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Dominic Winter Auctions
Lot 367

Ruskin (John). The Stones of Venice, 3 volumes, new edition, London: Smith, Elder and Co., 1873, half-title to volume 1, final leaf of Preface in first volume bearing the signature of John Ruskin, 53 mixed technique plates (including lithograph, mezzotint, aquatint and engraved, some tinted or hand-coloured), wood engraved illustrations and diagrams to text, occasional marginal toning, spotting and damp-staining, all edges gilt, contemporary gilt decorated dark green morocco, large 8voQTY: (3)NOTE:Signed limited edition, one of 1,500 sets signed by the author.

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Dominic Winter Auctions
Lot 226

* Prints & Engravings. A collection of 55 prints, mostly 19th-century, engravings, lithographs, photographs and prints, including Davis (Lucien). The Christmas Hunt Ball - "The Grand Chain", supplement to The Sphere, November 30th 1901, chromolithograph, old folds, 360 x 1000 mm, together with Austin (Winifred Marie Louise, 1876-1964). Wild Boar, etching, signed by the artist in pencil to the lower left, mount stained and a little spotted, 250 x 425 mm, with Gauci (M.). The "Age". A Sketch from Castle Square, Brighton, circa 1850, lithograph after C. F. Henderson, contemporary hand colouring, toned, stained and dust-soiled, one short closed tear affecting the printed image, 320 x 500 mm, plus Leney (William). Harriers, J. & J. Boydell, March 25th 1799, mixed method engraving after James Hackert, printed in colours and finished by hand, toned overall, stuck to a near-contemporary wooden stretcher, slight marginal staining and spotting, 495 x 620 mm, and McNeil (A. J.). With Horse & Hound in Worcestershire, published by Messrs. Victor, circa 1890, decorative title page, inscribed and signed in pencil by the author, eleven etched plates heightened with silver, upper hinge split, publishers red gilt cloth, heavily water stained, rubbed and worn at extremities, oblong 4to, binding size 270 x 385 mm, with Payne (Charles Johnson, "Snaffles"). The Gunner, circa 1917, colour lithograph, with uncoloured remarques of a column of guns and a bi-plane, heavily spotted and laid on a wooden board, plus McArdell (J. M.). [The Spinning Top], circa 1760, mezzotint after P. Mercier, proof before title, contemporary hand-colouring, thread margins, 330 x 230 mm, mounted, with another forty-eight prints including topographical views, cartoons, portraits, military, classical and genre scenes, various sizes and conditionQTY: (approx. 55)

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Dominic Winter Auctions
Lot 183

* Cricket. Anderson (John Corbet), Joseph Guy of Nottingham, published by Joseph Anderson and F. Lillywhite 2nd April 1853, lithographic portrait of a batsman, slight marginal fraying and abrasion, repaired closed tears affecting the printed image, laid on later thin card, 350 x 240 mm, together with Henshaw (T. N.). Oswestry School, published by Mr Henshaw, Oswestry November 1840, uncoloured lithograph, some dust soiling, 235 x 295 mm, mounted, with Ryman (J. publisher). Cricket Match, Oxford, circa 1850, lithograph with contemporary hand colouring, some spotting and staining, laid on card, mountedQTY: (3)

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Dominic Winter Auctions
Lot 167

* Australia. Post Office George Street, Sydney, circa 1850, uncoloured etching by 'J. G.', title in pencil below image, 210 x 500 mm, together with Australian Aboriginal Native Spearing a Kangaroo, circa 1820, uncoloured aquatint, title in pencil below image, 215 x 290 mm, with Baker (W. publisher). St. Peter's Church & Parsonage Cooks River, N. S. W. printed and published by W. Baker, King Street, Sydney, circa 1860, uncoloured lithograph with pencil marginalia, 200 x 260 mmQTY: (3)

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Dominic Winter Auctions
Lot 188

* Dutton (Thomas Goldsworth). H. M. S. Agamemnon 91 Guns, published by Wm. Foster, printed by Day & Son, circa 1855, lithograph after Sir Oswald Brierly, contemporary hand-colouring, slight staining and a little faded, 420 x 615 mm, mounted, framed and glazedQTY: (1)

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Dominic Winter Auctions
Lot 232

* Scotford Junior (John Ryland, 1916-2000). Dartmouth Winter Carnival, 1940, colour lithograph poster, several professional marginal closed tears and archivally relined, mount aperture 86 x 54 cm (33 7/8 x 21 1/4 ins), framed and glazed (99.5 x 67 cm)QTY: (1)NOTE:Advertising poster for the annual winter carnival at Dartmouth College, New Hampshire, USA.

