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![*Boucher (Francois, 1703-70). Thau Kiene Eunuque du palais a la Chine, [1731 or slightly later], etching on wove paper by Bo](https://cdn.globalauctionplatform.com/7b305c9c-d629-4973-9938-a71a00b59d6e/da5601fa-9720-48c8-b758-0d9458eede7b/468x382.jpg)
Lot 241
*Boucher (Francois, 1703-70). Thau Kiene Eunuque du palais a la Chine, [1731 or slightly later], etching on wove paper by Boucher after Watteau, with partial unidentified watermark, from the series Diverses Figures Chinoises, published in L'Oeuvre d'Antoine Watteau, or Recueil Jullienne, circa 1734, plate size 217 x 156 mm, sheet size 301 x 238 mm, together with Young woman in a landscape seen from the side, with her head turned towards the viewer, etching on laid paper, with partial unidentified watermark, numbered XIV upper left, and 15 upper right, from Jean Antoine Watteau, Figures de différents caractères, published in Paris by Gabriel Huquier, circa 1740, plate size 187 x 135 mm, sheet size 305 x 198, some marks to margins, plus two other etchings after Watteau by Balthasar Sigmund Setletzky (1695-1771), both studies of male heads, published in Augsburg by J.C. Leopold, plate size 143 x 96 mm and similar, sheet size 220 x 141 mm (and smaller) and Chedel (Pierre Quentin, 1705-1763), Rustic landscape with circular gatehouse, & Rustic landscape with peasants and well, two etchings on laid paper, indistinctly watermarked, plate size 196 x 128 mm, sheet size 305 x 244 mm, plus other various Old Master prints, mostly 18th & 19th century, including two landscape etchings by Pierre Francois Laurent (1739-1809) after Francois Boucher, one showing washer women by a mill, the other a wooded landscape with bridge over a stream, both in generally good condition with wide margins, Vue du fort St. Pierre à Cette, by Jules-Armand-G. Bouchier, dated 1786, a rustic landscape etching with woman hanging washing by Saint Non after Le Prince, a hand-coloured lithograph by Daumier entitled Le Guittariste-Amateur, from the series Monomanes, as published in Le Charivari, December 25, 1840, several 19th century reprints after Rembrandt, two uncoloured proof oval aquatints by Le Blond (Penny for the Guy & Boys Fishing), the first printed in brown on japan paper, five 19th century English humorous illustrations in pen and brown ink, etc. (26)
Lot 456
*@Nevinson (Christopher Richard Wynne, 1889-1946). Banking at 4000 feet, 1917, lithograph on wove paper, from the Making Aircraft set of six lithographs by Nevinson, (for the series The Great War: Britain's Efforts and Ideals, commissioned by the British Department of Information and published by the Fine Art Society, London in 1918), signed and dated 1917 in pencil lower right, numbered 22 in pencil lower left, trimmed just inside the image (with loss of 1 or 2 mm to top and side margins), retaining the lower blank margin containing the signature, overall sheet size 411 x 312 mm (16.25 x 12.3 ins), framed and glazed Black 20. Edition of 200. Provenance: Major Charles Fair DSO (1885-1950) and Marjorie Fair, purchased from the Leicester Galleries in March 1918, shortly after the couple's wedding on 18 September 1917. Having enlisted on 10 August 1914, Charles Fair was commissioned in the 19th London Regiment, and saw significant action during the Battle of the Somme at High Wood, Le Transloy Ridge and Bourlon Wood. This lithograph was first exhibited at Nevinson's second exhibition at the Leicester Galleries in March 1918, entitled War Pictures by Nevinson Official War Artist on the Western Front. (1)
Lot 457
*@Nevinson (Christopher Richard Wynne, 1889-1946). After a Push, 1918, lithograph on Antique de Luxe laid paper, from the edition of 25, signed and dated in pencil lower right, some pale discolouration to upper central portion of the sheet, with a few very small archival repairs, some paper tears and occasional slight loss to blank outer edges, image size 33.5 x 43.5 cm (13.2 x 17.2 ins), sheet size 39.5 x 51.5 cm (15.5 x 20.25 ins), mounted Black 27. Edition of 25. Provenance: Major Charles Fair DSO (1885-1950) and Marjorie Fair, purchased from the Leicester Galleries in March 1918, shortly after the couple's wedding on 18 September 1917. Having enlisted on 10 August 1914, Charles Fairwas commissioned in the 19th London Regiment, and saw significant action during the Battle of the Somme at High Wood, Le Transloy Ridge and Bourlon Wood. This rare lithograph was first exhibited at Nevinson's second exhibition at the Leicester Galleries in March 1918, entitled War Pictures by Nevinson Official War Artist on the Western Front. (1)
