We found 70555 price guide item(s) matching your search

Artist: Andy Warhol (American, 1928 - 1987). Title: "Four Multicolored Marilyns #1". Medium: Color offset lithograph. Date: Composed 1986. Dimensions: Overall size: 10 x 8 1/2 in. (254 x 216 mm).Lot Note(s): Signed in black felt tip pen, lower margin. Edition size unspecified, presumed very small. Cream wove smooth paper. Fine impression. Very good condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Literature/catalogue raisonne: cf. Feldman/Schellmann IIIA.3[a]. Comment(s): Rare. Issued to promote the 'Multicolored Marilyns Reversal Series' exhibition at the Akira Ikeda Gallery, Tokyo, Japan. The show consisted of 12 separate images of Marilyn. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The reception was held on December 5th, 1986 and the exhibition ran from December 6th to 25th. Printed by Takada Printing Co. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28814-2-800]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Four Multicolored Marilyns #2". Medium: Color offset lithograph. Date: Composed 1986. Dimensions: Overall size: 10 x 8 3/8 in. (254 x 213 mm).Lot Note(s): Signed in black felt tip pen, lower margin. Edition unknown, presumed very small. Cream wove smooth paper. Fine impression. Good to very condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Literature/catalogue raisonne: cf. Feldman/Schellmann IIIA.3[a]. Comment(s): Rare. Issued to promote the 'Multicolored Marilyns Reversal Series' exhibition at the Akira Ikeda Gallery, Tokyo, Japan. The show consisted of 12 separate images of Marilyn. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The reception was held on December 5th, 1986 and the exhibition ran from December 6th to 25th. Printed by Takada Printing Co. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28815-2-800]

Artist: Jean-Michel Basquiat (American, 1960-1988). Title: "Freddie". Medium: Color offset lithograph. Date: Composed 1984. Printed 1986. Dimensions: Overall size: 8 13/16 x 8 in. (224 x 203 mm).Lot Note(s): Signed in black marker. Edition size unspecified, presumed very small. Very light cream wove paper. Wide margins. Fine impression. Very good to fine condition. Comment(s): Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean Michel Basquiat – Bilder, 1984-1986" at Galerie Thaddaeus Ropac, Salzburg, Austria, July-August, 1986. Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by Galerie Thaddaeus Ropac. Printed in Salzburg by Valenta + Valenta, Ges.m.b.H. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [29021-1-600]

Artist: Lucian Freud (German/English, 1922-2011). Title: "Girl Sitting in the Attic Doorway". Medium: Color offset lithograph. Date: Composed 1995. Printed 1996. Dimensions: Overall size: 10 1/2 x 9 3/16 in. (267 x 233 mm).Lot Note(s): Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove smooth paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, Cumbria, England. Comment(s): Rare. No auction records located. Issued to promote the “Lucian Freud: Paintings and Etchings” exhibition at the Abbot Hall Art Gallery, Kendal, Cumbria, England. The show consisted of works created by Freud between 1939 and 1996. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The exhibition ran from June 25 to September 8, 1996. Printed by Balding + Mansell, Wisbech, England. Image copyright © The Lucian Freud Archive. [29451-2-600]

After William Nicholson, 'Characters of Romance' chromo lithographs circa 1900 to include characters such as Gargantua, Sophie Western, Baron Munchausen, Miss Haversham, Commodore Trunnion, Portos, Marge Wildfire and Mr Weller (8). Some of the backs have been replaced at various times as some are paper and some are more modern. There are fold lines across each lithograph. 6 are 53 x 42 inc frame, 2 are 50 x 40cm inc frames. There are signs of damp/ brown speckles.

Marcel Duchamp (1887 Blainville-Crevon - 1968 Neuilly-sur-Seine)'Cheminée anaglyphe', Multiple (Box mit Heft, Verso-/Rekto Lithografie, 3D-Brille, Original Lithografie), 30,5 cm x 24,5 cm Boxenmaß, 28 x 22,5 cm Blattmaß, 86/100 nummeriert, 3D-Brille knickfaltig, Kopie des Kaufbeleges anbeiMarcel Duchamp (1887 Blainville-Crevon - 1968 Neuilly-sur-Seine)'Cheminée anaglyphe', multiple (box with booklet, lithograph recto/verso, 3D glasses, original lithograph), box dimensions 30.5 cm x 24.5 cm, 28 x 22.5 cm sheet size, numbered 86/100, 3D glasses creased, includes a copy of the sales receipt

Alois Carigiet (1902 Truns - 1985 ebenda)'Stall von Stavons', Farblithografie auf Papier, 54,5 cm x 74 cm Rahmeninnenmaß, signiert, 1972 datiert, K.P. bezeichnetAlois Carigiet (1902 Truns - 1985 ibid)'Stall von Stavons', lithograph in colours on paper, 54.5 cm x 74 cm frame inner dimensions, signed, dated 1972, inscribed K.P.

