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§ Marc Chagall (Russian-French, 1887-1985), 'La mariage', lithograph in colours, ed. 349/750, unsigned, bearing blindstamp, 56 x 42cm, framed and glazed. Please note that Artist's Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price. Please visit www.dacs.org.uk for more information. Condition Report: § Generally in good condition, frame has light scuffing. Not examined out of frame.

§ Graham Sutherland (British, 1903-1980), 'Formes volantes et flottantes' (1974), lithograph in colours, artist's proof, signed 'Sutherland' in pencil lower right, visible sheet size 46 x 35cm, framed and glazed, bearing labels to the reverse. Please note that Artist's Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price. Please visit www.dacs.org.uk for more information.

† Richard Smith (British, 1931-2016), Two of a kind llla (bright red x on green), colour lithograph on folded paper, signed and dated '78, numbered 30/90 lower right, 102 x 46.5cm. Unframed. Please note: VAT is payable on the hammer price on this lot.Condition Report: Generally good, some slight rubbing to edges

Tony Curtis (1925-2010), Harrods on Waikiki Beach, lithograph, 62 x 84cm. Framed and glazed.Condition Report: Under glass, faded.

† Richard Smith (British, 1931-2016). Two of a kind la, colour lithograph on folded paper, signed, dated '78 and numbered 80/80 lower right, 70.5 x 78cm, unframed. Please note: VAT is additionally payable on top of the hammer price on this lot at the current rate of 20%

Janet Treby (British, b.1955), The Dream, lithograph, signed lower right, inscribed lower centre, numbered 140/275 lower left, 63 x 50cm.Condition Report: Under glass, generally good appearance.

Steinbeck (John).- A group of Steinbeck Ephemera featuring works on paper, 6 pieces, between 360 x 260mm. and 430 x 480mm., v.s., v.d.*** Includes:Snyder (Dorothy) Steinbeck House, Salinas, Cal [2 copies], etching and aquatint, signed by the artist on lower right-hand corner and marked “art/pf.”, plate c.250 x 300mm, tipped onto mounts.Benton (Thomas Hart) Pa Joad, lithograph, sheet c.400 x 300 mm, signed by the author in plate, possibly a later printing, as it is on a larger sheet and unsigned, light surface marking.Original colour-printed poster for Cannary Row by The Forest Theater Guild, c.330 x 480mm., Carmel, CA, August 9-13, 1995.Poster for The Grapes of Wrath after the original first edition dust-jacket design, number 68 of 500 copies, nicks and light toning to margins, 430 x 320 mm., 1980.Magazine cutting of Steinbeck, printed in black and white, torn from unknown publication, c.360 x 260mm, c.1962.Provenance: The Mary Steinbeck Dekker Family Collection.

Games.- Spooner (William) The Travellers; or, A Tour Through Europe, hand-coloured lithograph map of Europe including vignettes of cities & people or animals typical of the region, c.505 x 630mm., dissected and mounted on linen, a little soiled and stained, slight fraying to lower edge and to edges & corners of sections, a few splits to folds, folding into original cloth folder with lithographed pictorial label to upper cover, rather worn and stained, [Whitehouse p.18], 1842 § New Royal Game of Goose (The), hand-coloured lithographed sheet depicting a goose containing 63 numbered circles, some containing illustrations including a railway station, a train and the Crystal Palace, with rules in box above and border with ornamental corners, c.435 x 545mm., lightly browned, folding into original board folder with hand-coloured illustration to upper cover, rubbed, [Whitehouse p.69], n.p., [c.1855] § Jeu du Nain Jaune/Jeu de Bog, 2-sided game, 6 folding conjoined triangular shapes which when unfolded form a hexagon with a circle cut out of the middle, c.375 x 430mm., lithographed sheets mounted on both sides of board forming 2 games, each with title and 5 hand-coloured playing cards including Knave, Queen & King (Nain Jaune with Lancelot, Palais & Charles, Bog with Lancelot, Rachel & David), 2 sheets of Nain Jaune a little rubbed and soiled, Paris, [c.1860] § Hammer- und Glockenspiel, 5 hand-coloured engraved sheets mounted on thick card (Hamer, Glogge, Kaufthaus, Hamer und Glogge, Schimel), each c.130 x 90mm., rather soiled, one creased from folding, together with letterpress sheet of rules (creased and wormed with loss of a few letters) in original marbled board slip-case, rubbed, [Austria/Germany], [c.1825]; and a copy of De La Rue's portable chess & draught board (designed by Owen Jones) with removable 2-sided pieces tucked into slots (1870s), v.s. (5)

