August Rieper, Der Liebesbriefdrei junge Frauen im biedermeierlichen Interieur, bei der vergnügten Lektüre eines Briefes, lasierende, teils gering pastose Genremalerei in fein abgestimmter Farbigkeit und mit schönem Licht, Öl auf Leinwand, um 1920, rechts unten signiert "A. Rieper", gering restauriert, im schönen Goldstuckrahmen (gering restaurierungsbedürftig) gerahmt, Falzmaße ca. 103 x 83,5 cm. Künstlerinfo: dt. Landschafts-, Interieur-, Portrait-, Akt-, Stillleben- und Genremaler sowie Zeichner, Lithograph und Radierer (1865 Hamburg bis 1940 München), erste künstlerische Förderung an der Hamburger Kunstgewerbeschule, studierte ab 1884 für einige Monate an der Akademie München, entschloss sich jedoch zunächst für eine autodidaktische Ausbildung an den Altmeistern, beschickte ab 1887 Münchner Ausstellungen und stieß hier auf reges Interesse Münchner Künstler wie Rudolf von Seitz, Franz von Lenbach und Friedrich August von Kaulbach, Rieper wurde in der Folge freundschaftlich von Seitz und Kaulbach gefördert, beschickte 1888 die internationale Kunstausstellung im Münchner Glaspalast, ferner Ausstellungen in Hamburg, Wien, Dresden und Berlin, studierte ab 1898 erneut an der Münchner Akademie bei Rudolf von Seitz, Mitglied der Münchner Künstlergenossenschaft, im Künstlerbund "Isar", im Reichsverband bildender Künstler Deutschlands und in der Staatskommission für Restaurierungsangelegenheiten an der bayerischen Staatsgalerie, Ankäufe seiner Gemälde durch Kaiser Wilhelm II. und den österreichischen Thronfolger Franz Ferdinand, tätig in München, Quelle: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Bruckmann "Münchner Maler des 19./20. Jh.", "Der neue Rump", Müller-Singer, Ries, Matrikel der Münchner Akademie, Boetticher, Dressler und Wikipedia.
We found 70555 price guide item(s) matching your search
There are 70555 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
70555 item(s)/page
Prof. Wilhelm Süs, Faun und Mänade tanzendnackte junge Frau und auf seiner Flöte spielender Faun, beim ekstatischen Tanz in sommerlicher Landschaft, lasierende, teils gering pastose Mythenmalerei, Öl auf Karton, um 1910, rechts unten signiert "W. Süs", gering restaurierungsbedürftig, schön gerahmt, Falzmaße ca. 60,5 x 42 cm. Künstlerinfo: eigentlich Wilhelm Peter August Süs, auch Sues, dt. Maler, Lithograph und Keramiker (1861 Düsseldorf bis 1933 Mannheim), Sohn und Schüler des Tiermalers Konrad Gustav Süs, 1879-82 Studium an der Akademie in Düsseldorf bei Hugo Crola, Peter Janssen und Eduard von Gebhardt, ab 1886 Weiterbildung an der Akademie in Dresden bei Leon Pohle, danach freischaffend in Düsseldorf, kurzzeitig in München, ließ sich in Frankfurt am Main nieder, hier künstlerisch gefördert durch Hans Thoma, auf Anregung Thomas 1893 Übersiedlung nach Kronberg, 1898 Gründung des „Keramische Ateliers Kronberg am Taunus", 1901 Verlegung der Manufaktur mit Unterstützung des Großherzogs nach Karlsruhe als "Großherzogliche Majolika Manufaktur", fortan als deren künstlerischer und technischer Leiter tätig, 1906 Ernennung zum Professor, 1914-17 Lehrer an der Kunstgewerbeschule Karlsruhe, ab 1917 Direktor der Gemäldegalerie in Mannheim, Goldmedaille auf der Weltausstellung St. Louis (1904), 1885-94 Mitglied im Düsseldorfer Künstlerverein "Malkasten", Mitglied der Allgemeinen Deutschen Kunstgenossenschaft, im Deutschen Werkbund und im Karlsruher Künstlerbund, Quelle: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Müller-Singer, Mülfarth, Ries, Bruckmann "Lexikon der Düsseldorfer Malerschule", Wiederspahn-Bode "Die Kronberger Malerkolonie", Schülerlisten der Düsseldorfer und Dresdner Akademie, Dressler und Wikipedia.