Joan Miró (1893 Barcelona - 1983 Palma de Mallorca) (F)'Grand Palais', Farblithografie auf Papier, 21 cm x 39 cm Blattmaß, signiert, 79/100 nummeriert, mittig geknicktJoan Miró (1893 Barcelona - 1983 Palma de Mallorca) (F)'Grand Palais', lithograph in colours on paper, 21 cm x 39 cm sheet size, signed, numbered 79/100, creased in the centre

Karel Appel (1921 Amsterdam - 2006 Zürich) (F)Ohne Titel, Farblithografie auf Papier, 76 cm x 56 cm Blattmaß, signiert, 1969 datiert, 34/85 nummeriert, Papier nachgedunkelt, auf Passepartout montiertKarel Appel (1921 Amsterdam - 2006 Zürich) (F)Untitled, lithograph in colours on paper, 76 cm x 56 cm sheet size, signed, dated 1969, numbered 34/85, paper slightly darkened, mounted in a mat

Antoni Tàpies (1923 Barcelona - 2012 ebenda) (F)Nocturn matinal, Lithografie auf Papier, 56 cm x 74 cm Passepartoutinnenmaß, signiert, 1970 datiert, 47/100 nummeriertAntoni Tàpies (1923 Barcelona - 2012 ibid.) (F)'Nocturn matinal', lithograph on paper, 56 cm x 74 cm mat inner dimensions, signed, numbered 47/100

Salvador Dalí (1904 Figueres/Spanien - 1989) (F)'King of Aragon', Farblithographie, 36 cm x 26,5 cm Passepartoutinnenmaß, signiert, 1966 datiert, 37/75 nummeriertSalvador Dalí (1904 Figueres/Spain - 1989) (F)'King of Aragon', lithograph in colours, 36 cm x 26.5 cm mat inner dimensions, signed, dated 1966, numbered 37/75

Salvador Dalí (1904 Figueres/Spanien - 1989) (F)Ohne Titel, Farblithografie auf Papier, 38 cm x 27,5 cm Blattmaß, signiert, 1966 datiert, 43/75 nummeriert, partiell leicht knickfaltigSalvador Dalí (1904 Figueres/Spain - 1989) (F)Untitled, lithograph in colours on paper, 38 cm x 27.5 cm sheet size, signed, dated 1966, numbered 43/75, some slight creases

Salvador Dalí (1904 Figueres/Spanien - 1989) (F)'L'Académie de Paris', Farbradierung auf Velin, 1971, 52 cm x 69,5 cm Passepartoutinnenmaß, signiert, 123/250 nummeriertSalvador Dalí (1904 Figueres/Spain - 1989) (F)'L'Académie de Paris', lithograph in colours on wove, 1971, 52 cm x 69.5 cm mat inner dimensions, signed, numbered 123/250

Günther Uecker (1930 Wendorf) (F)'Winkel', Offsetlithografie auf Büttenkarton, 72 cm x 52 cm Blattmaß, signiert, 1972 datiert, betitelt, partiell knickfaltig, Provenienz: Privatsammlung EssenGünther Uecker (1930 Wendorf) (F)'Winkel', offset lithograph on laid card, 72 cm x 52 cm sheet size, signed, dated 1972, titled, slightly creased, provenance: private collection, Essen

Günther Uecker (1930 Wendorf) (F)Nägel auf Zeitung, Offsetlithografie auf Büttenkarton, 65 cm x 50 cm Blattmaß, signiert, 1982 datiert, minimal bestoßen, Provenienz: Privatsammlung EssenGünther Uecker (1930 Wendorf) (F)Nails on newspaper, offset lithograph on laid cardboard, 65 cm x 50 cm sheet size, signed, dated 1982, with minor wear, provenance: private collection, Essen

Günther Uecker (1930 Wendorf) (F)Blatt II aus der Serie 'Wie weiss ist wissen wie Weisen - Hommage à Günther Uecker', Prägedruck auf Bütten, 32 cm x 23 cm Blattmaß, signiert, 169/200 nummeriert, II bezeichnet, Provenienz: Privatsammlung EssenGünther Uecker (1930 Wendorf) (F)Nails on newspaper, offset lithograph on laid cardboard, 65 cm x 50 cm sheet size, signed, dated 1982, with minor wear, provenance: private collection, Essen

Per Kirkeby (1938 Kopenhagen - 2018 ebenda)Backsteinskulptur und Lithografie, Backstein, Maße 6,5 cm x 23,5 cm x 11 cm, Nr. 760, Echtheitsstempel, 1994 datiert, Recklinghausen ortsbezeichnet, Zertifikat anbei; Backsteinskulptur, Offsetlithografie auf Papier, 30 cm x 85 cm Blattmaß, signiert, 1994 datiert, 179/200 nummeriert, leicht wellig, partiell fleckigPer Kirkeby (1938 Copenhagen - 2018 ibid)Brick sculpture and lithograph, brick dimensions 6.5 cm x 23.5 cm x 11 cm, no. 760, with authenticity stamp, dated 1994, inscribed 'Recklinghausen', with certificate; Brick sculpture, offset lithograph on paper, 30 cm x 85 cm sheet size, signed, dated 1994, numbered 179/200, slightly cockled, partially stained

AFTER EVA FRANKFURTHER (1930-1959), MAN CARRYING A SACK, lithograph, Boundary Gallery label verso, framed. 38cm by 27cm

NEITZKE, OF TIME AND SPACE, limited edition lithograph, number 5/9, signed, numbered and dated '90' in pencil in the margin, framed. Visible sheet 43cm by 69cm

Yves Brayer, study of San Tropez, pencil signed limited edition lithograph 163/175, plate 52.5cm x 68.5cm

Paul Fischer, coloured French lithograph, 28cm x 20cm

Friedensreich Hundertwasser (1928-2000) Austrian ''Der Knabe mit den grünen Haaren'', Signed and numbered HC 33/50, lithograph, 1967, 60cm by 39.5cm (unframed) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration Sight time staining to paper. Covered in a thin layer of surface dirt. Two pin holes to each corner within the margin. Tear 2cm lower right through margin and 1cm into the image within the black square. Right hand side and bottom edge have a deckled edge. The odd minor handling crease to margins. The paper appears to have variations of colour throughout, this is evident with the margins? In addition to the odd sporadic dirty mark to margins. Smudges to areas of the signature. Slight losses to gold pigment, upper right of the left shoe and a few tiny spots within the gold of this shoe and one very minor surface scratch to the upper right of the right shoe. Brown spot right hand side to the right of the eyes and one upper left to the right of the blue and red shape, these may be by design?

