Beerbohm, Max - Maugham, W. Somerset Collection of 8 volumes, comprising Beerbohm, Max Zuleika Dobson. London: William Heinemann, 1911. First edition, publisher's advertisements, half-title printed in brown, title page printed in black and brown, original brown cloth; Maugham, W. Somerset Don Fernando. William Heinemann Ltd, 1935. First edition, limited issue, on large paper, number 40 of 175 copies signed by the author, original green buckram; Don Fernando William Heinemann Ltd, 1935, first edition, half-title, black cloth; [Idem] Strictly Personal. New York: Doubleday, Doran and Company Inc., 1941. First edition, number 75 of 115 copies signed by the author, half-title, photogravure portrait, original plum buckram boards; [Idem] A Writer’s Notebook. William Heinemann Ltd, 1949. First edition, number 121 of 1,000 copies signed by the author, original half vellum with navy blue buckram boards; [Idem] Cakes and Ale. New York: The Modern Library, 1950. Green cloth boards, dust-jacket; [Idem] The Vagrant Mood. William Heinemann Ltd, 1952. First edition, number 4 of 500 copies signed by the author, original half mushroom calf, navy blue calf, top edge gilt, glassine wrappers, slipcase, rubbed; [Idem] Cakes And Ale. William Heinemann Ltd, [1954]. "Eightieth Birthday" edition, number 286 of 1000 signed by author and artist, original lithograph and decorations by Graham Sutherland, facsimile reproduction of the first and last two pages of the original manuscript, half mushroom calf, navy blue calf boards; all 12mo or 8vo (8)
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[Greece] - Dupré, Louis [Voyage A Athènes et A Constantinople] Paris: Dondey-Dupré, 1825. Folio, 13 hand-coloured lithograph plates only, numbers: 1 (Photo Pikos), with corner loss; 13 (Jeune Grec Thessalien); 15 (Un Grec Logothète de Livade), light marginal chipping; 16 (Une Demoiselle Grecque de Livadie), some spotting, slight loss of top blank corner; 17 (Un Tartare et les fragmens du Lion de Chéronnée); 22 (Le Temple de Jupiter Olympien...); 23 (Vue de l'Acropolis); 29 (Une Mosquée A Athênes); 30 (Demetrius Mavromichalis), some small white paint flecks; 32 (Un Arménien); 33 (Un Prince Arménien et sa femme), white paint flecks; 36, (Kalioundji); 37 (Title obscured by reverse of print pasted over it); some lightly spotted or lightly discoloured, most with short marginal tears, loose with title page (13 lithographs)
India - Anderson, John Corbet To India and Back by the Cape Croydon: J.A. Anderson, 1858. Subscriber's Copy, 4to, [4], 28, [1]; list of subscribers at end, 19 lithographed plates (including 5a; 2 coloured), lithograph map with hand-coloured highlights at centre of 1st text page, original pictorial blue cloth gilt, head and tail of spine rubbed, slight spotting, occasionally more pronounced
WWI AUSTRIAN EXHIBITION POSTER: a colour lithograph, Austellung Der Gewerbl. Kriegs-Invaliden-schulen, 1917, announcing an exhibition by the Vocational School for War invalids, artwork Wilhelm Wodnansky, published Wein, K.K. Graphischen Lehr and Versuchsanstadt, loose sheet, folded, 87cm x 55cm.
Silhouette full length portrait by Baron Scrutford, London 1923, Caricature Dickie by Poli 1956, plus some Victorian lithograph posters including Tiss Me by Kate Greenaway 1883, Miss by Edwin Long 1883, Cherry Ripe. Large engraving The Gamekeeper 1898, signed James Clark print of semi clad Woman etc.
Geoff Keney (20th/21st century British) - Winter river landscape, watercolour and bodycolour on paper, signed, 28.5 x 60.5cm approx, together with a chromolithograph of a cottage exterior scene after Chas F Selwyn, 28 x 19cm, a further coloured lithograph of a street scene, 34 x 21.5cm, three early 20th century black and white etchings of architectural subjects all signed W Monk, a reproduction coloured map of Warwickshire, etc, all framed (8)
Edward Ardizzone CBE RA (British, 1900-1979): 'Morgiana pours the Oil', lithograph, printer's proof, gallery label verso for Sally Hunter Fine Art, 11 Halkin Arcade, London, SW1X 8JT, with artist's name and dates, title of work, and the notes 'illustration for The Tale of Ali Baba, by J. C. Madrus and E. Powys (trans) 1949, No 93 in the Exhibition Edward Ardizzone, December 1994, purchased by Mark Aldbrook, December 1994', 22 by 13.5cm, mounted, glazed and framed, 42.5 by 33.5cm.

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