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Original vintage lithograph signed in pencil by the artist depicting Romans building Hadrians wall by British artist and litographer Gerald Spencer Pryse (1882-1956). The poster features men in red and green robes lifting and carrying tightly-fitting massive irregular stone blocks and Roman soldiers in capes and galeas (Roman soldier helmet) holding spears with defensive wall in the background. Signed in pencil. Born at Ashton, Pryse studied in London and Paris, and first won a prize at the Venice International Exhibition in 1907. In the same year, he joined the Fabian Society, and helped to found The Neolith, a periodical of literature and the fine arts; the journal was printed in lithography. He was a regular exhibitor at the Senefelder Club, and contributed works to Punch, the Strand Magazine, and The Graphic. Fair condition, tears, creasing, staining, foxing, paper loss, pencil writing on bottom margin. Country of issue: UK, designer: Gerald Spencer Pryse, size (cm): 58x82, year of printing: 1930s

Poster for Nord Express. Dynamic Art Deco design by the notable poster artist, A.M. Cassandre (1901-1968), featuring a steam train locomotive advancing past the viewer. Nord Express, Londres, Bruxelles, Paris, Liege, Berlin, Riga, Varsovie. Official lithograph re-issue from 1927 by the grandson of the artist, Henri Mouron, Studio Editions. Printed in France by Bedos, Paris. Excellent condition. Country of issue: France, designer: Adolphe Mouron Cassandre, size (cm): 102x70, year of printing: 1980

Poster designed by Fix Masseau (Pierre Felix Masseau, 1905-1994) featuring an elegant Art Deco image of a steam train pulling into a station with ETAT written on the red bumper in front of the train. Official lithograph re-issue from the 1932 original by Studio Editions, printed by Bedos, Paris. Excellent condition. Country of issue: France, designer: Fix-Masseau, size (cm): 99x62, year of printing: 1982

Wunderlich, Paul (1927 Eberswalde - 2010 Saint-Pierre-de-Vassols) "Ginkgo", Farblithographie in 8 Farben, rechts unten signiert, 43/75 nummeriert links unten, 1997, 89,7x64,5cm (Darstellung), 110x80cm (mit Glasrahmen)Wunderlich, Paul (1927 Eberswalde - 2010 Saint-Pierre-de-Vassols) "Ginkgo", color lithograph in 8 colors, signed lower right, 43/75 numbered lower left, 1997, 89,7x64,5cm (image), 110x80cm (with glass frame)

Pützhofen-Esters, Heinrich (1879 Krefeld - 1957 Selters) "Villa Colonne" al Val di Sogno um 1920, in Malcesine, Italien, Blick auf den Gardasee, vorbei an der prächtigen Kolonnade der Villa Colonne, die an das Parthenon erinnern lässt, links unten signiert, um 1920, Öl auf Platte, 40x30cm, Rahmen (unten beschädigt), teilweise minimale Farbabplatzer*Die Villa Colonne wurde ursprünglich von einem Deutschen am Ende des 19. - Anfang des 20. Jahrhunderts erbaut, 1915 durch den italienischen Staat erworben und unter anderem als Militärstützpunkt genutzt. Danach wird sie von Hans Stadelmann, Maler und Lithograph, erworben und in den 1930er Jahren restauriert (unter anderem wird die Kolonnade entfernt). Das Gemälde stellt ein wunderbares Zeitzeugnis dar.Pützhofen-Esters, Heinrich (1879 Krefeld - 1957 Selters) "Villa Colonne" al Val di Sogno around 1920, in Malcesine, Italy, view of Lake Garda, passing the magnificent colonnade of Villa Colonne, which makes you think of the Parthenon, signed lower left, around 1920, oil on panel, 40x30cm, frame (damaged at the bottom), some minimal paint chips.*The Villa Colonne was originally built by a German at the end of the 19th - beginning of the 20th century, acquired by the Italian state in 1915 and used, among other things, as a military base. It was then acquired by Hans Stadelmann, painter and lithographer, and restored in the 1930s (among other things, the colonnade was removed). The painting represents a wonderful testimony of the time.