Joan Miró (1893-1983) Spanish Abstract Signed and numbered 59/75, lithograph, 63cm by 83cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration Very slight time staining to paper. The odd tiny speck of dirt, particularly evident to lower margin. The odd thunder fly trapped under the glass. Hinged to the reverse with tape around all of the edges.

Philip Sutton, RA (b.1928) ''Vancouver'' (1966) ''Hawaii'' (1966) Each signed and numbered 12/250, lithograph, 57cm by 74.5cm (2) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business ''Hawaii'' Slight time staining to paper. Slight cockling to paper. The odd handling crease to outer edges, especially left and right hand side edges within the margin. Crease across top left corner. Horizontal crease along the top edge 1cm down from the frame (within the margin) The odd very minor tiny foxing spot. One large foxing spot to upper right within the margin. Light surface dirt and debris trapped under glass. Possible slight crease to upper right corner of the blue (approx 3cm in length), may be by design? Not examined out of the frame. ''Vancouver'' Slight time staining to paper. Considerable small/ medium sized foxing spots throughout, most evident but not contained to the margins. Slight cockling to paper. The odd minor handling crease. Not examined out of the frame.

Henry Moore OM, CH, FBA, RBS (1898-1986) Figure groups Signed in pencil and numbered 46/75, lithograph, 25cm by 33.5cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration The print has a deckled edge. It has slightly slipped in the frame. Some light surface dirt and debris trapped under glass. Otherwise good overall condition. Not examined out of the frame.

John Egerton Christmas Piper CH (1903-1992) ''Fountains Abbey'' Signed and numbered 136/150, lithograph, 49cm by 65cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration Slight cockling to paper. Some light surface dirt and debris trapped under the glass. Otherwise appears in overall good condition. Not examined out of the frame.

Dame Elizabeth Violet Blackadder DBE, RA, RSA (b.1931) Scottish ''Arum Lilies'' Signed in pencil and numbered 52/64 with the eagle embossed blindstamp, lithograph, 58cm by 78cm Artist's Resale Rights/Droit de Suite may apply to this lot See illustration Slight cockling to the paper. Small crease (approx 1cm) left hand side edge below the top left flower. Another tiny crease to the right of the petal second down on the left. Some very light surface dirt and debris trapped under glass. Otherwise in good overall condition. Not examined our of the frame.

Edwin La Dell (1914-1970) ''The Studio'' Signed, inscribed and numbered 2/50, lithograph, 59.5cm by 38.5cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business

Artist: Andy Warhol (American, 1928 - 1987). Title: "Christmas card: Tree of Treats". Medium: Original vintage color offset lithograph. Date: Composed 1960. Printed 1960. Dimensions: Overall size: 6 7/16 x 5 1/16 in. (164 x 129 mm).Lot Note(s): Signed in black marker, lower center. Edition unknown, presumed small. Light cream wove paper. The full sheet. Fine impression. Fine condition; fold as issued; unused; blank interior; lot includes original unused Tiffany envelope (embossed "Tiffany & Co. Makers New York"), also in fine condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 3, no. 12a; John Loring, “Greetings from Andy (Warhol): Christmas at Tiffany’s.” New York: Harry N. Abrams, Inc., 2004. Comment(s): Warhol's lifetime Tiffany Christmas cards are rare, and extremely rare signed. The most recent sale price we found of a card, unsigned and without the envelope, was $3,000 at Christie's New York, December 1st, 2014, lot #62. In 1956, in addition to all the work Warhol was getting drawing shoes and bags, he was commissioned to design Christmas cards for Tiffany & Co. on Fifth Avenue in New York City. Warhol's cards were then published by Tiffany's every Christmas up to 1962, the year he started to exhibit his paintings of soup cans. Our example offered here is from the original first printing in 1960. The cards were subsequently reprinted in a slightly larger size in 1980. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28734-1-600]

Artist: Rudolf Bauer (German, 1881 - 1953). Title: "Circle of Life". Medium: Original lithograph. Date: Composed c1910s. Dimensions: Image size: 11 7/8 x 17 3/8 in. (302 x 441 mm).Lot Note(s): Signed in pencil, lower right; numbered in pencil, lower left; signed in the stone, lower right. Edition unknown, perhaps c200. Cream wove paper. Wide margins. Fine impression. Very good to fine condition. Provenance: Estate of the Artist. Comment(s): Alexander Georg Rudolf Bauer was a German-born painter who was involved in the avant-garde group Der Sturm in Berlin, and whose work would become central to the Non-Objective art collection of Solomon R. Guggenheim. Image copyright © Rudolf Bauer Estate and Archives. [3482-4-300]