Lot 458
*Nicholson (William, 1872-1949). Crown Prince Wilhelm of Germany & Austria (1882 - 1951), chromolithographic portrait, 40 x 24 cm (16 x 9.5 inches), together with Sir Henry Hawkins, colour lithograph tipped on to contemporary card, image size 27 x 24 cm (10.5 x 9.5 inches), with Miss Fotheringay and Captain Costigan, lithograph, laid on contemporary card, image size 34 x 27 cm (13.5 x 10.5 inches), plus Lord Roberts, lithograph, 30 x 25 cm (12 x 10 inches) (4)
Lot 486
*Dali (Salvador, 1904-1989). The Kingdom (from Les Amoureux), 1979, colour lithograph, printed on japon nacre paper, signed, numbered 50 from the edition of 75 artist's proofs, short closed tear to extreme lower left corner, image size 58.5 x 46 cm (23 x 18.1 ins), sheet size 75 x 55 cm (29.5 x 21.75 ins), mounted Field 80-2. (1)
Lot 496
*Scott (William, 1913-1989). Scalpay, 1963, colour lithograph on Arches watermarked paper, printed by Curwen Studio, from the portfolio Europaische Graphik I, published by Wolfgang Ketterer, Munich, with their blindstamp lower left, signed and dated in pencil lower left, and numbered 2/65 in pencil lower right, sheet size 50.5 x 65.5 cm (19.8 x 25.75 ins) (1)
Lot 499
*Whistler (Reginald John 'Rex', 1905-44). The Tate Gallery, 1928, colour lithograph poster, printed by Haycock Photochrom, and published by Underground Electric Railways Company in 1928, sheet size 102 x 63.5 cm (40.2 x 25 ins), several small chips, creases and closed tears, with minor loss to top right corner (1)
Lot 3564
Natural History - J. Pass (act. 1793-1828) after Albertus Seba (1665-1736), Anguis: 1. The horned Snake, 2. The tefsellated Snake (sic), 3. The great annulated Snake of Surinam, J. Wilkes, Lomdon 1801, hand-coloured engraving, 26cm x 20cm; D. Redman (late 18th century), A view of Cubbeer Buur, the celebrated Banian Tree, on an island in the Nerbudda, drawn from Nature 1778, hand-coloured lithograph, 16cm x 23cm [2]
Lot 3566
Thomas Fairland (1804-1852) after Benjamin West PRA (1738-1820), William Penn's Treaty with the Indians, when he founded the Province of Pennsylvania in North America, 1681, William Darton and Son [...], London 1835, lithograph laid on canvas, 41cm x 48cm, rectangular mahogany cushion frame
Lot 2
Belzoni (Giovanni-Battista). Narrative of the Operations and Recent Discoveries within the Pyramids, Temples, Tombs, Excavations, in Egypt and Nubia; and of a Journey to the Coast of the Red Sea, in Search of the Ancient Berenice; and Another to the Oasis of Jupiter Ammon, 1820, half title (torn to lower margin), lithograph portrait frontispiece and one plate, library ink stamps to both sides of title and few other leaves, some toning and spotting, modern brown library buckram, classification number at foot of spine, 4to (1)
Lot 201
Europe. Lehmann-Dumont (Karl), 2. Humoristische Karte von Europa im Jahre 1914, published Dresden, 1914, colour lithograph with explanatory text above image, trimmed to neatline, old folds with some fraying and very slight loss where folds cross, 330 x 480 mm, together with Excelsior. Journal Illustr‚ Quotidien, 1916, eight leaf illustrated paper with a 'centre-fold' of a map of Europe titled 'La Tenaille se Resserre! (the pincer tightens) showing the heads of the leaders of the German alliance being squeezed between the jaws of a giant pair of pincers, the handles of which are operated by the soldiers of the allies, map size 480 x 320 mm, with Der Wahre Jacob, 1904, fifteen issues of the German satirical magzine which was published intermittently from 1879 - 1933, colour printed covers, numerous black and white illustrations and caricatures throughout, each magazine approximately 330 x 240 mm The first described map is the second of two satirical geographical caricatures on the state of Europe published just before the outbreak of World War I. Unlike its anamorphic companion piece, this map portrays Germany and Austria as circus trainers and animal tamers controlling an increasingly wild and disfunctional European menagerie. Uncommon. (3)
Lot 202