Darwin (Charles) On the Origin of Species by Means of Natural Selection, second edition, second issue with "fifth thousand" on title, half-title, folding lithograph diagram, 32pp. publisher's catalogue dated January 1860 at end, light spotting to peripheral pages, ink ownership name partially removed from title leaving ink remnants and very small hole, original blind-stamped cloth, rebacked preserving original spine strip, endpapers renewed, lightly rubbed and stained, [Freeman 376], 8vo, 1860.

Circle Press.- Chaucer (Geoffrey) The Prologue to the Canterbury Tales, one of 50 A.P. copies, signed by the artist Ronald King, colour screen-prints, original cloth, slip-case, with accompanying portfolio of thick hand-made card containing 20 parts, each part with an original print (all but one signed) and an accompanying piece of prose or poetry printed on the inside wrapper by Roy Fisher, Andrew Crozier, Kevin Power and Keith Please, folder with silk ties, folio, Guildford, Circle Press, 1978.*** The Second Edition, as here, is a creation of some considerable complexity beyond even the details described above. Each of the twenty loose prints was new for this edition, as were the poems and essays by the four contributors. However, for five of the Chaucer characters which had already been illustrated by images in the book itself, the loose prints provided with the second edition were composite lithographic images of six versions of preliminary sketches for the final design, printed in black on a blue graph-paper grid (the exception is The Franklin, which although it appears in the book is also represented by a new full colour signed print in the portfolio). These five lithographs are I (The Knight), III (The Squire), V (The Nonne), VI (The Monk) and XVII (The Miller). Finally, above and beyond the called-for issue state, there are an additional five full-colour prints of the original images from the First Edition of the book inserted into folders I, III, V, VI and XVII. With the exception of the original print of III: The Squire and the lithograph of VI: Monk, each of the loose prints is numbered, titled and either intialled or signed by Ron King in pencil.

Middle East.- Roberts (David) The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia, 6 vol. in 3, portrait frontispiece, 6 pictorial lithograph titles, 241 tinted lithographs, 2 maps, tissue guards, vol. I frontispiece and front free endpaper loose (edges chipped), some slight foxing and browning, hinges a little weak, vol. I & II bookplates of Walter Cave on front pastedowns, contemporary full morocco, gilt, edges rubbed, vol. I & III upper covers detached, vol. II lower cover detached, g.e., 4to, 1855-56. 

Geer Van Velde (1898 - 1977), composition II, lithograph, Galerie Maeght, signed in pencil, no. 64/100, image 32cm x 46cm, framedGeneral slight even paper discolouration

Edward Bawden (1903 - 1989), the agricultural repair shop, colour lithograph published by Curwen Press 1949, image 9cm x 15.5cm, framedGood condition

Edward Bawden (1903 - 1989), The Bell (from Life In An English Village), colour lithograph published by Curwen Press 1949, image 9cm x 15.5cm, framedGood condition

Jean Carzou, Le Palais Verte, lithograph, 1975, signed in pencil, no. 50/185, 42cm x 33cm, framedGood condition

Leonor Fini, nude figures, lithograph, signed in pencil, 36cm x 55cm, framedOriginal vertical fold through the centre, some very light foxing down right-hand edge and slight discolouration

Hans Hartung, abstract L19, lithograph, 1957/8, signed in pencil, artist's proof, 59cm x 37cm, framedVery slight even paper discolouration, some very light foxing only visible on very close inspection, no tears or creases

Paul Guiramand, interior, lithograph, signed in pencil, no. 128/160, image 45cm x 33cm, framedVery slight even paper discolouration, crease in top left-hand corner margin, generally good condition

Jacques Villon, abstract composition, lithograph, signed in pencil, no. 13/200, image 31cm x 45cm, framedVery slight discolouration in the margin, no foxing or tears

Andre Masson, danse des tournesois, lithograph, 1971, no. 8/180, signed, image 51cm x 67cm, framedGood condition

Mel Boyaner (1924 - 2020), Expanding Form, lithograph, signed in pencil, 1966, no. 9/10, sheet 57cm x 80cm, framedSlight even paper discolouration, backing paper discoloured and foxed

