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Robert Taylor, b.1951, Duel of Eagles, lithograph print, signed by Douglas Bader and Adolf Garland, 40 x 52cm.

A WW II child's respirator housed in a lithograph printed tin depicting Mickey Mouse wearing a respirator and trying to scare his nephews, made by the English tin toy manufacturers Happy Knack, tin height 20cm. The vendor states that the mask is original to the tin as it was his as a child, the mask is in very poor codition with much of it perished, the tin heavily rusted with some dents.

A black and white photographic print showing the crew of Frenesi I, 19.5 x 21.5cm, together with a Ryan Dorling lithograph print of the Frenesi returning to Rougham, 33 x 48cm. (2)Lieutenant Colonel Wiilliam (Bill) F. Celey (1916-1992) was the pilot of B17G Flying Fortress, 33rd BS 94th Bomb Group based at Rougham, Suffolk. Celey flew B17G-142-39775 nicknamed Frenesi and the aircraft was significantly damaged during a bombing raid on Brunswick, 11 January 1944. 6 crew baled over enemy territory whilst Celey managed to fly the aircraft back to base with 3 wounded Gunners.

J Fudge (British, 19th Century), Two prints of Rouen, France, including the cathedral, lithograph, 15x12ins., approx., framed and glazed.

Bryan Sheilds - 'Braqq' (British, 20th century), Winter - 'It's Christmas Tomorrow And I'm Being Dead Good', limited edn lithograph, numbered (446/500) and signed in pencil, 10x12ins, framed and glazed.

After L.S. Lowry RA (British, 20th century) ' Yachts At Lytham', offset lithograph, framed and glazed.

David Gentleman (British, 20th century) 'Ralph Allen's Sham Castle', ltd edn lithograph, numbered (59/100), dated on verso (1975), signed, 18x22ins, framed and glazed.

PABLO PICASSO (SPANISH 1881-1973) BUSTE DE FEMME  Limited Edition Lithograph on Papier des Arches from the "Marina Picasso Collection", with original investors name on print, 56 x 46cm (22 x 18") To be sold with Certificate of Authentication and Certificate of Guarantee and Authenticity Condition Report:Available upon request

ELIZABETH VIOLET BLACKADDER RA RSA RSW RGI DLitt (SCOTTISH 1931-2021)  CALICO AND BLACK CAT BESIDE VASE OF FLOWERS Lithograph, signed lower right, numbered (48/75), 58 x 79cm (23 x 31") (image) Condition Report:Available upon request

JULIAN TREVELYAN (BRITISH 1910-1988) CORPUS COLLEGE Lithograph in colours, singed lower right, numbered (70/70), 38 x 54cm (15 x 21.25") Condition Report:Faint marking to sheet area surrounding print, minimal marking to print area mainly lower third, slight fading possible, no other significant issues to report. Appears to be in good condition.

BOB DYLAN (AMERICAN b.1941) MONDO SCRIPTO - BLOWIN' IN THE WIND  Lithograph, hand signed by the artist in graphite pencil lower right, numbered (242/495), stamped by Washington Green Fine Art and Black Buffalo Artworks, 24 x 12.5" (image size), 28.75 x 17.5" (paper size) Together with original Mondo Scripto Exhibition catalogue, Halcyon Gallery London and original card sleeve Certificate of authenticity signed by the artist and publisher, Washington Green Fine Art; Quality Approved sticker, and Halcyon Gallery label verso Condition Report:No significant issues to report.

TAKASHI MURAKAMI (JAPANESE B.1962) FLOWER Offset lithograph, signed lower right, numbered (32/390), 68 x 68cm (26.75 x 26.75") Condition Report:The work is faded, no damage or creasing visible to the naked eye. This has not been examined out of the frame. Print is laid flat and under glass.