MARTYN DALLIMORE JONES limited edition (4/19) colour lithograph - abstract, signed and dated 1989, 36 x 45cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, slight discolouration, blemishes to mount, framed and glazedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)

JOHN ELWYN limited edition (183/300) lithograph - Laugharne Estuary from Dylan Thomas' Boathouse, signed, 42 x 60cms (unframed) Provenance: private collection, mid-Wales Presentation & Condition: no problems, pristine copyPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)

CLAUDIA WILLIAMS limited edition (89/200) colour lithograph, 1989 - mother and daughter, entitled 'Morning', signed, 40 x 45cms Provenance: private collection, consigned via our West Wales office Presentation & Condition: no problems, framed and glazedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)

JOHN ELWYN limited edition (233/260) lithograph - farmyard with two figures, cat and geese, signed, 45 x 45cms Provenance: private collection, consigned via our Colwyn Bay office Presentation & Condition: no problems, framed and glazedthe print has started to ripple at the top under the mount. Please note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)

ALISTAIR CRAWFORD limited edition (56/85) hand-coloured lithograph - view through a window, entitled 'Wales', signed and dated 1985, 19 x 28cms Provenance: mid-Wales private collection Auctioneer's Note: Crawford taught at Aberystwyth University (1973-2000), the view is from his home in Bow Street near Aberystwyth Presentation & Condition: no problems, framed and glazedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)

PAUL PETER PIECH three colour lithograph - 'Abolish Torture' with passage by Greek author and journalist Nicholas Gage describing the corporal punishment of Falanga (foot whipping), 'Each blow of the rod is felt not just on the soles of the feet, painfully flexed as the club smashes the delicate nerves, between the well and the balls of the foot; the pain shoots up the stretched muscles of the leg and explodes in the back of the skull, the whole body is in agony and the victim writhes like a worm', signed and dated 1987, 50 x 76cms Provenance: please see Lot 64 Presentation & Condition: unframed, foxingPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire) 

PAUL PETER PIECH two colour lithograph - 'Neither Shall they Learn War Anymore' peace poster with passage from the prophet Isaiah, signed and dated 1988, 75 x 51cms Provenance: please see Lot 64 Presentation & Condition: fresh print in good condition, unframedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire) 

PAUL PETER PIECH three colour lithograph - poster supporting the charity organisation Survival International, with a quote from the Isneg people of the Philippines, 'Without the Trees, We Will Not Be Able to Survive', signed and dated 1987, 72 x 51cms Provenance: please see Lot 64 Presentation & Condition: small tears to edge, good condition, unframedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire) 

PAUL PETER PIECH five colour limited edition (14/20) lithograph - protest poster in support of indigenous peoples with extracts from nature writer Richard Jefferies (1848-1887) from his 1883 autobiography 'The Story from My Heart', 'Each human being by mere birth, has a birthright in this earth & all its production; and if they do not receive it then it is they who are injured and it is not the 'pauper'. Oh, inexpressibly wicked world! - it is the well-to-do who are the criminal classes', signed and dated 1987, 51 x 75cms Provenance: please see Lot 64 Presentation & Condition: no problems, fresh example, unframedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire) 

PAUL PETER PIECH two colour lithograph - image with typography 'Aboriginal land rights is a Christian commitment - stand up for justice', signed and dated 1988, 63 x 45cms Provenance: please see Lot 64 Presentation & Condition: no problems, fresh example, unframedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire) 

PAUL PETER PIECH three colour lithograph - commenting on former UK Prime Minister Margaret Thatcher's stance on apartheid in South Africa, with Margaret Thatcher's bouffant hair over demonic eyes with pound signs, the mouth in the form of an imprisoned figure, 'Ally of Apartheid' below, signed and dated 1988, 76 x 51cms Provenance: please see Lot 64 Auctioneer's Notes: in 1986 Prime Minister Mrs Thatcher opposed Commonwealth sanctions against South Africa Presentation & Condition: fresh example, small tear at base and edge, stain on edge, unframed, framing would cover problemsPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire) 

