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Lot 171
Bruce Pearson, contemporary, Rice Fields, lithograph, signed in pencil, 40 x 57cm, together with Brian Reed, contemporary, two chicks perched on a branch, signed and dated 1980, watercolour, C E Talbot-Kelly, lizard, signed gouache, another by the same hand of a blue tit, signed watercolour, 19 x 18cm and a Japanese print of a bird (5)Overll condition is ok, slightly dirty, with light signs of use.
Lot 661A
Keith BROOMFIELD British 20th Century Lancaster of 617 Squadron Lithograph Signed by former WWII aircrew, including Leonard Cheshire and Arthur Harris Framed and glazed Picture size 31 x 45cm Overall size 37 x 51cm Together with a lithograph of a Tornado Signed by Air Crew of 27 Squadron Framed and glazed Picture size 28 x 40cm Overall size 34 x 47cm
Lot 231
Chagall (Marc).- (Mourlot (Fernand) and Charles Sorlier, Chagall Lithograph 1962-1968, original lithograph frontispiece and pictorial wrappers by Chagall, colour illustrations, original cloth, wrapper spine and edges with very light toning, Monte-Carlo, André Sauret, 1969; and 26 others art and art reference, v.s. (27)
Lot 161
* DAVID SHRIGLEY OBE (SCOTTISH b. 1968),DO NOT FUCK ABOUT WITH IT, I MEAN NO DISRESPECT, I'VE RECEIVED A CLONK TO THE HEAD and ANY DIRECTION IS FINE limited edition lithograph printed on 200g Munken Lynx paper by Narayana Press in Denmark, from an edition of 250 image size 70cm x 50cm each, overall size 73cm x 43cm eachFramed and under glass (4).
Lot 41
* HANNAH FRANK (SCOTTISH 1908 - 2008),HEADwood engraving on paper, dated 1932 in the plate, signed in pencilimage size 10cm x 8cm, overall size 28cm x 24cmMounted, framed and under glass.Comment: an extremely rare wood engraving by Hannah Frank and believed to be the first offered at auction anywhere.Note: Since McTear's first promoted Hannah Frank's spectacular work in 2011, the prices for her ever more rare signed prints have continued to rise with many current prices being more than five times higher than those achieved barely a decade ago. The latest UK auction record figure for a single signed lithograph was most recently achieved (twice) in our auction on 24th October 2021 and now stands at £820 (hammer). Note 2: Hannah Frank was the last living link to the Arts and Crafts and Art Nouveau period. She studied at the Glasgow School of Art and Glasgow University in the 1920`s and her haunting pen and ink drawings have been exhibited at the Royal Academy, Royal Scottish Academy and Royal Glasgow Institute. A series of lithographs of some of her 90 drawings were made in the 1960's and again in the 1980's to satisfy the demand for her work after exhibitions in Edinburgh and Glasgow. Only a relatively few of these prints were hand signed (in pencil) by Hannah and it's understood that only one print was ever editioned (numbered) in a conventional manner. A major exhibition at the Royal Glasgow Institute in 2006 brought her work to a new generation of admirers and received considerable press coverage. Her work toured for five years in the UK and the USA culminating in an exhibition at Glasgow University which opened on her 100th birthday 23rd August 2008. After her death, she was awarded a posthumous Honorary Doctorate at Glasgow University and Glasgow City Council`s Lord Provost`s Award For Art (2009).