IAN FLEMING RSA RSW (SCOTTISH 1906-1994) BLACK POT  Lithograph, signed lower right, titled, numbered (5/50), 46 x 57cm (18 x 22.5") Condition Report:Available upon request

ALASDAIR GRAY (SCOTTISH 1934-2019) EARLY SELF PORTRAIT (1957) Lithograph, 33 x 22cm (13 x 8.75") 'Alasdair J Gray 1957' inscribed in ink verso Condition Report:Available upon request

A Sir William Russell Flint (1880-1969) pencil signed colour lithograph "Carmelita", gilt wooden framed and glazed, 46cm x 49cm

Edvard Munch (Norwegian, 1863-1944). Color lithograph poster of Munch's painting "Self Portrait with Burning Cigarette," 1895, depicting the artist smoking. Numbered 91/250 with a Norwegian inscription along the lower right; dated 1923 along the lower left.Height: 32 in x width: 25 1/2 in.

Marc Chagall (Russian/French, 1887-1985). Lithograph in colors on paper titled "The Artist and His Model," depicting an artist painting a reclining woman in red. Signed in the plate along the lower right; numbered 480/750 along the lower left.Sight; height: 15 in x width: 11 1/2 in. Framed; height: 23 in x width: 19 1/2 in.

Jean Dufy (French, 1888-1964). Color lithograph on paper titled "Place de la Concorde," 1960, depicting a Parisian cityscape. Pencil signed along the lower right, numbered 73/200along the lower left. Published by Guilde de la Gravure, Paris.Sight; height: 21 1/2 in x width: 26 1/2 in. Framed; height: 32 in x width: 36 in.

Robert Cumming (American, b. 1943). Color lithograph on paper titled "Apex Oculus," depicting an abstracted lightbulb, from "First Artist Portfolio." Pencil signed and dated 1985 along the lower right, numbered 55/60, and titled along the lower left.Provenance: Distinguished corporate collection, Minnesota.Height: 39 1/4 in x width: 29 1/2 in.

Rudolph Carl "R.C." Gorman (Navajo, 1931-2005). Lithograph titled "Woman from Paris" depicting a seated woman. Signed and dated 1975 in pencil along the lower left; numbered 114/150 along the lower right.Unframed; height: 21 in x width: 28 1/2 in. Framed; height: 31 in x width: 38 1/2 in.

Sam Gilliam (American, b. 1933). Color lithograph on Unryu mulberry paper titled "Nile," 1972, depicting a color gradation in blue, green, and purple in Gilliam's iconic color field style. Pencil signed and numbered 46/67 along the lower center. Published by Impressions Workshop, Inc., Boston.Sight; height: 24 1/4 in x width: 17 1/2 in. Framed; height: 36 1/2 in x width: 29 3/4in.

Jamali (Pakistani/American, b. 1944). Color lithograph on paper titled "Persephone," depicting a woman, Persephone from Greek myth, in shades of green. Signed along the lower left. Further signed and titled along the verso.Sight; height: 25 in x width: 37 in. Framed; height: 44 14 in x width: 55 in.

Pegge Hopper (American, b. 1936). Lithograph in colors on paper titled "Kailua Noon B," depicting two seated Hawaiian women. Pencil signed and numbered 253/285 along the lower right.Sight; Height: 26 3/4 in x width: 39 3/4 in. Framed; Height: 27 1/4 in x width: 40 1/4 in.

Markus Lupertz (German, b. 1941). Lithograph on paper titled "Grunes Haus" (Country House), 1982. Pencil signed along the lower right; numbered 8/50 and inscribed "I" along the lower left. From the portfolio "Erste Konzentration," published by Sabine Knust, Munich.Sight; height: 39 1/2 in x width: 31 in. Framed; height: 44 1/2 in x width: 36 3/4 in.

Bev Doolittle (American, b. 1947). Color offset lithograph on paper titled "The Forest Has Eyes," 1994, depicting a cowboy and his horses picking their way through a forest with numerous faces hidden in the landscape. Pencil signed and numbered 8423/8544 along the lower right; signed in the plate along the lower left. With the original colophon.Height: 21 1/2 in x width: 39 in.

James Whistler (American, 1834-1903). Lithograph on paper titled "The Tyresmith," depicting workers fabricating a tire frame, 1890. Butterfly monogram in the stone to the lower left wall.Literature: Chicago 36.Sight; height: 8 1/4 in x width: 7 1/2 in. Framed; height: 17 3/4 in x width: 16 1/2 in.