CERI RICHARDS CBE Curwen Studio limited edition (51/100) lithograph - 'Conversation between Hermes and Menipeus on a Field of Snow' from Roberto Sanesi's 'Journey Toward the North 1971', 42 x 29.5cms Provenance: Betty Evans Collection, former President of CASW (see catalogue foreword) Presentation & Condition: no problems, framed and glazedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)

JOSEF HERMAN OBE RA limited edition (73/150) Curwen Chilford colour lithograph - entitled 'Two Grey Figures', embossed stamp, signed, 59 x 50cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed and glazedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)

MARTYN DALLIMORE JONES limited edition (1/20) colour lithograph - abstract, signed and dated 1998, 36 x 35cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed and glazedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)

MARTYN DALLIMORE JONES limited edition (9/23) colour lithograph - abstract, signed and dated 1991, 49 x 36cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems with print, mount discoloured, framed and glazedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)

Fortune (Robert) Three Years' Wanderings in the Northern Provinces of China, second edition, additional wood-engraved pictorial title of Chinese marriage procession, tinted lithograph frontispiece and 2 plates, engraved map, wood-engraved illustrations including tail-piece of funeral, 16pp. advertisements at end, foxing to plates (particularly frontispiece), original pictorial cloth, gilt, rubbed and faded, corners bumped, rebacked preserving part of original spine as label (chipped), 8vo, 1847.*** Published in the same year as the first edition.

Apraxine (Pierre) Photographs from the Collection of the Gilman Paper Company, limited edition, offset lithograph frontispiece and 199 plates by Richard Benson, 1 loose, original calf backed boards, light rubbing to spine, original slipcase, a little rubbed, elephant folio, Meriden, White Oak Press, 1985.

NO RESERVE Horology.- Kendal & Dent's Time Chart of the World, large advertising card showing the times in various cities and countries around the world in relation to Greenwich Meantime, lithograph printed in black ink with a green background, dials highlighted in gilt, some foxing and marginal staining, 235 x 360 mm., glazed and framed, James Broad & Co., [1886].

NO RESERVE Beckford (Peter) Thoughts Upon Hare & Fox Hunting, 16 offset lithograph colour plates, contemporary blue half calf, very light scuffing but overall an excellent copy, 1931 § Hunt's Yachting Magazine, 5 vol., plates, spotting to endpapers and titles, contemporary half calf, extremities and spines rubbed, 1852- 1856; and 28 others, sports and pastimes, v.s. (34)

Robert Ernest Roe (British 1852-1921): The Spa and South Bay Scarborough, oil on canvas possible traces of signature 44cm x 72cm Notes: a lithograph from this oil was reproduced in the late 19th century

Salvador Dalí (Spanish 1904-1989): 'Don José's Flower Song', limited edition lithograph signed and numbered 125/125 in pencil, from the Carmen Suite of 25 lithographs pub. Shorewood, New York 1970, 63.5cm x 48.5cm

LOUIS AUGUSTE DE SAINSON, CASES A L'ANSE DE L'ASTROLABE lithograph 10cm x 13cm Mounted, framed and under glass

MARY McCARTNEY MACQUEEN (Australian 1912-1994): Lithograph depicting cockerel in a cage, pencil signed and dated 81, 25cm x 18cm

After J E Wood, 'HMS Devastation', colour lithograph, 25.5 x 35cm; together with another engraving of 'The Meteor Steamboat', pl.15 x 22.5cm. (2)

Barnett Freedman, four 'Macdonalds Glengarry Biscuits', lithographs, 25.5 x 22.5cm; three 'Imperial Airways' posters, published by Curwen Press, lithograph, 101.5 x 64cm; and five 'Manchester Polytechnic' 1990 exhibition posters, 42 x 31cm. (12)Provenance: from the estate of Vincent Freedman, son of Barnett Freedman.

