We found 70553 price guide item(s) matching your search
There are 70553 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
70553 item(s)/page
Lot 12
δ Alan Davie (1920-2014)Zurich Improvisations XVIII Lithograph printed in colours, 1965, signed, dated and numbered from the edition of 25 in pencil, from Zurich Improvisations, on wove paper, with full margins, sheet 630 x 895mm (24 3/4 x 35 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 13
δ Terry Frost (1915-2003)Brown Figure (Kemp 25)Lithograph printed in colours, 1957, signed, dated and numbered from the edition of 30 in pencil, on handmade Barcham Green Crisbrook paper, printed by Johnston Douglas at Harley Bros, Edinburgh, published by St George's Gallery, London, with their blindstamp, with full margins, sheet 565 x 699mm (22 1/4 x 27 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 20
NO RESERVE δ Bernard Cathelin (1919-2014)Bonifacio (Sauret 19)Lithograph printed in colours, 1962, signed and numbered from the edition of 75 in pencil, on wove paper, with margins, sheet 613 x 439mm (24 x 17 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 26
δ Salvador Dalí (1904-1989)Martian Dali Equipped with a Holo-Electronic Double Microscope,the Conquest of the Cosmos (M&L644; Field 74-12C)Etching with drypoint and lithograph printed in colours, 1974, signed and numbered from the edition of 195 in pencil, on Arches paper, with full margins, plate 750 x 555 mm (29 1/2 x 21 3/4 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 29
δ Marino Marini (1901-1980)La Acrobata (Gustalla L.65)Lithograph printed in colours, 1956, signed and numbered from the edition of 50 in pencil, on Arches wove paper, printed by Mourlot, Paris, published by Berggruen & Cie, Paris, with full margins, sheet 660 x 505mm (26 x 19 7/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 30
δ Marino Marini (1901-1980)Le Cavalier (Gustalla L.76)Lithograph printed in colours, 1960, signed and inscribed 'Prova d'artista' in green crayon, an artists's proof aside from the edition of 50, on BFK Rives wove paper, printed by Emil Matthieu, Zurich, published by l'Oeuvre Gravee, Zurich-Paris, with full margins, 655 x 500mm (25 3/4 x 19 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 31
NO RESERVE δ Joan Miró (1893-1983)Femme au Miroir (Cramer Books 36)Lithograph printed in colours, 1956, on wove paper with the central fold (as issued), from Derriere Le Miroir 10 Ans d'Edition, printed and published by Mourlot, Paris, the full sheet printed to the edges, 375 x 550mm (14 3/4 x 21 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 33
δ Pablo Picasso (1881-1973) (after)Grande MaterniteLithograph printed in colours, 1963, signed and numbered from the edition of 200 in pencil, on watermarked Arches wove paper, published by Editions Combat de la Paix, Paris, with the publisher's stamp verso, with full margins, sheet 895 x 630mm (35 1/4 x 24 4/5in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 39
NO RESERVE δ Maurice Utrillo (1883-1955) (after)Rue de VillageLithograph printed in colours, signed in ink (attenuated), numbered from the edition of 250 in pencil, with margins, sheet 523 x 371mm (20 1/2 x 14 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 4
NO RESERVE δ Reg Butler (1913-1981)TowerLithograph, 1968, signed, dated and numbered from the edition of 65 in pencil, on Arches, as included in 'Europaeische Graphik VI', published by Galerie Wolfgang Ketterer, Munich, with margins, 660 x 500mm (26 x 19 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 5
δ Lynn Chadwick (1914-2003)HammacherLithograph printed in colours, 1971, signed and dated in pencil, a proof aside from the edition of 90, on BFK Rives wove paper, published by Erke Presse, St Gallen, with their blindstamp, the sheet printed to edges, 742 x 562mm (29 1/4 x 22 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 53
δ Allen Jones (b.1937)Hermaphrodite Head (Lloyd 25)Lithograph printed in colours, 1964, signed, dated and inscribed 'artist proof' in pencil, one of ten artist's proofs aside from the edition of 75, on wove paper, printed by E. Matthieu, Zurich, published by Editions Alecto, London, the full sheet printed to the edges, 755 x 565mm (29 3/4 x 22 1/4ín) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 6
δ Bernard Cheese (1925-2013)Attaching the WinchLithograph printed in colours, 1957, signed, dated and numbered from the edition of 25 in pencil, on wove paper, with margins, sheet 620 x 420mm (24 1/2 x 16 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 7
δ Alan Davie (1920-2014)Fox WatchLithograph printed in colours, circa 1970, annotated in pencil, a working proof before the edition of 75, on wove paper, the full sheet with registration marks, 630 x 825mm (24 3/4 x 32 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 8
δ Alan Davie (1920-2014)Fox WatchLithograph printed in colours, circa 1970, annotated in pencil, a working proof before the edition of 75, on wove paper, the full sheet with registration marks, 630 x 825mm (24 3/4 x 32 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 9
δ Alan Davie (1920-2014)Fox WatchLithograph printed in black, circa 1970, a working proof before the edition of 75, on wove paper, the full sheet, 630 x 815mm (24 3/4 x 32 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 140
Titanic Interest - The Carpathia Medal, 14 k yellow gold named to E G F Brown, Purser, with suspension ring, on a red ribbon, the medal depicting Carpathia heading towards the Titanic survivors in lifeboats, with icebergs behind, above the head of Neptune with dolphins emerging from his beard, curving down to a crossed anchor and broken spar, the reverse reading 'Presented to the Captain Officers & Crew of RMS Carpathia in recognition of Gallant and Heroic Services from the Survivors of the SS Titanic - April 15th 1912, 14k Dieges L Clust NY', in original Dieges & Clust black leatherette pasteboard box with cream satin lining, as issued, 39mm long (medal), total weight 16.4gThe medal was awarded by the Titanic Survivors Committee, only 14 medals in gold were given to the Captain and Senior Officers of the Carpathia, the Junior Officers receiving silver and the rest of the crew bronzeCatalogue Note: - Ernest G F Brown was born in 1885 in Liverpool and was 27 years old when the Titanic sank. He signed on to the crew of the Carpathia on 7th Feb 1912 from the Ship SS Ivernia, In recognition for his outstanding contribution to the survivors of the Titanic, he not only received the gold medal from the committee, he also received fifty guineas from the White Star Line (with Cunard's permission) and from the Liverpool shipwreck and Humane Society, a coloured lithograph presentation certificate and bronze medal
Lot 293
Valerie Thornton (1931-1991); a limited edition sepia lithograph of Eton College Chapel, signed in pencil and titled to the lower border and numbered 43/100, 38 x 52cm, framed and glazed. †CONDITION REPORT This lot may qualify for Artist Resale Rights. For further information, please visit .Slight foxing in the margin, no obvious creasing or tears in paper, clear signature.