Botany.- Pratt (Anne) The Flowering Plants, Grasses, Sedges, an Ferns of Great Britain, 6 vol., 318 lithograph plates, of which 317 colour, scattered faint spotting, bookplate, original decorative cloth, gilt, g.e., slight rubbing to corners and extremities, [c.1870] § Flora and Sylva, 3 vol., 66 chromolithograph plates, tissue-guards, occasional faint spotting, most to tissue-guards, previous owner's ink inscription, original cloth, slight bumping to corners and extremities, 1903-05; and 30 others botany, v.s. (39)

India.- Atkinson (George Francklin) "Curry & Rice" ...; or, the Ingredients of Social Life at "Our Station" in India, second edition, additional lithograph title and 39 plates, scattered spotting, new endpapers, original decorative cloth, gilt, rebacked retaining original backstrip, bumping to corners and extremities, a little rubbed, [c.1859]; and 2 others, India, 4to & large 8vo (3).

Birds.- Morris (Rev. F.O.) A History of British Birds, 6 vol., fifth edition, half-titles, 400 hand-coloured lithograph plates, lightly sunned spines, slight bumping to corners and extremities, 1903; A Natural History of the Nests and Eggs of British Birds. 3 vol., second edition, 232 hand-coloured lithographed plates, most with tissue-guards, original decorative cloth, water-staining and fading, bumping to corners and extremities, rubbed and worn, 1875, 8vo (9)

Ardizzone (Edward).- Gorham (Maurice) The Local, first edition, 14 colour lithograph plates by Ardizzone, one double-page, original pictorial boards, spine a little browned and slightly bumped at head, 1939 § Freeman (C. Denis) and Douglas Cooper. The Road to Bordeaux, first edition, illustrations by Ardizzone, map endpapers, original cloth, dust-jacket worn and repaired to verso, Cresset Press, 1940 § Bloomfield (Paul) The Mediterranean, An Anthology, first edition, illustrations by Ardizzone, original cloth, dust-jacket, 1935; and a large quantity of others by and/or illustrated by and/or with dust-jackets designed by Ardizzone, v.s. (c.170, 3 boxes)

After Banksy and Jeff Gillette"Dismaland Bemusement Park",exhibition poster,offset lithograph,43 x 58cms, unframed.

Tracey Emin"When I Think About Sex"Lithograph, 2005, signed and dated in pencil,The edition was 1000, published by the White Cube Gallery, London, on thin wove paper, with full margins, sheet 590 x 840mmunframed.Provenance: single owner and never framed.

David McClureThe Palazzo Vecchio, Florence,pencil signed and dated '57,lithograph,30 x 31cms, in frame.

After Laurence Stephen Lowry RBA RA"The Beach" (Deal Sands),pencil signed lower right, with Fine Art Trade Guild blindstamp,offset lithograph, published 1973 by Venture Prints Ltd,29.5 x 53cms, in frame.

After L. S. Lowry RBA RA"Lonely House", pencil signed to the margin, with Fine Art Trade Guild blindstamp, offset lithograph, 29 x 51cms, in frame.

Laurence Stephen Lowry RBA RASketch for The Beach (Deal Sands),signed with blue ink lower left, with Fine Art Trade Guild blindstamp,lithograph, circa 1973,17.5 x 25cms, in frame.

After "Braaq" (Brian Shields)A Snowy Christmas in Liverpool,pencil signed to the margin, limited edition offset lithograph, 32/150, 52 x 77cms, in frame.

20th Century European SchoolOn the Prowl, indistinctly pencil signed to the margin,colour lithograph in two states,44 x 53cms, framed back to back in a double-sided frame.

After John Coatsworth "Tall Ships River Tyne",signed limited edition offset lithograph, 26/850, titled to the margin with pencil remarque,39 x 56cms, in frame.