Lot 42
* TOM PHILLIPS CBE RA (BRITISH 1937 - 2022),BRUNNHILDElimited edition lithograph on paper, signed and numbered 35/275image size 40cm x 58cm, overall size 50cm x 68cm Framed and under glass.Note: Tom Phillips attended drawing classes and lectures on Renaissance iconography at Ruskin alongside his studies in English at St Catherine's College, Oxford. Taught by Frank Auerbach in 1961 at Camberwell School of Art, Phillips's first solo exhibition in London was in 1965 at the Artists International Association Gallery, followed by an exhibition with Angela Flowers in 1970. Phillips taught at Bath Academy of Art, Ipswich and Wolverhampton Art College between 1965 and 1972, and in 1969 he won the John Moores Prize. In 1966 Phillips resolved to dedicate himself to making art out of the first secondhand book he could find for threepence on Peckham Rye. Thus began A Humument, the longest of Phillips's extended serial projects. A Humument is a radical 'treatment' of a forgotten Victorian novel by means of collage, cut-up ornament and other techniques, creating new works of art and poetic text from the original pages.. On the fiftieth anniversary of its inception in 2016, Phillips completed the sixth and final version of this work – each version with successively more pages reworked, until his original work had itself been completely transformed. Phillips received many commissions for site-specific artworks including tapestries for St Catherine's, Oxford, sculpture for the Imperial War Museum, street mosaics for his native Peckham, and ornament and memorials for sacred spaces, including both Westminster Cathedral and Westminster Abbey. Phillips's portrait subjects have included Samuel Beckett as well as friends such as Iris Murdoch, Sir Harrison Birtwistle, Richard Morphet, and the Monty Python team. In 1989, he became only the second artist to have a retrospective of his portraits at the National Portrait Gallery. Fifteen years later, he also went on to curate We Are The People, an exhibition at the NPG of his large collection of postcard photographic portraits. Phillips received the Frances Williams Memorial Prize in 1983 for his illustration and new translation of Dante's Inferno. He also made a TV version of the Inferno with Peter Greenaway which won them jointly as directors the Italia prize. Elected to the Royal Academy in 1984, Phillips went on to chair the Academy's Library and its Exhibition Committee from 1995 to 2007, He curated the RA’s exhibition Africa: The Art of a Continent (1995) which travelled to the Martin Gropius Bau, Berlin and the Guggenheim, New York. Serving as a Trustee for the National Portrait Gallery and British Museum, Phillips was made a Commander of the British Empire for services to the Arts in 2002. In 2005, he was appointed Slade Professor of Fine Art at the University of Oxford, and between 2005 and 2011 he was invited as an annual Director's Visitor to the Institute for Advanced Study in Princeton. Oxford's Bodleian Library took over Tom Phillips's archive and with them he published his postcard collection in a series of books. Phillips's collaboration with Tarik O'Regan on an operatic version of Conrad's Heart of Darkness, for which he provided the libretto, was premiered at the Royal Opera House's Linbury Theatre at the end of 2011. Tom Phillips lived and worked in London.
Lot 825
Natural History, Ornithology. Kennedy (Alexander W.M. Clark, "An Eton Boy"), The Birds of Berkshire and Buckinghamshire: A Contribution to the Natural History of the Two Counties, signed and inscribed presentation copy from the author to another naturalist with ALS, sole edition, Eton: Ingalton and Drake, London: Simpkin, Marshall, and Company, 1868, half-title, photographically-illustrated with 4 hand-coloured albumen prints mounted on card, some contemporaneous ink manuscript annotations and marginalia, gutter splits but holding, original publisher's pictorial green cloth gilt by Burn & Co., their ticket, slight stable split to spine, uncut edges, 8vo, [&] Harting (James Edmund, F.Z.S.), The Birds of Middlesex [...], sole edition, London: John Van Voorst, 1866, lithograph frontispiece, in-text illustrations, original publisher's pictorial green cloth gilt, uncut edges, 8vo, (2). Provenance: 2nd: James Edmund Harting (1841 - 1928), ornithologist and naturalist. Presented to him by Kennedy, inscribed and with loosely-inserted ALS, and with Hartings' armorial bookplate to recto pastedown; the annotations and marginalia presumably Harting's.
Lot 864
Travel, Russia. Oliphant (Laurence), The Russian Shores of the Black Sea in the Autumn of 1852, with a Voyage Down the Volga, and a Tour Through the Country of the Don Cossacks, second edition – revised and enlarged, Edinburgh and London: William Blackwood and Sons, 1853, lithograph frontispiece, repaired folding map, in-text illustrations, original publisher’s cloth gilt, relaid back with slight chipped loss, refreshed endpapers, 8vo.
