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After André Derain, French 1880-1954- Kneeling female nude; lithograph, signed within the plate, 25x17.5cm: H V Anderson, late 20th/early 21st century- Figure; pencil, acrylic and collage, signed and dated 94, 42x30.5cm: M E Lloyd, late 20th/early 21st century- "Charlie Sabin at Chestnut Cottage"; mono-print, signed, titled and dated 1995, 36x29.5cm: together with a reproduction print after Rodin and a pair of oleographs printed on canvas depicting a woman giving water in a farm yard, the other of a woman climbing down a ladder, 65.5x44.5cm., ea: Late 20th Century- Crouching female nude; red crayon and wash, 37x23cm., (7) (part unframed) (may be subject to Droit de Suite)
Modern British School, mid 20th century- River village landscape; brush, pen and black ink and gouache, signed and dated 1956, 22.5x30.5cm: Charles W Morsley, late 20th century- "Toil at Sea"; watercolour, signed, 15.5x23cm: After Henry Alken 1785-1851- "Going Home Apology for Damage done", publ by Thos McLean Repository of Wit & Humour 26 Haymarket 1823; hand-coloured lithograph, 24.7x34.5cm: D T Rose, 20th century- Landscape with bridge; watercolour, 13x22cm: British School circa 1930- Portrait of a young man, seated half-length; red and white chalk on buff paper, 43.5x36cm., (5) (may be subject to Droit de Suite)
Ewa Wnek-Webb, Polish/British late 20th century- Cattle grazing in a meadow; oil on board, signed and dated 1978, 69x89cm: together with another example by the same hand: Continental School, early 20th century- Winter Morning 1922; lithograph on paper, number 56/56, signed in pencil beneath plate 38.8x35.8cm: together with a number of late 20th/early 21st century reproduction prints, (a lot) (may be subject to Droit de Suite)
Attributed to Jules Brocage, French act.1808- A French naval engagement depicting sloop-of-war and Gun-brig`s in action; dust-ground aquatints on wove paper, a pair, 40x62cm., ea: James Fittler 1758-1835 & Daniel Lepiniere c.1745-1785- "The Distressed situation of the Quebec & the Surveillante, A French Ship of War", publ by J. Boydell 1780; engraving: Louis Haghe 1806-1885- "Clipper Schooner Hellas"; lithograph, 34x47cm (4) (unframed)
John Clark, late 18th/early 19th century- "Cock Fighting"; after Henry Thomas Alken, published by T McLean Jan 1 1820; hand-coloured lithograph, 19.8x30cm: together with five further sporting prints by or after the same hand in matching frames: Crane, late 19th/early 20th century- "Mr Thomas on Pathfinder Winner of the Grand National 1875", after John Sturges; wood engraving, 27.1x35cm., (7)
Dickinson & Co 114 New Bond Street, Publ- Portrait of Major Denis Mahon of Strokestown, after T C Wageman; lithograph, bears printed inscription, 33x25.6cm., (a/f): John Cousen 1804-1880- `Plain er-rahah Mt Sinai`, after W Bartlett; engraving 12.7x19.8cm (2) (part unframed) Note: On 2 November 1847 Major Denis Mahon was murdered by an assassin near his home at Strokestown House. The murder sent shock waves through Ireland. Some saw it as part of a Catholic plot to execute Protestant landlords that would soon spread out of Stokestown, County Roscommo. Major Mahon owned Strokestown Park that was in massive debt, the land had been divided into unlivable plots and the tenants had no way to pay the rent and were years in arrears, he began to `encourage` his tenants to emigrate and some one thousand left in May and June 1847. He was ambushed and shot dead walking home from a Board of Guardians meeting, three men were charged with his murder and two were hanged.
