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Lot 232
*After Bernard Buffet, `POISSON` Lithograph printed in colours, numbered 42/220 in pencil; Hans Fischer (Swiss 1909-1958), `LE CHAT` Lithograph, signed and numbered 182/200 in pencil; Gabriel Zendel (French 1906-1992), STILL LIFE Lithograph printed in colours, signed and numbered 54/200 in pencil, with blind stamp for Guy Spitzer; Francis Tailleux (French 1913-1981), INTERIOR WITH A GIRL IN A CHAIR Lithograph printed in colours, signed and numbered 179/200 in pencil, with Guilde de la Gravure blindstamp; Jacques Houplain (French b.1920), KNIGHTS FIGHTING ON HORSEBACK Etching, signed and numbered 51/900 in pencil, with Guilde de la Gravure blindstamp, various image and paper sizes, unframed (5)
Lot 239
*Martin Sharp (b.1942), `LEGALISE CANNABIS, THE PUTTING TOGETHER OF HEADS`, 1967 Colour offset lithograph poster, printed in red and black ink on gold metallic foiled paper 50 x 75cm. Martin Sharp was born in Australia in 1942 and is considered to be one of the foremost underground artists working in the 1960s. He designed album covers for Bob Dylan and Cream. This poster advertises a Legalise Cannabis Rally held in Speakers’ Corner, Hyde Park, London in July 1967. It features a collage of figures appropriated by Sharp from 19th century ethnographic engravings.
Lot 1284
Max Ackermann (1887-1975 German) Abstract composition, signed and dated in ink lower right: Max Ackermann 1952, numbered in ink lower left: 65/100, unframed color lithograph on paper in color, image size: 18.25`` H x 14`` WProvenance: Private Collection, Las Vegas, NV. Condition: Visual: Slight toning to paper. A few minor spots of stain in the left and right margins. Tape remnants to the rear edges of paper. The paper loose as stated, not matted or framed. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
Lot 1285
Salvador Dali (1904-1989 Spanish/French) ``Lady Blue (Tarot The High Priestess)``, signed in pencil lower right; Dali, inscribed in pencil lower left: A.P., unframed color lithograph on Arches paper, image size: 22.75`` H x 17`` WLiterature: Field, fig. 79-10. Note: Dimensions of the paper: 29.5`` x 21``. Provenance: Estate, Riverside, CA. Condition: Visual: Surface soiling and dust. The lower left margin corner bent. The paper loose, not framed or matted. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
Lot 1286
R. C. Gorman (1932-2005 Taos, NM) Women in a Southwest setting with Acoma pot, signed and dated in pencil lower left: R.C. Gorman 1982, numbered in pencil lower right: 84/225, colored lithograph on paper under glass, sight size: 26`` H x 35.5`` WProvenance: Private Collection, Los Angeles, CA. Condition: Visual: Generally good condition. Not examined out of the frame. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
Lot 1287
R. C. Gorman (1932-2005 Taos, NM) Seated Navajo woman, signed and dated in pencil lower left: R.C. Gorman 1982, numbered in pencil lower right: 212/250, colored lithograph on paper under glass, image size: 14.75`` H x 19.5`` WNote: With Taos Editions Ltd. blindstamp lower right. Dimensions of the paper: 18.5`` x 22.5``. Provenance: Private Collection, Los Angeles, CA. Condition: Visual: Generally good condition. Some minor handling creases in the left margin. Minor rippling to paper. Four deckled edges. The paper mounted to the back mat and framed floating. Not examined out of the frame. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
Lot 906
MONUMENTAL LITHOGRAPH - `Geta and Caracalla`, 1907, by Lawrence Alma-Tadema (Dutch-English, 1836-1912), the Victorian Romanticist made famous by his depictions of Classical Roman life, pencil signed lower left, printed by Stiefbold & Co of Boston for Arthur Tooth of London, depicting the brothers who co-ruled Rome at the Colosseum. Housed in the original magnificent gilt architectural frame, with dimensional mat, glazed, image size: 25" x 31", OS: 46 1/2" x 49", fine condition, small loss to cornice on left side.