Artist: Al Hirschfeld (American, 1903 - 2003). Title: "Cocoa Venus [from the suite 'Harlem As Seen by Hirschfeld']". Medium: Original color lithograph. Date: Composed 1930s. Printed 1941. Dimensions: Overall size: 8 15/16 x 11 3/4 in. (227 x 298 mm).Lot Note(s): Signed in pencil, lower right; annotated "PP" in pencil, lower right; signed in the plate, lower left. A printer's proof aside from the edition of 1,000. Cream laid handmade Canson & Montgolfier (Annonay, France) paper. Margins as issued. Fine impression. Fine condition. Provenance: Through Daniel W. Triggs, the executor of the estate of Frederick Triggs, Sr., the printer of the edition. Comment(s): Another impression of this lithograph, unsigned, was offered at $950 by Ro Gallery, Long Island City, New York, in April, 2020. Many of the Hirschfeld's images in the Harlem suite have become iconic representations of the African-American experience in the 1930's and are often considered to be the artist's best work. Printed by the Triggs Color Printing Corporation, New York; published by The Hyperion Press, New York. Image copyright © The Al Hirschfeld Foundation, New York. [30058-2-800]

Artist: Francisco Toledo (Mexican, 1940-2019). Title: "Amnesty International". Medium: Color offset lithograph. Date: Composed 1977. Dimensions: Overall size: 31 x 24 5/8 in. (787 x 625 mm).Lot Note(s): Signed in pencil, lower left; numbered in pencil, lower right. Edition of 100. Light cream textured wove paper. Full margins. Fine impression. Very good condition. Provenance: Private collection, Oaxaca, Mexico. Comment(s): Toledo originally created this image as a limited edition offset lithograph and then added text to the bottom of the sheet for use as a poster for Artists for Amnesty. A series of art posters was created by 15 world renowned artists for Amnesty International’s “Prisoners of Conscience Year 1977.” The group then was exhibited in February & March, 1977, at the Grey Art Gallery at New York University. [29158-6-400]

Artist: Roberto (Portuguese, active 1920s). Title: "Dalia - Apasta da Gente Chic [Julio Amorim, Lisbon]". Medium: Original vintage color lithograph. Date: Composed 1924. Dimensions: Overall size: 11 11/16 x 16 7/8 in. (297 x 429 mm). Image size: 11 1/8 x 16 3/16 in. (283 x 411 mm).Lot Note(s): Signed and dated in the stone, lower left. Edition size unspecified, presumed small. Cream wove paper. Margins as issued. Very good impression. Very good to fine condition; linen backed. Comment(s): We have not found this poster at auction in the past 25 years. The slogan 'A pasta da gente chic' translates to 'Toothpaste for chic people'. [25021-3-400]

Artist: Adrien Barrere (French, 1877-1931). Title: "Dranem/Ambassadeurs [Charle Verneau, Paris - proof before letters]". Medium: Original vintage color lithograph. Date: Composed c1905. Dimensions: Overall size: 46 1/2 x 31 1/16 in. (1181 x 789 mm).Lot Note(s): Signed in the stone, lower right. Unique proof?. Buff wove paper. Probably the full sheet. Very good impression. Republique Francaise Seine stamp, lower center. Linen backed. Provenance: Jack Williams, Phoenix, Arizona. Comment(s): A rare proof before letters poster. [25014-8-800]

Artist: Rafael Coronel (Mexican, 1931-2019). Title: "El Filosofo". Medium: Color offset lithograph. Date: Printed 1978. Dimensions: Overall size: 18 7/8 x 24 3/4 in. (479 x 629 mm). Image size: 18 7/8 x 24 3/4 in. (479 x 629 mm).Lot Note(s): Signed with the signature stamp, lower left; dedicated with the stamp, lower left verso; signed in the plate, lower right. Print #128 from the edition of unknown size (c150-200?). Cream lightly textured wove paper. Printed to the sheet edges. Fine impression. Very good to fine condition. Comment(s): Rafael Coronel, born in Zacatecas, State of Zacatecas, is the son-in-law of Diego Rivera and the brother of Pedro Coronel. His representational paintings have a melancholic sobriety, and include faces from the past great masters, often floating in a diffuse haze. Image copyright © Rafael Coronel. [28009-5-300]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Electric Chair". Medium: Color offset lithograph. Date: Composed 1971. Printed 1980. Dimensions: Overall size: 9 1/4 x 8 1/16 in. (235 x 205 mm).Lot Note(s): Signed in black marker. White wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann II.81. Provenance: Private collection, Sweden, thence to our consignor. Comment(s): Published for the important catalogue raisonne of Warhol’s prints by Hermann Wunsche. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29198-1-1600]

Artist: Keith Haring (American, 1958 - 1990). Title: "Fertility Suite #1". Medium: Original offset lithograph. Date: Composed 1983. Printed 1983. Dimensions: Overall size: 4 3/4 x 5 3/8 in. (121 x 137 mm).Lot Note(s): Signed by Haring in black marker. Edition c200. Light cream smooth stiff wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: Littmann 31. Comment(s): A very rare and highly sought after item, especially since the set of five regular edition screenprints fetched $161,000 at Christie's, New York, 10/23/2014, lot #252. “Gordon’s” does not locate any of the individual cards from the miniature suite at auction, from 1985 to the present. Image copyright © The Keith Haring Foundation. [29788-1-500]