Geer Van Velde (1898 - 1977), composition I, lithograph, Galerie Maeght, signed in pencil, no. 72/100, image 46cm x 27cm, framedSeveral faint fox marks in the margin, very slight even paper discolouration, no tears or creases

*CHRIS ORR (b. 1943) 'My tiger is only sleeping' signed, dated 1997, titled and numbered 5/20 in pencil to the margin, lithograph, the image 44cm x 64cmChris Orr was born in London in 1943. He is a painter, printmaker and teacher who attended Ravensbourne College of Art, 1959-63, Hornsey College of Art, 1963-4, and Royal College of Art. 1964-7. He has taught at the Ruskin School of Drawing in Oxford and Royal College of Art where he became Professor of Printmaking in 1998.Since 1976 Orr has also published 9 books that extend and amplify his ideas. His work is in the collection of Victoria and Albert Museum, Arts Council of Great Britain, National Portrait Gallery, Royal Academy of Arts, Science Museum, and the Tate Gallery. Orr was elected RA in 1995 and awarded MBE in 2008.

BERNARD BUFFET, Notre Dame Cathedral, colour lithograph, 1968, image 51cm x 41cm, framedVery slight paper discolouration, mount discoloured

Frank Brangwyn (Welsh, 1857-1956) "Buccaneers", a dynamic seascape study of a small, cramped vessel full of downcast seamen, beyond a coastal Mediterranean village overlooking the shore, period lithograph, in ebonized frame under glass, 68 cm x 60 cm overall [Brangwyn was a painter, illustrator and designer. At 17, one of his paintings was accepted into the Royal Academy's summer exhibition. He worked alongside Diego Rivera producing large-scale murals for places such as the Rockefeller Plazza and the Royal Exchange.]

Laurence Stephen Lowry (1887-1976), ''DEAL BEACH SKETCH'' lithograph, Fine Art Trade Guild blind stamp, published by Venture Prints Ltd. signed in biro, with blind stamp, 18cm x 25cm, Note: This is a print of the preparatory sketch for The Beach at Deal

LAURENCE STEPHEN LOWRY (BRITISH 1887-1976) CRIME LAKE Offset lithograph printed in colours, 1971, signed L.S. Lowry lower margin, from the edition of 500, printed by Max Jaffe, Vienna, published by the Adam Collection Ltd., with the Fine Art Trade Guild blindstamp

Paula Rego (1935 - 2022), Jane Eyre: The Guardians, from The Jane Eyre Suite, lithograph on wove paper, signed and numbered 29/35 in pencil, 87.5 x 64 cm, framed and glazed 101 x 78 cmThe image measures 87 cm high x 64 cm wide. In good overall condition with no obvious signs of foxing, tears, or damage to the image or frame. There is always the possibility of light bleaching to the image commensurate with age.

Claes Oldenburg (1929 - 2022) Swedish/American, Geometric Mouse and Body Buildings, signed and dated '68 in pencil, Printers Prrof (PP) and Trial Proof (TP) II, lithograph on paper with blindstamp, each 57 x 39.5 cm, each framed and glazed 62.5 x 45 cmQty: 2Both are on floating mounts, with some slight buckling as a consequence. Otherwise, they are in very good condition with good frames using acrylic glazing.

* LAWRENCE COULSON (BRITISH b. 1962), SUMMER BEACH limited edition lithograph on paper, signed and numbered 331/395mounted, framed and under glass

AFTER VICTOR VASARELY, OP-ART STUDY colour lithograph, signed within printframed and under glass60.5cm x 60.5cm overall

(AFTER) WILLIAM CROZIER HRHA (Uk/Irl 1930 - 2011) "The Yellow Road" 1993 coloured lithograph, ca 20.5 x 19.5" (Ltd Edt 20/75) signed and dated on the margin, framers labels verso

Early Westward Ho! Ladies Golf Club original lithograph late 19thc - depicting a lady's golf championship playing with players using longnose golf clubs - image 9.5" x 12" - overall 15.25" x 18" Note: From The Estate of The Late David Easby

Early Golfing Lithograph of "Fiery" famous Musselburgh Golf Caddie by McGlymont 1898 - heavy vertical crease mark - mf&g 15" x 17" Note: From The Estate of The Late David Easby

