Rutter (John). Delineations of the North Western Division of the County of Somerset, and of its Antediluvian Bone Caverns, with a Geological Sketch of the District, 1829, engraved and lithograph plates, folding hand-coloured map, some spotting, recent printed marbled endpapers, contemporary calf, gilt decoration borders to boards, modern reback with gilt decorated spine, 8vo, together with Healey (Charles E.H. Chadwyck), The History of the Part of West Somerset, Comprising the Parishes of Luccombe, Selworthy, Stoke Pero, Porlock, Culbone and Oare, pub. Sotheran, 1901, portrait frontispiece, coloured folding map, illustrations, unopened, original buckram, a few marks, 4to, (limited edition, 42/60 large paper copy), with Waylen (James), Chronicles of the Devizes..., 1839, lithograph frontispiece and few plates, some spotting, modern cloth, 8vo, and Moffatt (J.M.), The History of the Town of Malmesbury, pub. Tetbury, 1805, engraved frontispiece, two plates and one plan, occasional spotting, modern cloth, 8vo, plus one other (5)
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Warner (Rev. Richard). An History of the Abbey of Glaston; and of the Town of Glastonbury, Bath: Richard Cruttwell, 1826, twenty engraved & etched plates (including one plan and one hand-coloured), original prospectus bound-in at rear, front blank with author's presentation inscription, endpapers renewed, contemporary calf, neatly rebacked, 4to, together with Britton (John), The History and Antiquities of Bath Abbey Church..., 1825, engraved frontispiece, additional title and numerous plates, bound with The History and Antiquities of the Abbey, and Cathedral Church of Bristol..., 1830, engraved frontispiece, additional title, and plates, occasional spotting, cloth hinge repairs (upper hinge split), top edge gilt, recent maroon half morocco, retaining contemporary marbled boards, 4to, with Ellacombe (H.T.), The History of the Parish of Bitton, in the County of Gloucester, Exeter: Privately printed by William Pollard, 1881, numerous lithograph plates and plans (few folding and hand-coloured), illustrations to text, top edge gilt, remainder untrimmed, 20th century green half morocco, gilt decorated spine, 4to (3)
Darwin (Charles). The Origin of Species, 6th edition (11th Thousand), with Additions & Corrections, London: John Murray, 1872, half-title, signature to upper blank margin of title, folding lithograph plate, occasional scattered spotting (mostly to first & last leaves), hinges cracked, original green cloth gilt, slight fraying at head & foot of spine, 8vo (1)
Fuertes (Louis Agassiz). Album of Abyssinian Birds and Mammals, from paintings by Louis Agassiz Fuertes, Chicago, Field Museum of Natural History, 1930, 32 fine colour lithograph plates, loosely contained in original grey boards with matching slipcase, rubbed and some minor wear to extremities, 4to (1)
Forester (Thomas). Rambles in the Island of Corsica and Sardinia, with Notices of their History, Antiquities, and Present Condition, 2nd edition, 1861, hand coloured map and eight coloured or tinted lithograph plates (including one folding), few wood engraved illustrations to text, bookplate to front pastedown, original publisher's green cloth, rubbed and scuffed, large 8vo (1)
Jones (Owen & Goury Jules). Views on the Nile from Cairo to the Second Cataract, Drawn on Stone by George Moore from Sketches taken in 1832 & 1833..., published Messrs. Graves and Warmsley, 1843, additional decorative tinted lithographic title, twenty-eight (of 31) tinted lithographic plates, each with a page of descriptive text, lacking plates 4, 6 & 21, (Tomb near Cairo, The Sphinx & Landing Place Philoe), some waterstaining and spotting throughout, several plates with frayed and stained margins, a David Roberts lithograph of 'The Convent of Terra Santa Nazereth' loosely inserted, gutta percha perished, contents shaken and loose, contemporary quarter morocco with gilt title to upper board, lacking spine, boards detached, heavily worn and frayed, folio Blackmer 888. Sold as a collection of plates, not subject to return. (1)
