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Lot 11

WILLIAM PARROT (1813-1869) THE POOL OF LONDON, LOOKING TOWARDS LONDON BRIDGE A Preparatory study for a lithograph, pencil and wash 20.5 x 40.5cm

Lot 125

A PAGEANT OF LONDON FOR LONDON'S CHILDREN, 1926, a London Underground transport lithograph poster, designed by Elijah Albert Cox (1876-1955), numbered 1391-5000-14-9-26, backed on linen, poster size 128 x 100cm Born in Islington, London, Cox studied at Whitechapel People's Palace and at the London College of Printing. Having worked as an assistant to Frank Brangwyn, and as a designer for a manufacturing chemist, he became a mural and poster designer. Elected to the Royal Society of British Artists in 1915, commissions came from London Underground, the Empire Marketing Board and others. He also illustrated books, mostly historical and heroic adventures.

Lot 127

GREGORY F BROWN (1887-1941), 'Zoo', 1930, a rare London Zoo, Camden Town, Regents Park, Chalk Farm Underground advertising poster, lithograph in colours, designed by Gregory F Brown, 1930, printed by The Dangerfield Printing Co. Ltd., London, the London Transport print code is 26-1500 – 1/1/30, linen backed Literature: 'By Underground to the Zoo' by J Riddell & P Denton, 1995, p.55.

Lot 174

*JEREMY DELLER (b.1966) REJECTED TUBE MAP COVER ILLUSTRATION, 2007 Offset lithograph, 59 x 83cm, framed and glazed In 2007, London Underground approached Jeremy Deller with a commission to design a new cover for the Tube map. It was, with hindsight, a foolish thing to do. Deller is a militant cyclist: the image he produced for LU reshaped the familiar coloured plan of Harry Beck's map – Central Line red, District green, Circle yellow – into a bicycle. Sensing subversion, the company turned Deller's design down. Deller said 'Transport for London (TFL) asked me to design a cover for the Tube map, which I eventually did. The first idea, though, was to depict a bicycle symbol in the colours of the map. The word came back that it was a confusing message and unsuitable as you can’t take your bike on certain lines, which was kind of the point in the first place'. It was shown at Hayward Gallery London in 2012, as part of the Jeremy Deller: Joy in People Exhibition, ‘My Failures’ section. Provenance: Given to the vendor at the London Frieze Art Fair preview night in 2007. *Artist's Resale Right may apply to this lot.

Lot 51

*RICHARD HAMILTON (1922-2011) SWINGING LONDON 67 (Lullin 69) Offset lithograph printed in colours, 1968, signed and numbered 14/50 in pencil, published by ED 912, Milan, on wove paper, with full margins sheet 70.5 x 50cm *Artist's Resale Right may apply to this lot.

Lot 690

CHRIS COLLINGWOOD, FOR GOD AND PARLIAMENT, SIGNED BY THE ARTIST IN PENCIL, NUMBERED 556 OF 600, LITHOGRAPH, 42 X 65CM, THE BATTLE OF ISANDHLWANA, LITHOGRAPH, 48 X 85CM, AFTER LADY BUTLER, BALAKLAVA THE RETURN 25TH OCTOBER 1854, THE CHARGE OF THE 600, MEZZOTINT, 45 X 75CM AND TWO OTHERS (6)

Lot 402

λCharles E. Crombie (Scottish 1885-1967) The Rules of Golf, a set of twenty-four framed prints Lithograph printed in colours 32.5 x 42.5cm (12¾ x 16½ in.) Including frame (24) Î» indicates that this lot may be subject to Droit de Suite royalty charges. Please see our Terms & Conditions for more information.