Artist: Vincent Lorant-Heilbronn (French, 1874-1912). Title: "Anna Karenine [Pathe Freres, Paris]". Medium: Original vintage color lithograph. Date: Composed 1911. Dimensions: Overall size: 46 1/8 x 31 1/4 in. (1172 x 794 mm).Lot Note(s): Signed in the stone, lower right. Edition size unspecified, presumed small. Cream wove paper. The full sheet. Fine impression. Good condition; linen backed. Provenance: Jack Williams, Phoenix, Arizona. Comment(s): Very rare. We have not found this large poster at auction in the past 25 years. Printed for the movie of the same name, produced by Pathe Freres and Le Film Russe in 1911. Lorant-Heilbronn was a French painter, film director, decorator and poster artist who died at an early age, a year after his creation of this image. [25016-8-1200]

Artist: Al Hirschfeld (American, 1903 - 2003). Title: "Apollo Chorine [from the suite 'Harlem As Seen by Hirschfeld']". Medium: Original color lithograph. Date: Composed 1930s. Printed 1941. Dimensions: Overall size: 11 15/16 x 8 3/4 in. (303 x 222 mm).Lot Note(s): Signed in pencil, lower left; annotated "PP" in pencil, lower left; signed in the plate, lower right. A printer's proof aside from the edition of 1,000. Cream laid handmade Canson & Montgolfier (Annonay, France) paper. Wide margins. Fine impression. Fine condition. Provenance: Through Daniel W. Triggs, the executor of the estate of Frederick Triggs, Sr., the printer of the edition. Comment(s): Another signed impression of this lithograph sold for $1,150 at Swann Auction Galleries, New York City, 9/25/2003, lot #3A. Many of the Hirschfeld's images in the Harlem suite have become iconic representations of the African-American experience in the 1930's and are often considered to be the artist's best work. Printed by the Triggs Color Printing Corporation, New York; published by The Hyperion Press, New York. Image copyright © The Al Hirschfeld Foundation, New York. [30052-2-800]

Artist: Lucian Freud (German/English, 1922-2011). Title: "Girl in a Green Dress". Medium: Color offset lithograph. Date: Composed 1953. Printed 1996. Dimensions: Overall size: 10 1/16 x 9 1/16 in. (256 x 230 mm).Lot Note(s): Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove smooth paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, Cumbria, England. Comment(s): Rare. No auction records located. Issued to promote the “Lucian Freud: Paintings and Etchings” exhibition at the Abbot Hall Art Gallery, Kendal, Cumbria, England. The show consisted of works created by Freud between 1939 and 1996. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The exhibition ran from June 25 to September 8, 1996. Printed by Balding + Mansell, Wisbech, England. Image copyright © The Lucian Freud Archive. [29444-2-600]

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Grand Bal Travesti/Transmental (Programme) [Picasso *two original lithographs*, Larionov, Gontchrova, et al] [Portfolio/Book] [program for the 1923 Ball organized by the Union des Artistes Russes in Paris]". Medium: Original color lithograph and lithographs. Date: Composed 1923. Dimensions: Image size: 13 x 10 in. (330 x 254 mm).Lot Note(s): Several lithographs signed in the plate. All lithographs with artist credit. Small edition?. Heavy wove paper. Fine impressions. Fine condition. Comment(s): Contains two original lithographs by Pablo Picasso, one hand-colored with blue and yellow pastel, "Saltimbanque Assis," apparently found only in this program (see: Online Picasso Project, 23:197); the other, "Cheval," also apparently found only in this program. Published for the first experimental ball of the Union of Russian Artists in Paris, the printed program is a typographical and artistic masterpiece. 16 pages. In addition to the Picassos, it features original lithographs and illustrations by and after Gris, Ferat, Derain, Gontcharova, and others, and poetry by Tzara, Soupault, Reverdy, and Cowely. Printed by Francois Bernouard, Paris. Highly important and rare. Picasso images copyright © Artists Rights Society (ARS), New York. [19199-2-2400]

Artist: Antoni Tapies (Spanish, 1923-2012). Title: "Hommage a Aime Maeght". Medium: Original color lithograph. Date: Composed 1982. Dimensions: Overall size: 14 15/16 x 22 in. (379 x 559 mm). Image size: 14 15/16 x 22 in. (379 x 559 mm).Lot Note(s): Edition unknown, presumed small. Very pale cream wove paper. Printed to the edge of the sheet. Fine impression. Very good condition; centerfold as issued and the expected small losses from the binding holes; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Tapies was a painter, sculptor, and art theorist, who became one of the most famous European artists of his generation. [20703-4-225]

Artist: Lucian Freud (German/English, 1922-2011). Title: "Hospital Ward". Medium: Color offset lithograph. Date: Composed 1941. Printed 1996. Dimensions: Overall size: 7 3/8 x 9 3/16 in. (187 x 233 mm).Lot Note(s): Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove smooth paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, Cumbria, England. Comment(s): Rare. No auction records located. Issued to promote the “Lucian Freud: Paintings and Etchings” exhibition at the Abbot Hall Art Gallery, Kendal, Cumbria, England. The show consisted of works created by Freud between 1939 and 1996. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The exhibition ran from June 25 to September 8, 1996. Printed by Balding + Mansell, Wisbech, England. Image copyright © The Lucian Freud Archive. [29442-2-700]

