains to background, 13ins x 19ins (from David Roberts' illustrated book "Holy Land, Egypt and Nubia 1842-1849"), published by F.J. Moon, 20 Threadneedle Street, May 1st 1847, in gilt moulded frame and glazed
Sheila Hawton - Anticipation of a Celebration, aquatint, in colours, signed by the artist in pencil, inscribed and numbered 73/100, 30.5 x 37.5cm; and a lithograph by another , signed, dated '69 and numbered 65/75, 50 x 65.5 (2) Hawton print in excellent condition, the second work rather evenly time stained overall as a result of being backed in acidic board
BRENDA CHAMBERLAIN Emolli pen and ink, signed and inscribed, 50 x 35cm; and a lithograph of a child by J Bowles, signed by the artist in pencil and numbered 122/500 (2) Chamberlain drawing - light sporadic foxing. Print - some minor cockling of the paper. Both works clean but he frames very dusty
Serge Poliakoff, 1900-1969, (i) composition bleue, rouge et jaune (ii) composition rouge, noir et gris (iii) composition gris, (i) signed (ii) signed and inscribed Ed.A (iii) signed and dedicated pour Jean-Yves Mock amicalement, one lithograph and two aquatints, (i) 30x22cm.; 11.75x8.75in. (ii) 37.5x29cm.; 14.75x11.5in. (iii) 65x49cm.; 25.5x19.25in. (3) (iii) Executed for the Poliakoff Lithographies exhibition held at Le Divan, Paris between 5-29th June 1963, this work is one of an edition of 50 in this format.
Roy Lichtenstein, 1923-1997, (i) foot and hand (corlett ii.4) (ii) foot medication (CORLETT APP.3), (i) signed in pencil, dated 1964 and numbered 207/300 (ii) signed in pencil , (i) offset lithograph printed in colours (ii) poster, (i) (image) 41.5x52.5cm.; 16.25x20.75in. (ii) 39x40cm.; 15.5x15.75in. (2)
Louise Nevelson, 1899-1988, (i) the great wall (ii) dusk in august, (i) signed, titled, dated 70 and numbered 58/150, (ii) signed, titled and inscribed Artist's Proof, (i) embossed lead collage (ii) lithograph with embossing, (i) (visible sheet) 74x62cm.; 29x24.25in. (ii) 72x58.5cm.; 28.5x23in. (2)
Niki de Saint Phalle, 1930-2002, i. LE SIDA EST LA....PRESERVONS NOUS ii. OFFREZ-LUI DES PRESERVATIFS, i. signed in pencil and inscribed Epreuve d'artiste pour etrage de l'affiche sur le sida, i. colour lithograph ii. felt-tip pen and paper collage on paper, i. image 40x29.5cm.; 15.75x11.75in. ii. 26.5x34.5cm.; 10.25x13.5in. (2) Executed circa 1970.
William Scott, R.A., 1913-1989, blue nude, one signed and numbered 63/75, two lithographs, each 79x53cm.; 31x21in. (2) William Scott and poet Edward Lucie Smith collaborated on a book, The Girl in Blue for which two versions of this lithograph were produced. One with plain blue lines and the other with additional printed text from Lucie Smith's poem.
Three framed reproductions of theatre posters: Theatre Royal, Drury Lane, 'Hamlet' played 'by Mr. Garrick'; (hand painted, once a BBC prop) Kilkenny Theatre Royal, 'Hamlet'; and Royal Lyceum Theatre, 'The Lyons Mail'; along with a modern coloured lithograph signed in pencil by H. Wassop, 'Seascape' no.36/125, 10in x 12in (four)
Victorian pictorial lithograph, Conway Castle after G White, inscribed 'Christ In You, The Hope of Glory', framed; also 'The Lord Knoweth Them That Are His', floral print, oak framed; another floral print centred 'Jesus', framed; 'God is Our Refuge', framed; and 'I am Thine, Save Me', oak framed (5)
Vincent R. Balfour Browne (1880-1963) 'In his first year he has no cares' 'In his third year he fags for an old beast' 'In his fifth year he challenges the old beast , but apologises' 'In his seventh year he risks his life on sheep-ground, but fortune is kind' 'In his ninth year he proclaimes himself 'Lord of the Forest' 'In his eleventh year he pays the penalty of his greatness' Each lithograph Each signed and dated 1914 within the plate Each signed in pencil within the margin lower right S. 29cm x 41cm
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