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Click here to subscribeRufino Tamayo (1899-1991)Salome, from the Metropolitan Opera Series II, 1984Lithograph in colors on Japon paper, signed in white crayon and numbered XVII/XXV (an artist's proof, aside from the edition of 250), with the inkstamp of the publisher, verso, and the blindstamp of the printer, the full sheet. sheet 30 1/2 x 22 1/4in (77.4 x 56.5cm)
Dorothea Tanning (1910-2012)Portfolio, 1993Offset lithograph in colors with collage, fabric and hand-coloring on Somerset soft white paper adhered to museum board, signed in pencil and annotated 'PP' (a printer's proof aside from the edition of 25), printed by Derriere L'Etoile Studios, New York, the full sheet.sheet closed: 37 3/4 x 23 3/4in (95.8 x 60.3cm) open: 48 x 23 3/4in (121 x 60.3cm)This lot is subject to the following lot symbols: ¤
Henri de Toulouse-Lautrec (1864-1901)Comique Excentrique Anglais (Eccentric English Comedian), Plate 11 of the Le Café Concert series (W.28), 1893Lithograph on vellum, with the artist's monogram in the stone, from the edition of 500 (there was also a deluxe edition of 50 on hand-made Japan paper), with full margins, framed. 11 x 7in (27.8 x 17.8cm)sheet 17 1/4 x 12 1/2in (43.8 x 31.7cm)
Mark Tobey (American, 1890 - 1976). "Composition Number Twenty-Four". Lithograph. Pencil signed and dated (1970) lower right. Numbered (19/50) lower left. Published by the Erker-Press, St. Gallen, Switzerland, their blindstamp lower left. Image size: 12 5/16 x 14 1/16 in. Sheet Size: 18 x 22 3/16 in. Unframed.
'The Charge of the Light Brigade', 19th/early 20th century Watson's Matchless Cleanser advertising chromolithograph 36cm x 51cm and 'Bombardment of Sebastopol', 19th century lithograph after J. Thomas pub. Lloyd Brothers & Co, London 1854, 35cm x 53cm in maple frame (2) Condition Report Click here for further images, condition, auction times & delivery costs
Laurence Stephen Lowry RA (Northern British 1887-1976): Britain at Play, limited edition coloured lithograph signed in pencil with Fine Art Guild blind stamp numbered FLD, 47cm x 61cmDDS - Artist's resale rights may apply to this lot Condition Report Click here for further images, condition, auction times & delivery costs
After Ceri Richards (1903-1971), Lithograph on paper, Dylan Thomas's characters Polly Garter and Captain Cat from Under Milk Wood, Unsigned, provenance label verso, 24.5cm x 15cm, Framed and glazed, Provenance: The original image was created for a set of nine lithographs issued in 1971, the label verso indicates that this piece was purchased from Richard's daughter sometime after his death in 1971,With another pencil drawing on paper, Attributed to John Henri Fussli, 'Two mourners', Signed and titled to mount, attribution label verso, 22cm x 15cm, Framed and glazed, And a further unsigned and unframed pencil drawing (3)
Advertising poster - Drink Necto - an original US lithograph advertising poster printed in colour, ca mid 20th century, 28 cm x 53 cm, London Underground railwayana - Three adhesive vinyl / paper signs / decals 'Northern Line', 'To & From The Zoo' and 'Elephant' (4)This lot must be paid for and collected (or despatched) no later than close of business on Tuesday
Advertising - Manhattan, Woody Allen's New Comedy Hit - an original US one sheet board 'front of house' movie poster (style B) printed in black and white, United Artists, Robert Burton Printers, ca 1979 and Red Riding Hood - a UK sheet board 'front of house' poster, lithograph printed in colour by Taylors Printers, Wombwell, Yorkshire, 75.5 cm x 51 cm and two sets of 007 James Bond advertising prints, both mounted and framed under glass (4) This lot must be paid for and collected (or despatched) no later than close of business on Tuesday
Jansson, Jan (1588-1664). 17th-century map of Staffordshire, hand-coloured copper engraving on laid/chain-lined paper featuring decorative cartouche, heraldic shields and figures, Dutch text to verso, framed & glazed. Together with a sporting portrait of John Twemlow of Hatherton, Cheshire, with his favourite horse, 'Sultan', after John Bryan, hand-coloured lithograph published in London by J. Graf, 1841, maple veneer frame, discolouration/wear as found (2)
Follit (W., publisher). Punch's Locomotive Picture Gallery, circa 1840, hand-coloured lithograph on thick paper sheet, depicting Mr. Punch and accoutrements, Punch holding up a gilt picture frame with oval aperture, lettered above 'This curious print has two hundred & forty mechanical changes', and titled below, with imprint, dusty, and a few marks, original backing paper torn and creased, sheet size 28 x 22.5 cm (11 x 8.75 ins), together with two hand-coloured lithographed movable dials, one with 8 head & shoulder portraits, with oval aperture for each face, diameter 22 cm (8.5 ins) and the other with 30 differing faces, diameter 19 cm (7.5 ins), the two designed to be viewed together in different permutations through the picture frame, together with Follit (W., publisher) , The Bachelor's Looking Glass, circa 1840, hand-coloured lithograph on thick paper sheet, depicting a dandy beside a dressing table, adjusting his bowtie at the mirror, with oval aperture in the glass for his visage, and an oblong aperture above in mirror frame for caption, lettered above 'Follit's Twistiturnocircuroundilorium', and with title and imprint below, dusty and spotted, original backing paper torn and creased, sheet size 28 x 23 cm (11 x 9 ins), together with a hand-coloured lithographed movable dial with 32 differing faces, each with a printed caption above, diameter 22 cm (8.5 ins), plus 3 Spooner's Protean Views: No. 2 A Snow Scene; No. 5 The Magic Lantern; No. 8 St. George's Chapel Windsor Castle, lightly spotted, and some 19th-early 20th century printed sheets relating to geography and astronomy, including 18 with constellations (Qty: a folder)NOTESThe two amusing movables by William Follit are rare; we have been unable to trace anything similar published by Follit who, indeed, appears to be a somewhat obscure publisher whose output was sparse.
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