A lithograph of six architectural, landscape or figure scenes in the manner of the Curwen Press. 10½' x 12½'

A group of framed and glazed pictures comprising: a large print of an Italianate scene, 80 x 90cm; a trio of prints of Russian soldiers in a single mount; an oil on board still life by Stan Richards 38 x 28cm; a lithograph of country churches 53 x 25cm; a print entitled 'The Life of a Soldier' 39 x 29cm and a further print of an interior 75 x 60cm (6)

David Gentleman, British (b 1930), limited edition lithograph of Keele Hall, signed and numbered 20/100, 38 x 50cm, framed and glazed, along with a Seurat print, framed and glazed

 Nelson Rolihlahla Mandela (South African, b.1918) 'Motivation' from the Robben Island series, lithograph, numbered '22/500' and signed 'N Mandela', 66cm x 50cmPurchased: Belgravia Gallery 7th October 2002 

A 1971 Bryan Pearce limited edition lithograph, 9/30, of St. Ives harbour, Cornwall, image size 7in x 5.5in, signed in pencil, inscribed to rear "1971 St. Ives"

A W. L. Wyllie lithograph print of yachts on lake, frame lacking glass, mount loose, image size 6.5in x 5in, hand signed in pencil

A woolly studio pottery ewe with lamb (loss to ear), a similar Tremar pairing, two soft stone carvings & a limited edition lithograph of a flock of sheep in winter time by Richard Wade

An early 20thC. framed lithograph of St. German's church by Smith, image size 12in x 9in

William Russel Flint 1880 - 1969 Artist Signed Ltd Edition Coloured Lithograph ' Reclining Female Nude ' Published In 1963 by Frost and Reed of Bristol and London, with Blind Proof Stamp. Mounted and Framed Behind Non - Reflective Glass. Print Size Only 13.75 x 24 Inches - 34.40 x 60 cms. Size with Frame 25.25 x 35.25 Inches - 63 x 88 cms.

A VANITY FAIR SPY PRINT, titled "Mr Parnell", coloured lithograph. 39cm x 27.5cm (including paper mount)

Richard Müller1874 Tschirnitz - 1954 Dresden-LoschwitzNach dem Sturm. (1910) Neckerei (1912). Auf Freiersfüßen (1914). Bogenschütze II (1918). Ruhm (1919)Alle Blätter links unten mit Bleistift nummeriert, in der Platte signiert bzw. monogrammiert und datiert. Fünf posthume Drucke (Vier Radierungen und eine Lithografie) auf Velin. Ein Blatt mit Trockenstempel PROF RICHARD MÜLLER DRESDEN. Bis ca. 40 x 29 cm. Blattgröße: Bis ca. 40 x 66 cm. Mit Tesa montiert. Alle gerahmt. Werkverzeichnis: Vgl. Günther 61, 66, 70, 88, 95 Provenienz: Privatbesitz Süddeutschland Richard Müller1874 Tschirnitz - 1954 Dresden-Loschwitz After the storm. (1910) Teasing (1912). On Free Feet (1914). Archer II (1918). Glory (1919)All sheets numbered, signed / monogrammed and dated in the plate, lower left, in pencil. Five posthumous prints (four etchings and one lithograph) on vellum. One sheet with blind stamp PROF RICHARD MÜLLER DRESDEN. Up to approx. 40 x 29 cm. Up to approx. 40 x 66 cm. Mounted with tape. All framed. Catalogue Raisonné: Cf. Günther 61, 66, 70, 88, 95 Provenance: private owner, South Germany

Marc Chagall1887 Witebsk - 1985 St. Paul de VenceSaint-Germain-des-Prés. 1954Aus: "Derrière le Miroir". Rechts unten mit Bleistift signiert. Farblithografie auf Velin. Exemplar "Épreuve d'artiste" außerhalb der Auflage von 75. Hrsg. Galerie Maeght. Ca. 38 x 28 cm. Blattgröße: 39,5 x 28 cm. Leicht gebräunt, verso fleckig, sonst von guter Erhaltung. Rahmen. Werkverzeichnis: Mourlot 100 Provenienz: Privatbesitz Süddeutschland Marc Chagall1887 Vitebsk - 1985 Saint-Paul-de-VenceSaint-Germain-de-Près. 1954From: "Derrière le Miroir". Signed in pencil lower right. Colour lithograph on vellum. An "épreuve d'artiste" copy outside the edition of 75. Published by Galerie Maeght. Approx. 38 x 28 cm. Sheet size: 39.5 x 28 cm. Slightly browned, stained verso, otherwise well-preserved. Framed. Catalogue Raisonné: Mourlot 100 Provenance: private owner, South Germany