Charles Lees RSA (1800-1880) after - titled and inscribed "The Golfers - The Grand Match played over St Andrews Links 1841 - by Sir David Baird and Sir Ralph Anstruther and Major Playfair and John Campbell" engraved by CE Wagstaffe - Edinburgh 20 December 1850 - published Alexander Hill, Print seller to the Queen, 67 Princes Street" - a large and imposing colour lithograph mounted in period heavy gilt swept frame (some restoration along the top) framed and glazed overall 35.5" x 46" Note: From The Estate of The Late David Easby

Joan Miro (Spanish (Catalan), 1893-1983). Lithograph depicting a composition in the artist's signature style with bright red, blue, green, and yellow. Likely from "Lithographe II," ca. 1975. Pencil signed along the lower right; numbered XXVI/LXXX (26/80) along the lower left.Sight; height: 17 in x width: 13 3/4 in. Framed; height: 28 in x width: 24 3/4 in.br/>Condition:The colors are bold and bright. There are no visible creases, tears, losses, or restorations. The sheet is slightly toned. Framed under plexiglass; light wear to the frame. Not inspected out of frame.

Jasper Johns (American, b. 1930). Offset lithograph with paints and paintbrush titled "Target" depicting a 'blank' target. Signed in print along the lower left; the second line in the artist section has been left to allow the purchaser to paint the target themselves and sign their own name. Along the the catalog "Technics and Creativity" published by Gemini G.E.L., Los Angeles, in conjunction with the Museum of Modern Art, New York, 1970-71. Contained in a white plastic case.(Print) height: 10 1/2 in x width: 8 1/2 in. (Case) height: 10 3/4 in x width: 9 in x depth: 1 1/4 in.br/>Condition:Light wears, scratches, and scuffs to the white case. Light wear including some discoloration and scratches to the cover of the book. All pages appear present. The paintbrush has come unattached to the sheet of the target print. The print is in otherwise good condition and is still firmly held within the case. A few small discolorations from the paint including a few small red spots near the red paint pot.

Jasper Johns (American, b. 1930). Lithograph titled "Flag (Moratorium)" depicting the American flag in orange and green with black stars and stripes, 1969. The word "Moratorium" is printed in bold military text along the lower margin. Dated in print along the lower right of the image.Sight; height: 22 1/2 in x width: 29 1/2 in. Framed; height: 23 1/4 in x width: 30 1/4 in.br/>Condition:There are no major tears, creases, or losses. The sheet is lightly toned. There is minor foxing throughout the margins, in particular along the lower right margin. There are two thin scratches along the upper right quadrant, across the green stripe each measuring approximately 2 inches long. There appears to be repair work along the margin of the upper left corner. There is wear to the frame. Not examined out of frame, framed under glass.

Frank Stella (American, b. 1936). Offset lithograph and screenprint titled "Polar Co-ordinates II" from the series "Polar Co-ordinates for Ronnie Peterson" depicting a circular shape on a curved grid, 1980. Pencil signed, dated, and numbered 40/100 along the lower right. Printed and published by Petersburg Press.The name of the series comes from the grid-like structure of the works in the series as well as the name of the Swedish motorsports race driver who died in September 1978 at the Grand Prix in Monza. Peterson was a friend of Stella's.Sight; height: 38 1/2 in x width: 37 3/4 in. Framed; height: 50 1/2 in x width: 49 3/4 in.br/>Condition:There are no visible tears, creases, or losses. The colors are bold and bright. There is undulation to the sheet. There are two holes, in the lower right and left corners, that appear original to the artwork. There is wear to the frame, framed under plexiglass. Not examined out of frame.

Theo Tobiasse (Tobias Eidesas) (French, 1927-2012). Lithograph on paper titled "Le Cantique des Cantiques V" depicting a nude woman, 1996. Pencil signed along the lower right; numbered 99/150 along the lower left.Image; height: 11 1/4 in x width: 14 1/4 in. Framed; height: 16 1/4 in x width: 22 1/4 in.br/>Condition:There are no visible rips, losses, or restorations when inspected under UV. There are some light undulations to the sheet. There are several creases along the upper edge: one along the upper left corner and one along the upper right corner. Light wear to the frame; framed under glass; not inspected out of frame.

