INDIAN MUTINY DELHI AND ITS ENVIRONS SHOWING THE POSITION OF THE ENGLISH BATTERIES hand coloured lithograph, with a small hand-coloured lithographic sketch to the reverse entitled: Rough Sketch of Delhi as it appeared from the Flag Staff Tower on the ridge, along which our Batteries were placed 25th August 1857, with some manuscript additions describing "the positions of the advanced breaching"and a neat update dated 11th September reading: "By the latest reports, the three Bastions marked 5, 6 and 7, with their curtain walls, were levelled by the fire from our Batteries.- A strong earth-work was thrown up by the rebels immediately in the rear.",, folded, a couple of very small pinholes to foot of map (Dimensions: 440 x 310mm.)(440 x 310mm.)
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Patrick Procktor (British, 1936-2003), multiple figures in various poses, signed in pencil l.r., No.10/65, Artist Proof III, dedication to Cecil Beaton - 'for Cecil (and John Aubrey and other Wiltshire Diarists) from Patrick, lithograph, 53.5 by 79cm, unframedNote: Artist Resale Rights apply
Harold Dearden (1888-1962), ten greetings cards, handwritten text to cover of each, 'Greetings from Mr & Mrs H. Dearden', each card featuring a tipped-in crayon drawing or lithograph heightened with pencil, one woodcut, each signed in pencil to margin, some dated (1940s), rural and farming scenes with horses, sheep, cattle, largest measuring 19cm by 21.5cm (10)
After James Ward Leopold Lithograph Text reads James Ward RA. Prix, et Del. Select proof retouched by J.W. London. Pub. April 1823 for J.W. by R. Ackermann. Rodwell & Martin. Colnaghi & Co and inscribed in pencil 101 Strand T Clay Ludgate Hill & Dickinson Bond St 33.5 x 45cm (13 x 17½ in.) From a Series of Lithographic Drawings of Celebrated Horses from Pictures Painted by James Ward and Drawn on Stone.
ENGLISH SCHOOL, 19th century Queen Victoria and Prince Albert sitting in the Great Exhibition 1851, coloured lithograph, 21.25" x 29.25"; an engraving behind glass of "The Money Lender", in a period ebonised and parcel-gilt frame and a collection of other coloured lithographs including "Entrance to the House of Lords", "Westminster" hung on the stairs leading to the library (a collection)
*Stik (British, b.1979) STANDING FIGURE (YELLOW) Offset lithograph printed in colours, 2015, signed in black ink, on wove paper folded twice (as issued), with full margins; within the book 'Stik', signed in black ink, published by Century sheet 75.7 x 23.9cm, unframed book 26.7 x 22 x 2.5cm *Artist's Resale Right may apply to this lot.
Art. Charles & Mitzi McCall. Colour lithograph titled 'Shrimping' (1968), signed in pencil with artist's gift inscription to verso; Pencil sketch titled 'At the Dressing Table' (1955) signed; with 5 books by Mitzi McCall, all inscribed by the author and 3 loose photographs of Mitzi with Gerald Grosvenor, 6th Duke of Westminster.
Hunt after Loder, coloured aquatint, William Long, Huntsman to His Grace The Duke of Beaufort, and a James Scott lithograph of a huntsman 22.5 x 29.5in & 24 x 30.5in.5% Import duty will be charged on the hammer price.The Beaulieu House Collection, the estate of John Bedford Esq. Removed from St Peter’s Port, GuernseyJohn Bedford of William Bedford was one of the major dealers in antique furniture in London in the 1970s and for the next 35 years dominated his corner of the trade.The business was started in the 1960s simply to help his brother William recover from an illness, with a small stall in the Kensington Antiques Hypermarket selling antique glass, while John continued in his role as company secretary at Smith’s Industries.Buying was fitted in at the weekends and evenings by John around other commitments.After a relatively short time it was found that the furniture used on the stand for display purposes sold more profitably than the glass and a decision was made to take a much larger premises in Upper Street, Islington, and concentrate on period furniture.John now took up the full-time role of running an antiques business with the skills and approach of a ‘true businessman’, driving the operation forward into what would become one of the first publicly quoted antiques businesses on the stock exchange.It operated out of the 15,000sq ft of The Merchants Hall in Islington.Dealers from across the world would find this often became a one-stop shop for their purchases, allowing them to shorten buying trips to the UK often by weeks.John was always a kind, cultured and generous man with wide-ranging interests from motor racing to building one of the finest private libraries in the world covering cabinet-makers and furniture designers to the brass-makers of Birmingham.
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