Lot 213

HENRY MOORE, SIGNED IN PENCIL LITHOGRAPH OF THREE RECLINING FIGURES, APPROXIMATELY 50cm x 33cm

Lot 361

Brenda King: an artist's proof signed lithograph, "A Mug of Flowers and Apple", 9/35, in limed frame

Lot 393

† John Piper, 1980: a pencil signed colour lithograph on wove, "Llangloffan", from the edition of 750 published by the Cavendish Collection with FATG blind stamp, 15 1/2" x 22 1/2", mounted in strip frame

Lot 1090

Marc Chagall, original lithograph, St Germain Des Pres, Paris set published by Mourlot 1954, image 15" x 11", framed

Lot 1093

Marc Chagall, original lithograph, the painter and his double, 1981 DLM issue, image 12" x 18.5", framed

Lot 1115

Gerhard Karlmark, colour lithograph, market scene, signed in pencil, no. 57/400, image 15" x 21", framed

Lot 1201

Fred Uhlman, lithograph, the lighthouse of St Agnes, 18" x 28", framed

Lot 1274

Jean Lurcat, lithograph with hand colouring, landscape, circa 1950, signed in pencil, 10" x 14", framed

Lot 1287

English Portraits, a series of lithograph drawings by W Rothenstein, published 1898

Lot 1297

After Mori Sosen (Japanese), lithograph, 2 monkeys, 27.5" x 15", framed

Lot 1337

Leonor Fini, lithograph, portrait study of Catherine Leikine, no. 148/300, signed in the plate, plate size 15.5" x 13", framed

Lot 341

EILEEN COOPER (BRITISH 1953), 'Offspring', a limited edition lithograph, 12/275, signed, titled and dated (19)92 to the lower margin, paper mounted to card, approximately 30.5cm x 22cm, size including card mount 44cm x 33cm (condition: creases to corner edges of the card mount) (Artists Resale Rights May Apply To This Lot)

Lot 151

‡ Mary Fedden OBE, RA, RWA (1915-2012) The Matisse Jug Signed and numbered 180/550 in pencil to margin Lithograph 40.4 x 33.8cm (image)

Lot 152

‡ Mary Fedden OBE, RA, RWA (1915-2012) Cat on a Cornish Beach Signed and numbered 223/500 in pencil to margin Lithograph 28.9 x 39.8cm (image)

Lot 153

‡ Ivon Hitchens (1893-1979) Three Boats Signed, numbered 40/375, and blindstamped to margin Lithograph 39.3 x 72.1cm (image) Unframed Only 100 of the total edition of 375 were signed by the artist

Lot 168

‡ David Gentleman (b. 1930) Quayside at Misley Signed and dated 66 in plate Lithograph 38.5 x 50cm (sheet) Together with a Tom Gentleman (1892-1966) lithograph for School Prints, The Grey Horses (2)

Lot 207

‡ Jean Dubuffet (French 1901-1985) Nappe du Sol Signed, dated 58, titled and inscribed épreuve l'artiste in pencil to margin Lithograph, artist's proof 32.7 x 39.2cm (image) Provenance: Gimpel Fils Gallery, London; where purchased by J.A. Boenders, June 1960s; by descent to his daughter, from whom aquired; Property of a distinguished English Private Collector

Lot 220

‡ William Scott CBE, RA (1913-1989) Composition from Thirty-Five Artists Signed, dated 82, and inscribed H.C. Lithograph, an hors commence impression aside from the standard edition of 50 50 x 60cm

Lot 230

‡ Sir Eduardo Paolozzi CBE, RA (Scottish 1924-2005) Underground Design Includes and original coloured lithograph signed by the artist, eighteen further black and white prints, introductory essay by Peter Cook, conversations between Eduardo Paolozzi and Alvin Boyarsky, and script by Eduardo Paolozzi Architectural Association, 1986, Folio X, loose plates and bound catalogue issued in original box Sheets 30.4 x 30.4cm; Box 32 x 32cm Produced to coincide with an exhibition at the Royal Academy of Paolozzi's designs for murals for Tottenham Court Road Underground Station.

