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Click here to subscribeBosa (Eugenio) Soggetti Pittoreschi e Costumi di V lithograph portrait from another work engraved title and 24 plates marginal water-stain to lower corner throughout some light foxing to upper margin old marbled boards gilt-lettered green label to upper cover rebacked in cloth small folio Venice [?1835].
Smith (Andrew) Illustrations of the Zoology of Sou 5 vol. in 3 first edition 279 lithograph or engraved plates all but 9 hand-coloured many heightened with gum arabic occasional foxing but generally clean errata slip at beginning of each vol. tissue guards endpapers foxed modern brown half morocco gilt spines gilt with raised bands [Nissen IVB 880; Nissen ZBI 3868; Anker p.69; Mendelssohn II p.327; Zimmer p.593] 4to [1838]-49-[50]. *** A complete set of the first edition of one of South Africa`s premier colour plate books: “a handsome and valuable work” giving “full particulars of the natural history subjects of South Africa collected by...Smith`s expedition.” (Mendelssohn). George Henry Ford (1809-1876) was the expedition member responsible for the majority of the original drawings and he also executed the corresponding plates. The breakdown of plates is as follows: Aves: 114 plates (all hand-coloured one an aquatint); Reptilia: 78 plates (75 hand-coloured); Invertebrae: 4 plates (all hand-coloured); Mammalia: 52 plates (48 hand-coloured plates 18 and 37 never published); Pisces: 31 plates (29 hand-coloured).
*Cricket. ‘International Cricket Match at Kennington Oval’ [and] ‘Lord’s Cricket Ground’, n.d., c. 1880, two uncoloured lithographs, slight spotting, each approx. 200 x 300mm, together with, Merry (Tom), , ‘Not Out Yet’, c. 1889, political colour lithograph of Gladstone and Salisbury as a wicketkeeper and batsman respectively, trimmed to image, 445 x 300mm, mounted, plus three b & w wood-engravings from the Illustrated London News, five b & w photogravure portraits of batsmen, late 19th c., and five signed limited edition colour prints by Roger Marsh, various sizes and condition, mounted. Roger Marsh was a well-known cricket artist and “paintings by Roger Marsh are almost conversation pieces, and he confesses a preference for the narrative content of the game to straightforward portraiture or action shots” (Wisden Book of Cricket Memorabilia, p.51, see index for other references). (16)
Richardson (Charles James) Observations on the Arc very large folding lithograph frontispiece on thin paper additional title in colours and gilt 57 plates 2 folding 1 colour frontispiece torn and repaired spotted and frayed some marking elsewhere bookplate of Robert Wight Cope-Cope contemporary half morocco gilt panel; on front cover little rubbed folio John Weale 1837 § Nesfield (W. Eden) Specimens of Medieval Architecture illustrated title 100 lithographed plates 1 chromolithograph title and next f. torn original pictorial cloth gilt worn backstrip misssing spine broken folio Day & Son 1862 § Kerr (Robert) The Gentleman`s House second edition 45 plates most folding original cloth rubbed and marked 8vo Murray 1865 § Jourdain (M.) English Interiors in Smaller House 1660-1830 new issue frontispiece plates illustrations spotting original cloth gilt worn dust-jacket 4to 1933 (4)
* Shell - Imperial Airways “6, 000 Miles Without Decarbonising”. A rare early 20th c. advertising poster by Shell Oil Co., c. 1930, full-colour lithograph depicting biplane airliner, artist designers monogram to lower right inscribed “BCM no 129” very slight water stain to lower margin, contained in beechwood glazed display frame, 30 x 44in (76 x 112cm) (1)
* Montaut (Marguerite, ‘Gamy’). “La Tour de France Automobile” 1913, an original pochoir print depicting the “Voiture Majola Pilote par Doutre” dated 1913, hand-stencilled colour lithograph, variously captioned for components suppliers, mounted on original frame, glass lacking, shows some age-wear and discoloration, 16 x 32in (40 x 80cm) (1)
*Birmingham. Birds-Eye View of Birmingham in 1886, pubs. The Graphic, September 4th. 1886, uncoloured folding wood engraving , closed tears affecting image, old folds, 630 x 750mm, together with, The Illustrated London News (pubs.), Map showing the Course of the Proposed Manchester Ship Canal, Feb. 3rd. 1883, col. printed folding lithograph, old folds, occ. marginal closed tears, slight staining to margins, 270 x 780mm (2)