Lot 1056
COLOR LITHOGRAPH - `Behind the Screen` by Raphael Soyer (NY, 1899-1987), pencil signed lower right, from an un-numbered edition of 300, depicting a partially dresed woman, toweling her temple, in gold mitered frame, matted and glazed, SS: 19 1/4" x 12 3/4", OS: 28 1/4" x 21 1/2", fine condition, not examined out of frame.
Lot 1058
(3) WPA ARTIST PRINTS - Including: Lithograph `Maine Lobsterman`, 1944 by Stow Wengenroth (NY, 1906-1978), Stuckey 144, from an edition of 210 for the Print Club of Cleveland, signed in pencil, with original label, 8" x 12" image, on 12" x 16" sheet; PLUS Etching, `Trout Water`, state IV, no 6, by William Martin Larkins (UK, 1901-1974), pencil signed and titled, with limitation, 6 3/8" x 9 7/8" image on 8" x 11" sheet; PLUS Miniature Etching `Plumed Serpent, Chichen Itza` by John Taylor Arms, pencil signed and titled, with inscription `To my friend Reynold H Weidener, with admiration, John Taylor Arms`, 2" x 2 1/2" image on 5" x 7 3/4" sheet, all tipped into mats, unframed, light bends to margins of the last, others are fine.
![JONATHAN GREEN [AMERICAN, 1955-] LITHOGRAPH, 1996, 20" X 26", `SHARING THE CHORES`: Jonathan Green lithograph, &quo](http://lot-images.atgmedia.com/SR/33875/2865291/44-201272314568_468x382.jpg)
![JOAN MIRO [SPANISH 1893-1983], LITHOGRAPH, 35" X 24", "THE HARLEQUIN KICKING THE BEE": Edition 47/75. Pen](http://lot-images.atgmedia.com/SR/33875/2865291/2027-2012723142638_468x382.jpg)
![JOAN MIRO [SPANISH 1893-1983], COLOR LITHOGRAPH, 18" X 24" IMAGE, "LAZARRO SCULPTURE II": 18 1/2" x](http://lot-images.atgmedia.com/SR/33875/2865291/2028-2012723142640_468x382.jpg)
![JOAN MIRÓ [1893-1983], COLOR LITHOGRAPH, 21" X 29 1/2", UNTITLED: From "Maravillas con Variaciones Acrósticas](http://lot-images.atgmedia.com/SR/33875/2865291/2029-2012723142643_468x382.jpg)
![ALEXANDER CALDER [AMERICAN 1898-1976], COLOR LITHOGRAPH, 29" X 43", "PYRAMIDS II": Edition 55/95; 29 1/2&](http://lot-images.atgmedia.com/SR/33875/2865291/2030-2012723142648_468x382.jpg)
![ALEXANDER CALDER [AMERICAN 1898-1976], COLOR LITHOGRAPH, 19" X 25", "SUNBURST": 19 1/2" x 25 1/2&quo](http://lot-images.atgmedia.com/SR/33875/2865291/2031-2012723142650_468x382.jpg)
![MARC CHAGALL [FRENCH/RUSSIAN 1887-1985], LITHOGRAPH, 22" X 15", "SUMMER NIGHT": Edition 19/50; 22" X](http://lot-images.atgmedia.com/SR/33875/2865291/2032-2012723142653_468x382.jpg)
![ELLSWORTH KELLY [AMERICAN, 1923], LITHOGRAPH, 23/64, 32" X 10 3/4" [IMAGE], `BLUE/RED-ORANGE/GREEN`: Color lithogra](http://lot-images.atgmedia.com/SR/33875/2865291/2034-2012723142658_468x382.jpg)
Lot 2034
ELLSWORTH KELLY [AMERICAN, 1923], LITHOGRAPH, 23/64, 32" X 10 3/4" [IMAGE], `BLUE/RED-ORANGE/GREEN`: Color lithograph is numbered 23/64 in pencil at the lower left, signed "Kelly" at the lower right with publisher`s mark [Gemini G.E.L]. Sheet measures 42 1/2" x 30". Framed. Catalogue Raisonne: Axsom, 75.