Jamali (Pakistani/American, b. 1944). Color lithograph depicting a surrealist face against a tan background. Signed along the lower right. From a limited edition; numbered 15/195 along an Art & Peace, Inc. gallery label affixed to the verso.Sight; height: 20 in x width: 20 in. Framed; height: 30 1/2 in x width: 30 1/2 in.br/>Condition:The colors are bold and bright. No visible tears, losses, or restorations. There is a slight undulation to the sheet throughout. The print is floated in frame. Framed under glass; light wear to the frame. Verso of print not inspected; not inspected out of frame.

Jamali (Pakistani/American, b. 1944). Color lithograph depicting a surrealist face against a tan background. Signed along the lower right. From a limited edition; numbered 15/195 along an Art & Peace, Inc. gallery label affixed to the verso.Sight; height: 20 in x width: 20 in. Framed; height: 30 1/2 in x width: 30 1/2 in.br/>Condition:The colors are bold and bright. No visible tears, losses, or restorations. There is a slight undulation to the sheet throughout. The print is floated in frame. Framed under glass; light wear to the frame. Verso of print not inspected; not inspected out of frame.

Rudolph Carl "R.C." Gorman (Navajo, 1931-2005). Lithograph on paper depicting three simplified forms of women, one with her hands outstretched. Pencil signed along the lower right; signed in plate along the lower left.Sight; height: 16 3/4 in x width: 22 1/4 in. Framed; height: 27 in x width: 31 1/2 in.br/>Condition:The colors are bold and deep. There is a small tear visible along the upper right edge. A few light creases throughout. Extreme edges and verso not inspected. Some accretions to the glass. Framed under glass; some wear to the frame; not inspected out of frame.

Henri Hecht Maik (French, 1922-1993). Color lithograph on paper titled "Les Gazelles" depicting colorful animals on a yellow background, 1972. Pencil signed along the lower right; numbered 152/200 along the lower left.Sheet; height: 30 3/4 in x width: 23 in. Image; height: 25 1/2 in x width: 19 3/4 in.br/>Condition:Colors are bright and bold. The sheet is toned; there is uneven toning throughout. There is mat burn along the perimeter of the image. There is discoloration along the edges of the sheet. There is light wear along the deckled edge. There is a horizontal crease along the upper edge. There is a loss to the upper-left edge of the sheet. There is discoloration to the verso of the sheet. The work is not framed.

Judith Shea (American, b. 1948). Lithograph on paper print titled "Up to the Light" depicting a nude female torso in white opposed by an upside-down sculpted torso in black, 1992. Pencil signed and dated along the lower right; titled along the lower center; numbered 8/35 along the lower left.Sight; height: 26 1/4 in x width: 19 in. Framed; height: 31 in x width: 23 1/4 in.br/>Condition:There are no major losses, creases, or tears. There is undulation to the sheet. No signs of restoration under UV light. Not examined out of frame. Framed under plexiglass. Light wear to the frame.

Thomas Hart Benton (American, 1889-1975). Lithograph on paper titled "The Race" depicting a horse galloping in a race against a train on a wide open prairie, 1941. Pencil signed along the lower right. Benton was a key figure in the Regionalist art movement along with fellow artists Grant Wood and John Steuart Curry.Sight; height: 9 1/2 in x width: 13 1/2 in. Framed; height: 19 3/4 in x width: 22 1/4 in.Condition:Undulation and toning is visible across the sheet. It appears the piece was re-matted to a larger mat since toning halts as a hard-edged line near the interior edges of the present mat. Areas of foxing throughout, larger areas along the extreme edges that are not visible when framed. There are two repairs to the extreme edges, not visible when framed. Scattered foxing to the recto. When viewed under UV light there are areas that fluoresce around the perimeter of the image. The work is affixed to the mat with four paper corners. Some very light handling marks. There is water damage to the mat along the bottom edge. Framed under glass; some wear to the frame. The paper backing of the frame has been cut along three edges to allow for inspection of the print.

Robert Cottingham (American, b. 1935). Large lithograph on paper titled "Roxy" depicting a neon sign reading "Roxy Arcade," 2002. Signed and dated along the lower right; titled and numbered 20/30 along the lower left. From the Landfall Press 30th Anniversary Portfolio.Height: 46 in x width: 46 in.br/>Condition:The print is in overall excellent condition. There are no rips, losses, or restorations. Very minimal wear along the edges and verso. The print is not framed.

