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Click here to subscribeNathaniel Currier/ Publishers Nathaniel Currier/ Publishers, "High Pressure Steamboat Mayflower. First class packet between St. Louis and New Orleans on the Mississippi River. Capt. Joseph Brown.", 1855, hand-colored lithograph, after Charles Parsons, sheet 19 7/8 in. x 30 1/4 in., attractively framed
Thomas Moran (American, 1837-1926) Thomas Moran (American, 1837-1926), "Grand Canyon of Arizona - From Hermit Rim Road", 1913, color-printed lithograph, New York, printed by American Lithographic Co. and published by Atchison, Topeka and Santa Fe Railway System, sheet 32 in. x 42 in., framed Note: Almost all copies of this Moran print were soon trimmed and framed, and distributed by the SFRR as promotional gifts. Few have survived, generally being badly framed, usually without glass, and displayed in poor conditions. A small number remained in the archives of the railroad, retaining their untrimmed and pristine state. The present copy is in this uncirculated condition, a fine copy of Moran`s largest and most striking printed image.
Allison Stewart (American/New Orleans, b. 1941) Allison Stewart (American/New Orleans, b. 1941), "Map Making I", lithograph, pencil-signed lower right, titled lower center and numbered "76/300", sheet 23 in. x 33 in., framed. Provenance: The Imagination Collection, Hotel InterContinental, New Orleans, LA
Three Southern Prints Three Southern Prints, comprising Charles William Smith (American/Virginia, 1893-1987), "Flower Girl", woodcut, pencil-signed and titled, edition 3/50, image 8 1/2 in. x 7 in., sheet 13 1/2 in. x 10 3/4 in., framed; Nura Woodson Ulreich (American, 1882-1950), "Seraphine Sews", lithograph, pencil-signed, image 12 in. x 8 7/8 in., sheet 15 in. x 12 in., unframed; and Roland Wood Jr. (American/Florida, 20th c.), "The Prayer", 1976, woodcut print, signed, titled and inscribed, artist`s proof, image 12 in. x 9 1/8 in., sheet 16 in. x 12 in., unframed. Provenance: Collection of Steven Cabot Barnes Harvey.
Peter Kitchell, British late 20th/early 21st century- "Orca Belly I" and "Earth Swollen Feelings"; lithographs printed in colours, two, ea. signed, titled and numbered in pencil, ea. 75x114cm: Jo Scott McCarthy, British late 20th/early 21st century- "No Time To Wonder"; lithograph printed in colours, signed and numbered in pencil, 35.5x44.5cm: Michael Banks, British late 20th/early 21st century- "Neon I"; digital print on aluminium, signed, titled and dated 2001 on the reverse, 96x151cm., (part unframed), (4), (may be subject to Droit de Suite)
Carla Raadsveld, Dutch b.1952- "Untitled I & II"; monoprints, a pair, ea. signed in pencil, ea. 98x69cm: M Casella, late 20th/early 21st century- Landscape with boats; hand coloured lithograph, signed and numbered in pencil, 41x63cm: Caroline Sykes, British late 20th/early 21st century- "Watermeadow"; lithograph printed in colours, signed, titled and numbered in pencil, 72x101cm: A Routledge, British late 20th/early 21st century- "Elements of Nostalgia"; screenprint in colours, signed, titled and numbered 5/10 in pencil, 80x101cm: Jasia Szerszynska, Polish late 20th/early 21st century- "The Blue"; mixed technique screenprint and hand applied paint on fabric, signed within the plate, 80x121cm, (6), (may be subject to Droit de Suite)
* After Pierre Bonnard, French 1867-1947- Couple Embracing; lithograph, signed with initials within the plate, 32x23.5cm: After Claude Monet, French 1840-1926- "Autumn in Argenteuil", publ. Gaymed Press, London; reproduction printed in colours, 52x70cm: After Edgar Degas, French 1834-1917- "A Ballet Dancer, Fourth Position", publ. Ganymed Press; reproduction printed in colours, 47x60cm, (3) VAT charged on the hammer price.