Marc Chagall1887 Witebsk - 1985 St. Paul de VenceLes Monstres de Notre-DameAus: "Derrière le Miroir". Rechts unten mit Bleistift signiert. Farblithografie auf Velin. Exemplar "épreuve d`artiste". 35 x 27 cm. Blattgröße: 37 x 28 cm. Leicht gebräunt, verso gebräunt, sonst guter Zustand. Rahmen. Werkverzeichnis: Mourlot 101 Provenienz: Privatbesitz Süddeutschland Marc Chagall1887 Vitebsk - 1985 Saint-Paul-de-VenceLes Monstres de Notre-DameFrom: "Derrière le Miroir". Signed in pencil lower right. Colour lithograph on vellum. "Epreuve d`artiste" copy. 35 x 27 cm. Sheet size: 37 x 28 cm. Slightly browned, browned verso, otherwise in good condition. Framed. Catalogue Raisonné: Mourlot 101 Provenance: private owner, South Germany

A mid 20th century mahogany oval mirror, bead and reel border, 82cm x 57cm; a gilt framed rectangular mirror, bevelled plate, 83cm x 60cm; a Victorian lithograph of a girl with puppies, octagonal frame moulded with oak leaves and acorns; P. Beever, Loading Hay, signed, gouache; a Victorian monochrome print (5)

Engineering and Transport - Clifton, (With The Suspension Bridge.), limited edition print of an original lithograph by Newman & Co. 503/600, reproduced by The Alexander Gallery, Bristol in 1973, bearing Alexander Gallery blind stamp to margin, 36cm x 48cm

A late 19th century lithograph, The Royal Family of Great Britain, maple frame, glazed, 73cm x 107cm overall

A First World War Recruiting Poster - Lawson Wood, ''A Chip Of the Old Block'', ''Your King & Country Need You to Maintain the Honour and Glory of the British Empire'', printed signature and date (19)14 lower left, coloured lithograph, published by the Parliament Recruiting Committee, London, Poster No.18, approximately 75cm by 50cm, in a glazed oak frame

Two Second World War Communist Party of Great Britain Posters - ''Strike now in the West and finish the job!'', coloured lithograph, published by the London Caledonian Press Ltd.; ''Leningrad - Britain must help at once'', coloured lithograph, Communist Party Poster, No.3. Cartoon reprinted by permission of the ''Evening Standard'', printed by F.D.Hull (Printers) Ltd., London, each approximately 75cm by 50cm, framed and glazed (2)

A Second World War Russian Propaganda Poster, the upper section with the allies of Britain, Russia and America depicted as soldiers backed by their national flags and standing on the back of a fallen Adolf Hiter, the lower section with cyrillic script which translates as ''Red Army jointly with our Allies will break the back of the fascist beast'', coloured lithograph, published 1943, apporoximately 90cm by 60cm, in a glazed oak frame; also, an oak framed edition of the Moscow News June 27 1941, the front cover printed with a poster ''Wipe Fascism Off the Face of the Earth!'' (2). 1 - water staining to the lower margin, with creases and four small edge tears. 2 - Yellowed and fold crease.

A Second World War Air Raid Precaution Recruitment Poster, ''ARP Calling You - Air Raid Precautions - Get in touch with your Local Council'', with printed signature and date E. McKnight Kauffer (19)38, coloured lithograph, issued by the Air Raid Precautions Department, Home Office, printed for H.M. Stationery Office by Fosh & Cross Ltd., London (51/1661), 76cm by 50cm, in a glazed oak frame; also, an oak framed edition of the Daily Express for Friday December 11, 1936 reporting the abdication of Edward VIII (2)

A Second World War Recruitment Poster for Blood Donors, the upper part inscribed IF HE SHOULD FALL IS YOUR BLOOD THERE TO SAVE HIM? with the figure of a soldier outlined by a bottle resting on the open palm of a hand, the lower section inscribed THE EMERGENCY BLOOD TRANSFUSION SERVICE NEEDS BLOOD DONORS, offset coloured lithograph, printed for H.M. Stationery Office by Field Sons & Co., Bradford 51-4523 P.R.86, approximately 76cm by 51cm, in a glazed oak frame. Some water staining to the lower margin

