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Lot 230
§ A folio of prints to include, Sandro Chia, Sleeping Man, lithograph, 56 x 68cm, unframed; Thomas Newbolt, Nude Study Blue and Nude Study Orange, signed and dated lithographs, 688 x 92cm; Jamie Boyd, Orchestra, signed lithograph 60 x 80; Jamie Boyd, River Scene, signed lithograph, 75.5 x 57cm; and a collection of eight Jim Russell lithographs to include: St Andrews Church, Gibraltar, 57.5 x 55.5cm, Landport Tunnel, 76 x 56.5cm, Norman Tower, Bury St Edmunds, 66 x 50cm, The Keep, Colchester, Poppies, 66 x 50cm, La Linea, Moorish Castle, Gibraltar, 51 x 65cm, Hillside Town, 77 x 57cm (13)
Lot 372
TONY BOOTH (British, 20th century): colour lithograph reproductions of the poster advertising 'The Cavern Grand Opening 1957', another poster for The Cavern featuring 'The Sensational Beatles' and one other reproduced poster, signed and with impressed print mark, 75 x 49.5cm, framed and glazed (3).
Lot 373
TONY BOOTH (British, 20th century): colour lithograph reproductions of the poster advertising 'The Grafton Ballroom' and first 1963 appearance on Merseyside of The Beatles, a poster for the 'Grosvenor Ballroom, Wallasey' featuring The Beatles and another for 'The Queen's Hall, Widnes' featuring The Beatles, signed, with impressed printer's mark, 75 x 49.5cm, framed and glazed (3). CONDITION REPORT All printsCurrently framed but may be able to be removed for shipping, not known if attached to back boards
Lot 374
TONY BOOTH (British, 20th century): colour lithograph reproductions of the poster advertising 'Odeon Cinema, Southport 1963 featuring the dynamic Beatles', a poster for 'The sensational Beatles appearing at Litherland Town Hall 1960', another for 'The Corn Exchange Bedford: Presenting The Beatles', signed, 75 x 49.5cm, framed and glazed (3).
Lot 375
TONY BOOTH (British, 20th century): colour lithograph reproductions of the poster advertising 'New Brighton Tower Ballroom' featuring The Beatles and Gerry and the Pacemakers, a poster featuring The Beatles and another featuring 'The Mersey Beat' dated 1962, signed, impressed printer's mark, 75 x 49.5cm, framed and glazed (3).
Lot 376
TONY BOOTH (British, 20th century): colour lithograph reproductions of the poster advertising 'The Tower Ballroom, New Brighton' featuring Little Richard and The Beatles, a poster for The Beatles and another for 'Operation Big Beat' featuring The Beatles, signed, impressed printer's mark, 75 x 49.5cm, framed and glazed (3).
Lot 377
TONY BOOTH (British, 20th century): colour lithograph reproductions of the poster advertising 'New Brighton Tower Ballroom' featuring The Beatles and Gerry and the Pacemakers, a poster for 'The Big Beat Session 1961' featuring The Beatles and another for 'Southern Sounds 63' featuring the Rolling Stones, signed, impressed printer's mark, 75 x 49.5cm, framed and glazed (3).
Lot 378
TONY BOOTH (British, 20th century): colour lithograph depicting The Beatles in 1962, with printed signatures, signed and dated Sept' 2010, with label 'The world's first known artistic image of The Beatles, painted in August 1962 by Liverpool commercial artist Tony Booth, just five days after Brian Epstein signed up Ringo Starr to complete the newly-formed group', 42 x 30cm (only one print produced from each original painting).