*Coaching. McQueen (F.C. & sons, publisher), Coach Match against Time, The Galopping Stage 'Old Times' Passing Lowfield, pace 20 Miles and Hour..., 1888, lithograph after H.Bird, contemporary hand colouring, explanation below image with facsimile signatures of the coach occupants, some abrasion to printed surface, 565 x 775 mm, mounted, together with an untitled chromolithograph of the 1896 Derby winner 'Persimmon' with inset portraits of the Jockey (J.Watts), the trainer (R.Marsh) and their Royal Highnesses The Prince and Princess of Wales, 645 x 500 mm, mounted (2)
*Dutton (Thomas Goldsworth). Captain Hans Busk's Schooner yacht 'Lady Busk'.Built and fitted with auxiliary engines (80 I.H.P.) by Messrs. Henry Tipping of Portsmouth, published Vincent Brooks, Day & Son, circa 1860, hand coloured lithograph after Hans Busk, 370 x 490 mm, framed and glazed, together with, [Duncan (Edward)],To Edward Griffith Colpoys Esqr. Vice Admiral of the White, This Plate of H.M.S. Winchester is respectfully dedicated by Captain C. J. Austin and the Officers of that Ship, published W.J.Huggins, 1830, aquatint with contemporary hand colouring, trimmed to image on three margins, some staining and browning, slight abrasion to image, 305 x 430 mm, mounted, framed and glazed (glass broken), with, Dutton (T.G.), Clippers in the China Trade..., This print of the Falcon. F.Jauncey Esq. Commander, and other Clippers on the China Coast, published Day & Hague, circa 1860, uncoloured lithograph, slight dust soiling and staining, slight abrasion to title and letters, 320 x 425 mm, mounted, framed and glazed, the print has become detached from backing board and has slipped in mount, with two others similar (5)
Scrap Album. An album of approximately 130 lithographed and engraved views and illustrations, and 9 original watercolour landscapes, etc., circa 1830-50, including picturesque views in Great Britain and Europe (23 lithographic views of Switzerland by Engelmann and Lemercier, 3 uncoloured aquatint views of the Isle of Wight by Westall, and 2 lithographed views of Coitmore Mill and Snowdon by G.R. & S. Lines, a lithographic view of Rio de Janeiro, and a large lithographic panorama of Nice, a lithograph of Arabs and giraffes by G. Scharf, printed by Hullmandel, and a hand-coloured lithograph of Napoleon crossing the Alps), the watercolours include an English estuary scene in pale blue and brown wash, a picturesque rustic landscape with figures by a thatched cottage, a botanical study, another watercolour view of the coast near Genoa (inscribed with title to verso), etc., all mounted onto album leaves, contemporary maroon half morocco gilt, heavily rubbed and scuffed, folio (375 x 265 mm) (1)
Scrap Album. A large folio caricature and scrap album, circa 1820-40, containing 96 thick card leaves, each mounted to both sides with upwards of 1,000 18th & 19th century printed caricatures, colour and humorous prints, engraved and lithographed views, animals, insects, female beauties, each leaf 460 x 285 mm (18 x 11.25 ins), contemporary half calf with brass clasp, modern plain reback, large thick folio, together with another similar large format mid-19th century scrap album containing numerous uncoloured wood engraved illustrations, from the Illustrated London News and The Graphic, bound in contemporary calf-backed pictorial boards, large folio, and a miniature scrap album, circa 1830s-50s, containing numerous small engraved and colour-printed and hand-coloured plates of landscape views, children and scenes of leisure, all edges gilt, original maroon morocco gilt, recased with original spine laid down, 12mo (115 x 90 mm) This attractive large format album contains several images of balloon ascents, prints by J. Fairburn, two large lithographs of spaniels by Dean & Munday, a large lithograph of the soldier Colocontroni from the Greek war of independence dated 1828 (2 copies), seven hand-coloured caricatures by Rowlandson including Preparing to Start, Implements Animated, plates 1 & 2 by Williams, George Cruikshank's The T Trade in Hot Water! or, A pretty Kettle of Fish, Gilray's A Man of Importance (small version), a large lithograph of a Hussar by W. Heath, a lithographic View of the rayas Mine, 1827, an uncoloured aquatint view of Esplanade Row, from the Reservoir at Chandpal Ghat by Robert Havell, a view of Covent Garden Market by Frederick James Havell published by J. Robins & Sons, a large lithographed view of the Bay of Palermo by Whichelo (some damage), a lithographed view of the cast iron bridge, Scarborough by J. Stubbs, etc. (3)