A Second World War ''War Prisoners Aid'' Poster, designed by Edward McKnight Kauffer, depicting the head of a soldier behind barbed wire and inscribed YOU CAN SET THEIR SPIRIT FREE, WAR PRISONERS AID, MEMBER AGENCY OF NATIONAL WAR FUND, offset lithograph, approximately 51cm by 36cm, in a glazed oak frame

A Second World War ''Freedom of Religion'' Propaganda Poster ''Libertad de Culto'', designed by Edward McKnight Kauffer, 1942, one of Franklin D Roosevelt's Four Freedoms, depicted by a white Latin cross before a knife plunged deep into a Nazi flag, offset coloured lithograph, approximately 51cm by 36cm, in a glazed oak frame. Small tear to bottom middle right edge

A Second World War Belgian Cinema Advertising Poster for The Great Dictator (Le Dictateur), produced for Le Normandie and showing Charlie Chaplin as a barber cutting Adolf Hitler's hair, offset colour lithograph, 53cm by 35.5cm, in a glazed oak frame; an Oak Framed Front Page of an Edition of Die Brennessel, a German publication dated 27 November 1938, showing the Archbishop of Canterbury with his hand resting on the shoulder of a Jew, over the inscription which translates as ''One Heart and One Soul, One God and One Cashbox'', and which illustrates the anti-Western and anti- Jewish tradition in Germany, coloured lithograph, approximately 24cm by 16cm; Oswald Mosley's Tomorrow We Live, British Union Policy Book, paperback, second edition (3). 1 - fold marks and small edge nicks, with a repair to the top left corner. 2 - In a sealed frame, so unsure whether the rest of the magazine is present. 3 - Some foxing, with loss of paper to lower edge of spine

After Alphonse de Neuville - The Wounded Ally, 17th Lancers, showing a trooper kneeling and bathing his horse's leg, coloured lithograph; G Salisbury - 17th Light Dragoons, Officers' Breakfast Mess Baggage arriving on Camp-ground''; Harris after Martins - 17th Light Dragoons (Lancers), coloured aquatints, all in glazed Hogarth frames with Parker Gallery labels to the reverse; also, two photographic colour prints after Simkin and Cuneo (5) Provenance:- Forcett Hall, North Yorkshire

A very large silent movie poster in monochrome ‘The Famous Stage Star Kathryn Osterman in The Bludgeon’, printed by Mercury Film Services, lithograph, the film was released in 1915 and was adapted from the stage play by Paul Armstrong, glazed and framed, poster size approx. 218 x 100cm, (1915) (As Found) Provenance Note: Formerly hung in the Empire cinema, Leicester Square

A very large silent movie poster in colour, ‘Hills Of Hate Featuring Jack Hoxie. A Western Story With A Punch, Directed By Ben Wilson’, printed by Jordison & Co Ltd London & Middlesex, lithograph, the film was released in 1921, glazed and framed, poster size approx. 197 x 100cm, (1921) (As Found) Provenance Note: Formerly hung in the Empire cinema, Leicester Square

A very large silent movie poster in colour, ‘Romance of History The Unwanted Bride' produced by Edwin Greenwood starring Lauderdale Maitland’ printed by Stafford & Co, size, lithograph, the film was released in 1922, poster size approx. 217 x 100cm, (1922) (As Found) Provenance Note: Formerly hung in the Empire cinema, Leicester Square

A very large silent movie poster in colour, ‘Elsie Janis In The Merry Madcap’ Anchor Film Co Ltd, released in 1915, lithograph, glazed and framed, poster size approx. 222 x 100cm, (1915) (As Found) Provenance Note: Formerly hung in the Empire cinema, Leicester Square

A very large silent movie poster in colour, ‘Harry Ward Presents His Fathers Wife featuring June Elvidge And Sam. B. Hardy. A Hayward Production’ by Haycock Cadle & Graham Ltd Camberwell, lithograph, glazed and framed, poster approx. 220 x 100cm, (1919) (As Found) Provenance Note: Formerly hung in the Empire cinema, Leicester Square