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Click here to subscribeJR (French 1983-), 'GIANTS, Kikito, September 6, 2017, 7.27 p.m., Tecate, Mexico - U.S.A., 2017', 2020, lithograph in colours on 270 gram BFK Rives paper, signed and numbered from an edition of 250, bearing the Artist's stamp, published by Social Animals; sheet: 36 x 46cmARR sheet: 36 x 46cm
Takashi Murakami (Japanese 1962-), 'Blue Flower & Skulls', 2012, offset lithograph in colours on wove paper, signed and numbered from an edition of 300 in silver ink, published by Kaikai Kiki Co; sheet: 69 x 53cmsheet: 69 x 53cmIn very good condition No knocks or tears to the sheet Very light curvature to lower right hand corner, visible upon close inspection This work has been stored flat and has not been framed.
Paula Rego (1935-2022)Crying, from Jane Eyre - Poetry and Story (Rosenthal 211)Lithograph, 2001, signed and dated in pencil, numbered from the edition of 35, printed by The Curwen Studio, Cambridge, co-published by the artist and Marlborough Graphics, London, on Somerset wove paper, the full sheet printed to the edges, sheet 595 x 435mm (23 3/8 x 17 1/8in)
Joan Miró (1893-1983)Barcelona, XXXVI (Mourlot 41) Lithograph, 1944, signed and dated in pencil, numbered from the edition of 5, printed by Mourlot, Paris, published by Joan Prats, Barcelona, on Torras Juvinya wove paper, the full sheet printed to near the edges, sheet 690 x 525mm (27 1/8 x 20 5/8in)
Robert Rauschenberg (1925-2008)Shoot from a Main Stem, from Suite of Nine PrintsOffset lithograph with screenprint in colours, 1979, signed and dated in pencil, numbered from the edition of 100, printed by Styria Studio, with their blindstamp, published by Multiples, Inc., New York, on wove paper, with full margins, sheet 780 x 585mm (30 1/2 x 23in)
Frank Stella (1936-2024)Cato Manor, from Multicolored Squares I (Axsom 78)Lithograph printed in black and grey, 1972, signed and dated in pencil, numbered from the edition of 100, printed by Hammond and Kell, published by Petersburg Press Ltd., London, with the publisher's blindstamp, on J. Green mould-made paper, with full margins, sheet 406 x 550mm (16 x 21 5/8in)
Robert Rauschenberg (1925-2008)From the Seat of Authority, from Suite of Nine PrintsOffset lithograph with screenprint in colours, 1979, signed and dated in pencil, numbered from the edition of 100, printed by Styria Studios, with their blindstamp, published by Multiples Inc., New York, on wove paper, with full margins, sheet 780 x 585mm (30 1/2 x 23in)
Joan Miró (1893-1983)Frontispiece, from Le Lézard aux Plumes d'Or (Mourlot 792; Cramer 148)Lithograph printed in colours, 1971, signed in black pencil, numbered from the edition of 20 in red pencil, printed by Mourlot, published by Louis Broder, Paris, on Kochi Japan paper, with full margins, sheet 350 x 495mm (13 3/4 x 19 1/2in)
Helen Frankenthaler (1928-2011)Ochre Dust (Harrison 133) Etching with aquatint and lithograph printed in colours, 1987, signed and dated in ochre pencil, numbered from the edition of 44, published by Tyler Graphics Ltd., New York, with their blindstamp, on wove paper, the full sheet printed to the edges, sheet 619 x 835mm (24 3/8 x 32 7/8in)
Robert Rauschenberg (1925-2008)Why You Can't Tell 1, from Suite of Nine PrintsOffset lithograph with screenprint in colours, 1979, signed and dated in pencil, numbered from the edition of 100, printed by Styria Studio, with their blindstamp, published by Multiples, Inc., New York, on wove paper, with full margins, sheet 780 x 585mm (30 1/2 x 23in)
Marc Chagall (1887-1985) after. Le Verger (Mourlot Charles Sorlier 44) Lithograph printed in colours, 1973, signed and inscribed 'E.A.' in pencil, an artist's proof aside from the edition of 100, published by Mourlot, Paris, on Arches paper, with full margins, sheet 639 x 548mm (25 1/8 x 21 1/2in)
Jim Dine (b.1935)The Yellow Belt (Burg 143) Lithograph and woodcut printed in colors, 2005, signed in pencil, numbered from the edition of 200, printed by Atelier Michael Woolworth, published by Editions de la Différence, Paris, on Rives BFK paper, the full sheet printed to the edges, sheet 660 x 520mm (26 x 20 1/2in)
Joan Miró (1893-1983)Untitled, from Lithographe II (Cramer 198)Lithograph printed in colours, 1975, signed in pencil, numbered from the edition of 80 in Roman Numerals, printed by Mourlot, published by Maeght Editeur, Paris, on Arches paper, with full margins, sheet 450 x 368mm (17 3/4 x 14 1/2in)
David Hockney (b.1937)Neal Street Restaurant Seating PlanA unique offset lithograph with a pen and ink drawing of a tin of caviar and other ink additions to the work, circa 1970, signed by David Hockney, Howard Hodgkin, John and Jane Kasmin, Terrence Conran, Wayne Sleep, George Dawson, and others, on wove paper, with full margins, sheet 420 x 295mm (16 ½ x 11 5/8in) This rare work is the seating plan for a dinner, featuring some of the most prominent names in the professional and social circles of David Hockney in the 1960s. Each person at the meal has signed their name, and Hockney in addition to signing has humorously drawn for himself a large tin of caviar, as well as making other pen additions to items on the table, including a crack in the vase upper right.
