* Furttenbach (Joseph). Seven engraved plates from Newes Itinerarium Italiae, in welchem der Reisende nicht allein gründtlichen Bericht... Ulm: Jonam Saurn, 1627, 7 copper engraved plates only from Furttenbach's Itinerarium Italiae (from the total of 30 plates including one folding map), comprising plates 5, 7, 21, 22, 23, 24 and 30, on laid paper with a watermark of a cross and wavy pattern within an oval, neatly trimmed just inside the platemark, traces of glue to outer corners verso, and modern mounting tabs to verso, sheet size 140 x 178 mm, together withNicholson (William). X, Xylographer, circa 1910, colour woodblock, gilt frame, glazed, a later reissue of James Gilray's 'Oh! that this to to solid flesh would melt', London: John Miller, circa 1810 or later, framed and glazed, 12 lithograph plates of Italian Costume, printed by Cucinienno & Bianchi,and two engravings of printing pressesQTY: (17)
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Nanson (Fridtjof). "Farthest North"..., 2 volumes, London: George Newnes, 1898, numerous monochrome illustrations, some minor marginal toning, original uniform gilt decorated green cloth, spines & boards lightly rubbed to head & foot, 8vo, together with:Soulé (Frank, John H. Gihon, & James Nisbet), The Annals of San Francisco;..., New York: D. Appleton & Company, 1855, folding map, 150 engraved illustrations, period inscription to the front endpaper, front gutter cracked, some light toning & minor spotting, all edges gilt, original gilt decorated red full morocco, spine with a vertical crease & cracked with some small loss to the foot, front hinge slightly cracked, boards lightly rubbed to head & foot, 8vo, plusLloyd (L.), Scandinavian Adventures, during a residence of upwards of twenty years, 2 volumes, London: Richard Bentley, 1854, 13 lithograph plates including map, 102 engraved illustrations, front gutters cracked, some light toning & spotting, top edges gilt, contemporary uniform gilt decorated red half morocco, boards & spines lightly rubbed to head & foot, 8vo, and other 19th & early 20th century travel reference, including Polar, European, and African, some leather bindings, mostly original cloth, G/VG, 8voQTY: (3 shelves)
* Hogarth (Paul, 1917-2001). Moel Cross Abbey and Graveyard, an illustration for Brendan Behans Island, lithograph on green paper, signed in pencil to lower right, titled in ink to lower right, sheet size 65 x 48 cm (25 1/2 x 19 ins), framed and glazed (71 x 51.5 cm) together withHerbert (Barry, 1937). A Picnic 1882, printed by the Yorkshire Arts Association and printed in Leeds by the Artist, 1974, screenprint in colour, 45 x 61.5 cm (17 3/4 x 24 1/4 ins), framed and glazed (54 x 70.5 cm), plus 6 other prints including: Gloxinia by Ian Gardner, Krishna Under the Tree by Alan Gummerson, Great Northern Farm by Judith Downie, Rowley House Shrewsbury by Ian Douglas, various sizes, largest 65 x 48 cm (24 1/2 x 19 ins), all framed and glazedQTY: (8)NOTE:Provenance: Collection of Michael and Megan Dawson.
Late Victorian Oxford. A student's photograph album, Leslie Rimmer Paterson (1866-1935), of Keble College, dated 1887-88, comprising 16 large format b/w and sepia photographs, 23.9 x 30cm, mostly of sporting life, both university and collegiate, including group portraits of the first XI Keble cricket team, the Oxford University Rugby Union XV, the rugby teams of Keble Coll: Oxon v. Trinity Coll: Cambridge, rowing, including the Keble VIII bumped 1888, the 1887 procession of boats, the Torpids 1888, the New College VIII, others, fellow college students, further mixed format and media images of the college and its chapel's exterior, 5 interiors - presumably Paterson's family house, Rock Ferry's church St Peter's, cricket on the green, Liverpool and its docks, etc., pastedown with a lithograph after Louis Wain of Miss Tabby's Academy, mounted onto card leaves and manuscript annotated, contemporary boards, rebacked and recornered, oblong folio (27.6 x 38cm) Provenance: Rev. Leslie Rimmer Paterson (1866-1935), formerly of Rock Ferry, Merseyside (previously Cheshire), educated at Loretto School and then Oxford, later incumbent at Bishops Langham and Ranworth, Norfolk.