Charles Motte, Paar im Interieurälteres Paar, von einer Feier in Mitleidenschaft gezogen, auf einem Sofa sitzend, kolorierte Lithographie, 1. Hälfte 19. Jh., unter der Darstellung rechts im Stein signiert "Lithog. de C. Motte." und in der Darstellung weiterhin monogrammiert "J. J.", leicht braunfleckig, hinter Glas gerahmt, Darstellungsmaße ca. 18,5 x 23,5 cm. Künstlerinfo: eigentlich Charles Etienne Pierre Motte, franz. Lithograph, Radierer, Zeichner und Verleger (1785 Paris bis 1836 Paris), gründete 1817 seine später berühmte „Lithographische Anstalt“, tätig in Paris, Quelle: Thieme-Becker und Internet.
Prof. Hans Thoma, Weltungeheuerauf einer Kugel sitzender Drache, umgeben von allerlei Symbolen, Lithographie, um 1910, unter der Darstellung in Blei signiert "Hans Thoma", leichte Altersspuren, unter Passepartout und hinter Glas gerahmt, Darstellungsmaße ca. 20,5 x 16,8 cm. Künstlerinfo: dt. Maler und Graphiker (1839 Bernau bis 1924 Karlsruhe), zunächst zeitweise Lehre als Lithograph und Stubenmaler in Basel sowie Uhrenschildermacher in Furtwangen, parallel autodidaktische Mal- und Zeichenstudien, studierte 1859-66 an der Kunstschule Karlsruhe bei Ludwig Des Coudres und Johann Wilhelm Schirmer, anschließend kurzzeitig in Basel und Düsseldorf, 1868 Aufenthalt in Paris, hier beeinflusst von Gustave Courbet und der Schule von Barbizon, 1870-76 in München, 1874 erste Italienreise mit Aufenthalt in Rom, ab 1878 tätig in Frankfurt am Main, 1899-1901 in Kronberg und Mitglied der Kronberger Malerkolonie, freundschaftlich verbunden und angeregt durch Arnold Böcklin, Wilhelm Leibl, Wilhelm Steinhausen und Wilhelm Trübner, 1899 zum Professor ernannt, 1899-1920 Direktor der Kunsthalle Karlsruhe, Quelle: Thieme-Becker und Internet.
August Schlüter, Morgen im TeufelsmoorBlick über eine weite sumpfige Landschaft mit vereinzelten Birken im Licht des anbrechenden Tages, Aquarell und Deckfarben, links unten signiert, bezeichnet und datiert "Schlüter Df. (18)95"an der oberen rechten Ecke Einriss, leichte Altersspuren, gerahmt, Sichtmaß ca. 88 x 128 cm. Künstlerinfo: dt. Maler, Aquarellist, Lithograph und Schriftsteller (1858 Münster bis 1928 Düsseldorf), studierte ab 1878 an der Akademie in Düsseldorf bei Andreas Müller, Heinrich Lauenstein und Peter Janssen, 1880-87 Schüler der Landschaftsklasse von Eugen Dücker, unternahm Studienreisen durch Norddeutschland, Italien und die Schweiz, beschickte ab Mitte der 1880er Jahre die Düsseldorfer Kunstausstellungen, Vertreter der „Düsseldorfer Malerschule“, ab 1893 Mitglied der Düsseldorfer Künstlervereinigung „Malkasten“, tätig in Düsseldorf, Quelle: Thieme-Becker, und Internet.