Alphabet cards. The Floral Alphabet, circa 1850s, 25 cards (of 26, lacking M), each with hand-coloured lithographed flower representing a letter of the alphabet, with its name (divided into syllables) printed below, some cards with (generally light) spotting, mainly to blank areas, each card 76 x 113mm, contained together in original decorative card box with lift-off lid, rubbed and dust-soiled, a little wear to edges, all corners neatly repaired, inside lid with contemporary ink manuscript presentation inscription dated 1857, lid outer side with printed title beneath hand-coloured lithograph of a group of wildflowers, lid with dampstaining to upper and left edges (faintly affecting upper corner of illustration), slightly extending to one edge of box baseQTY: (1)NOTE:A scarce example of this hand-coloured set of botanical alphabet cards.

Jigsaw map. A New Map of Europe, London: William Darton, 1829, hand-coloured engraved map, laid on wood and dissected along country boundries, approximately 38 pieces, 4 pieces replaced with blanks (Hungary, Switzerland, Prussia, Adriatic Sea), western Mediterranean Sea piece with tip missing (Straits of Gibralter) and replaced with blank piece, two tabs chipped, generally dust-soiled and faded, few minor marks, some tips a little worn, 28.5 x 23.2 cm, contained in original varnished wooden box, varnish generally rubbed and darkened, some worm holes, box with slip-labels to front and rear sides, sliding lid with engraved decorative label to outer side (worn and soiled), and label with small engraved map of Europe to inner side (lightly soiled, date '1829' in modern blue ink to upper corner), together with: Historical cards, exhibiting the History of England, London: John Wallis, late 18th century, 33 (of 36) cards, without Richard III, Elizabeth I, & Charlotte, each with a full-length hand-coloured lithograph of a monarch of England, titled & dated above, with 4-line descriptive verse below, plain versos, rounded corners, generally dusty, variable soiling and marks, few edge chips, occasional rubbing, 2 cards (Richard I & George Prince of Wales) with surface loss affecting text, 89 x 69mm, with original card case, extremely worn and soiled, outer layer of upper side (with publisher's printed label) detached, plus:Rocque (John), A Plan of Paris &c., reduc'd to the same scale as that of London, London: J. Rocque, 1754, engraved map with some contemporary hand-colouring, title and scale repeated in French, sectionalised on linen, blue/green silk ribbon edging (worn in places), dust-soiled (mainly towards margins), few minor spots, some sections with minor edge creasing and rubbing, linen with several folds split and worn, 51.5 x 72.2 cmQTY: (3)

Panorama - Queen Victoria. [Fores' Correct Representation of the State Procession on the Occasion of the August Ceremony of Her Majesty's Coronation, June 28th, 1838, Sixty Feet Long, London: 1838], hand-coloured aquatint in sections, heightened with gum arabic, joined and folded concertina style to form a continuous panoramic strip, each scene captioned beneath (first caption 'High Constable', last caption 'Life Guards'), left end of panorama with title printed vertically in French, lacking right end of panorama (with English title), some light dust-soiling, spotting and toning, final folded segment on right end somewhat rubbed, many folds either repaired/strengthened, or with short splits at ends, 3 with longer splits, height 10.3cm (4 ins), length approximately 1723cm (56.5 feet), affixed over original printed title label to front pastedown, also previously affixed over publisher's advert to rear pastedown but sometime lifted away, so publisher's advert is now visible, front pastedown with bookseller's ticket to upper corner, front hinge split (with approximately 2cm loss of panorama), original gilt decorated cloth with brass clasp, front cover with gilt title 'By authority, Fores' Coronation Procession', spotted and soiled with fading, joints cracked, some wear to extremities, oblong 8vo, together with: Robin's Panoramic Representation of the Queen's Royal Progress through the City of London, on the 9th November, 1837, London: Joseph Robins, 1837, hand-coloured lithograph in sections, heightened with gum arabic, joined and folded concertina style to form a continuous panoramic strip, each scene captioned beneath, split into two parts and loose in binding (but apparently complete), most folds with splits, many repaired with adhesive tape (mainly to recto), spotted and dust-soiled with some toning, height 9cm (3.5 ins), length 289.5cm (114 ins), printed front pastedown title and rear pastedown publisher's advert toned, front pastedown with some minor marks, original cloth, front cover with gilt title 'The Queen's Visit to the City', lightly soiled and rubbed, oblong 8vo, plus a defective copy of 'Key to W.E. Lockhart's (R.S.A.) Picture of the Jubilee Ceremony in Westminster Abbey, 21st June 1887 ...'QTY: (3)NOTE:First two items: Abbey, Life, 539 & 534 respectively. Fore's Coronation Procession: This copy is without the final (approximately) 17cm. Although the item describes itself as being 'sixty feet long' (1828 cm), the length of other copies found (those that appear to have been actually measured) varies between 1645-1800cm, with several copies measuring around 1700-1727cm. Therefore our copy, despite lacking the final short portion containing the English title and a very small portion at the front hinge, nevertheless appears to be similar to or only a few centimetres short of the expected length. Comparing to online images, this copy lacks just the final two groups of life guards at the right end, with the English imprint. The small missing portion (approximately 2cm) at the front hinge was likely lost when the left half of the panorama was sometime affixed to the front pastedown, presumably because the strip had split at the front hinge.