Modern Firsts. Bottome (Phyllis), Murder in the Bud, first edition, London: Faber and Faber Ltd, 1939, slightly worn and chipped dj, hb, 8vo, Mann (Thomas), The Tales of Jacob, first English edition, London: Martin Secker, 1934, original publisher's pictorial dustjacket over cloth, 8vo, Thomas (Dylan), Death and Entrances, first edition, London: J.M. Dent & Sons Ltd., 1946, chipped and scuffed dj, hb, square 8vo, Pound (Ezra), Polite Essays, first edition, London: Faber and Faber Ltd, 1937, cloth only, 8vo, Tambimuttu (editor), Poetry London X, Published by Nicholson & Watson, 1944, illustrated with a lithograph to T.S. Eliot's Rhapsody on a Windy Night by Gerald Wilde, another plate after Mervyn Peake, original pictorial dustjacket over cloth, 4to, Strong (L.A.G.) & Garwood (Tirzah, illustrator), The Big Man, signed by the author, one of 550 copies, London: Joiner & Steele, Ltd., 1931, frontispiece, original cloth, top-edge gilt, others uncut, 8vo, [Science Fiction] London (Jack), The Iron Heel, first UK edition, London: Everett & Co., n.d. [1908?], original cloth, 8vo, idem., Moon-Face and Other Stories, first UK edition, London; William Heinemann, 1906, original cloth, 8vo, Agniel (Marguerite), The Art of the Body, first edition, London: B.T. Batsford Ltd., Spring, 1931, original dustjacket, chipped and scuffed, cloth, 8vo, Kent (Rockwell), Salamina, first UK edition, London: Faber and Faber Limited, 1936, split and chipped dj, cloth, 8vo, Masefield (John & Judith, illustrator), The Dream, signed by both author and illustrator, London: William Heinemann, n.d. [1921], unopened, original publisher's cloth over boards, uncut, 8vo, The New Adelphi, Dorothy L. Sayers, Kipling, etc., (15)
![India. The Bengal Directory and General Register for the Year 1832. [With] A General Index to Names [...], Calcutta: Com](https://cdn.globalauctionplatform.com/662cb969-5584-4034-a004-b10000c209d5/67637a67-1309-4e35-9b6d-b1000107516e/468x382.jpg)
India. The Bengal Directory and General Register for the Year 1832. [With] A General Index to Names [...], Calcutta: Compiled, Printed and Published by the Proprietors Samuel Smith and Co., Bengal Hurkaru Press, Hare-Street, Tank-Square, [1832], half-title, one leaf (i.e. pages 173-4) supplied in loosely-inserted photocopy, folding lithograph Map of India, Including the Burman Empire, And the Southern Coast of China, somewhat creased and with marginal tear, some leaves with browned and with occasional minor marginal creases, contemporary red quarter-morocco over marbled boards, pastedown with contemporaneous ink MS ownership inscription, 8vo, Selections from the Revenue Records of the North-West Provinces, 1818-1820, Calcutta: Printed at The Military Orphan Press, 1866, ex-University of Southern California copy, blank leaves defective, with their stamps and bookplates, original publisher's cloth boards, but disbound, 4to, [&] [The Raj] Directions for Revenue Officers in the Punjab, Lahore: Printed at The Central Jail Press, 1875, defective title-page, it and the following two leaves detached, rear gutter split, just holding, folding table laid on linen, marginal notation, marginal worm trail but with no loss of sense, contemporary ownership inscription: J ?Finlay/Amritsar/5/8/76, later blue cloth, 4to, (3)
![Liverpool. Enfield (William), An Essay Towards the History of Liverpool [...], first edition, Warrington: s.n., 1773, vi](https://cdn.globalauctionplatform.com/662cb969-5584-4034-a004-b10000c209d5/4c475fc0-8689-41d0-9185-b10001075d38/468x382.jpg)