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RWB Auctions Limited
Lot 210

After Ross Watson (born 1962) - Two Soldiers, red Braces, lithograph printed in colours, signed by the artist in pencil and numbered 19/45, 38.4cm x 42.2cm framed and glazed (59cm x 64cm)

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RWB Auctions Limited
Lot 204

After Betty Willis (1924-2018), Welcome to Fabulous Las Vegas, print, signed by Willis and Bill Hanapple in pencil, numbered 306/975, mount opening 36cm x 49cm, framed and glazed (40cm x 63cm); together with Tom Everhart (born 1952), "Salute", lithograph, unsigned, 76.5cm x 60cm, framed and glazed (93cm x 75cm) (2)

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RWB Auctions Limited
Lot 207

Charles 'Snaffles' Johnson Payne (1884 – 1967) - 'Tally Ho Back', lithograph printed in colours, heightened with white, circa 1920, with the remarque in the margin, signed in pencil, with the snaffles bit blindstamp, image 23.7cm x 38cm, lithographic platemark 26.5cm x 40cm, with margins, framed and glazed (43cm x 53.5 cm)

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RWB Auctions Limited
Lot 206

Charles 'Snaffles' Johnson Payne (1884 – 1967) - "Pass Friend", photo-lithograph printed in colours, on wove paper, signed in pencil, image 38cm x 32cm, with the Snaffles bit blindstamp, with margins, image 24cm x 37cm, framed and glazed (42cm x 54 cm)

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Bleasdales Ltd
Lot 1207

Buttons, 19th and 20th Century, waistcoat buttons, comprising a carded display of twenty one lithograph examples, another circa forty three, another 'snooker player' display of twenty six, another twenty, another thirty, another thirty two, another twenty nine.      (Circa 150)

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Bleasdales Ltd
Lot 1272

Thirty lithograph waistcoat buttons, including sporting, aeronautical, portrait, dogs, horses, etc., mostly circa 1.5cms.      (3)

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Bleasdales Ltd
Lot 1211

Buttons, a useful selection, mostly unmounted, comprising a 19th Century glass overlaid button enclosing the gilded head of an owl, 2cms, a cased set of five horse head lithograph waistcoat buttons, another set of four female heads, two other cased sets, a gold inlaid oval tortoiseshell button, 2.4cms, another with silver inlay, a stud incorporating a compass, glass button of a parrot in oriental silver mount, three large French fashion buttons and four others.     (34)

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Bleasdales Ltd
Lot 1276

A mixed lot of buttons on cards and loose, including a marked glass Bimini, 3cms, a set of six ceramic, six stone and white metal, six cinnabar lacquer, a Satsuma button, 3.3cms, five lithograph waistcoat buttons, a card of fifteen 'jewelled' buttons, and others.     (Qty)

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Lyon & Turnbull
Lot 245

Charles III, King of the United Kingdom Overlooking Wadi, Saudi Arabia, signed proof lithograph Lithograph in colours after a watercolour of mountains in Saudi Arabia, signed, 54.5 x 76cm

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Lyon & Turnbull
Lot 246

Charles III, King of the United Kingdom Balmoral, signed proof lithograph Lithograph in colours after a watercolour of Balmoral, signed 2001, 53.5 x 73.5cm

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Hansons Auctioneers and Valuers
Lot 84

Assorted pictures, to include a lithograph of Whitehall, a Ray Bell watercolour of a ship, a plate from a maritime book depicting a diagram of a capstan, two coloured etchings, Antwerp and Brussels and a Stevengraph, Far Cry (6)

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Ashley Waller Auctioneers
Lot 1014

A VICTORIAN, SIGNED LITHOGRAPH, LIMITED EDITION 2/20

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Lion and Unicorn
Lot 179

Charming group of hand-illustrated and color seed packets from Genesee Valley Lithograph Co. in Rochester, N.Y., originally used to distribute seeds for Burt's Seeds. Issued: c. 1920Dimensions: 4"L x 5.25"WCountry of Origin: USACondition: Age related wear.