Godefroy Engelmann, French 1788-1839- "Bota-Gogo", after Johann Moritz Rugendas and Sabatier, publ by Engelmann, rue du Fg Montmartre No 6 a Paris; hand-coloured lithograph, 33x41cm: Godefroy Engelmann, French 1788-1839- Figures arriving on the shore in Brazil, after Johann Moritz Regendas and V Adams, publ by Engelmann, rue du Fg Montmartre No 6 a Paris; hand-coloured lithograph, 20.5x33cm: Pierre-Jean Mariette, French 1694-1774- "M B Bartholomaei Appos", after Jusepe de Ribera; copper engraving on laid, 42x30cm., (3)
Patrick Procktor RWS RE RA, British 1936-2003- "Early Morning Venice 1975"; offset lithograph printed in colours, signed and numbered 20/350 in pencil, 62x44cm: John Ward RA, British b.1948- "Flora gave me fairest flowers"; lithograph printed in colours, signed and numbered 43/200 in pencil, 59x84cm, (2), (may be subject to Droit de Suite)
Derek Mynott, British 1926-1994- "Lots Road" and "The River Seine"; lithographs printed in colours, two, ea. signed and numbered from an edition of 250 in pencil, 64.7x54cm and 54.2x66cm: Gerald Mynott, British b.1957- "Villa Cetinale, Siena"; lithograph printed in colours, siged and numbered 97/250 in pencil, 72x55.5cm: together with another lithograph printed in colours by the same artist depicting Brooklyn, signed and numbered 195/250 in pencil, 55.5x72cm: Terry Cripps, British late 20th/early 21st century- "Grilled Lemon Sole Cockley Mussels and Butter Sauce"; lithograph printed in colours, siged, titled and numbered 14/100 in pencil, 73x55cm: D L Morland, British late 20th/early 21st century- "The Window"; lithograph printed in colours, signed, dated 1985, titled and numbered 3/5 in pencil, 76x56cm: Evelyn Gibbs, British 1905-1991- Santu Pietru and Gozo Fields; lithographs printed in green, white and black, two, ea. signed and numbered from an edition of 90 in pencil, ea. 57x77.5cm, (8), (unframed) (may be subject to Droit de Suite)
Chloe Cheese, British b.1952- "Orange & Blue"; lithograph printed in colours, signed, titled and numbered 75/100 in pencil, 70x53cm: together with two further lithographs printed in colours by the same hand entitled "Yellow & Green" and "Cafe in London", both signed and numbered 75/100 and 27/85 respectively in pencil, 70x53 and 41.5x29cm: Diana Croft, British, late 20th century- "Night Vase I" and "Night Vase II; two, lithographs printed in colours, both signed, titled, dated `87 and numbered 8/17 in pencil, ea. 56x38cm: Michael Wells, American, late 20th century- "The Study" and "The Letter"; two, etchings with aquatints printed in colours, ea. signed, titled, dated `84 and numbered 11/200 and 14/200 respectively, ea. 44.5x43cm: together with four other contemporary prints by different hands including examples by Brendan McGrath, King and L Quenell, various sizes, (10), unframed), (may be subject to Droit de Suite)
Italian School, mid 20th century- View in Trieste; watercolour, signed and dated 1940, 56.5x38cm: K James, mid-late 20th century- "Waterfall"; watercolour, signed, 72x43cm: Late 20th century- Three standing figures; mixed media on board, 60x50.5cm: together with one group figure study in mixed media on board by the same hand, 52x59cm: Peter Eastham, British b.1956- "Cote d`Azure I"; lithograph printed in colours, signed, titled and inscribed `HC` in pencil, 46x58cm: Peter Eastham, British b.1956- View on the Riviera; lithograph printed in colours, signed and inscribed `HC` in pencil, 45.5x58cm: Diaz, mid-late 20th century- City street scene; watercolour, signed, 51x28cm., (7) (may be subject to Droit de Suite)
British School, late 19th century- "Nelumbium Specicsum", publ. by the Garden June 3rd 1893; chromolithograph, 22x30cm: together with 3 other chromolithographs of botanical subjects in gilt bamboo style frames: After Andre Edouard Marty, French 1882-1974- "Pense-T-Il A Moi?"; hand-coloured offset lithograph, signed and dated 1921 within the plate, in a glazed ebonised frame, 21.5x16.8cm: French School, 19th century- Allegorical scene with putti, girls and a dog in a elegant interior; engraving, 32.5x24cm: European Provincial School, mid 19th century- A penitent man; watercolour, in a glazed gilt composition frame, 20x15cm: together with two colour reproduction prints after Leon Bakst and a copy of a publication on the artist, `The Decorative Arts of Leon Bakst`, (10)
British School, mid/late 20th century- Portrait of a man turned to the right; oil on canvas laid down on board, 76.5x63.5cm: Croatian School, late 20th/early 21st century- Gardener with a bunch of flowers; hand-coloured lithograph, signed and inscribed in pencil, bears publisher`s blind stamp, 70x49cm., (2)
JOAN MIRÓ [ESP 1893-1983], LITHOGRAPH, 22" X 30", "EXPOSITION MIRÓ AU CASINO DE KNOKKE-LE-ZOUTE": 1971; edition H.C. [numbered edition is 75] on Rives Vellum; pencil signed; 22 /4" x 30" image and paper; unframed. Printed by Arte Adrian Maeght, Paris, France. Published by Casino de Knokke-le-Zoute. Reference M 756. 11/6/1991 replacement value appraisal by Frederick Cohn in consignor file.
The Analyst : A Monthly Journal of Science, Literature and the Fine Arts. Vols. 1 - 6, 1834-1837. 8vo. Qtr. binding, marbled boards. A few lithograph plates, mainly palaeontological/geological. Together with : Quillinan E. : Monthermer, A Poem 1815. 8vo Fine gilt panelled binding, aeg. (Scarce ). Gregorii D. : Opus Homilia 1565. 12mo. Qtr. binding. In addition, an 18th.C. vellum bound notebook containing manuscript 'Translations the Italian made and written in 1791 & 1792 by C.H.H.' in a fine calligraphic hand. CONDITION REPORT: Condition : Analyst bindings generally vg. with some wear to extremities, one head of spine slightly damaged. Text blocks very clean and tight. Homilia binding worn but sound, text block worn away along fore-edge but no loss of text. Others vg.
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![JOAN MIRÓ [ESP 1893-1983], LITHOGRAPH, 22" X 30", "EXPOSITION MIRÓ AU CASINO DE KNOKKE-LE-ZOUTE": 1971; e](http://lot-images.atgmedia.com/SR/33875/2886779/2029-2013617123725_468x382.jpg)
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