Lot 2822
After Gamy - `The "Splitdorf" Magneto "Grand Prix of America" 1910` (Depiction of an Early Racing Car No. 17 with Detail of the Magneto), early 20th Century colour lithograph, approx 44cm x 89cm, framed and glazed (damp damaged), together with another colour lithograph after Gamy, `Meeting de Deauville. Le Moteur Renault Conduit à la victoire l`appareil M. Farman` (Depiction of an Early Seaplane), approx 44cm x 89cm, framed and glazed (damp damaged).
Lot 2823
After Ernest Montaut - `Bleriot traversant la Manche le 25 Juillet 1909`` (Depiction of Bleriot`s Monoplane over the English Channel), early 20th Century colour lithograph, approx 44cm x 89cm, framed and glazed (damp damaged), together with another colour lithograph after Montaut, `Latham sur monoplan Antoinette` (Depiction of Two Monoplanes with Two Figures in the Foreground), approx 44cm x 89cm, framed and glazed (damp damaged).
Lot 508
Charles Hunt, British 1803-1877- "The Trial of `Bill Burn`, under Martin`s Act", after P Mathews, publ by Ackerman & Co London; aquatint printed in colours with touches of hand-colouring, mounted in a glazed 19th century maple veneered frame, 47x56.5cm: British School, late 19th/early 20th century- "An Irish Obstructionist"; chromolithograph, in a glazed maple veneered frame, 42.5x69cm: Charles Turner ARA, British 1773-1857- "Two Denham Oxen", after T Weaver, publ by Benjamin A Bon, 1828; mezzotint, in an oak moulding frame, 59.5x71.5cm: Henry Beckwith, British fl. 1830-1900 and others, composite pictures comprising a number of Victorian engravings on shared sheets, a pair, both bear captions in pen and ink, mounted in matching glazed moulding frames, 86x48cm., ea: After John Leech, British 1817-1864- "Mr Jorrocks (loy) `Come help! I say. You ugly brute!`", publ by Thos Agnew & Sons, London Manchr & L`pool Jany 2nd 1863; chromolithograph, in a glazed frame, 45.5x83.5cm: F Sala & Co, Unter d Linden 51, Berlin, Publ., mid 19th century- "Crossing the Ford"; lithograph, in a glazed maple veneered frame, 52.5x64.5cm., (7)
Lot 529
British School, mid 19th century- View of the Colosseum, Rome; watercolour, 22x33cm: Reynolds & Co 32 St James`s St SW, Publ- "Drumheath Walks in July 4th 1879; hand-coloured lithograph, 28x44.2cm Note: This print depicts the match ridden between Sir John Astley Bt., and Caledon Alexander at Newmarket 1879: Paul Ralluriau, French, late 19th/early 20th century- Two women in a cafe; hand-coloured lithograph, signed within the plate, 25.5x22cm: Charles Williams, British act 1797-1830- "John Bull on a Bed of Roses", publ July 1806 by Wm Holland, Cockspur Street; hand-coloured etching, 25.5x35.5cm., (4)
Lot 532
Thomas Abiel Prior, British 1809-1866- "Portsmouth Harbour and Dock Yard", after Edward Duncan; hand coloured engraving, 25x45cm: John Godfrey, British 1817-1889- "Chatham Dockyard", after Edward Duncan; hand coloured engraving, the two in a shared mount and frame, 25x45cm: together with two other hand coloured engravings by Thomas Abiel Prior and after Edward Duncan depicting "Falmouth" and "Devonport from Mount Edgecumbe", two in a shared mount and frame, ea. 25x45cm After Oswald Walter Brierly, British 1817-1894- "HMS Inconstant, lying off Plymouth Dock Yard", Day and Haghe, publ., Edmund Fry & Son, London; hand coloured lithograph, 30x41cm: William Henry Pyne, British 1769-1843- "The Costumes of Great Britain", plates 50, 44, 55 and 42, publ. William Miller, Albermarle St, Jan 1 1805; hand coloured aquatints, four in a shared mount and frame, ea. 24x32cm, (9 in 4 frames)
Lot 546