Liverpool. Enfield (William), An Essay Towards the History of Liverpool [...], first edition, Warrington: s.n., 1773, vi, [6] (subscribers), 116, 3 folding charts and maps, comprising Peter Perez Burdett's chart of Liverpool harbour, William Yates's and George Perry's map of the city and its environs, and 'The Diagram or Series of Great Triangles by which the most eminent places in the Map of the Environs of Leverpool (sic) were projected', all of the charts and maps with various degrees of repairs, 9 full-page plates, one with marginal loss not affecting within the plate-mark, another with a discreet repair to verso, the contents mostly good, some very occasional toned portions, later 19th c cloth, repaired gilt-lettered spine, folio (33.5 x 21cm), [&] Map of the Environs of Liverpool, n.d. [c. 1890], hand-coloured lithograph, numbered 98 within the sheet, 34 x 51cm, (2)
![Children's and Juvenile Books. [Lepidoptery] The Emperor's Rout, first edition, London: Charles Tilt, 1831, 4 hand-coloured l](https://cdn.globalauctionplatform.com/662cb969-5584-4034-a004-b10000c209d5/4eba6120-b102-49f7-b787-b1000108d758/468x382.jpg)
Children's and Juvenile Books. [Lepidoptery] The Emperor's Rout, first edition, London: Charles Tilt, 1831, 4 hand-coloured lithographic plates of butterflies (no. 2 bound out of sequence), original wrappers, perished spine and former repair, contents with movement, 8vo, Dilworth (Thomas), The Schoolmasters Assistant [...], nineteenth edition, London: Printed and Sold by Richard and Henry Causton (Successors to the late Mr. Henry Kent), 1776, torn portrait frontispiece, split and all before A2 detached from text block, otherwise unexamined thereafter, contemporary sheep, disbound, 12mo, Anon, The Good Child; or, Sweet Home. London: Printed and Sold by Dean & Munday, n.d. [inscription dated 1833], tatty with a few chips, somewhat soiled in places, crudely hand-coloured in-text wood engravings, contemporary wrappers, ?originals from publisher's waste, 16mo, Anon, The History of Whittington and His Cat. London: Printed and Published at W.S. Fortey's Wholesale Juvenile Book Warehouse, n.d. [c. 1840], 8pp, in-text illustrations, some crudely hand-coloured, original pictorial yellow wrappers, some teats and creases, 8vo, Ainslie (Kathleen), "Me and Catherine Susan", London: Castell Brothers Ltd, 1903, lithograph printed, tatty, original pictorial wrappers, 16mo, two uncollated chap books, (7)
Art. Moore (Henry), Heads, Figures and Ideas, with a comment by Geoffrey Grigson, first edition, trade edition, London: George Rainkind, 1958, lithograph printed at The Curwen Press, Thirteen Standing Stones auto-lithograph frontispiece in four colours, unsigned and unnumbered by the artist, but with his signature watermark, a particularly clean and fresh copy, original publisher's pictorial dustjacket, mostly clean and crisp, but with some chips and wear, cloth over pictorial boards, slight wear, folio (48 x 33.5cm)
History, Politics, & Military. Anon, The Exorbitant Grants of William the III, second edition, London, s.n., 1703, 28pp, tatty but stable, some fore-margins repaired, ex-lib, their binding and some markings, 4to, Britannia in Mourning [...], second edition, London: J. Huggonson, 1742, 72pp, stained title, institutional binding, some markings, 8vo, 8vo in 4s, The Life of William Cobbett, Esq. Late MP for Oldham, first edition, Manchester: William Willis, 1835, early lithograph portrait frontispiece, 216pp, original publisher's cloth, 12mo in 6s, [William (John)], A Calm Examination into the Causes of the Present Alarm in the Empire, first edition, London: J. Bew, 1793, half-title, some former staining, somewhat tatty in places, stitched as issued, 8vo, [Smuggling] General Order [at Horse-guards] 30th October, 1807. [London]: Printed by W. Clowes & Co., 8pp, [bound with ] Abstract of Acts of Parliament, Empowering Officers and Men in His Majesty's Service to Seize Smuggling Vessels and Smuggled Goods. London: Printed by George Eyre and Andrew Strahan, 1807, 24pp, institutional morocco over cloth, some of their markings, 8vo, Burdett's Address to the Prince Regent, sixth edition, London: John Morton, 1812, ex-lib binding and markings, 8vo, [Battle of Waterloo] A Form of Prayer and Thanksgiving, London: George Eyre and Andrew Strahan, 1815, 4pp, disbound, institutional wrappers, 4to, Bulwer (Henry Lytton, MP), The Lords, The Government, and The Country, Exeter: Thos. Besley, 1837, 28pp, institutional boards and some markings, 8vo, [English Civil War] Journal of the Siege of Lathom House, Lancashire, 1823, ex-lib, their bindings and marks, 8vo, (9)