Lot 40

James McNeill Whistler (American 1834-1903) Tête-à-tête in the Garden Signed in the plate with butterfly Lithograph 19.3 x 16.5 cm (image)

Lot 41

Henri de Toulouse Lautrec (French 1864-1901) Le marchand de marrons; The chestnut seller Lithograph 25.5 x 17.5cm (image) (2)From the 1925 edition of 625 for Histoire de la Lithographie de Manet à nos Jours Provenance: William Weston Gallery, London Many impressions from this edition were destroyed in World War II

Lot 110

* Lewis (John Frederick). Collection of 11 views from Lewis's Sketches and Drawings of the Alhambra, [1835], hand-coloured tinted lithograph plates (landscape & portrait format views), window mounted on card, approximately 38.5 x 28 cm (Qty: 11)

Lot 129

The Graphic. An Illustrated Weekly Newspaper, 26 volumes, a run, December 1869 - December 1882, numerous black and white illustrations and chromolithographs throughout, including some double page and folding, retaining the folding colour lithograph of the Suez Canal and the panorama of Istanbul, near uniform contemporary half calf gilt, heavily worn and frayed, folio (Qty: 26)NOTESSold as a periodical, not subject to return.

Lot 137

Harding (James Duffield ) . Harding's Sketches at Home and Abroad, London: Charles Tilt, [1836?], tinted lithograph title (detached, frayed to edges and margins dampstained) and 50 tinted lithograph plates (containing 59 landscapes), without dedication leaf, dampstaining to margins of initial plates, some marginal fraying mostly to first & last plates, scattered spotting, advert slip present, front free blanks with inscription 'Miss Banks, a memorial of her visit to Aston Hall, 22 May 1841', and author's signature to following blank, contemporary green half morocco, cloth sidings to boards (cloth to lower board torn with loss), upper board detached, worn, folio, together with Harding (James Duffield) , A Series of Subjects, from the Works of the late R.P. Bonington Drawn on Stone by J.D. Harding, London: J. Carpenter & Son, [1929-30], lithograph title and 11 plates only (of 21), scattered spotting, top edge gilt, contemporary red half morocco gilt, extremities rubbed and worn, slim folio (Qty: 2)NOTESAbbey, Travel 29. Abbey dates the publication as 1836, however, the British Library etc. date the publication as 1839.

Lot 141

Michaux (Francois A.). Travels to the Westward of the Allegany Mountains, in the States of the Ohio, Kentucky, and Tennessee, in the Year 1802..., Translated from the French, London: Richard Phillips, 1805, folding engraved map frontispiece, 16 page publisher's catalogue at rear, some spotting, endpapers renewed, contemporary half calf, rebacked, slim 8vo (Sabin 48706), together with Fortune (Robert) , A Journey to the Tea Countries of China; including Sung-Lo and the Bohea Hills; with a short notice of the East India Company's Tea Plantations in the Himalaya Mountains, 1st edition, London: John Murray, 1852, tinted lithograph frontispiece, additional decorative title in red & black, lithograph map with original hand-colouring, one colour lithograph plate and wood engraved plate, numerous wood engraved illustrations, 32 page publisher's catalogue at rear, original green cloth, gilt blocked spine and upper board, spine slightly rubbed, 8vo, plus Russell (Michael) , Polynesia: or, an historical account of the principal islands in the South Sea, including New Zealand, 3rd edition, Edinburgh: Oliver & Boyd, and London: Simpkin, Marshall & Co., [1845], folding lithograph map frontispiece, additional wood engraved title, ownership inscription to front free endpaper, all edges gilt, original cloth with gilt blocked decoration, in bright condition, 8vo, and [Louis XVIII, King of France] , Relation d'un voyage à Bruxelles et à Coblentz. (1791.), Paris: Baudouin Freres, 1823, scattered spotting, contemporary half calf gilt, slim 8vo, plus [Gleig, George Robert] , A narrative of the campaigns of the British Army at Washington and New Orleans, under Generals Ross, Pakenham, and Lambert, in the Years 1814 and 1815; with some account of the countries visited, 2nd edition, London: John Murray, 1826, light scattered spotting, contemporary half calf, gilt decorated spine, 8vo, plus Visit to Iceland and the Scandinavian North, translated from the German of Madame Ida Pfeiffer, 1852, and The Valley of the Nile, by W.H. Davenport Adams, 1867 (Qty: 7)