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Lion and Unicorn
Lot 183

Large color lithograph on brown paper that depicts a Cubo-Futurist cabaret scene with multiple figures descending a large staircase. In the foreground, the artist includes a piano player and couple locked in an embrace. Signature and date on lower right: S.K. 21. Issued: 1921Dimensions: 13"L x 19.50"HCountry of Origin: United StatesCondition: Age related wear. Tears and rips on edges. Soiling on upper right.

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Lion and Unicorn
Lot 11

Washington, D.C.: National Gallery of Art, 1944. Masterpieces of Painting from the National Gallery of Art, Smithsonian Institution. Hardcover book with original cover describes in 182-pages great art works with illustrations of that work. Includes still life lithograph - Potassium Abundance - 11"H x 14"W. No ISBN. Artist: Huntington Cairns and John WalkerIssued: 1944Dimensions: 12"W x 1"D x 15"HManufacturer: National Gallery of ArtCountry of Origin: United StatesCondition: Age related wear.

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Lion and Unicorn
Lot 221

Original lithograph on laid paper featuring an American West rancher roping a calf created by artist Eva Caprani who specialized in Western scenes and animals. Signature in graphite on lower right: Eva Caprani. Edition number 364/500. Artist: Eva Caprani Hansen (American, 1930-2019)Issued: 1976Dimensions: 12"L x 9"HEdition Number: 364 of 500 Country of Origin: United StatesCondition: Age related wear.

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Maxwells
Lot 856

RETURN from VICTORY -  19th century satirical lithograph, 30 x 44cm and a selection of 10 other 19th century cartoons, mainly Charles Doyle.

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Roseberys London
Lot 154

David Hockney OM CH RA,  British b.1937- Olympische Spiele München, 1972; lithograph in colours on thin paper,  signed and dated 70 in the plate,  printed in Germany by Edition Olympia,  sheet: 100 x 64 cm,  (unframed)  (ARR) 

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Roseberys London
Lot 91

Antoni Tàpies,Spanish 1923-2012, Dib 1, 1974;lithograph in colours on Guarro paper, signed and numbered 143/150 in pencil,published by Polígrafa, Barcelona, sheet: 55.4 x 76 cm, (unframed)(ARR)

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Roseberys London
Lot 352

Banksy, British b.1974- Visit Historic Palestine, 2018;offset lithograph in colours on wove, stamped with pink Walled off hotel stamp on the reverse, sheet: 59.5 x 42 cm,  (unframed) (ARR)Note: this work comes with a receipt from The Walled off hotel, dated 8 Jan, 2019.

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Roseberys London
Lot 28

Laurence Stephen Lowry RBA RA,  British 1887-1976, The Contraption, 1949; lithograph in colours on wove,  after the painting of 1949,  signed in pencil, and signed and dated in the plate,  with the printers blind stamps,  image: 31.5 x 30 cm,  (framed)  (ARR) 

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Roseberys London
Lot 29

Sir William Russell Flint RA RSW PRWS, British 1880-1969,Adjusting the Dress;lithograph in colours on wove, signed in pencil, after an original watercolour, with printer's blind stamps, London, image: 37 x 28 cm, (framed) (ARR)

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Roseberys London
Lot 129

Sir Terry Frost RA,British 1915-2003, Red, Blue, Green [Kemp 65], 1972;Lithograph printed in colours on BRK Rives,signed, dated and inscribed 'Artist's Proof' in pencil,a proof aside from the edition of 65,printed at Emil Matthieu Atelier, Zurich,published by Leslie Waddington Prints, London, sheet: 75 x 105.9 cm, (framed)(ARR)

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Roseberys London
Lot 99

Wilfredo Lam, Cuban 1902-1982, Lune Haute, from Pleni Luna, 1974; lithograph in colours on Arches wove, signed and numbered 247/262 in pencil, published by A.H. Grafik, Stockholm, sheet: 50 x 65cm, (framed)

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Roseberys London
Lot 330

Yoshitomo Nara, Japanese b.1959- Cosmic Girl: Eyes Closed, 2008; Cosmic Girl: Eyes Open, 2008;each offset lithograph in colours on smooth wove, from the edition of 500, published by BALTIC Center for Contemporary Art, Gateshead, each sheet: 72 x 52 cm,  (framed)

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Roseberys London
Lot 336

Banksy,  British b.1974- Cut and Run; each offset lithograph in colour on wove,  from the Glasgow Cut and Run exhibition,  sheet: 59.5 x 42 cm,  (unframed)  (ARR)  (2) 