Lot 608
An early Victorian board game titled 'The Cottage of Content or Right Roads and Wrong Ways', Novr. 1st, 1848, hand coloured lithograph, showing numerous paths leading to a large cottage, in nine sections mounted on linen, folded into original cloth boards, with pictorial label on front cover and printed rules mounted inside front cover, published by William Spooner, The Strand, 56.5 x 42cm. CONDITION REPORT It is complete, the cover is coming apart and the front cover is foxed and stained, corners are nibbled. The fold out cloth boards, instruction sheet and game sections are all badly foxed but not torn, the sections are folded back and nibbled
Lot 37
JULIAN HARTNOLL. Two Christmas cards signed by Hartnoll and dated 1987 and 1984, one lithograph the other gold paint, together with a wood engraving by GEORGE MACKLEY. 'Coltsfoot', and etching of a squirrel on a branch, a little book of cats by alice and a coloured etching signed in pencil 'Journeys of Icarus I' 95 / 95 title page, smallest 7 x 10 cm, largest 48 x 48 cm
Lot 145
§ KAREL APPEL (DUTCH 1921-2006) MOTHER AND CHILD - 1972 Lithograph, E.A., signed and editioned in pencil to margin(the image 70cm x 52.5cm (27.5in x 20.75in))Footnote: Karel Appel was a leading member of 20th century Europe’s avant-garde. Born in the Netherlands in 1921, he began painting in his early teens, later studying at the Rijksakademie in Amsterdam during the German occupation in the 1940s. His work was heavily influenced by the earlier notorious art establishment disruptors Pablo Picasso, Henri Matisse and Jean Dubuffet and the impact of his own art was to cause similar scandal in the eyes of the public and press. Highly regarded now for his paintings, murals, sculpture and poetry, Appel is famously synonymous with the CoBrA Group, which he joined in 1948. CoBrA was a faction of experimental cross-disciplinary artists from Copenhagen, Brussels, Amsterdam. Their work shocked and bemused Dutch society but found a warm welcome in Denmark. Typically, the group’s visual language was playful, spontaneous and deliberately child-like. Appel’s career was truly international, with time spent travelling to Mexico, Brazil and Yugoslavia, as well as living for periods in Paris, Florence and New York. He was exhibited extensively in the latter city in the 1950s, including in the influential exhibition ‘The New Decade’ at the Museum of Modern Art which featured the work of twenty-two European painters and sculptors including Francis Bacon, Jean Dubuffet, and Pierre Soulages. Lyon & Turnbull are delighted to offer this wonderful work dating from the 1970s. It is a classic example of the artist’s typical iconography, which often included representations of the human form and animal kingdom in idiosyncratic style. It shows the absorption of the work of forebears including Paul Klee and Joan Miro, as well as referencing the unselfconscious purity and freedom of folk and children’s art. His approach to painting was impetuous and instinctive – often involving squeezing paint directly from the tube and using his fingers, a palette knife and occasionally a brush to manipulate his materials. The results, as here, take on a life of their own. The colours are joyful, the imagery playful, and yet an underlying chaos and unnerving absurdity is also present. The creatures Appel created in these acrylic works of the 1970s were sometimes later realised as sculptures or limited edition lithographic prints. The work offered here for sale relates closely, with some small differences, to the lithograph ‘I am an Animal’, printed in an edition of 100 in 1971. It could reasonably be posited that this work is potentially the original on which the lithograph is based, and consequently an image the artist esteemed highly enough to be serialised into print form.
Lot 146
§ HENRY MOORE O.M., C.H (BRITISH 1898-1986) MULTICOLOURED RECLINING FIGURE - 1967 Lithograph in four colours, from the edition of 380, published by Galerie Beyeler, Basle, signed and dated in plate(the sheet 21cm x 26cm (8.25in x 10.25in))Footnote: Note: The unsigned edition of 380 copies was printed for Galerie Beyeler’s Christmas card of 1967.
Lot 167
§ TRACEY EMIN C.B.E., R.A. (BRITISH 1963-) NO SURRENDER Lithograph, 58/75, signed, titled, numbered and dated 2019 in pencil, produced by Counter Editions, Margate(69cm x 86cm (27.25in x 33.75in), unframed)Footnote: Note: This was the first print made by the artist at the new Counter Studios in her hometown of Margate, Kent.Drawing and printmaking have been central to Emin’s artistic practice throughout her career, offering an immediate and personal dimension to her moving, compelling and at-times controversial works. She regularly takes moments, sensations and frustrations from her own life and in the evolution of her art creates a broader engagement with the wider world and our endlessly prevailing human preoccupations within it; sex, death, love and freedom.‘No Surrender’ is the first print made by Emin in the new Counter Studios in her hometown – Margate, Kent. Here she brings a broad, gestural quality to the depiction of the body, while the colour adds a heightened emotion, juxtaposing hot and cold tones, the living and the suffering. Rising to prominence as part of the YBA’s in the 1990s, Emin continues to be extremely prolific in the making and exhibiting of her work, her themes, preoccupations and approach evolving as time passes.
Lot 170
§ ALISON WATT O.B.E., F.R.S.E., R.S.A. (Scottish 1965-) UNTITLED (DESIGN FOR CANONGATE) Lithograph, 78/100, signed and numbered in pencil to margin(the sheet 50cm x 40cm (19.75in x 15.75in), unframed)Footnote: Note: This print was one of a series commissioned by Canongate publishers to be used as book cover designs for their Scottish Classics series in 2001. This image by Watt was the cover for ‘Selected Stories’ by Muriel Spark.
Lot 171
CHRISTO AND JEANNE-CLAUDE (AMERICAN 1939-2020) PONT NEUF Lithograph, 138/450, signed and numbered in pencil to margin, published to coincide with the artist's exhibition at the Centre Pompidou, 2020, and accompanied by the exhibition catalogue in limited edition boxed set(the sheet 25cm x 19cm (9.75in x 7.5in), unframed)
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70553 item(s)/page