British Provincial School, 19th century- Botanical study; watercolours, three, all mounted in matching glazed frames, 23x19.5cm., ea: Margaret Smith, British exh 1896-1938- Portrait; oil on panel, inscribed on the reverse, 40.5x34.6cm: British School, 20th century- Stone house in a highland landscape; watercolour, 15x23.5cm: British Provincial School, mid-late 20th century- "Conway"; watercolour, inscribed and dated 1870, 18x33.5cm: British Provincial School, late 19th/early 20th century- Botanical study; watercolour heightened with white, oval, 42x33cm: Naive School, late 20th century- Figures by a church; mixed media relief on metal panel, 45x60cm: After Geneviève Eliacheff, Russian/French b.1910- Busy day in Montmartre; colour reproduction print, 49x64cm: P A Thompson, British, mid-late 20th century- Goat herders; etching, signed and numbered 1/50 in pencil, 17.5x12.5cm: Edward Hull, British 1810-1877- Scene from the Life of Dick Turpin; hand-coloured lithograph, signed within the plate, 27.5x37.5cm: Goupil & Cie, Publ., 1878- "The Queen of Swords, after Sir W Q Orchardson RA; photogravure, in a glazed oak frame, 18x25.3cm: After James Godby, British late 18th/early 1th century and Henri Merke, Swiss, late 18th/early 19th century- "Horse Racing", after S Howitt; colour reproduction print, 33x45cm: together with a colour reproduction print of birds resting on a branch, 38x31.5cm., (14) (may be subject to Droit de Suite)
Lot 601
Henri Hayden, French 1883-1970- Still life of shells and a jug in red; lithograph printed in colours, signed, dated `82 and inscribed `epreuve d`artiste` in pencil beneath the plate, 43.5x56cm: together with another lithograph printed in colours by the same artist, depicting a still life of coffee pot and cherries, signed, dated `66 and inscribed `epreuve d`artiste` in pencil beneath the plate, 29.5x37cm, (2) (may be subject to Droit de Suite)
Lot 616
John Heaviside Clark, Scottish 1771-1863- "Edinburgh, A View of the Old Town taken from Princes Street", after A Key, publ. Aug 1st 1814 by Dan McIntosh; hand coloured aquatint, 44.5x60cm: After John Heaviside Clark, Scottish 1771-1863- "The Town of Paisley", publ. Smith, Elder & Co, 1825; hand coloured etching with aquatint, 44x58cm: After John Heaviside Clark, Scottish 1771-1863- "The Town of Dingwall", publ. Smith, Elder & Co, 1824; hand coloured aquatint, 43x56.5cm: After James Duffield Harding, Scottish 1798-1863- "The Palace of Holyrood", from `Scotland Delineated`; hand coloured lithograph, 30x44.3cm: After George Cattermole, British 1800-1868- "Glamis Castle"; hand coloured lithograph heightened with pen, 33x42.7cm, (5)
Lot 636
Philip Braham, Scottish b.1959- "Eclipse (Death by Water), 1988"; hand coloured lithograph, signed, titled, dated and numbered 40/40 in pencil, 56x44.5cm: Julie Brook, German/British b.1961- "And Thou Treble Dated Crow, Study 1", 1990; etching and aquatint with hand colouring, signed with initials, dated `90 and inscribed `A/P`, 36x22cm: John Taylor, late 20th century- "Three Figures Appeared"; screenprint in colours, signed, titled and numbered 2/25 in pencil, 72.5x53.5cm, (3), (may be subject to Droit de Suite)
Lot 714
Andrew Fairbairn Affleck, British 1874/75-1935/36- West front of Rouen Cathedral, publ Jan 24th 1916 by James Connell & Sons 47 Old Bond St London W1; etching, signed in pencil, bears publisher`s blindstamp, 73x36cm: J L Zentner, German, late 18th century- Figures on a country track, after J F Vries, publ a Paris chez l`Auteur rue du Gros Chenet no 47 et chez Poignant rue et Hotel Serpente; engraving, 19x22cm: French School, mid 20th century- Rural landscape in the tropics; gouache, signed, 16.5x26cm: After Ethel Parkinson, British 1868-1957- Dutch children with a goat and cart; lithograph printed in colours, signed within the plate, 14x19cm: together with a further quantity of pictures, prints and reproductions by and after different hands, various sizes, (a lot)