*Roberts (David). Thebes, pub. F.G.Moon, 1846, tintstone lithograph, occ. marginal staining and closed tears, 330 x 490mm, together with seven half page ‘chapter headings’ from ‘Egypt & Nubia’, some spotting, plus a b & w engraved map of ‘The Route of David Roberts Esq. in The Holy Land, Petra & Syria‘ some spotting, 540 x 400mm, with three lithographic title pages for ‘The Holy Land’ and ‘Egypt & Nubia’, some spotting, occ. marginal closed tears, each approx. 470 x 330mm. Sold as a collection of prints, not subject to return. (12)
*Roberts (David). Bazaar of the Silk Mercers, Cairo, pub. F.G.Moon, 1848, tinted lithograph, 510 x 350mm, together with, Roberts (David), Medinet Abou Thebes, pub. F.G.Moon, 1847, tinted lithograph, 350 x 490mm, with, The Dead Sea looking towards Moab, pub. F.G.Moon, 1842, lithographic ‘chapter heading’, 240 x 340mm, English text on verso, mounted (3)
*Vanity Fair cartoon. Mrs George Cornwallis-West [20th November 1912], colour lithograph of Mrs Cornwallis-West by ‘K’, slight mount staining, light marginal finger soiling, 360 x 215mm. One of the most beautiful and inteligent woman to grace society. At the time of this portrait her second marriage to George Cornwallis-West was staggering towards divorce. Perhaps that is why this portrait shows a melancholy beauty as well as her fiery personality, grace and courage. Both she and ‘Vanity Fair’ were getting old by the time this picture was painted, but her ambition, stamina and energy where used to enormous effect in shaping the man who was to become one of the greatest of ‘Great Britains’, her son, Winston Churchill. (1)
After Juliet McLoed BIG GAME signed in pencil, lithograph with publisher`s blind stamp, published by Fores, framed & glazed 71 by 61cm., 28 by 24in.; together with a reproduction print of Fores famous 19th century publication: Fathers of the Turf, framed & glazed, 66 by 84cm., 26 y 33in. (2)
A Great Western Railway poster for Newbury Races 1925, colour lithograph featuring a racehorse with a jockey up in the Royal Colours, Newbury fixture list for the 1925 calendar year flat and national hunt meetings, and details of trains and fares from Paddington, in a period wooden frame under glass, 57 by 43cm., 22 1/2 by 17in.
A Victorian lithograph featuring Fred Archer & other jockeys mounted within a superb horseshoe-shaped gilt picture frame, the other jockeys being MacDonald, C.Wood, J.Osborne, Tom Cannon, G.Fordham, F.Webb, J.Goater & Luke, Exhibited: Derby Day 200 Exhibition, Royal Academy of Arts, London, 5th April to 1st July 1979, Cat. No. 9.10, p.86 Fred Archer, Sporting Hero, 1857-1886, Pittville Pump Room, Cheltenham, 1st November 1986 to 24th January 1987, Cat. No. 6
A decorative colour lithograph commemorating the 1899 Derby winner Flying Fox, portraying the Derby winner with Morny Cannon up, and three oval photogravures of the winning trainer, owner and jockey, John Porter, The Duke of Westminster and Mornington Cannon, mounted, framed & glazed, overall 70 by 63.5cm., 27 1/2 by 25in.
AFTER GODFREY KNELLER "The Countess of Essex", black and white print, AFTER HANS HOLBEIN "Anne, Duc de Montmorence", lithograph, and another similar, AFTER SIR THOMAS LAWRENCE "His Majesty King William IV", coloured print, two Continental coloured lithographs depicting ladies of Royalty, ovals, and a quantity of other portraiture prints and pictures
Raphael Soyer Self portrait holding lithographic lithograph 255 x 205mm. artist`s proof signed in pencil lower right; with an etched study of a woman undressing artist`s proof; 2 copies of Woman and Child in a Fallout shelter signed in pencil lower right from an edition of 25 one an artist`s proof slight browning 20th century (4)
Grant Wood Harvest lithograph fron an edition of 250 190 x 310mm. signed in pencil lower left laid on board support marginal accretions slight browning and surface dirt New York Associated American Artists [Cole 2] [1937] ; Basket of Fruit lithograph with handcolouring 175 x 250mm. signed in pencil lower right hinged into mount [1940] (2)
The Isle of Wight a mixed group of views including an early lithograph by William Varley several by Charles Tomkins others by or after Brannon Stanfield De Wint and others engravings aquatints and lithographs 115 x 150mm. to 280 x 425mm. one laid on support some surface dust and occasional slight spotting a few duplicates 18th and 19th century (c.60)
China and Chinoiserie a mixed group of views in China including 18th century vue d`optiques and a few after William Alexander also elements of chinoiserie architecture ornament and clothing engravings and a lithograph three with original hand-colouring 210 x 150mm. to 340 x 505mm. one laid on support occasional surface dirt a few spotted other occasional minor marginal defects 18th and 19th century (26)
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