Ardizzone (Edward, 1900-1979). Downside Abbey - The Tower, circa 1964, lithograph on wove paper, depicting Downside Abbey school boys huddled and running in the foreground, signed in pencil by artist lower right, 52/100 Downside - The Abbey written in pencil to lower left margin, image size 40.6 x 55 cm (15 3/4 x 21 3/4 ins), mounted, framed and glazed, together withThe Warwick Castle, colour lithograph, depicting two well dressed gentlemen standing outside a public house called The Warwick Castle, image size 21.5 x 14.6 cm (8 1/2 x 5 3/4 ins), mounted, framed and glazed (43.8 x 31.2 cm) QTY: (2)

Nicholson (William, illustrator). An Almanack of Twelve Sports, words by Rudyard Kipling, London: William Heinemann, 1898, colour title vignette, 12 colour lithograph plates, some light offsetting, endpapers a little toned, original cloth-backed pictorial boards, a little toned with small splits to spine, a few small abrasions, 4toQTY: (1)

Richards (J.M. & Ravilious, Eric). High Street, 1st edition, London: Country Life Ltd., 1938, 24 colour lithograph plates, large woodcut vignette to title, light spotting to endpapers, a few minor spots to fore-edges, contents generally in good clean condition, ownership inscription to front pastedown, original colour pictorial boards, very slightly rubbed to extremities, small chip to head of spine with slight loss, original pictorial boards, a little rubbed to extreme foot of spine and board edges, original printed advertising bookmark for high street loosely inserted, 8vo QTY: (1)

After JANET FISHER - 'Rest', hand-coloured lithograph, signed lower left, signed on a loose label (image size 8⅜in x 11⅜in, 21cm x 29cm). Poor condition, superficial blemishes within image, tear in margin, acidic discolouration

A contemporary limited edition (13 of 50) colour lithograph, 'Nude', signed lower right in the margin in pencil by the artist (possibly Kieran Kay James Stiles), glazed silver frame (image size 44.5cm x 43cm)

AFTER SALVADOR DALI (Spanish 1904-1989) "A study of two maidens with other figures and roundels in a landscape" colour lithograph, signed in pencil lower right, 74 cm x 55 cm

Militaria, including fourteen reference books by Lt.Col. Bob Gardner:- British Propeller Makers of WW1 -part one x 1, part two x 4 and part three x 9; three prints - Airspeed Horsa, and Douglas C-47A, each signed by the crew, and "The Presentation of Freedom of Kingston-upon-Hull to 150 (Northumbrian) Transport Regiment RCT 21s September 1990"; a black and white lithograph by AVP dated (19)99; an Atea black dial telephone; a copper coffee pot; a Pyrene fire extinguisher; a white metal figure of an aviator and a collection of twelve white metal aircraft recognition models (qty)

A Regular Army Recruiting Poster by Charles Wood, showing a Military Policeman standing directing traffic, inscribed 'It's a real man's life, join the REGULAR ARMY', printed for H.M.Stationery Office by Jordison & Co. Ltd., London and Middlesbrough74cm by 49cm, framed and glazed (fold marks); We'll Meet Again, Dame Vera Lynn, a black and white lithograph with lyrics, signed limited edition 151/500, 59cm by 40cm, framed and glazed; the Rt. Hon. John, 3rd Earl of Durham, a black and white lithographic portrait, Proof with facsmile signature to the lower margin, 42cm by 34cm, framed and glazed (3)

An interesting pencil signed limited edition 18/21 lithograph by James Coignard (1925- 2008), frame size 33 x 41cm.