![Bindings. [Kempis (Thomas à)], L'Imitation de Jésus-Christ, traduction inédite du XVIIâ‚‘ siècle [...], first edition thus](https://cdn.globalauctionplatform.com/662cb969-5584-4034-a004-b10000c209d5/8168bdc8-f1b8-4dd7-aca5-b10001088aa8/468x382.jpg)
Bindings. [Kempis (Thomas à)], L'Imitation de Jésus-Christ, traduction inédite du XVIIâ‚‘ siècle [...], first edition thus, ?large paper copy, Paris: Adrien Le Clere & Co., Editeurs, 1869, half-title, lithograph frontispiece, divisional titles and pictorial colophon leaf, each book with engraved frontispieces, finely bound by Gruel in Renaissance Revival red morocco, signed, the covers blocked in bind with a border of humanists' profiles in laurel wreaths, centred by rectangular reserve of fleur-de-lis and further foliage, outlined with rolled gilt knots and blind-ruled fillets, six-compartment spine with raised bands, lettered in the second, the sixth with a coronet over WM monogram and binder's signature, the upper-cover with 4.6cm l vertical joint split affecting the first-compartment only, otherwise the lightest of shelf wear, gilt fillet turn-in, foliate rolled dentelles, medieval style gold and purple Gruel endpapers, incorporating Gruel Relieur, all edges gilt, 8vo, Vogüé (Eugène-Melchior de) & Burnard (Eugène, illustrator), Les Paraboles, Nancy-Paris-Stasbourg: Berger-Levrault, Éditeurs, 1908, contemporary red three-quarter morocco over marbled boards, top-edge gilt, marbled endpapers, 12mo, [&] Flaubert's Salammbô, Paris, 1905, contemporary red crushed morocco gilt, top-edge gilt, others uncut, marbled endpapers, 12mo, (3) Provenance: 2nd: Ex Libris Alfred et Blanche de Curzon.
Theatre. The London Palladium, early 20th c and later, comprising "O-Kay for Sound" by George Black, the 14th September, the 1936 programme, original Art Deco pictorial wrappers, creased, 4to, and original advertising poster for the same show, London: [printed by] Tribe Bros., [1936], lithograph, some losses and light repairs, 49.5 x 51cm, further Palladium programmes, including "Shake Your Feet" arranged by Charles Gulliver & Laddie Cliff, [1927], original pictorial wrappers, repaired and now disbound, creased and chipped, 4to, November 1934 variety programme, including Gracie Fields, original Art Deco pictorial wrappers, repaired and now disbound, 4to, September 1937, "London Rhapsody": A Symphony of a Great City, with Flanagan & Allen, original pictorial wrappers, creased from former folding, 4to, June 1938 variety programme, original wrappers, loosening/loose, 4to, "Round About Regent Street" by George Black, 11th November, 1935, in-text adverts, original pictorial wrappers, repaired, slight wear, 4to, 1947 variety programme, 8vo, two Royal Variety Performance programmes, 1973 & 1978, original card wrappers, 4to, (10)
Field Marshal Arthur Wellesley, 1st Duke of Wellington KG, et al., (1769-1852). English School, mid-19th c - A Reminiscence of the 18th of November, [the Duke's horse is lead in the funeral procession], proof state, indistinctly monogrammed within the plate, proof state, lithograph, 34 x 45cm, others, similar, Lying in State of the Duke of Wellington at Chelsea Hospital, London: Published by Read & Co., Nov:r 20th, 1852, lithograph, 33.5 x 43cm, & Funeral-Car of the Duke of Wellington, London: Published by Day & Son, et al., lithograph, 29.5 x 44.5cm, as well as the Wellington Supplement to The Illustrated London News, mixed numbers, 1852, some folding plates, unexamined, contemporary cloth over marbled boards, folio (42 x 29cm) Mixed condition.