Henri de Toulouse-Lautrec (French, 1864-1901). Lithograph on paper titled "Ta Bouche (Your Mouth)" depicting a sleeping woman for "Les Vieilles Histoires (The Old Tales)." Artist seal in print along the lower left of the composition.Height: 14 3/4 in x width: 10 3/4 in.br/>Condition:The color is bold and there are no tears, losses, or restorations. The sheet is slightly toned; it is unevenly toned within the image; visible in the lot listing. Handling marks throughout. Light wear along the edges. There is a light crease along the upper left corner. A few small spots of foxing throughout. Along the verso there are seven spots of tape or tape residue from previous framing. The work is not currently framed.

Italo Scanga (Italian/American, 1932-2001). Lithograph and woodcut on arches cover white paper print titled "Napoli" depicting an abstract visual interpretation of Naples, Italy, in a geometric style, 1989. Pencil signed, editioned 28/40, and dated along the lower left.Height: 41 3/4 in x width: 29 1/2 in.br/>Condition:The colors are bold and bright. There are no apparent creases, rips, losses, or restorations. A few small areas of possible acidic burn and very light stains or bleed-through along the verso. Light wear to the deckled edges. The work is not framed.

Sol LeWitt (1928-2007). Lithograph with aquatint and etching titled "Parallel Curves" depicting a composition of blue curving lines against a red background, 2000. Pencil signed and numbered 20/30 along the lower right. From the Landfall Press 30th Anniversary Portfolio.Height: 36 in x width: 36 in.br/>Condition:The colors are bold and bright. No tears, losses, creases, or restorations. Very minimal wear along the edges. The work is not framed.

Christiaan Karel Appel (Dutch, 1921-2006). Lithograph on paper titled "Tete de Femme" depicting an abstract face in bright colors, 1969. Pencil signed along the lower right; numbered 99/100 along the lower left. With a label along the verso from van Straaten gallery, Denver, Colorado.Sight; height: 27 1/2 in x width: 21 in. Framed; height: 34 1/2 in x width: 28 1/2 in.br/>Condition:There are no creases, losses, or tears. Colors are bright and bold. There is a small loss along the top left quadrant, near the bottom of the dark area. There is slight undulation to the sheet and it is slightly toned. There is minor foxing throughout the print most noticeably throughout the margins and most predominantly along the top margin. The piece is framed under glass. Not examined out of frame. No visible signs of restoration under UV light.

Joan Miro (Spanish (Catalan), 1893-1983). Color lithograph on paper titled "Composition Sur Fond Vert" depicting an abstracted composition in the artist's signature style with bright primary colors on a pale green background, 1950. Pencil signed and dated along the lower right; numbered 191/400 along the lower left.Sight; height: 17 3/4 in x 21 1/2 in. Framed; height: 24 1/2 in x 28 1/4 in.br/>Condition:Colors are bright and bold. The sheet is slightly toned. Framed under plexiglass. There is light wear to the frame and mat board. Not inspected out of frame.

[PRINTS] BIRDS, series of 18 antique bird prints, double backed, four lithograph prints, partridge, crossbill and redpoll, two original drawings in pencil, pen and ink, 24 mounted, all unframed (26).

GRAHAME (Kenneth) Dream Days. John Lane 1897; with DAVIDSON (John) A Queen's Romance, Grant Richards 1904, 1st Edn.; MORLAND (Henry) The Cardinal's Snuff Box, John Lane 1903, 1st illustrated Edn.; GALLIENNE (R. Le) Prose Fancies, 1894, 1st Edn., Lithograph frontis. By R. Wilson Steer; all in publisher's cloth (4).

An antiquarian lithograph in moulded walnut frame, 95 cm x 71 cm.

Andy Warhol, after, by New York Galleries-stamp, Verso, Happy birthday to Phillips, lithograph, 29cmx x20cm

L.S. Lowry, after, by Henry Dom galleries, Family discussions, limited edition number 145 of 850, blind stamp to lower margin, lithograph, 37cm x 25cm.

Dali, Salvador, Butterfly and the Bullfighter, signed in pencil, limited edition lithograph, 116/250, 74cm x 53cmKings Russell Auctioneers, Lot 229, 16th February 2021

New York, Sam-cat series 1963, lithograph, 29cm x 20cm

Henry Moore, after, Sculptural form, signed in pencil, lithograph, 23.5cm x 30cm.