Lot 100
Diners De Gala: Supremes of Lilliputian Malaises 1971Salvador DaliLimited Edition Print Lithograph Framed Artist Proof 20/50 56 x 41cmThe color lithograph comes from the collection Les Diners de Gala, a cooking book realized by Dalì in 1972. The artist translates in Surrealist style the recipes of his wife.The lithograph is signed on the right bottom and numbered on the left bottom . In the middle there is an illustration which represents the collection: it's the Spoon on Crutches or La Cuillère molle.
Lot 106
Ma de Proverbis - Joan MiroOriginal lithograph in colors on Arches paper 68 x 76.5cmSigned bottom right in plate,The title of this work translates as "handmade proverbs". The lot was created by Miró in honour of Shuzo Takiguchi, a Japanese poet and art critic. Takiguchi introduced Surrealism in Japan in the late 1920s. He is known for his collaboration with important poets and painters such as André Breton, Marcel Duchamp, Sam Francis and Antoni Tàpies.In 1940 he wrote a monograph on Joan Miró, whilst in 1970 he published "Handmade Proverbs to Joan Miró".Joan Miró, (born April 20, 1893, Barcelona, Spain-died December 25, 1983, Palma, Majorca), Catalan painter who combined abstract art with Surrealist fantasy.His mature style evolved from the tension between his fanciful, poetic impulse and his vision of the harshness of modern life. He worked extensively in lithography and produced numerous murals, tapestries, and sculptures for public spaces.
Lot 38
Workers Return Lawrence Coulson Limited Edition 307/600 Lithograph cert. - Mounted and Framed 80x50cmFollowing in the footsteps of his famous father, Gerald Coulson. Lawrence has enjoyed sell-out success of his work since becoming a professional artist in September 1997. As a child, Lawrence grew up surrounded by his father''s evocative paintings which inspired him to start painting. Mad on cars, Lawrence was often give a blank piece of paper to draw his favorite models over and over again.Despite his early love of art, Lawrence left school with only a D grade in the subject, going to work in retail and eventually taking up the position of sales and marketing manager for a local family firm. It was at this time that Lawrence''s father suggested he try his hand at painting and the first result was extremely encouraging. A few months later, with several paintings to his name, Lawrence was given the opportunity to hang some of his work in a local pub in Cambridge - a week later he had sold his very first painting for £30.00.Throughout the 1980''s, Lawrence continued to paint in his spare time, gradually building up a reputation within local galleries who were selling more and more of his work. His "big break" came in the summer of 1996, when a restaurant owner friend suggested he display his work on the premises on a commission-free basis. The restaurant owner then suggested holding a private exhibition of Lawrence''s work which Lawrence organised and marketed. He decided to invite The Halcyon Gallery along to his show, who were so impressed that they bought virtually every picture in the exhibition. Over the next year, Lawrence worked flat out on his paintings in his free time to keep up with demand, while still holding down his full-time job as a manager. It was only at the point of complete exhaustion that Lawrence realised his career decision had to be made, and on Independence Day in 1997 he declared himself officially an artist.With his major exhibition at The Halcyon Gallery in 1998 a complete sell-out, Lawrence has gone from strength to strength.
Lot 92
Over The DunesRichard E. Williams Limited Edition 660/1000 Lithograph 48 x 58cmA signed limited edition offset lithograph titled Over the Dunes by American artist, Richard E. Williams (b.1922). Williams is best known for his wildlife and landscape paintings. This print is pencil signed by the artist, as well as in print, to the lower right corner and is numbered 89 out of an edition of 1000 written directly underneath. This piece is double matted in light blue and beige, which is displayed behind glass in a wooden frame with a gold gilt finish. There is a wire for hanging to the verso, along with a certificate of authenticity.
Loading...-
70553 item(s)/page