Sam Francis (1923-1994)Untitled, from Michel Waldberg: Poèmes dans le ciel (Lembark L.270) Lithograph, 1986, signed in pencil, numbered from the edition of 100, printed by Desjobert, published by Philosophie des Arts, Paris, on BFK Rives wove paper, the full sheet printed to the edges, sheet 760 x 560mm (29 7/8 x 22in)
Pierre-Auguste Renoir (1841-1919)La Pierre aux Trois Croquis (Delteil 41; Stella 41) Lithograph, circa 1904, with the artist's signature stamp, the edition was 1000, printed by August Clot, published by Ambrose Vollard, Paris, on Arches paper, with full margins, sheet 251 x 330mm (9 7/8 x 13in)
Howard Hodgkin (1932-2017)Alexander Street (Heenk 44)Lithograph printed in colours with hand-colouring in watercolour and gouache, 1978, signed and dated in pencil, numbered from the edition of 90, printed by Sky Editions, published by Bernard Jacobson, London, on Arches paper, the full sheet printed to the edges, sheet 340 x 612mm (13 1.4 x 24 1/8in)
Andy Warhol (1928-1987)Self-Portrait (Feldman & Schellmann II.16)Offset lithograph on silver coated paper, 1966, signed and dated in ball-point pen verso, numbered from the edition of 300 verso, printed by Total Color, published by Leo Castelli Gallery, New York, produced to announce a Warhol exhibition at the Leo Castelli Gallery, New York, April 2-27, 1966, the full sheet printed to the edges, sheet 580 x 580mm (22 7/8 x 22 7/8in)
Andy Warhol (1928-1987)Neuschwanstein (see Feldman & Schellmann II.372)Offset lithograph with screenprint in colours, 1987, with the stamped signature, from the edition of 1200, printed by Rupert Jasen Smith, New York, co-published by Edition Schellmann, Munich & New York, and Verlag Sabine Knust, Munich, with the printer's blindstamp, on Varick rag paper, annotated 'MISC 03.1340' by the Andy Warhol Foundation for the Visual Arts in pencil verso, the full sheet printed to near the edges, sheet 908 x 620mm (35 3/4 x 24 3/8in) Provenance:Estate of Andy Warhol Andy Warhol Foundation for the Visual Arts
Frank Stella (1936-2024)Gran Cairo, from Multicolored Squares I (Axsom 81)Lithograph printed in colours, 1972, signed and dated in pencil, numbered from the edition of 100, printed by Hammond and Kell, published by Petersburg Press Ltd., London, with the publisher's blindstamp, on J. Green mould-made paper, with full margins, sheet 406 x 547mm (16 x 21 1/2in)
Roy Lichtenstein (1923-1997)Cathedral #6 (Corlett 80)Lithograph printed in colours, 1969, signed and dated in pencil, numbered from the edition of 100, printed and published by Gemini G.E.L., Los Angeles, with their blindstamp and ink stamp verso, on Special Arjomari wove paper, with full margins, sheet 1228 x 821mm (48 1/3 x 32 1/3in)This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom this duty can be refunded.