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Roseberys London
Lot 230

John Baldessari, American 1931-2020,Throwing three balls in the air to get a straight line, 1973;offset lithograph in colours on coated stock paper, published by Edizioni Prearo and Galleria Toselli, from the edition of 2000, image: 17.5 x 26 cm, (framed)

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Roseberys London
Lot 141

Sir Christopher Le Brun PPRA,  British b.1951- Plate 6, 1989; lithograph on 450gsm Zerkall mould-made wove,  signed and numbered from the edition 35 in pencil,  printed by Alan Cox at Sky Editions, London,  published by Paragon Press,  sheet: 75.7 x 91.4 cm,  (unframed)  (ARR) 

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Roseberys London
Lot 236

Josef Albers,  German/American 1888-1976, Olympische Spiele München, 1972; offset lithograph on wove,  signed in the plate and dated 70,  printed in Germany by Edition Olympia,  sheet: 101 x 64 cm,  (unframed)  (ARR) 

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Roseberys London
Lot 70

Pablo Picasso,  Spanish, 1881-1973,  Etude de Profils, 1948; Lithograph on Arches wove paper,  signed in pencil and dated 6.12.48 in the plate,  numbered 18/50 in pencil,  printed by Mourlot,  sheet: 76 x 56.5 cm,  (framed)  (ARR) Catalogue Raisonne references: Georges Bloch 581. Mourlot 132. Cantz 432. Rau 404.Provenance: Christie's New York, 6.11.2014, lot 245Literature:  G. Bloch, Pablo Picasso: Catalogue of the printed graphic work 1904-1967, Editions Kornfeld et Klipstein, Berne, 1968, vol. 1, p. 140, no. 581 (another example from the edition illustrated in black and white). F. Mourlot, Picasso Lithographs, André Sauret, Paris, 1970, p. 100, no. 132 (another example from the edition illustrated in black and white)

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Roseberys London
Lot 26

Laurence Stephen Lowry RBA RA, British 1887-1976,His Family;offset lithograph on wove, signed in pencil,  printed by Chorley and Pickersgill Ltd, published by Adam collection, with publisher's blind stamps and stamp numbered 568, sheet: 62.4 x 84 cm, (unframed) (ARR)

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Roseberys London
Lot 137

Sir Howard Hodgkin CH CBE (British 1932-2017)  and Bridget Riley (British b.1931-) Swimming, 2012; Rose Rose 2012; each offset lithograph in colours for the London Olympic games, 2012,  each sheet: 82 x 62 cm,  (unframed)  (ARR)  (2) 

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Roseberys London
Lot 7

Henry Moore OM CH FBA, British 1898-1986, Multicoloured Reclining Figure [Cramer 99], 1967; lithograph in colours on Rives wove, from the unsigned, unnumbered edition of 380, published by Galerie Beyeler, Basel, image: 32 x 24cm, (framed) (ARR) 

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Roseberys London
Lot 281

Josef Albers, German/American 1888-1976,Homage to the Square (Burgundy with Red Square); Homage to the Square (Yellow with Red Square); Homage to the Square (Green with Black Square); each offset lithograph in colours on thick wove, each edition of 250 numbered in pencil on the reverse, each published by the Guggenheim Museum, Artists Rights Society (ARA), New York/ADAGP, Paris, 1979, each sheet: 33 x 33 cm, (framed) (3)Note: together with the catalogue book 'Joseph Albers, Homage to the Square, 1950-1976', published by Hatje Cantz Verlag GmbH, Berlin.

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Roseberys London
Lot 10

Henry Moore, OM CH British,1898-1986Reclining figure, Sunset, 1978 (Cramer 493);lithograph in colours, signed in pencil, dated and numbered 46/50, printed by J.E Wolfensberger, Zurich, published by J. M Sternersons, Oslo, sheet 50 x 57 cm (unframed) (ARR)In a green folio together with a limited edition book, Henry Moore, Sculpture and Landscape, numbered and published in 1978 by J.M Stenersons Forlag A.S – Norwegian publishers.