Lot 179

Wilde (William R.). The Beauties of the Boyne , and its Tributary, the Blackwater, Dublin: James McGlahan , 1849, wood engraved illustration to title with publisher's complimentary inscription to upper blank margin, folding map and numerous wood engraved vignette illustrations, publisher's adverts at front and rear, original cloth gilt, slightly frayed at head & foot of spine, 8vo, together with Mauchline Ware binding , Two Hundred and Twenty-Two Popular Scottish Songs, with Music. The Choicest Melodies of Scotland, as sung by Wilson, Templeton, Mackay, and other popular vocalists, Glasgow: John S. Marr, 1868, all edges gilt, original Mauchline Ware binding with wooden boards made from wood from the mound where Lord Dundee fell at Urrard House at the Battle of Killiecrankie in 1689 during the Jacobite uprising, red morocco spine with gilt decoration (slightly rubbed), small 8vo, plus Jones (Stephen) , Masonic Miscellanies, in Poetry and Prose..., Dublin: Joseph Hill, 1800, upper outer blank corner of title torn and repaired, repairs to leaves B4 & B5, some soiling, 20th century half calf, 12mo, and Knox (A.E.) , Autumns on the Spey, 1872, 4 tinted lithograph plates (including frontispiece), few wood engraved vignette illustrations, original cloth with gilt blocked image to upper board, 8vo, and others including A Guide-Book to Dundee by Lawson Brothers, Dundee, 1870; Melodies, by Thomas Moore, Phildelphia: T. Jekyll, 1821; Days at the Coast by Hugh Macdonald, Glasgow: John Cameron, 1860; An Account of the Antiquities, Modern Buildings, and Natural Curiosities, in the Province of Moray..., [by Isaac Forsyth], Edinburgh: Michael Anderson, 1813 (without map), and Authenticated Report of the Discussion which took place between the Rev. Richard T.P. Pope, and the Rev. Thomas Maguire, in the Lecture Room of the Dublin Institution..., Dublin: R. Coyne, 1827 (Qty: 9)

Lot 181

Buckland (William). Reliquiae Diluvianae ; or, Observations on the Organic Remains contained in Caves, Fissures, and Diluvial Gravel, and on other Geological Phenomena, attesting the action of an Universal Deluge, 1st edition, London: John Murray, 1823, 27 engraved & lithograph plates and maps (including 1 hand-coloured folding geological section and 2 hand-coloured single-page geological maps), folding table, occasional spotting, edges untrimmed, 20th century black half morocco, 4to (Qty: 1)

Lot 441

Britton (John). The Authorship of the Letters of Junius Elucidated: Including a Biographical Memoir of Lieutenant-Colonel Isaac Barre, M.P., London: Printed for the Author, 1848, double-page mezzotint frontispiece (slightly spotted), title with vignette illustration with central flap revealing engraved portrait, front free endpaper inscribed "To Henry Wright Esq. with the author's kind regards, Mar 19/50", and tipped-in letter from the author to Henry Wright, upper hinge split, original dark green cloth with blind blocked decoration to boards, slim 8vo, together with [Hort, John Josiah] , The Horse Guards, By the Two Mounted Sentries, London: J. & D.A. Darling, 1850, 11 of 12 hand-coloured lithograph plates (including frontispiece, lacking cover image of The Horse Guards), scattered spotting, front blank endpaper with ownership signature Mathew W. Wilson, XIth Hasars 1849, and with ink stamp M.W.W Ablington Fairford to front free endpaper, contemporary green half calf, with ownership name of M.W. Wilson to upper board at spine edge, some fading, slim 8vo, plus Hamilton (Augusta) , Marriage Rites, Customs, and Ceremonies, of all Nations of the Universe, London: Chapple & Son, 1822, engraved portrait frontispiece, some toning, original cloth, faded, 8vo, and other miscellaneous books, including history and theology etc., mostly 19th century publications (Qty: a carton)