δ STIKStanding Figure (Yellow)Offset lithograph printed in colours, 2015, signed in black ink, on wove paper, with full margins, 755 x 240mm (29 3/4 x 9 1/2in); together with the book 'STIK', first edition, signed, inscribed and doodled by the artist in black ink, 267 x 222mm (10 1⁄2 x 8 3⁄4in) (2) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Raoul Dufy (1877-1953)Reception, from a Drawing of Constantine Guys by Raoul DufyLithograph printed in colours, 1953, a proof before the edition, with the Atelier Mourlot Collection rubber stamp verso, printed by Mourlot, Paris, on wove paper, with full margins, 495 x 647mm (19 5/8 x 25 5/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Jean Dubuffet (1901-1985)Nappe LéopardéeLithograph, 1959, signed, titled, dated and inscribed épreuve d'artiste in pencil, an artist proof aside from the edition of 16, on Arches paper, the full sheet, 635 x 450mm (25 x 17 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Jean Dubuffet (1901-1985)La Danse du GazLithograph, 1958, signed, titled, dated and inscribed épreuve d'artiste in pencil, an artist proof aside from the edition of 16, on Arches paper, the full sheet, 635 x 450mm (25 x 17 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Henri Matisse (1869-1954)Portraits (Duthuit 33)The book, 1954, comprising one lithograph, with title-page, text, reproductions and justification, this copy stamp numbered from the edition of 2850, printed by Mourlot Frères, Paris, published by André Seuret - Éditions du Livre, Monte-Carlo, on wove paper, bound as issued in the original paper covered boards and matching slipcase, overall size 325 x 255mm (12 ½ x 10in) (vol) (2) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Joan Miró (1893-1983)Céramiques (Mourlot 928)Lithograph printed in colours, 1974, with the stamped signature, on wove paper, with full margins, sheet 540 x 760mm (21 ¼ x 30in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973) (after)La Ronde de Jeunesse Lithograph printed in colours, 1961, signed in pencil, numbered from the edition of 200, on Arches paper, with full margins, sheet 650 x 495mm (25 5/8 x 19 1/2in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973)Dans l'Atelier de Picasso (L'Atelier de Cannes) (Bloch 779)Lithograph printed in colours, 1958, aside from the edition of 275, printed by Mourlot, Paris, on Arches paper, the full sheet printed to the edges, sheet 445 x 330mm (17 ½ x 13in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Jim Dine (b.1935)Entrada DriveThe deluxe book comprising one lithograph printed in colours, 2005, the lithograph signed in pencil, numbered from the edition of 140, the book with title page, text and illustrations, this copy numbered from the edition of 140, published by Steidl, Gottingen, bound as issued in the original boards, overall size 300 x 320mm (11 3/4 x 12 5/8in) (book + print)
δ Lynn Chadwick (1914-2003)Figure IIILithograph printed in colours, 1966, signed and dated in pencil, numbered from the edition of 50, printed and published by Curwen Studio, London, on wove paper, with full margins, sheet 831 x 595mm (32 3/4 x 23 3/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
James Rosenquist (b.1933)The Flame Still Dances on Leo's BookLithograph printed in colours, 1997, signed, titled, and dated in pencil, numbered from the edition of XC, printed by ULAE, with their blindstamp, published by Jean-Cristophe Castelli, New York, on wove paper, with full margins, sheet 940 x 688mm (37 x 27 1/8in) (unframed)
John Currin (b.1962)The Jackass. ClambakeLithograph, 2006, signed and dated in pencil, numbered from the edition of 50, as included in the portfolio In The Darkest Hour There May Be Light, co-published by the Serpentine Gallery and Other Criteria, London, on wove paper, with full margins, sheet 420 x 295mm., (16 ½ x 11 5/8 in) (unframed)