Roberts (David). Picturesque Sketches in Spain Taken During the Years 1832 & 1833, Hodgson & Graves, 1837, tinted lithograph title, dedication and 25 fine tinted lithographed plates (complete), advertisement leaf at end, some scattered spotting, endpapers renewed, original morocco-backed boards, spine rubbed with tears, some fading, folio, sheet size 550 x 375mm (21.75 x 14.75ins) Abbey Travel 152. The first published set of views by David Roberts, for which he was paid £350. According to Abbey, John Ruskin describes Roberts thus: "He was like a kind of grey mirror, he gave the greatness and richness of things, and such height and space, and standing of wall and rock, as one saw to be true; and with unwearied industry, both in Egypt and Spain... The minute knowledge and acute sensation throw us back into ourselves; haunting us to the examination of points and enjoyment of moments; but one imagined serenely and joyfully, from the old drawings, the splendour of the aisles of Seville or the strength of the towers of Granada..." (1)
Dali (Salvador, 1904-1989). Biblia sacra vulgatae editionis ... Imaginibus Salvatoris Dal¡ exornata, 5 volumes, Milan: Rizzoli, 1967, 105 offset colour lithograph plates, after watercolour drawings by Salvador Dali, each with a Japanese paper tissue guard bearing a printed biblical quotation, uncut in publisher's dark green crushed morocco, top edges gilt, gilt-panelled spines with raised bands enclosing floral designs of inlaid morocco in various colours, gilt inner dentelles, moir‚ silk endpapers, green morocco and moir‚ silk slipcases, folio (485 x 358mm) Number 163 of 169 copies of the 'Magni Luxus' edition from a total edition of 1,797 copies. An immaculate set, this set still retains the publisher's signed vellum limitation leaflet, the stamped and numbered gold cast book centrepiece clasp of the artist's hand (65 x 46mm) with cloth support and soft leather pouch. Michler and L”psinger 1600. (5)
Collinson (Rev. John). The History and Antiquities of the County of Somerset, Collected from Authentick Records and an Actual Survey made by the Late Mr. Edmund Rack, 3 vols., 1st ed., Bath, 1791, half titles, folding engraved map frontispiece to volume one, subscribers list, numerous engraved plates and plans, 19th century calf, elaborate gilt decorated spines with contrasting morocco labels, 4to, (Upcott 1146-47), together with Phelps (Rev. W.), The History and Antiquities of Somersetshire..., 3 vols. in two, printed for the author, 1839, lithograph and engraved plates and plans, dampstaining and spotting, armorial bookplate of J. Douglas Clephane Wickham, 19th century half morocco gilt with Wickham family crest to upper panel of each spine, 4to (5)
Lynn Chadwick (British, 1914-2003) - 'Two Sitting Figures on Stripes' Pencil signed limited edition lithograph in green and black, dated (19)72, further text in pencil, published by Erker Presse, St. Gallen, Switzerland, with their blindstamp, approx. 56x76cm, unframed. CONDITION REPORT: Paper is undamaged, colour is good. No mount or frame.
A Swiss two air musical box with lithograph decorated top, by Paillard Vaucher Fils, a 19th Century pocket pistol, a Belgian long barrelled pistol (action missing), an autograph album including Fred Astair, Jack Train, Olive Blakeney etc , a Corona globe table lighter, a collection of various watches, etc
William Russell Flint 1880 - 1969 Pencil Signed Ltd Edition Colour Print / Lithograph. Titled ' A Question of Attribution ' Pencil Signed to Margin, Fine Art Trade Guild Stamp, Published In 1963. Ltd Edition of 850, K.A. Exhibition 1962. Image Size 21 x 17 Inches. Mounted and Framed Behind Glass.
Laurence Stephen Lowry 1887 - 1976 Pencil Signed Ltd Edition Coloured Lithograph / Print. An Edition of 650 Only. Titled ' Berwick - Upon - Tweed ' Fine Art Trade Guild Stamped and Signed By The Artist. No Fading, Excellent Colours and Condition. Mounted and Framed Behind Glass. 21 x 17 Inches.
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70553 item(s)/page