Artist: Rudolf Bauer (German, 1881 - 1953). Title: "At the Mirror". Medium: Lithograph. Date: Composed c1910s. Dimensions: Overall size: 22 1/16 x 14 in. (560 x 356 mm). Image size: 16 x 8 1/4 in. (406 x 210 mm).Lot Note(s): Signed in pencil, lower right. Signed in the stone, lower left. Very small edition size?. Cream wove paper. Wide margins. Fine impression. Very good condition. Provenance: Estate of the Artist. Comment(s): Alexander Georg Rudolf Bauer was a German-born painter who was involved in the avant-garde group Der Sturm in Berlin, and whose work would become central to the Non-Objective art collection of Solomon R. Guggenheim. Image copyright © Rudolf Bauer Estate and Archives. [6721-3-200]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Ingrid Bergman: Herself (01)". Medium: Color offset lithograph. Date: Composed 1983. Dimensions: Overall size: 8 1/4 x 8 1/4 in. (210 x 210 mm). Image size: 7 15/16 x 7 15/16 in. (202 x 202 mm).Lot Note(s): Signed in black felt tip pen, lower center; signed in the plate. Edition unknown, presumed very small. Light cream wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann II.313. Comment(s): Scarce, and rare signed. A signed impression from this series sold for $1,790 at Pierre Cornette de Saint Cyr, Paris, June 20, 2011, lot #412. Issued for the December 3, 1983, opening night exhibition of "Andy Warhol: Portraits of Ingrid Bergman" at Galerie Borjeson, Malmo, Sweden. The portfolio consists of three separate images of Bergman. Apparently there were very small quantities of this lithograph printed for distribution on opening night and they went quickly. This image, the "edition print," is based on an early publicity photograph. Published by Galerie Borjeson AB, Malmo. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28155-2-500]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Ingrid Bergman: Herself (05)". Medium: Color offset lithograph. Date: Composed 1983. Dimensions: Overall size: 8 1/4 x 8 1/4 in. (210 x 210 mm). Image size: 7 15/16 x 7 15/16 in. (202 x 202 mm).Lot Note(s): Signed in black felt tip pen, center right; signed in the plate. Edition unknown, presumed very small. Light cream smooth wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann IIB.313. Comment(s): Scarce, and rare signed. A signed impression from this series sold for $1,790 at Pierre Cornette de Saint Cyr, Paris, June 20, 2011, lot #412. Issued for the December 3, 1983, opening night exhibition of "Andy Warhol: Portraits of Ingrid Bergman" at Galerie Borjeson, Malmo, Sweden. Apparently there were very small quantities of this lithograph (our example) printed for distribution on opening night and they went quickly. This image of Bergman, one of the "trial proof unique prints," is based on an early publicity photograph. Published by Galerie Borjeson AB, Malmo. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28333-2-500]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Ingrid Bergman: With Hat (05)". Medium: Color offset lithograph. Date: Composed 1983. Dimensions: Overall size: 8 1/4 x 8 1/4 in. (210 x 210 mm). Image size: 7 15/16 x 7 15/16 in. (202 x 202 mm).Lot Note(s): Signed in black felt tip pen, lower right; signed in the plate. Edition unknown, presumed very small. Light cream wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann IIB.315. Comment(s): Scarce, and rare signed. A signed impression from this series sold for $1,248 at Pierre Cornette de Saint Cyr, Paris, June 25, 2012, lot #420. Issued for the December 3, 1983, opening night exhibition of "Andy Warhol: Portraits of Ingrid Bergman" at Galerie Borjeson, Malmo, Sweden. Apparently there were very small quantities of this lithograph (our example) printed for distribution on opening night and they went quickly. This image of Bergman, one of the "trial proof unique prints," is based on a movie still from "Casablanca." Published by Galerie Borjeson AB, Malmo. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28336-2-500]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Interview Magazine: David Colby et al". Medium: Offset lithograph. Date: Composed c1984. Dimensions: Overall size: 16 5/8 x 21 in. (422 x 533 mm).Lot Note(s): Signed in black marker, upper right. Edition unknown. Cream newsprint paper. Fine, quality printing. Condition: the double page spread has been deliberately separated vertically in the center; a photograph has been cut out of the area with the red text on the pink paper; there is a horizontal tear in the top half of the left facing spread which separates it from the top half. Could be conserved or left as is. Provenance: Private collection, Sweden, thence to our consignor. Comment(s): A double page spread from Warhol’s ‘Interview’ magazine. The photograph of David Colby and Wilhelm Moser, publishers, and Johno Du Plessis, editor, of the ‘Manipulator’ magazine is by Eugene Pinkowski (American, b.1954). On a Saturday afternoon in 1984 Pinkowski received a call from New York. It was Andy Warhol, who simply asked: "Would you like to do a shoot of Dennis Hopper for me next Tuesday?" Stunned, Pinkowski hesitated to answer. "If you show up, I'll know you want to work for me" said Warhol. Pinkowski did, and continued shooting features in every issue of ‘Interview’ until Warhol's death. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29250-3-500]

Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "Jungfrau im Baum ["Virgin in the Tree"]". Medium: Lithograph after the original etching. Date: Composed 1903. Printed later. Dimensions: Overall size: 6 11/16 x 8 11/16 in. (170 x 221 mm).Lot Note(s): Titled in the plate, lower center; Felix Paul Klee handstamp, verso. Edition unknown, presumed small. Cream wove textured paper. Printed to the edge of the sheet. Fine impression. Very good to fine condition. Provenance: Acquired directly from Felix Paul Klee. Comment(s): Please note that the original image was created as an etching by Klee in 1903. At a later date the original etching was used to create this lithograph, hence the very low pre-sale estimates. This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until after the war. It was printed under the immediate supervision of Klee's son, Felix Paul Klee (1907-1990), a prominent art historian and later the director of the Paul Klee Foundation. Image copyright © Artists Rights Society (ARS), New York. [29301-1-400]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Knives #07". Medium: Color offset lithograph. Date: Printed 1982. Dimensions: Overall size: 11 3/8 x 8 5/16 in. (289 x 211 mm).Lot Note(s): Signed in black marker, lower right. Edition unknown, presumed very small. Light cream wove smooth coated paper. The full sheet. Fine impression. Very good condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Literature/catalogue raisonne: cf. Feldman/Schellmann IIIA.32. Comment(s): Rare. No auction records located. Issued to promote the 'Andy Warhol: Guns, Knives, Crosses' exhibition at the Galeria Fernando Vijande, Madrid, Spain. The show consisted of dozens of separate images of Warhol's renditions of guns, knives, and crosses. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went fast. The reception was held on December 19th and the exhibition ran from December 20th, 1982 to February 12, 1983. Printed by Grafex, Madrid. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28857-2-700]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Knives #09". Medium: Color offset lithograph. Date: Printed 1982. Dimensions: Overall size: 10 5/8 x 8 1/8 in. (270 x 206 mm).Lot Note(s): Signed in white marker, lower right. Edition unknown, presumed very small. Light cream wove smooth coated paper. The full sheet. Fine impression. Very good condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Literature/catalogue raisonne: cf. Feldman/Schellmann IIIA.32. Comment(s): Rare. No auction records located. Issued to promote the 'Andy Warhol: Guns, Knives, Crosses' exhibition at the Galeria Fernando Vijande, Madrid, Spain. The show consisted of dozens of separate images of Warhol's renditions of guns, knives, and crosses. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went fast. The reception was held on December 19th and the exhibition ran from December 20th, 1982 to February 12, 1983. Printed by Grafex, Madrid. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28859-2-400]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Man Ray #1". Medium: Color offset lithograph. Date: Composed 1974. Dimensions: Overall size: 8 5/8 x 8 1/2 in. (219 x 216 mm).Lot Note(s): Signed in black felt tip pen, center left. Edition unknown, presumed very small. Cream wove smooth paper. Printed to the edge of the sheet. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Literature/catalogue raisonne: cf. Feldman/Schellmann II.148. Comment(s): Rare. Issued to promote the 'Man Ray' exhibition at Galleria Il Fauno and Alexandre Lolas, Milan, Italy, in August of 1974. The show consisted of 28 separate images of Man Ray. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went fast. Printed by Poligrafico Roggero & Tortia, Beinasco/Turin, Italy. In the early 1970s Warhol began to accept regular commissions to paint the portraits of the rich and famous. However, as well as commissions, he also painted a number of portraits of people he admired, especially other artists. Man Ray was one of his heroes, so much so that, when he could afford it, Warhol acquired a number of his photographs, paintings and early books. This image is based on a Polaroid photograph he took of him, cigar in mouth, in 1973. As with the portraits of his mother and other people he felt close to, these portraits of Man Ray are among the most painterly and heavily-worked Warhol ever painted. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28803-2-400]

Artist: Lucian Freud (German/English, 1922-2011). Title: "Man with a Feather (Self-Portrait)". Medium: Color offset lithograph. Date: Composed 1943. Printed 1996. Dimensions: Overall size: 11 9/16 x 9 1/8 in. (294 x 232 mm).Lot Note(s): Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove smooth paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collection, Cumbria, England. Comment(s): Rare. No auction records located. Issued to promote the “Lucian Freud: Paintings and Etchings” exhibition at the Abbot Hall Art Gallery, Kendal, Cumbria, England. The show consisted of works created by Freud between 1939 and 1996. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The exhibition ran from June 25 to September 8, 1996. Printed by Balding + Mansell, Wisbech, England. Image copyright © The Lucian Freud Archive. [29443-2-800]

Artist: Pablo Picasso [d'apres] (Spanish, 1881 - 1973). Title: "May 16, 1964 #1 [from the suite 'Le Gout du Bonheur,' image dated 16-5-64 I, untitled as issued]". Medium: Original color silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 12 7/8 x 9 5/8 in. (327 x 244 mm).Lot Note(s): Signed in pencil, lower right; annotated in pencil (presumably in the artist's hand) lower left; dated in the plate, upper right. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade watermarked rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued, with rich, vibrant colors. Literature/catalogue raisonne: Goeppert/Cramer (GC/CR/CBK/CB/C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30019-2-1600]

Artist: Pablo Picasso [d'apres] (Spanish, 1881 - 1973). Title: "May 20, 1964 #01 [from the suite 'Le Gout du Bonheur,' image dated 20-5-64 I, untitled as issued]". Medium: Original color silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 12 7/8 x 9 11/16 in. (327 x 246 mm).Lot Note(s): Signed in pencil, lower right; annotated in pencil (presumably in the artist's hand) lower left; dated in the plate, upper leftt. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade watermarked rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued, with rich, vibrant colors. Literature/catalogue raisonne: Goeppert/Cramer (GC/CR/CBK/CB/C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30025-2-1600]

