Jenny Devereux, British b.1945- "Flowers and Duncan Grant Panels"; watercolour and coloured chalk, signed and titled on the reverse in pencil, 65x80cm: together with two watercolours entitled "Blue Vase" and "Chair and Freesias" and one lithograph printed in colours entitled "Autumn Leaves", ea. signed and titled on the reverse in pencil, various sizes: Zara Devereux, British, late 20th/early 21st century- "Irises in a Jug"; watercolour, signed and titled on the reverse in pencil, 22x18.4cm: together with one further watercolour by the same hand depicting lilies in a vase, signed with monogram in pencil, 12x9.9cm: Donald Jones RIBA, British, late 20th century- View of a Venetian Palace from the Canal; watercolour signed and dated `90 in pencil, with artists own label attached to the reverse, 77x57cm: Patrick Livingston, British b.1956- "Flower Study II" watercolour and gouache, signed and titled on the reverse in pencil, 53x63.8cm: together with four further watercolours and gouaches by the same hand entitled "Flower Study I", "Flower Study III", "Misty Morning" and untitled, ea. signed in pencil, three titled in pencil on the reverse, various sizes, (unframed), (12), (may be subject to Droit de Suite)
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Sylvia Edwards, American, late 20th century/early 21st century- "Evening Creatures"; mixed technique lithograph printed in colours with hand-colouring and applied gold leaf, signed and titled in pencil 57.5x43cm: together with four mixed technique lithographs printed in colours with hand-colouring and applied gold leaf entitled "Creature`s Realm", "New Heights", "Jeweled House" and "Sunset Shores" and four mixed technique lithographs printed in colours titled "Oasis", "Can Spring Be Far Away" and two untitled, ea. signed and most titled in pencil, various sizes, (9), (unframed)
Seppo Mattinen, Danish b.1930- Three figures; woodcut printed in colours, signed and dated `60 in pencil, 23.5x24cm: Ole Sporring, Danish b.1941- Fantasy street scene with animals; linocut, signed, dated 1979 and numbered 190/200 in pencil, 45x57.5cm: Jorn Sarker Sorensen, Danish b.1939- Abstract composition with cat; linocut in red and yellow, signed, dated `73 and numbered 81/195 in pencil, 33.5x24cm: Hans Berg, Danish b.1938- Untitled abstract composition; lithograph printed in colours, signed, dated `87 and numbered 196/275 in pencil, 72.5x53.5cm: together with a number of prints by other contemporary Danish and European hands, (a lot), (may be subject to Droit de Suite)
Georgi Daskaloff, Bulgarian 1923-2005- Standing nude; lithograph printed in colours, signed and numbered 88/200 in pencil, 28x19cm: together with another lithograph printed in colours by the same artist, signed and numbered 72/200 in pencil, 28x19cm: Herman Stilling, Danish b.1935- Untitled Figure composition; linocut, signed and dated `69 in pencil, 26x16.5cm: Eric Heide, Danish b.1943- Untitled whirlwind composition; linocut, signed, numbered 5/275 and dated 1967 in pencil, 36x27cm: together with a number of contemporary prints by various European hands, (a lot), (may be subject to Droit de Suite)
David Humphreys, British b.1937- "Pembrokeshire landscape"; screenprint in colours, signed, titled and inscribed `artist`s proof` in pencil on the mount, 33x51cm: together with another print by the same artist entitled, "Dorset Cottage"; lithograph printed in colours, signed, titled and numbered 27/79 in pencil, 48x63cm, (2), (may be subject to Droit de Suite)
Bernard Myers, British 1925-2007- Still life of flowers in a blue and white vase and apples on a plate; lithograph printed in colours, signed and numbered 233/240 in pencil, 56x76.5cm: Roy Smallman, British b.1944- "Evening Light"; screenprint in colours, signed, titled, numbered 82/85 and dated `80 in pencil, 64x51cm: together with a small quantity of further contemporary prints by various hands, (may be subject to Droit de Suite)
Francis S Leke, British b.1912- "Brighton Beach"; watercolour, signed, 25.5x36cm Provenance: with the Guildhall Art Gallery, EC2 according to the label attached to the reverse of the frame: Thomas Shotter Boys, British 1803-1874- "Temple Bar from The Strand", publ. for Views of London As It Is, 1843; hand coloured lithograph, 44x32cm, (2)
After Thomas B Worth, American 1834-1917- "Lawn Tennis at Darktown, A Scientific Stroke", publ 1885 by Currier & Ives, 115 Nassau St New York; hand-coloured lithograph, in a glazed maple veneered frame, 29x39cm: together with three other hand-coloured lithographs after the same hand entitled "The Crowd that Scooped the Pools", "De Fust Knock-Down" and "De Fust Blood", two of these publ by S Lipschitz, London, all in maple veneered frames, one glazed, 30.5x40.5cm., ea., (4)