Andy Warhol (American 1928-1987): A clip framed 1989 lithograph of 'Do it Yourself (landscape) 1962 acrylic on canvas' published by teneues publishing company, size 30 x 40cm.

•Graham Sutherland (1903-1980). Sheet of studies, artist signed limited edition lithograph, 185/200, 52cm x 80cm.

A display of forty one lithograph and painted enamel buttons, mostly portrait or figural, some with paste set or enamel borders, largest 3.6cms dia. From the collection of the late Christine Mariner

[Bradshaw, George]. Lengths and Levels to Bradshaw's Maps of Canals, Navigable Rivers, and Railways. From actual survey. Taken from a datum of six feet ten inches under the sill of the Old Dock Gates at Liverpool. Dedicated to Thomas Telford, 1st edition, London: T.G. White and Co., 1832, folding engraved map, bound with at front, Lengths and Levels to Bradshaw's Maps of the Canals, Navigable Rivers, and Railways, in the Principal Part of England. Dedicated to Thomas Telford..., 1st edition, London: Printed by E. Ruff, 1833, bound with, London and Birmingham Railway MDCCCXXXIII Capital £2,500,000 in shares of £100 - Deposit five pounds per share, 1833, folding prospectus plan with text to verso, near-contemporary cloth, light wear to spine, slim 8vo, together with:[Bradshaw, George], Bradshaw's Canals and Navigable Rivers of England and Wales. A Handbook of Inland Navigation for Manufacturers, Merchants, Traders, and others: Compiled, after a Personal Survey of the whole of the Waterways, by Henry Rodolph de Salis, London: Henry Blacklock & Co. Ltd., 1918, folding colour lithograph map contained in rear pocket, original green cloth, 8voQTY: (2)

Cundy (Nicholas Wilcox). Reports on the Grand Ship Canal from London to Arundel Bay and Portsmouth, with an abstract of Messrs Rennie and Giles's report thereon, London: Thomas Egerton [& others], 1827, two hand-coloured folding lithograph maps and one folding lithograph sectional diagram, occasional damp staining mostly to text, edges untrimmed, original boards with recent cloth spine, 8vo,Cundy (N.W.), Imperial Ship Canal from London to Portsmouth. Mr. Cundy's Reply to Anonymous and other Authors of malignant abuse and misrepresentation, on his projected line, furnishing truth for libel; with plan of surveys, &c., London: Sold by Messrs. Rivington, Parbury, Allen, & Co., 1828, folding lithograph map, some browning to text margins, edges untrimmed, original printed wrappers bound-in, modern blue cloth, slim 8vo, plus Prospectus for making the Grand Imperial Ship Canal from London to Portsmouth. In 40,000 shares of £100 each, [1827], 3pp., folded as issued, folio, plus an unused Grand Imperial Ship Canal share certificate receipt for twenty shares, printed on pink paper, approx. 15 x 33.5 cmQTY: (4)NOTE:Nicholas Wilcocks Cundy, a distinguished civil engineer, proposed the ship canal scheme in 1824 when canal fortunes were at their peak. The scheme was to commence at Rotherhithe, with the line passing through Malden, Epsom, Leatherhead, Dorking, Ockley, Newbridge, Amberley, and Arundel, with a branch to Chichester. The 78-mile long canal was to cost £4 million and being 28ft deep and 150ft wide, would have enabled large vessels to sail from end to end in 12 hours.