Artist: Pablo Picasso [d'apres] (Spanish, 1881 - 1973). Title: "May 20, 1964 #07 [from the suite 'Le Gout du Bonheur,' image dated 20-5-64 VII, untitled as issued]". Medium: Original color silkscreen & lithograph. Date: Composed 1964. Printed 1970. Dimensions: Overall size: 12 7/8 x 9 3/4 in. (327 x 248 mm).Lot Note(s): Signed in pencil, lower right; annotated in pencil (presumably in the artist's hand) lower left; dated in the plate, upper right. An artist’s proof (E.A. - epreuve d’artiste) aside from the edition of 666. Cream wove handmade rag Velin d' Arches paper, deckle edges three sides. Full margins, as issued. Fine impression. Fine, fresh condition, as issued, with rich, vibrant colors. Literature/catalogue raisonne: Goeppert/Cramer (GC/CR/CBK/CB/C) 148; Bloch (BB) 150. Provenance: the Estate of Guenther Dietz (German, 1919-1995), who printed the edition. Comment(s): An unsigned impression of this print was offered at $1,400 by 1stdibs, New York, New York, as of April 6, 2020. Although this work is often catalogued as a lithograph, or silkscreen, or pochoir, or photo-lithograph, in reality it is none of these. By 1964 Guenther Dietz, the printer, had created a unique fine printing system which involved the use of both lithographic plates and serigraphic screens. He and master printers from his company (Guenther Dietz Offizin Handpresse GmbH, Munich & Lengmoos, Germany) printed this work under the direct supervision and participation of Picasso himself. Dietz used grease crayon, lithographic tusche, lead pencil, and charcoal, among others, to create the matrixes and receive Picasso’s approval to print the edition (Cramer, ‘Livres’ 148). The plates and screens were destroyed after printing. Published by Harry N. Abrams, Inc., New York. Image copyright © Artists Rights Society (ARS), New York. [30031-2-1600]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Michael Chow". Medium: Color offset lithograph. Date: Composed 1982. Dimensions: Overall size: 7 1/4 x 7 1/4 in. (184 x 184 mm).Lot Note(s): Signed in black marker. Edition unknown, probably very small. White wove paper. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Literature/catalogue raisonne: cf. Feldman/Schellmann IIIC.55[b]. Provenance: Private collection, Sweden, thence to our consignor. Comment(s): Issued for the September-December 1982 exhibition of "Andy Warhol: Celebrity Portraits" at "I, A Private Club" in Hong Kong. Apparently there were very small quantities of this lithograph printed for distribution during the show and they went quickly. Published by OLS Ltd., Hong Kong. Michael Chow, born February 6, 1939 in Shanghai, China, is an actor, interior designer, and restaurateur. He is the co-founder and owner of the Mr. Chow restaurant chain. Image copyright © 2001 Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29042-2-1000]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Mick Jagger #01 (first edition) [announcement]". Medium: Color offset lithograph. Date: Composed 1975. Dimensions: Overall size: 6 1/8 x 4 in. (156 x 102 mm).Lot Note(s): Signed by Warhol in black marker. Edition limited, quantity unknown, probably very small. Cream smooth wove paper. The full sheet. Strong, bright colors. Very good to fine condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 8c, no.33A(i); cf. Feldman/Schellmann II.138. Comment(s): This from the first edition of the Mick Jagger announcement set, unlike the second not signed in the plate both by Warhol and Jagger nor numbered in the plate. Co-published by Multiples Inc., New York, and Castelli Graphics, New York. Based on the image from Warhol's portfolio of 10 color screenprints of Mick Jagger from 1975. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29433-1-400]

Artist: Pierre Bonnard (French, 1867 - 1947). Title: "Moulin Rouge". Medium: Original color lithograph, after the drawing. Date: Composed 1891. Printed 1927. Dimensions: Overall size: 10 1/8 x 7 13/16 in. (257 x 198 mm).Lot Note(s): Stamped lower right; stamped verso. Edition of 200. Cream wove paper. Printed to the edge of the sheet. Fine impression; some colors are extremely vibrant and appear to be hand-applied. Very good to fine condition. Provenance: Ex-collection Marty Gordon (the legendary print dealer), Martin Gordon, Inc., New York City, his handstamp verso. Comment(s): Rare. The lithograph is after the preliminary Moulin Rouge drawing that Bonnard executed early in 1891 in pencil, crayon, ink, watercolor, and pastel, currently in a private collection. He subsequently created, later in 1891, the finished drawing in pastel and charcoal, currently in the collection of the J. Paul Getty Museum. This print was authorized by Bonnard, printed under the immediate supervision of Charles Terrasse (Bonnard’s nephew) by D. Jacomet & Cie, Paris, and published by Henri Floury, Paris Image copyright © Artists Rights Society (ARS), New York/ADAGP, Paris. [29361-1-600]

Artist: Keith Haring (American, 1958 - 1990). Title: "Naples Suite #02 [untitled]". Medium: Lithograph. Date: Composed 1983. Printed 1989. Dimensions: Overall size: 12 5/8 x 9 5/16 in. (321 x 237 mm).Lot Note(s): Signed by Haring in silver marker; signed, dated, and titled in the plate. A proof (?) from the edition of unspecified size. Light cream smooth wove paper. The full sheet. Fine impression. Very good to fine condition; slight edge toning; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Scarce. No auction records of a signed impression located. A print from the group of 30 lithographs published on the occasion of the exhibition “Keith Haring 1983” which ran from January 15th to January 30th, 1990 in Paris at La Galerie de Poche/Galerie 1900-2000. This was the last Haring exhibition held in his lifetime. He signed this print shortly before his death on February 16, 1990. Image copyright © The Keith Haring Foundation. [29731-2-800]