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Foliate Head signed 'John Piper' (lower right); artist's proof lithograph, first printer's proof printed by the Curwen Press, 1976 (Dimensions: 45 x 32cm)(45 x 32cm)Footnote: Provenance With Paul Girvan Fine Art, Harrow on the Hill, 2005 Exhibited London, Paul Girvan Fine Art, J ohn Piper, Elizabeth Frink, Craigie Aitchison, Derek Menary, Guido Frick , Royal Opera Arcade, April 2005
* Ridinger (Johann Elias, 1698-1767 ). Die Auer-Hanen Paltz (La Surprise des Coqs de Bois), & Der Breren Fang (La Prise des Ours), [1729], two etchings on laid paper from Der Fursten Jagd-Lust, plate size 33 x 40 cm (13 x 15.75 ins), narrow margins, together with Farington (Joseph 1747-1821), View of Walton Bridge from Oaklands, 1793, hand-coloured aquatint by J.C. Stadler after Farington, published by J. & J. Boydell, June 1, 1793, sheet size 29.5 x 40 cm (11.5 x 15.75 ins), laid down on later card, plus other various prints and engravings, mostly 19th century, including a colour lithograph of Chepstow Castle by J. Newman, a tinted lithographic view of the National Monument, Calton Hill, Edinburgh, after James Duffield Harding, three hand coloured aquatint views of Eton School Room, Hall of Eton College and Ante-Chapel of Eton College, by Stadler & Havell after Pugin, all laid down on later card, a colour printed fan by Dudley Hardy, entitled A Watteau Fan, circa 1906, a hand-coloured engraving entitled A Particular View of Paris, by R. Parr after Rigaud, published by Laurie & Whittle, 12th May 1794 (trimmed and laid down on card), an etching entitled The Death of the First Born by A. Mongin after Alma-Tadema, etc., mostly large format (Qty: approx. 100)
Rayner (Simeon). The History and Antiquities of Haddon Hall, Illustrated from numerous highly-finished sketches; by Cattermole: with an account of the Hall in its present state, 1842, mounted hand-coloured lithograph proof portrait frontispiece, 25 lithograph plates (including some proof plates on india paper, and some tinted), some scattered spotting, lacking front free endpaper, all edges gilt, original cloth gilt, joints, spine and extremities worn, cover loosening, folio (Qty: 1)
* Thatcher (Margaret, 1925-2013). Head and shoulders portrait after an oil painting by Richard Stone, 2013, colour lithograph on thick wove paper, boldly and clearly signed in black ink by Margaret Thatcher to lower margin, signed and numbered 123/350 by the artist beneath print impression, 49 x 38cm, framed and glazed, with British Forces Foundation certificate of authenticity, limitation and print details pasted to verso (Qty: 1)
* Kip (Johannes, engraver). Stansted in the County of Sussex, the Seat of the Rt Honble Richard Earle of Scarborough, [c.1710], engraving after Leonard Knyff, plate number 36 from an edition of Britannia Illustrata, framed and glazed, 42.2 x 56 cm, and 9 others, mainly hand-coloured engravings but including one hand-coloured lithograph by Shotter Boys, and one original watercolour (English river scene), all framed and glazed (Qty: 10)
English School (19thC). Sefton, Winner of The Derby Stakes at Epsom 1878, coloured lithograph, published by L Brall & Sons, London, 40.5cm H 49cm W, together with Languish and Pantaloon after J F Herring, engraved by J Harris, published by Messrs Fores, The British Stud plate 3, London 1845, 63.5cm H, 92cm W, and a further print after Samuel Howitt, Horse Racing Number 2 La Course de Chevaux, 44.5cm H, 55cm W. (3)
PRATT (Anne) Wild Flowers, two volumes, n.d., original gilt cloth, WILLIAMS (Benjamin Samuel) Choice Stove and Greenhouse ornamental-leaved plants, second edition, 1876, and volume one, 1883, original gilt pictorial red cloth, two others, PENLEY (Aaron) Sketching from nature in watercolours, original gilt pictorial red cloth and PYNE (J B) Lake Scenery, lithograph illustrations,. original gilt pictorial red cloth, a.e.g. (8).
*Alan Reynolds (1926-2014) signed limited edition lithograph - Moth Barn, 9/50, signed in pencil and dated '52, inscribed verso 'For Frank (Francis Plummer) from Alan 1953', in glazed frame, 35.5cm x 49.5cm Provenance: A gift from the Artist to Francis Plummer (see lots 1161-1206), the two men being members of the Shoreham Group of artists and great friends
AFTER EDWARD DAYES (1736-1804) - Mezzotint - "Reapers" - A harvesting scene with Canterbury Cathedral to the background, 14.5ins x 17.75ins, and AFTER THOMAS SYDNEY COOPER (1803-1902) - Coloured lithograph - "A View on the Banks of the Stour, near Canterbury, with Cattle", 11.5ins x 15.75ins, both framed and glazed

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70555 item(s)/page