Ethel Kirkpatrick c.1891-c.1941- Rooks at a nest; woodcut printed in colours, signed in pencil, 12.5x34.8cm: François Nicholas Auguste Feyen-Peren 1826-1888 "Ronde Antique", printed by Delâtre, Rue St Jacques 303 Paris, publ by A Cadart & Cie 66 Rue Richelieu; etching, 23.5x31cm: Carle Dupoint b.1872- Study of a peasant holding a bushel of grain, after Jules Breton; etching, signed and inscribed within the plate, 25x14cm: Claude Gallard, Canadian mid-late 20th century- Untitled; lithograph, signed and numbered 25/50, 45.7x32.3cm: together with two other prints by/after different hands, and a roll of wallpaper frieze, (7)
Bela Kadar, Hungarian 1877-1956- Caricature of a gentleman; black crayon, signed, 49x38cm: Eric Rutherford b.1923- Man walking in a landscape; black and coloured chalk and pastel, signed, dedicated to John Harrison and dated 1947, 38x28cm: Henri Deschamps, French 1898-1990- Seated figure; lithograph printed in colours, signed, inscribed and dedicated extensively to John Harrison, numbered 12/15 and dated 30 Oct 1950 in pencil, 57x38cm: French School, circa 1940- Portrait of a North African man seated three quarter length; black chalk, signed, inscribed `Paris`, dedicated to John Harrison and dated 46: together with a small and mixed quantity of works on paper by different hands, all mid 20th century, (a lot), (unframed). Provenance: The studio of John Theordore Harrison 1914-2002
Edward Bawden CBE RA (1903-1989) Among the Marsh lithograph printed in colours after a watercolour 1986 signed and titled in pencil inscribed to Peyton Skipwith a proof aside from the edition of 75 on wove paper with full margins 360 x 580 mm (14 x 22 3/4 in) Provenance: Gift of the artist to the current owner. Given by Peyton Skipwith.
Edward Bawden CBE RA (1903-1989) Dunkirk lithograph printed in colours after a watercolour 1986 signed and titled in pencil inscribed to Peyton Skipwith a proof aside from the edition of 75 on wove paper with full margins 360 x 580 mm (14 x 22 3/4 in) Provenance: Gift of the artist to the current owner. Given by Peyton Skipwith.
Angie Lewin (b.1963) The 1953 Coronation Mug lithograph printed in colours signed and titled in pencil inscribed A/P an artist`s proof aside from the edition of 75 printed at Curwen Studio Chilford on wove paper with full margins 390 x 570 mm (15 3/8 x 22 3/8 in) Provenance: Gift of the artist.
Graham (Rigby).- Rilke (Rainer Maria) Die Sonette number 24 of 25 copies signed by both Rigby Graham and Douglas Martin 12 colour illustrations original cloth slightly rubbed Orpheus Press Munich [1960]; Mason (J.H.) The Twelve by Eight illustrations original parchment-backed boards Orpheus Press 1961; Best (John) Poems and Drawings in Mud Time limited edition illustrations original parchment-backed boards Orpheus Press 1960; Greer (Anne) Rigby Graham one of 150 copies only this copy specially inscribed to Douglas Martin original lithograph signed by Graham and Martin original cloth 1981; Graham (Rigby) `James Joyce`s Tower` Sandycove one of 80 copies inscribed to Doug Martin original cloth Brewhouse Press 1975; and a quantity of catalogues mostly in relation to Rigby Graham v.s. (qty)(qty)
Kokoschka (Oscar).- Shakespeare (William) King Lea number 22 of 279 copies signed by the artist 17 lithograph plates by Oscar Kokoschka the extra lithograph (no. 17) is a variant of No. 8 signed by the artist and is only found in copies 1-35 and A B C & D loose sheets uncut contained in quarter natural morocco solander box by the Wigmore Bindery spine titled in gilt folio Ganymed Original Editions Ltd. 1963.
KINGLAKE (Alexander W) Eothen, 4th edition London 1845, 8vo, lithograph frontispiece and plate, inserted 4 line presentation inscription dated 1889, and author`s letter signed `My Dear Lady Violet, I am touched indeed by the thoughtful kindness of your invitation to me conveyed through our friend Madame du Luaire...`, 3pp, dated March 27, 1889, all in full grained morocco gilt binding, t.e.g, (spine slightly faded)
AFTER PATRICK PROCTOR (1936-2003) "A Thames river scene with sailing boat and people lined along a bridge, the Tower of London rising in the background", coloured aquatint, signed in pencil in the margin, also inscribed "XLVIII/2", dated 16 3 73, 34 x 54 cm, AFTER JOHN R SKEAPING "A bullfighter", coloured print, F F BRESLER (published) "A figure with horsedrawn carriage in a wooded landscape, coloured lithograph, indistinctly signed in pencil in the margin, bearing blind stamp and No`d 317, two further lithographs of a still life and a coastal scene and CLIFFORD WEBB "A wooded copse", watercolour, signed lower right

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70555 item(s)/page