δ Tracey Emin (b.1963)Remember Easter is not just for Christmas, it's for lifeOffset lithograph, 2005, from a limited edition designed for Teenage Cancer Trust/Selfridges Wrapped Promotion, on wrapping paper, the full sheet 498 x 698mm ( 19 1/2 x 27 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Tracey Emin (b.1963)Grand Hotel ILithograph printed in colours, 2016, signed, titled, dated and numbered from the edition of 100 in pencil, published by Emin International, London, on wove paper, the full sheet, 452 x 532mm (17 3/4 x 21in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937)Skater (XIV Olympic Winter Games, Sarajevo) (Baggott 135)Offset lithograph printed in colours, 1982, on wove paper, the full sheet printed to the edges, 845 x 620mm (33 1/8 x 24 1/8in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Damien Hirst (b.1965)SuperstitionOffset lithograph printed in colours, 2007, signed in black ink, on wove paper, the full sheet printed to the edges, sheet 985 x 660mm (38 3/4 x 26in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Jeff Koons (b.1955)Dolphin (Bicycle Rack)Lithograph, 2006, signed and dated in pencil, numbered from the edition of 50, as included in the portfolio In The Darkest Hour There May Be Light, co-published by the Serpentine Gallery and Other Criteria, London, on wove paper, with full margins, sheet 420 x 295mm., (16 ½ x 11 5/8 in) (unframed)
δ Laurence Stephen Lowry (1887-1976) (after)Man Looking Out to SeaOffset lithograph printed in colours, 1973, from the edition 850, with the Fine Art Trade Guild stamp, published by the Adam Collection, Ltd, wove paper, image 380 x 255mm (15 x 10in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Henry Moore (1898-1986)Girl I (Cramer 397)Lithograph, 1974, signed in pencil, numbered from the edition of 50, printed by Curwen Prints Ltd., London, published by Henry Moore, Much Hadham, on J Green Waterleaf wove paper, with full margins, sheet 391 x 322mm (15 3/8 x 12 5/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Haim Steinbach (b.1944)Accelerate Your EscapeLithograph printed in colours, 2006, signed, dated and numbered from the edition of 50 in black ink verso, as included in the portfolio In The Darkest Hour There May Be Light, co-published by the Serpentine Gallery, and Other Criteria, London, on wove paper, the full sheet printed to the edges, sheet 297 x 420mm (11 7/8 x 16 5/8 in) (unframed)
δ Henry Moore (1898-1986)Creole Lady (Cramer 321)Lithograph printed in colours, 1973, initialled in pencil, numbered from the edition of XL, an artist's proof aside from the edition of 110, as included in the album La Poésie, printed by Curwen Prints, London, on wove paper, the full sheet printed to the edges, sheet 545 x 490mm (21 1/2 x 19 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Lynn Chadwick (1914-2003)Seated FigureLithograph, 1971, signed and dated in pencil, printed and published by Erker Presse, St Galen, with full margins, sheet 280 x 190mm (11 x 7 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Patrick Procktor (1936-2003)LilyLithograph printed in colours, signed and numbered from the edition of 150 in pencil, on wove paper, the full sheet, 773 x 573mm (30 3/8 x 22 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
David Hockney (b.1937) Modern Graphics 1969-1979 exhibition poster for Arun Art Centre, West Sussex offset lithograph 81 x 51cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.
David Hockney (b.1937) The Nineteenth New York Film Festival, 1981 exhibition poster for The Film Society of Lincoln Center offset lithograph on wove paper 99 x 67cm, unframed. Provenance: From the collection of Bill Jordan. Bill Jordan founded the Jordan Gallery in the 1970s. The short-lived venture was a vibrant hub of modern art in the 70s and 80s, situated in Camden Lock, London. The Gallery exhibited many artists of the period, including David Hockney, Henry Moore, Patrick Hughes, Allen Jones, Ceri Richards, and Joe Tilson.
Exhibition Posters Richard Smith (1931-2016), Drawings, Ashmolean, 64 x 90cm; Tom Phillips (b.1937), lithograph, signed in pencil 60 x 39cm; Tolkien, Exhibition of Drawings, Ashmolean, 1977, 45 x 34cm; Maurice Sendak (1928-2012), Exhibition of Pictures, Ashmolean, 1976, 44 x 35cm; Fourth British Print Biennale, Bradford Art Gallery, 1974, 76 x 51cm; all unframed (5).
Loading...-
70555 item(s)/page