Lot 717
* Ettore Tito, Italian 1859-1941- "Quatre Proverbes par Tito"; pochoirs printed in colours, four, signed within the plate and with titles beneath, with original cover (a/f), ea. 25.7x20cm: Honore Daumier, French 1808-1879- "Je ne te diran pas vas te faire...sucre! je te diran vas te faire cuire!", publ. 28th Sept 1847, Imp. d`Aubert & Co; lithograph, 29x22cm: together with a quantity of further lithographs by the same artist published between 1847 and 1859: and two reproduction prints in colours after Macwhirter, (a lot), (unframed) VAT charged on hammer price
Lot 721
Bryan Ingham, British 1936-1997- `Gallery - Kew`; etching, signed and dated 1976, titled and numbered 83/100 in pencil, 20.5x28cm: Andrew Ingamells, British b.1956- `Christchurch, Spitalfields`, `Afternoon Light`, `St. George in the East, Wapping`; etching in colours, signed, titled and numbered 69/75, 76/150, two blindstamped, 64.7x25cm, 14x8.5cm, 48x29.5cm: Albany Wiseman, British b.1930- `The Royal Hospital Chelsea`; lithograph in colours, signed and numbered 28/100, 50x65cm., (5) (unframed) (may be subject to Droit de Suite)
Lot 726
Joan Miró, Spanish 1893-1983- "La Danse de Feu", 1963; lithograph printed in colours, 38x56cm, (may be subject to Droit de Suite) Provenance: with Wiseman Originals, 34 West Square, London, SE11, 4SP, a certificate dated `89 from Wiseman Originals accompanies this lot. Note: There were 90 signed and numbered impressions plus c.1500 unsigned impressions with centrefolds and margins published in "Derriere le Miroir - a catalogue for Miro Artigas Cermaiques Monumentales". In addition there were c.3000 unsigned impressions with centrefolds and without margins published in Derriere le Miroir, of which this is one.
Lot 745
European School, late 19th/early 20th century- Portrait of a lady; oil on canvas, in a silver gilded arts and crafts frame, c.1900 with art nouveau roundels to the corners, with remains of a label to the reverse of the frame reading, `Advise for the International-Exh... of British Art ...ngarian Fine Art ... Cayley-Robinson,` 73x57cm: Victor Adam, French 1801-1866- "Porto do Estrella" Brazil; hand coloured lithograph, 28x34cm: together with another 19th century hand coloured lithograph depicting a coastal village, possibly South America, 28x38cm: Ludwig Michalek, Austrian 1859-1942- "Bach", publ. V A Heck, Wien; etching, 45x31cm, (4)
Lot 749
Pieter van Gunst, Dutch c.1667-1724- "Georgtus Augustus Princeps Walliae, Dux Cornualiae, Comes Cestriae &"; engraving, in a glazed ebonised moulding frame, 59x48cm: William Say, British 1768-1834- "King George the Fourth", after J Northcote RA, publ March 1st 1828 by William Sams, book and printseller to the Royal Family, St James`s Street; mezzotint, 54x35cm: Jean le Pautre, French 1618-1682- "Les Festes de l`Amour et de Bacchus, Comedie en Musique representée dans le petit Parc de Versailles", 1678; engraving, 30x42cm: Johannes Kip, Dutch 1653-1722- Henbury The Seat of Mr John Sampson; engraving, 35x43.5cm: After Thomas Picken, British d.1870- Horses and traps approaching a viaduct, after Ford; hand-coloured lithograph, in a glazed maple veneered frame, 31.2x41cm: Elisha Kirkall, British c.1682-1742- Designs for ornamental iron gates, after Jacobo Gibbs; engraving, 20.5x35.5cm: Elizabeth Blackwell, British 1710-1774- "The Medlar Tree" and "The Vine"; hand-coloured etchings, 29x19cm., ea., (8)
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70555 item(s)/page