Elisabeth Frink (1930-1993)The Shearwater, from Seabirds (Wiseman 90)Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 150, printed by Curwen Studio, published by Christie's Contemporary Art, London, with the publisher's blindstamp, on T.H. Saunders mould-made paper, the full sheet printed to the edges, sheet 650 x 474mm (25 5/8 x 18 5/8in)
Francis Bacon (1909-1992) after.Study for a Portrait of John Edwards; Russian Retrospective exhibition posterOffset lithograph printed in colours, 1988, from the edition of circa 250 of which only approximately 30 are believed to be extant, on thin wove paper, the full sheet printed to the edges, sheet 901 x 575mm (35 1/8 x 22 3/8in)
Robert Rauschenberg (1925-2008)Back Out, from Suite of Nine PrintsOffset lithograph with screenprint in colours, 1979, signed and dated in pencil, numbered from the edition of 100, printed by Styria Studio, with their blindstamp, published by Multiples, Inc., New York, on wove paper, with full margins, sheet 780 x 585mm (30 1/2 x 23in)
Robert Motherwell (1915-1991)Chair (Belknap 79)Lithograph printed in colours, 1970-71, signed in pencil, numbered from the edition of 300, printed and published by Erker-Presse, St. Gallen, with their blindstamp, on wove paper, the full sheet printed near to the edges, sheet 876 x 635mm (34 1/2 x 25in)
Joan Miró (1893-1983)Arlequin Circonscrit (Mourlot 887)Lithograph printed in colours, 1973, signed and inscribed 'H.C.' in pencil, an hors commerce impression aside from the edition of 50, printed and published by published by Maeght Éditeur, Paris, on Arches paper, with full margins, sheet 749 x 527mm (29 1/2 x 20 3/4in)
Joan Miró (1893-1983)Untitled, from Lithographe II (Cramer 198)Lithograph printed in colours, 1975, signed in pencil, numbered from the edition of 80 in Roman Numerals, printed by Mourlot, published by Maeght Editeur, Paris, on Arches paper, with full margins, sheet 450 x 368mm (17 3/4 x 14 1/2in)
Frank Stella (1936-2024)New Madrid, from Benjamin Moore Series (Axsom 58)Lithograph printed in colours, 1971, signed and dated in pencil, numbered from the edition of 100, printed and published by Gemini G. E. L., Los Angeles, with their blindstamp and ink stamp verso, on Arches paper, with full margins, sheet 405 x 560mm (16 x 22in)
Keith Haring (1958-1990)International Volunteer Day (Littmann p. 93) Lithograph printed in colours, 1988, signed and dated in pencil, numbered from the edition of 1000, printed by Emiliano Sorini, published by the World Federation of United Nations Associations, New York, with their blindstamps, the full sheet printed to the edges, sheet 282 x 215mm (11 1/8 x 8 1/2in)
Pierre-Auguste Renoir (1841-1919)Le Chapeau Épinglé 2ème Planche (Stella 29)Lithograph, 1898, from the edition of 100 printed in black (there were a further 50 in sanguine and 50 in bistre) printed by August Clot, on Ingres d’Arches laid paper with the MBM watermark, with full margins, sheet 886 x 619mm (34 7/8 x 24 3/8in)
Keith Haring (1958-1990)Fight Aids Worldwide (Littmann p.168)Lithograph printed in colours, 1990, numbered from the edition of 1000 in pencil, with the Keith Haring Estate inkstamp verso, signed by the executor Julia Gruen verso, published by the World Federation of United Nations Associations, New York, with their blindstamp, on Arches paper, the full sheet printed to near the edges, sheet 279 x 213mm (11 x 8 3/8in)
Frank Stella (1936-2024)Jasper's Dilemma (Axsom 82)Lithograph printed in colours, 1973, signed and dated in pencil, numbered from the edition of 100, printed by Hammond and Kell, published by Petersburg Press Ltd., London, with the publisher's blindstamp, on J. Green mould-made paper, with full margins, sheet 402 x 553mm (15 7/8 x 21 3/4in)
Keith Haring (1958-1990)International Youth Year (Littmann p.36)Lithograph printed in colours, 1985, signed in pencil, numbered from the edition of 1000, printed by Emiliano Sorini Studio, published by The World Federation of United Nations, New York, with the printer's and publisher's blindstamps, accompanied by a certificate of authenticity issued by the publisher, on wove paper, the full sheet printed to the edges, sheet 277 x 216mm (10 7/8 x 8 1/2in)
Roy Lichtenstein (1923-1997)Bull VI, from the Bull Profile Series (Corlett 121)Lithograph, screenprint and line-cut printed in colours, 1973, signed and dated in pencil, numbered from the edition of 100, printed and published by Gemini G.E.L., Los Angeles, with their blindstamp, on Arjomari wove paper, with full margins, sheet 686 x 889mm (27 x 35in)
Frank Stella (1936-2024)Bethlehem's Hospital (Axsom 12)Lithograph, 1967, signed and dated in pencil, numbered from the edition of 100, printed and published by Gemini G. E. L., Los Angeles, with their blindstamp and ink stamp verso, on Barcham Green wove paper, with full margins, sheet 381 x 555mm (15 x 21 7/8in)
Various ArtistsArt CashThe double-sided offset lithograph printed in colours, 1971, a collaborative work by Andy Warhol, Bob Whitman, Robert Rauschenberg, Tom Gormley, Red Grooms and Marisol, signed in pencil by all of the artists, Warhol stamp signed, numbered from the edition of 75, printed by the American Bank Note Company, published by Experiments in Art and Technology, Inc., New York, on US bank note paper, the full sheet, 699 x 559mm., 27 ½ x 22in; with a single Andy Warhol Ones note, presumably one of those used at the event in 1971, the full sheet 67 x 155mm., 2 5/8 x 6 ¼ in. Art Cash was created by members of the non-profit Experiments in Art and Technology, Inc., for a fundraising gambling event. They approached the American Bank Note Company, who at the time provided the paper for the United States Treasury Department, and aside from the anti-forgery threading the paper used for ART Cash is exactly the same as that used for the U.S. currency at the time. The majority of the sheets were cut up to use at the event, with 75 complete sheets being held back for sale at the event.
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