Lot 908
Æsop, L'Estrange (Sir Robert, translator), & Roberts (Rachel, A.R.C.A., editor), Twelve Fables, ?unique copy, sole edition thus, [Bristol]: West of England College of Art, 1947, printed by S.D. Taylor in Perpetua Titling and Caslon Old Face type, 8 chromolithographs (including frontispiece), further in-text lithograph illustrations, designed and lithographed by Anne Rees-Mogg, June P. Bevington, Marjory Paterson, Joan E. Thackway, and Jean I. Trower, original green cloth, upper-cover with printed paper title label, all edges cut, pictorial lithographed endpapers with trees and the two-tone eponymous diphthong: Æ, 4to (29cm x 22.5cm). Provenance: 1) "For George Butler to remind him of Donald Milner [(1898–1993), OBE, ARCA, RWA, President of the Royal West of England Academy (1974–1979)] and the National Diploma in Design Examinations 1946-1948", ink MS inscription to ffep; 2) "Unique", pencil inscription below.
![Agriculture. Drawings and Plans of the Lawes Testimonial Laboratory, Rothamsted, Herts., [London]: F. Dangerfield, Lith[](https://cdn.globalauctionplatform.com/c8165be0-1c73-412f-a81e-af7300b3c311/99638d2b-c8ba-4988-a100-af73010f4b9e/468x382.jpg)
Lot 910
Agriculture. Drawings and Plans of the Lawes Testimonial Laboratory, Rothamsted, Herts., [London]: F. Dangerfield, Lith[ographer], n.d. [c. 1860], 2 tinted lithograph plates and 2 lithograph floor plans, each with some slight and stable marginal tears, upper-left margin of plates stained but not affecting images, plans toned, original red cloth over printed paper wrappers, loosely-inserted in a contemporaneous plum moiré silk folio, oblong royal folio (37cm x 54cm).
![Art. Prout's Elementary Drawing Book, London: Charles Tilt, n.d. [1840], lithograph plates, original publisher's purple](https://cdn.globalauctionplatform.com/c8165be0-1c73-412f-a81e-af7300b3c311/e946d28d-2a05-47ee-9549-af7300bfd5a2/468x382.jpg)
Lot 918
Art. Prout's Elementary Drawing Book, London: Charles Tilt, n.d. [1840], lithograph plates, original publisher's purple cloth gilt, oblong 8vo, Harding's Drawing Book 1847, London: David Bogue, 1847, lithograph plates, publisher's green cloth, 8vo, Delamatte, The Art of Sketching from Nature, second edition, London: George Bell and Sons, 1888, tipped-in plates, original cloth (disbound), 8vo, (3).
Lot 971
Early Lithography. Nicholson (Francis), Lithographic Impressions from Sketches of British Scenery, sole edition, London: Published by Rodwell & Martin, 1821, 33 lithograph named-view topographical plates printed by Charles Joseph Hullmandel, bound with a further 2 plates printed by Hullmandel but not after Nicholson, foxing in places to some of the plates, a few with stains but not affecting the image, contemporary quarter-calf over boards, worn, rubbed and chipped, perished spine, the upper-cover split at the gutter, the lower-cover with some movement, royal folio (50cm x 35cm).
![Harding (James Duffield, illustrator), Sketches of Home and Abroad, London: Charles Tilt, n.d. [1836], tinted lithograph titl](https://cdn.globalauctionplatform.com/c8165be0-1c73-412f-a81e-af7300b3c311/e0419932-542c-41cf-a2eb-af7f011328b3/468x382.jpg)
Lot 990
Harding (James Duffield, illustrator), Sketches of Home and Abroad, London: Charles Tilt, n.d. [1836], tinted lithograph title, dedication leaf, and 51 tinted lithographed plates, named within the plate, the margins titled in pencil by a contemporaneous hand, the contents with alternating foxing throughout, loosely-inserted naive Grand Tour named-view of Mount Vesuvius and the Bay of Naples, titled in ink manuscript and executed in body colour, original green morocco over floral relief cloth boards, elephant folio (56cm x 38cm). Provenance: the Seymour family of Thrumpton Hall, near Nottingham.