Cundy (Nicholas Wilcox). Inland Transit. The Practicability, Utility, and Benefit of Railroads; The comparative attraction and speed of Steam Engines, on a Railroad, Navigation, and Turnpike Road; Report of a select committee of the House of Commons on Steam Carriages, with an abstract of the evidence taken before Parliament on the Birmingham Railroad Bill; with the preamble; also, the plans, sections, and estimates of the projected Grand Southern and Northern Railroads, 2nd edition, London: G. Herbert, T. Egerton and J. Ridgway, 1834, two large folding lithograph maps, and folding lithograph plate by Day of the locomotives 'Rocket', 'Novelty' and 'Sans Pareil', original cloth-backed boards with original worn printed title label to spine, board corners slightly worn, 8voQTY: (1)

Dashwood (J. Bacon). The Thames to the Solent by Canal and Sea; or, the Log of the Una boat 'Caprice.', London: Longmans, Green, and Co., 1868, half title, wood engraved frontispiece and six plates, folding lithograph plan, occasional early underscoring and marginal annotations, title and pastedowns with ownership Thomas Weeding Weeding, Southampton, 13.12.1875, upper hinge split, original cloth, lightly frayed at head & foot of spine, small 8vo, together with:Smith (George), Canal Adventures by Moonlight, London: Hodder & Stoughton, 1881, wood engraved frontispiece, verso of front free endpaper inscribed by the author, original pictorial cloth, 8vo,Smith (Emma), Maidens' Trip, 1st edition, London: Putnam & Co. Ltd., 1948, original cloth in dust jacket, chipped at head & foot and with adhesive marking to verso of dust jacket at head & foot, 8vo,Thurston (E. Temple), The "Flower of Gloster", 1st edition, London: Williams and Norgate, 1911, colour frontispiece, monochrome plates and illustrations, original green cloth gilt in dust jacket, adhesive tape repairs to some edges of dust jacket with consequent adhesive staining, 8vo, and other canal related, mostly 20th century publications (few ex-lib.), including Canals, Barges and People, written and engraved by John O'Connor, London: Art and Technics, 1950QTY: (20)

Scrope (William). Days and Nights of Salmon Fishing in the Tweed; with a short account of the natural history and habits of the salmon, instructions to sportsmen, anecdotes etc, 1st edition, London: John Murray, 1843, additional lithograph title, 12 tinted and hand-coloured lithographic plates, additional title and plates with circular blindstamp of the Devon and Exeter Institution, their label and bookplate of Alan Thornton at front, occasional light spotting, contemporary marbled boards, modern morocco spine, covers a little rubbed, 8voQTY: (1)NOTE:Westwood & Satchell p. 191.

Ackermann & Co. (publishers). By Permission of the Patentees, This Engraving of the First Carriage, the "Aeriel" is respectfully inscribed to the Directors of the Aerial Transit Company, March 28th, 1843, hand-coloured lithograph, trimmed to image with the title in a separate mount aperture, image size 225 x 300 mm, mounted, framed and glazed, together with Fairburn (J. publisher). Gurney's New Steam Carriage, December 12th, 1827, etching with contemporary hand-colouring, some creasing and staining, trimmed to the neatline and laid on a canvas album page, with a chromolithographic portrait on the verso, 240 x 355 mm, mountedQTY: (2)NOTE:The first print described is a scarce depiction of William Henson's patented Aerial Steam Carriage. The design was one of the first to conceive of what a 'modern' aeroplane would look like and although plausible on paper - and several models were made - the finished machine never flew because the steam-powered engine proved too heavy. The prints were produced to encourage investors and there are several variants showing the plane flying over various parts of the world.The second item illustrates two examples of Gurney's steam carriages on the road, with a panel of explanations below the image. Influenced by meeting Richard Trevithick, the pioneer of steam propulsion, Cornishman Sir Goldsworthy Gurney (1793-1875) built a steam-powered road vehicle himself in 1823. In 1829, he successfully travelled from Bath to London and back at a sustained speed of 15 mph in his steam carriage, and encouraged by this he envisaged a regular passenger service using steam-driven road vehicles as opposed to a horse-drawn coach. It never materialised, because the influential operators of the mail coaches and associated passenger transport, joined forces to ensure that Gurney was forced out of business.