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Roseberys London
Lot 285

Damien Hirst, British b.1965- HENI with Claridge's Artspace poster, double sided; offset lithograph on paper, signed in marker pen on one side, sheet: 100 x 58 cm, (unframed) (ARR) 

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Roseberys London
Lot 220

Andy Warhol, American 1928-1987,La Grande Passion, 1984;offset lithograph on thick paper, signed in pencil, published by Carillon Importers Ltd, sheet: 98.7 x 94.1 cm, (framed)Note: This is one of only 100 hand signed copies.This work was based on a photograph by the artist and was based on an advertising campaign for Carillon Importers. La Grande Passion was a new exotic drink of a mix of Grand Marnier and Passion fruit hence the name. Throughout his career Warhol was obsessed with branding for example the famous Campbell's soup cans. This piece created in 1984, La Grande Passion is a late career example of Warhol's interest in product design and advertising. To create this, Warhol took Polaroids and created screenprints on both board and canvas. There is life and celebration in the image, with vivid shares of coral, yellow, aquamarine and the abstract passion fruit flower. In the centre there is the bottle of La Grande Passion, a bottle of passion fruit flavoured brandy (a sister to Grand Marnier), a tropical treat newly introduced to the American market, but now no longer made. Carillon Importers, the company that owned the liquor brand and commissioned Warhol to create the image for the advertising campaign, was so pleased with the results of La Grande Passion that they commissioned Warhol again to create a similar image for Absolut Vodka in 1985. This iconic piece is represented in numerous public collections such as The Tate Modern (London), The Whitney Museum of American Art, and the National Galleries of Scotland. There is a similar numbered print in an edition of 1000 copies, but these prints are not hand signed.Provenance: Uk Private collection Clarendon Gallery, LondonLiterature: Andy Warhol, The complete commissioned posters 1964-1987, by Paul Marechal, no.38. 

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Roseberys London
Lot 306

Tracey Emin CBE RA, British b.1963- Hurt Heart, from A Journey To Death, 2022;  lithograph in colours on Somerset Velvet Warm White 400gsm, signed, dated, titled and numbered 30/50, produced by Margate: Counter Editions, 2022, sheet: 94.1 x 74.1 cm, (unframed) (ARR)Note: 'Hurt Heart' is part of a series of 10 portraits made exclusively for Counter Editions to coincide with 'A Journey To Death', a solo exhibition of new prints, large-scale monotypes and bronze sculptures by Tracey Emin at Carl Freedman Gallery, Margate. 

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Roseberys London
Lot 96

Hans Hartung, German/French 1904-1989, Olympische Spiele München, published by the Olympic Committee, Munich,1972; lithograph in colours on wove, signed and numbered 77/200 in pencil, sheet: 110 x 69.8 cm, (unframed) (ARR)

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Roseberys London
Lot 13

Mary Fedden OBE RA RWA, British 1915-2012, The Matisse Jug, 1995; offset lithograph in colours on wove, signed and numbered 126/550 in pencil, published by Bow Art, image: 40.5 x 34 cm, (framed)(ARR)

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Roseberys London
Lot 76

After Pablo Picasso, Spanish 1881-1973,  Don Quixote, 1955 (posthumous edition) ;  lithograph on wove, signed and dated 11.3.55 within the plate,  issued by Editions Combat for La Paix, with embossed stamp Editions Combat pour la Paix/Copyright S. P. A. D. E. M. Paris, sheet: 53 x 37 cm,  (framed) (ARR)

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Roseberys London
Lot 33

Sir William Russell Flint RA RSW PRWS, British 1880-1969, The Distant Gaze;lithograph in colours on wove, signed in pencil, after an original watercolour, with printer's blind stamps, copyright W.J Stacey, Ltd, London, image: 45.5 x 55.5 cm, (framed) (ARR)

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Roseberys London
Lot 222

Andy Warhol, American 1928-1987,Tattooed Woman Holding a Rose, circa 1955 (Not in F. and S.);offset lithograph printed in orange on green watermarked onion skin paper,  annotated  'PM15.0059,' on the reverse of the print in pencil and also on a label on the reverse of the frame  sheet: 24 x 78 cm,  (framed)Provenance: Halcyon Gallery, London / Private UK CollectionNote: This work is from the early part of Warhol's career, and was used as a calling card for his services as it has his telephone number and address 'Murray Hill' across the woman's waist. It is not known how many of these prints were produced, but they are becoming increasingly rare.            

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Roseberys London
Lot 11

Henry Moore, OM CH British,1898-1986Standing figure, Dawn, (Cramer) 1978;lithograph in colours on BFK Rives wove, signed in pencil, dated and numbered 46/50, printed by J.E Wolfensberger, Zurich, published by J. M Sternersons, Oslo, sheet 50 x 57 cm (unframed) (ARR)In a branded green folio together with a limited edition book, Henry Moore, Sculpture and Landscape, numbered and published in 1978 by J.M Stenersons Forlag A.S – Norwegian publishers.  