1073 Boris Lovet-Lorski (1894-1972 Russian), ``Lithographs`` (Volume II; portfolio of 10) A suite of 10 images depicting figures and figures in landscapes within a cloth-covered portfolio, inscribed by the artist: To Mona from Boris, each: signed in pencil lower right: Boris Lovet-Lorski, folio 175 out of 250, 1929, each paper size: 15.5`` H x 11.75`` W, est: $600/800 Literature: Braun et Cie., printer. Note: Together with another unrelated late 20th century lithograph with a Grapes of Wrath theme, indistinctly signed. Provenance: The Hobbit Gallery, Orange, CA; Private Collection, Long Beach, CA, acquired from the above, 1973. Condition: The paper: each with deckled edges. Some minor, even toning. Some pages with very minor corner folds. The portfolio with minor staining and soiling. Rubbing to the artist name. The modern print in generally good condition. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
1074 Marc Chagall (1887-1985 French) ``Anniversaire``, 1964, signed in pencil lower right: Marc Chagall, numbered in pencil lower left: 3/30, lithograph on Velin d`Arches paper under glass, image size: 19`` H x 25`` W, est: $3000/5000 Literature: F. Mourlot, ``The Lithographs of Chagall 1962-1968``, Boston, MA, 1969, p. 72, fig. 427. Provenance: Upstairs Gallery, Long Beach, CA (see gallery`s Certificate of Authenticity that accompanies the lot); Private Collection, Long Beach, CA, acquired from the above, 1969. Condition: Visual: Generally good condition. Minor toning to the paper. Not examined out of the frame. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
1137 Eyvinde Earle (1916-2000 Carmel, CA) Seascape, signed in ink lower right: Eyvind Earle, numbered in ink lower left: AP 15/20, lithograph on paper under Plexiglas, sight size: 19.5`` H x 39.5`` W, est: $700/900 Provenance: Private Collection, Pasadena, CA. Condition: Visual: Generally good condition. Not examined out of frame. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
1138 Eyvinde Earle (1916-2000 Carmel, CA) Two framed lithographs: snow-covered tree and cows in a landscape with trees, each: signed in ink lower right: Eyvind Earle, the first numbered in ink lower left: 187/200, the second numbered in ink lower left: 97/150, each: lithograph on paper under glass, sight size: the first: 19.75`` x 15.5``; the second: 13.5 `` H x 9`` W, est: $500/700 Provenance: Private Collection, Pasadena, CA. Condition: Visual: Both: Generally good condition. Not examined out of frame. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
1143 Rufino Tamayo (1899-1991 New York, NY / Mexican) ``Femme en Mauve``, (Woman in Lilac), 1969, signed in pencil lower right: R. Tamayo, numbered in pencil lower left: 132/150, lithograph on paper under glass, image size: 26.75`` H x 20.75`` W, est: $1000/1500 Literature: Editions Press, San Francisco, CA. Pub. Pereda, 113. Provenance: Private Collection Pasadena, CA. Condition: Visual: Generally good condition. Not examined out of the frame. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
John Lennon: Limited edition box set. In 2000, Cynthia Lennon, the 1st wife of John and mother of Julian, painted four portraits of John and gave them to Julian as a birthday gift on the 20th anniversary of John’s death in 1980. A production company in London contracted to produce a “limited edition” of these portraits in colour lithograph prints. The promotion never went through but there were 300 sets of these prints produced. This example is in near mint condition The four piece artwork set was printed by Napier Jones to Fine Art Trade Guild Standards Print #1 is a depiction of how John Lennon looked in year 1963 in his collarless jacket. Print #2 is a depiction of how John Lennon looked in year 1965, the year the Beatles received an accolade from the Queen of England. Print #3 is a depiction of how John Lennon looked in the year 1967, during the period of time that the Sgt Pepper was released and John and the other Beatles had finally stopped touring Print #4 is a depiction of how John Lennon looked in the year 1980, when John`s life was so quickly and cruelly taken. Each print measures approximately 15-1/2” x 10-1/2”
*A late 18th/early 19th century view of Liverpool Town Hall, with scenes of street vendors, sedan chairs etc with inscription 'Joseph Birtles, Liverpool Town Hall 1735', 30x48cm, 'Old Shaw's Brow', a lithograph drawn on stone by J N McAhey Snr, from a drawing by W Herdman Jnr, Liverpool, June 1860, 28x76cm, both framed and glazed (2)
Nathaniel Currier / Publishers Nathaniel Currier / Publishers, "Across the Continent: "Westward the Course of Empire Takes Its Way", 1868, hand-colored lithograph, after Francis F. Palmer, drawn on stone by James Merritt Ives, sheet 17 3/8 in. x 26 3/4 in., attractively framed. Note: Trimmed to just outside image
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