Lot 9

Birmingham. Sherriff (James), A Map of Upwards of 25 Miles round the Town of Birmingham. To his most sacred Majesty George the Third, King of Great Britain &c. &c. Survey begun in 1788 and completed in 1796, with corrections to 1819, published Jas. Sherriff & Wm. Faden, 1798 [but 1819], uncoloured engraved map, sectionalised and laid on linen, large decorative cartouche, mileage scale, compass rose and table of explanation, two worm holes affecting image, 835 x 680 mm, contained in a contemporary calf slipcase with printed label to upper cover, worn and frayed, together with Pigott Smith (J.). Street Map of the Borough of Birmingham. Published by order of the Council, circa 1855, uncoloured lithograph, sectionalised and laid on linen, some browning to linen, slight staining, 830 x 1220 mm, bound in contemporary cloth boards with gilt title to upper siding, boards stained and rubbed at extremities, with Wrightson & Webb (publishers). Map of the Borough of Birmingham, 1839, uncoloured lithographic folding map, stained and dust soiled, strengthened on verso with later paper, 200 x 250 mm, bookplate of John L. Marks, bound in contemporary cloth boards with worn printed title label to upper cover (Qty: 3)

Lot 213

After Leonardo de Vinci. The Lord's Supper, 19thC lithograph by J Hettlinger, published in Frankfurt am Main, 33cm x 46.5cm.

Lot 215

John Leech (British, 1817-1874). None But To The Brave Deserve The Fair! Augustus 'Now I've Got You', coloured lithograph, 45cm x 32cm.

Lot 379

A Manchester Unity Friendly Society Independent Order Of Oddfellows certificate, to Bro. Thomas Halford Serving In The Office Of Noble Grand In The Northwick Lodge Of The Stamford District, 26th Day Of March 1928, coloured lithograph, 48.5cm x 63cm.

Lot 513

English School (19thC) Sefton, Winner of The Derby Stakes at Epsom 1878, coloured lithograph, published by L Brall & Sons, London, 40.5cm H 49cm W, together with Languish and Pantaloon after J F Herring, engraved by J Harris, published by Messrs Fores, The British Stud plate 3, London 1845, 63.5cm H, 92cm W, and a further print after Samuel Howitt, Horse Racing Number 2 La Course de Chevaux, 44.5cm H, 55cm W. (3)

Lot 534

Laurence Stephen Lowry (1887-1976), View of a town, offset lithograph in colours, signed by the artist in pencil and with blind stamp, 46cm x 55cm

Lot 535

Laurence Stephen Lowry (1887-1976), Industrial scene, offset lithograph in colours, signed by the artist in pencil and with blind stamp, 43cm x 32cm

Lot 695

Coloured lithograph of the ascension of Edward VII and another by B and F Gast

Lot 1109

A Barbara Stanwyck dress from The File on Thelma Jordan, also worn by Teresa Wright in Something to Live ForParamount Pictures, 1950. Designed by Edith Head. Blue-gray linen cap-sleeved day dress with a vertical design of cream-colored stitching from top to bottom, with a flared skirt and built-in cream-colored belt, bearing an interior blue-lettered 'Paramount' label inscribed, 'Teresa Wright' in black ink. Universally beloved Barbara Stanwyck is believably evil in this underrated film noir directed by Robert Siodmak in which she plays Wendell Corey for a fool. Edith Head, well known for reusing costumes, used this dress two years later for Teresa Wright in Something to Live For (1952) in which she plays an alcoholic. Both actresses wore the dress in their respective films as well as in publicity portraits. Accompanied by 2 publicity stills and a color lithograph of Stanwyck wearing the dress.