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Roseberys London
Lot 27

Laurence Stephen Lowry RBA RA,  British 1887-1976,  On a Promenade, 1978;  monochrome lithograph on wove,  signed and dated 1971 in the plate,  printed by Revell and George, Manchester in 1978,  sheet: 29 x 40 cm,  (unframed)  (ARR) Note: In 1978, Revell and George were commissioned to print a limited edition of 250 of this print. Lowry was due to hand sign these but sadly died before being able to do so. This is one of the prints that Dennis Redford the Head printer took for himself before the plates were archived. (according to a label on the reverse)  

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Roseberys London
Lot 16

John Piper CH,  British 1903-1992, Nursery Frieze I [Levinson 8], 1936; lithograph in colours on wove,   printed by Waterlow and Sons,  published by Contemporary Lithographs Ltd., London,  image: 46 x 122cm,  (framed)  (ARR) 

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Roseberys London
Lot 351

Banksy,  British b.1974- Tesco Petrol Bomb (poster), 2011; offset lithograph on paper,  signed in the plate,  from the edition of 2000,  sheet: 40 x 50 cm,  (unframed)  (ARR) Note: this print was originally produced for the Bristol Anarchist Book Fair in 2011, from where the vendor purchased it. 

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Roseberys London
Lot 9

Henry Moore OM CH FBA, British 1898-1986, Standing Figure, Storm Sky (Cramer 494), 1978; lithograph in colours on BFK Rives wove, signed in pencil, dated and numbered 46/50, printed by J.E Wolfensberger, Zurich, published by J. M Sternersons, Oslo, sheet: 50 x 57 cm, (unframed) (ARR) Note: In a green folio together with a limited edition book, Henry Moore, Sculpture and Landscape, numbered and published in 1978 by J.M Stenersons Forlag A.S – Norwegian publishers. 

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Roseberys London
Lot 176

Beryl Cook OBE,  British 1926-2008, Ladies Who Lunch, 2004; 6 colour offset lithograph on wove,  signed and numbered 437/650 in pencil,  published by Alexander Gallery Publications, image: 40.7 x 43.8 cm,  (framed) (ARR)Note: together with a certificate of authenticity issued by Alexander Gallery Publications.

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Roseberys London
Lot 42

Oliffe Richmond, Australian 1919-1977,  Standing Group; Pilot; Marathon, 1966; each lithograph on handmade Barcham Green Crisbrook paper, each signed, dated, and numbered from the edition 250,  published and printed at the Curwen Studio, London, each sheet: 64.5 x 51 cm,  (unframed)  (ARR) (3) Provenance: acquired directly from the Curwen Studio.

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Roseberys London
Lot 345

Banksy, British b.1974- Di-Faced tenner (with exhibition invite to the reverse);offset lithograph on wove, sheet: 7.6 x 14.3 cm, (unframed) (ARR) Note: an invite to a private showcase of works by Banksy from Steve Lazarides has been printed to the reverse.

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Roseberys London
Lot 232

Josef Albers,  German/American 1888-1976, Homage to the Square (Blue with Black Square); Homage to the Square (Red with Teal Square); Homage to the Square (Blue with Yellow Square); each offset lithograph in colours on thick wove,  each edition of 250 numbered in pencil on the reverse,  each published by the Guggenheim Museum, Artists Rights Society (ARA), New York/ADAGP, Paris, 1979,  each sheet: 33 x 33 cm,  (framed) ( ARR) (3) Note: together with the book 'Josef Albers: Small Paintings', 2009, published by Waddington Galleries, and the catalogue book 'Joseph Albers, Homage to the Square, 1950-1976', published by Hatje Cantz Verlag GmbH, Berlin.

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Roseberys London
Lot 139

Alan Davie,  Scottish 1920-2014, Olympische Spiele München, 1972; offset lithograph on wove,  signed in the plate and dated 70,  printed in Germany by Edition Olympia,  sheet: 101 x 64 cm,  (unframed)  (ARR) 

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Roseberys London
Lot 24

Laurence Stephen Lowry RBA RA,British 1887-1976, Britain at Play, 1943; offset lithograph in colours on wove, signed in pencil, from the edition of 850, printed by Beric Press, published by Mainstone Publications, with the Fine Art Trade Guild blind stamp, image: 60 x 44.6 cm, (framed) (ARR)

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