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Click here to subscribeAfter Maurice de Vlaminck 1876-1958- Winter woodland scene; lithograph printed in colours with later hand-colouring, bears stamped signature, numbered 7/20 in pencil, 32x39cm: together with one other lithograph printed in colours with hand-colouring after the same hand, signed within the plate, bearing stamped signature and numbered 2/20 in pencil, 32x39cm., (2) (unframed)
After Oskar Kokoschka 1886-1980- Portrait of a young woman, head and shoulders, lithograph, initialed, dated 1.9.17 and inscribed K. Richter within the plate, bears pencil signature and dated 1917, 27x20.4cm: After Jean Dufy 1888-1964- Landscape; lithograph printed in colours, bears signature in pencil, numbered 3/25 in pencil, 32.5x24.7cm., (2), (unframed)
After Henri de Toulouse-Lautrec 1864-1901- ''Femme Au Lit, Au Petit Lever'', 1896, lithograph printed in colours, monogrammed within the plate, on laid paper watermarked Van Gelder Zonen, eighth sheet from the Elles series, 44.7x58.5cm, together with two other lithographs printed in colours after the same hand entitled ''Femme A Glace, La Glace A Main'', 1896, monogrammed within the plate, on laid paper watermarked Van Gelder Zonen, sixth sheet from the Elles series, 56x45.5cm: ''Femme Sur Le Dos, Lassitude'',1896, printed in brown on olive green tinted paper, monogrammed within the plate, bears stamped signature, on laid paper watermarked Van Gelder Zonen, tenth in the Elles series, 43.5x56.8cm., (3), (unframed)
Anthony Wilkinson late 20th century- 'Anemones in a Window'; photo etching printed in colours, signed, titled and numbered 10/225 in pencil, 52x39cm: together with one other similar etching printed in colours by the same hand titled 'Daffodils', signed, titled and numbered 10/225 in pencil: After Patrick Livingstone late 20th century- 'Garden Table'; colour reproduction print, signed, titled and numbered 253/290 in pencil: together with one other similar reproduction print after the same hand, signed, titled 'Garden Gate' and numbered 262/275 in pencil: Michael Potter b.1951- 'Paul de Vence'; lithograph printed in colours, signed, titled and numbered 105/200 in pencil, (5). (may be subject to Droit de Suite)
After Gustave Singier 1909-1984- Untitled; lithograph printed in colours, bears signature in pencil, catalogue Frontispiece for the Galerie De France, Singier exhibition Avril, Mai 1959, with text ''Une Lithograpie Original Constitue La Couverture de ce Catalogue'', on BFK Rives paper, 33x25.2cm
After Franz Xaver Winterhalter 1805-1873- ''Her Royal Highness Victoria, Princess Royal 1855''; published January 1st 1856 by J Mitchell, Royal Library, 33, Old Bond St, lithograph, proof, signed within the plate, 60x43.5cm: together with a collection of other 19th century engravings, prints and various Ordnance Survey maps, (box), (a/f), (unframed)
Thomas B Worth(American) 1834-1917- ''Breaking Out, A Lively Scrimmage''; hand coloured lithograph, signed within the plate, together with two other hand coloured lithographs from the same or similar suite, 23x32cm, each: William Dickinson 1746-1823- ''How To Ride A Horse Upon Three Legs''; published London Sept 1st 1786, by W Dickinson, engraver and print seller No 158, Bond Street, hand coloured stipple engraving After Henry William Bunbury 1750-1811, 22x19cm: together with five other hand coloured stipple engravings by the same hand from the same suite
After Pierre Bonnard 1867-1947- ''La Mer''; lithograph printed in colours, signed within the plate, bears signature in pencil, 52x65cm: together with one other lithograph printed in colours after the same hand depicting a bathing woman, signed within the plate, bears stamped signature, 24.6x32.3cm, (2)
After Maurice Utrillo 1883-1955- ''Pont Neuf, Paris''; lithograph printed in colours, signed and titled within the plate, bears stamped signature, bears ''Preuve d' artistes'', in pencil, 33x41.3cm: together with two other lithograph and aquatints after the same hand, one bearing stamped signature and numbered 6/25, the other signed within the plate and numbered 39/197, (3) (unframed)
Doyle (John, H.B.Ó). A collection of twenty-nine lithograph caricatures, pub. T. McLean, 1837-38, includes, Satan Playing at Chess with Man for His Soul; The Quuen in Danger!; The Rival Quacks; The Royal Cosset; Auction Extraordinary..., etc., some plts. with few marks, loosely bound in contemp.cloth, boards detached, oblong folio. (1)
John Harris and Edward Duncan, after Charles Hancock DON JOHN, WINNER OF THE GREAT ST LEGER STAKES,1838; BLUE BONNET, 1842; AND ATTILA, WINNER OF THE DERBY STAKES,1842 Three hand-coloured aquatints, published 1838-1842 by Ackermann 32.5 x 44cm; and another, by Reeve after Herring of Tarrare, winner of the Great St Leger Stakes, 1826(4) Julian Trevelyan, R.A. (1910-1988) 'CRETAN WINDMILLS' Lithograph, signed and inscribed in pencil 'To Kathleen with love', numbered 3/30 36 x 44cm
Cecil Collins (1908-1989) 'THE ETERNAL SIN' Lithograph, signed, inscribed 'For Kathleen with love and friendship, Spring 1967 in the House of Rays' and dated 1961 in pencil, numbered 4/50 sheet size 53 x 38cm (water stained) and another, 'ANGELS' Lithograph, signed, inscribed and dated in pencil, numbered 16/30 sheet size 51 x 63cm (2)
AFTER PINTURICCHIO AND FATTORINI "The Nativity" a chromo lithograph Wilhelm Greve of Berlin for the Arundel Society, circa 1894, heightened in gilt together with after Benozzo Gozzoli and E. Kaiser "Angels adoring" chromo lithograph by Fritzfrick of Berlin for the Arundel Society, circa 1884, heightened in gilt 49 x 33cm, arched and 73 x 46cm respectively
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