Lot 630

Coloured Lithograph: Clarke (E.F.) Siege of Derry - April 18th to August 1st 1689,; Toronto (Alexander & Cable Ltd.) 1892, approx. 60cms x 88cms (24" x 34 1/2"), mounted. (1)

Lot 774

Heaney (Seamus). Sloe Gin. Poem of 4 stanzas, folded card, with a lithograph (no. 38 of 60 copies) by C. Saltzwedel tipped in, in a glassine wrapper addressed to Caroline Saltzwedel probably in Heaney's hand. Rare. (1)

Lot 323

Fernand Leger (1881-1955) Interior scene with figures and parrot signed, limited edition 156/180 lithograph 45 x 59cm

Lot 328

Lawrence Mynott (1954-) British The Sutherland Jug limited edition 206/500 lithograph, signed 28 x 20cm other prints and a photo portrait

Lot 330

M Cawston Two studies of a fox housed in one frame lithograph, signed, 36 x 24cm unframed Together with other prints and watercolours

Lot 357

Samuel Edmund Waller ( English 1850-1903) ' Cold Comfort ' Gentlemen with horses at the door of a closed Inn, in a wintry landscape Oil on canvas, signed lower left 49 x 74cm NB The title plaque to the frame reads 'To Let'. A lithograph of the oil featured in Harpers Weekly Graphic Christmas Number in 1884, correctly titled

Lot 651

Edwin La Dell (1914-1970), 'THE TOWER OF LONDON' lithograph 41 x67.5cm

Lot 653

Sydney E Wilson, PORTRAIT OF LADY HAMILTON AFTER GEORGE ROMNEY 30.5 x 25.5cm Lithograph, together with a collection of further portraits by Sydney E Wilson, including Master Heathcote, Pinkie, Mrs Murray, The Age of Innocence, The Laughing Cavalier, The Romps, The Truants, and further collection assorted prints and maps. A quantity

Lot 667

Robert Tavener (1920-2004) 'ALL SOULS COLLEGE' Lithograph printed in colours, 1963, signed, dated, inscribed with title and 'Artist's Proof 1/16' in pencil, from the Oxford Series, on wove paper image 34 x 49.9cm

Lot 102

Glenn Frey And Joe Walsh Signed Print Of The Album Cover for the Eagles' Hotel Californiamid 1990soversized color lithograph bearing a plate signature of the albums' art director Kosh and hand signed in black ink by Eagles members Glenn Frey and Joe Walsh, framed. Accompanied by a copy of a photograph of Walsh taken at the time of signing. Sight 23 x 18 in.

Lot 103

A Signed Print Of The Cover Of The Emerson Lake And Palmer Album Brain Salad Surgerymid 1990soversized lithograph bearing the plate signature of cover artist Hans Giger and hand signed in pencil by Keith Emerson, Greg Lake and Carl Palmer, framed. Sight 22 x 18 in.

Lot 143

Monkees Signed Print Of The Album Cover Headquartersmid-1990soversized color lithograph signed in black ink by Mike Nesmith, Peter Tork, Davy Jones and Mickey Dolenz, framed, with a photocopy of 2 photographs of Dolenz and Jones taken posing with the print after signing. Sight 21 x 25 in.

Lot 167

A Signed Limited Edition Print Of The Cover Of The Rush Album Power Windowsmid 1990soversized color lithograph numbered in pencil '20/500' and signed in black ink by the three members of Rush Geddy Lee, Alex Lifeson and Neil Peart, framed. Sight 22 x 18 1/2 in.

Lot 177

Steve Winwood And Jim Capaldi Signed Print Of The Traffic Album Cover Low Spark of High Heel Boysmid 1990soversized color lithograph bearing plate signature of album cover artist Tony Wright, hand signed in black ink by Jim Capaldi and Steve Winwood, framed. Sight 22 1/2 x 18 in.

Lot 185

A Roger Daltrey And Pete Townshend Signed Print Of The Album Cover Tommymid 1990soversized color lithograph bearing plate signature of the cover's artist Mike McInnerney and hand signed in black ink by Roger Daltrey and Pete Townshend, framed. Accompanied by a copy of a photograph of Daltrey taken at the time of signing. Sight 17 x 32 in.

Lot 188

Stevie Wonder Signed Print Of The Cover Art For The 1979 Album The Secret Life of Plantsmid 1990scolor lithograph signed and inscribed in red ink 'My Love Is With You / Stevie Wonder,' framed. Sight 21 1/2 x 18 in.

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