Geology. Kurr (Dr. J.G. Kurr, Professor of Natural History to the Polytechnic Institution of Stuttgart), The Mineral Kingdom, with Coloured Illustrations of the Most Important Minerals, Rocks, and Petrifications, Edinburgh: Edmonston and Douglas, 1859, double-column, [4], iii, 70pp, illustrated with 24 lithograph plates, Plates A-B mostly monochrome, Plates I-XXII mostly hand-coloured, lettered explanatory tissue-guards with some off-setting, later institutional cloth binding, but no ex-library markings within the text, folio (35.4 x 24.5cm)
Forster (E.M.), Alexandria: a History and a Guide, second edition, Alexandria: Whitehead Morris Limited, 1938, folding lithograph map, plates and in-text illustrations, enclosing a loosely-inserted pamphlet, Khalil (Khan), "The Scarab" (The Sacred Beetle of Egypt), Alexandria, s.n., n.d., 4pp, original publisher's papered boards, some wear, 8vo, idem, A Passage to India, first edition, sixth impression, London: Edward Arnold & Co., 1925, original publisher's red cloth, 8vo, (2)
![Antique Buying and Collecting. [Catalogue] S. Richards' Catalogues No. 1-60/Objects of Art, and Curiosities: On Sale, No](https://cdn.globalauctionplatform.com/662cb969-5584-4034-a004-b10000c209d5/8dfcc2e1-ae90-45bf-a526-b10001073087/468x382.jpg)
Antique Buying and Collecting. [Catalogue] S. Richards' Catalogues No. 1-60/Objects of Art, and Curiosities: On Sale, Nottingham, 15th November, 1884 - 16th December, 1888, lithograph printed, [60]ff, in-text illustrations after pen-and-ink originals by Richards, [31]ff with horizontal tear, some of the latter leaves creased, occasional foxed spot here and there, enclosed within original pictorial card wrappers from catalogue nos. 23 & 28, later 20th c half-cloth over marbled boards, folio (46.5 x 31cm)
![Infographics. Joseph Priestley (1733-1804) - A Chart of Biography [...], the folding timeline only, London: J. Johnson,](https://cdn.globalauctionplatform.com/662cb969-5584-4034-a004-b10000c209d5/207f46c1-dc5f-4145-9be5-b10001084570/468x382.jpg)
Infographics. Joseph Priestley (1733-1804) - A Chart of Biography [...], the folding timeline only, London: J. Johnson, St. Paul's Church Yard, May 1, 1805, engraving and lithograph over 21 sheets, laid on linen, lacking some green silk edges, 64 x 97cm, original mottled papered card sleeve en suite Condition evidenced by images.
ARR 'Snaffles' Charles Johnson Payne (1884-1967)'I don't know whose dam' column I'm in nor where we're trekkin' nor why.'lithograph in colours25cm x 30cm Framed and glazed. Generally good condition overall, with some mild foxing and staining.The lithograph is hand coloured and heightened with white in places. It definitely appears to be an original lithograph, but with a modern framing and mounting (in contrast to the original signed and illustrated mounting that should ideally accompany the artist’s lithographs).
After Banksy (British, b.1974-) Monkey Parliament - 2009 Offset lithograph on smooth wove. Measures 84cm x 53cm. Unframed. Banksy is a pseudonymous England-based street artist, political activist and film director whose real name and identity remain unconfirmed and the subject of speculation. Active since the 1990s, his satirical street art and subversive epigrams combine dark humour with graffiti executed in a distinctive stenciling technique. His works of political and social commentary have appeared on streets, walls and bridges throughout the world. Banksy's work grew out of the Bristol underground scene, which involved collaborations between artists and musicians. Banksy says that he was inspired by 3D, a graffiti artist and founding member of the musical group Massive Attack. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
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70555 item(s)/page