Lot 1009
Local Interest. Briggs (John Joseph, F.R.S.L.), The Trent and other Poems, sole edition, Derby: Bemrose, 1859, lithograph title-page, [bound with] The History of Melbourne, second edition, Derby: Bemrose and Son, n.d. [1852], each with plates, first title stained in places, contemporaneous quarter-calf gilt over marbled boards, marbled edges and endpapers, 8vo, Hall (Dr Spencer), Days in Derbyshire, first edition, 1863, original green cloth gilt, 8vo, Pape's Newcastle-under-Lyme in Tudor and Early Stuart Times, 1938, cloth, 8vo, another two books on Derbyshire geology and Matlock, a collection of Victorian albumen prints of Nottinghamshire country houses, their interiors and estate, as well as views of Nottingham, (6).
Lot 1087
Topography and Antiquarianism. Bell (T.), The Ruins of Liveden; with Historical Notices of the Family of Tresham, and its connexion (sic) with The Gunpowder Plot […], To which is added a Legendary Poem, sole edition, London: Whittaker and Co., et al., 1847, lithograph plates, fold-out family pedigree, original cloth (worn, chipped), 4to, Local Interest, including Wylie (William Howie), The Nottingham Hand-Book, and Guide to Places of Interest in the Environs, first edition, Nottingham: C.N. Wright, 1852, fold-out panorama frontispiece, plates, original cloth, 8vo, further Nottingham and Nottinghamshire interest, including Lord Byron and Newstead Abbey, Scotland, The Ballads and Songs of Ayrshire, Illustrated with Sketches, Historical, Traditional, Narrative and Biographical, Series I & II as one, Ayr: Published for the Editor by John Dick, 1846-47, separate title-pages, original boards (chipped spine), 8vo, others Scottish interest, two volumes of Fosbrooke’s works on Gloucester and Gloucestershire, 1807 & 1819, unexamined, quarter-morocco, 4to, architecture, including learned societies’ reports and papers, some volumes of which are ex-lib, etc., (23).
![Topography, Ireland: (Stuart, A.B.), Historical Memoirs of the City of Armagh […], sole edition, Newry: Printed for Alex](https://cdn.globalauctionplatform.com/c8165be0-1c73-412f-a81e-af7300b3c311/d87d4720-eb13-4f35-94d5-af730118a4a7/468x382.jpg)
Lot 1088
Topography, Ireland: (Stuart, A.B.), Historical Memoirs of the City of Armagh […], sole edition, Newry: Printed for Alexander Wilkinson, 1819, engraved plates, last third of the text block with damp-staining and worm trails to lower-margin, but not affecting text, contemporary calf gilt, blue-stained edges, 8vo, other topographical works, including [Barker (Matthew Henry)], Walks Round Nottingham by a Wanderer, first edition, London: Effingham Wilson, 1835, title-page with wood-engraving, lithograph plates, contemporary quarter-calf over marbled boards (spine defective), label to pastedown: C.W. Briggs (Genuine Antiques), 10 Leicester Rd., Loughboro’, 8vo, White’s Lincolnshire, 1872, cloth, 4to, Finch (Pearl), Burley-on-the-Hill, Rutland, two-volume set, sole edition, London: John Bale, Sons & Danielsson, Ltd., 1901, some repairs, original publisher’s vellum, 4to, Travel, Pfeiffer’s Iceland, second edition, 1853, contemporary green calf, 8vo, etc., (7).
Lot 1152
Miscellaneous. Three late Victorian/early Edwardian albums of crests and monograms, decorative and architectural lithograph-printed pages illustrated with clipped armorial and other devices from the writing-paper of aristocratic and gentry families, 'establishment' institutions, including public schools, universities, army regiments and further military bodies, etc., various leather and cloth bindings (the diced calf oblong 4to disbound), mixed sizes, The Humorous Travelogue of a Rotterdam Banker in London, 1925, approx. [75]ff pages of Dutch ink manuscript, written by Theo Waller and possibly his wife Constance Clara Caroline Jacqueline Andre de la Porte, the whole prefixed by their itinerary, which, while in London, included the celebrated musical 'No No Nanette' (the only English passage in the account), tipped-in ephemera, etc., original cloth, 8vo, a Victorian Neo-Gothic chip-carved oak desk blotter/folio, c. 1890, (5).
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70555 item(s)/page