Europe. Cret‚ (B.), Carte Symbolique de L'Europe, Guerre Lib‚ratrice 1914 - 1915, published Paris, 1914, lithograph, old folds, some staining and fraying with loss to upper margin, some splits to old folds, strengthened on verso, blind stamp to lower right corner, 455 x 570 mm A satirical French map showing the state of Europe at the outbreak of World War I. Great Britain is represented by a dreadnought whilst Ireland sails a dinghy in the battleship's wake. An enraged German bull charges at the French cockerel and Marianne pokes at the bull with a short sword. At the same time the German bull is poked in its rump by an imperious Tsar Nicholas II of Russia. The representation of Austria-Hungary as a fallen crown and a series of graves is deeply prophetic, suggesting the impending end of that empire. Poland is a young girl pleading to Russia whilst Italy turns its back on the continent and plays a lute. Sweden and Norway are shown as beautiful young girls in an almost sapphic embrace. The map is a relatively gentle depiction of European national characteristics before the continent descended into chaos. Uncommon. (1)
![*Lear (Edward). Freckled Bittern, originally published in 'The Birds of Europe', [1832 - 1837], lithograph with contemporary](https://cdn.globalauctionplatform.com/425ba282-35d8-44a4-a191-a71a00b657f8/e13e6143-e17b-4605-94b5-086da7ef1e5d/468x382.jpg)
![*New York. Bachmann (John), [Birds Eye View of New-York & Brooklyn], published A. Guerber & Co., circa 1855, lithograph with](https://cdn.globalauctionplatform.com/425ba282-35d8-44a4-a191-a71a00b657f8/327a558f-a4de-48b9-b846-b5c7cec3508a/468x382.jpg)
Lot 280
*New York. Bachmann (John), [Birds Eye View of New-York & Brooklyn], published A. Guerber & Co., circa 1855, lithograph with contemporary hand colouring, trimmed to neatline with loss of title, 415 x 590 mm A dramatic panorama showing New York and Brooklyn in the middle of the 19th century. The artist shows the city looking north from Governor's Island extending out behind it toward the horizon. The busy harbour and the piers along the west and east bank are filled with an assortment of sail and steam ships. The pre-Ellis Island immigration station is set into the water and connected with a footbridge. By the end of the 19th century, landfill would push the shoreline of the city further out into the sea. Uncommon. (1)
Lot 355
Davis (David Daniel). The Principles and Practice of Obstetric Medicine, in a series of systematic Dissertations on Midwifery, and on the Diseases of Women and Children, 2 volumes, 1836, half-titles, numerous lithograph plates, including some double-page or folding, ink stamps to titles and plates, spotting and dampstaining and marginal toning, endpapers renewed, edges untrimmed, original cloth, rebacked, 4to (2)
Lot 513
Taunt (Henry W.). A New Map of the River Thames from Thames Head to London, (on a scale of two inches to a mile), from Entirely new Surveys made Personally by the Author and Corrected to the Present Time..., 6th edition, Oxford: Taunt & Co., [1897?], 4pp. publisher's adverts at front, mounted photograph frontispiece, large folding table, 33 double-page lithograph maps, each with inset mounted photographs, five plates (2 with photographs), library ink stamps to endpapers, front free endpaper torn, hinges split, original green cloth with blocked decoration in gilt & black, 8vo, together with Potter (Beatrix), The Tailor of Gloucester, 1st edition, 1903, colour frontispiece and plates, ink stamp to verso of title, library label & number to front free endpaper, text block broken between half-title & frontispiece, hinges repaired, original maroon boards with inset picture to upper cover, rebacked perserving original spine, light wear and marks, 16mo, plus other ex-library books, including British topography, and a defective copy of A History of the Art of Bookbinding by W. Salt Brassington, 1894 (a carton)
Lot 116
Hamilton (N.E.S.A., editor). The National Gazetteer of Great Britain and Ireland; or Topographical Dictionary of the British Islands, 12 volumes, published Virtue & Co., circa 1870, additonal decorative engraved title, sixty-eight lithograph double page maps, some spotting and staining, later ink manuscript annotations to front endpapers and to rear endpapers in volume one, some hinges broken, contemporary blue cloth gilt, heavily stained and worn, large 8vo, together with Brabner (J.H.F., editor), The Comprehensive Gazetteer of England and Wales, 6 volumes, published William Mackenzie, 1894, title pages with library blind stamp, other usual ex-library markings, sixty-nine double page lithographic maps (including one folding) and twenty-four photolithographic monotone plates, bookplate of Bournmouth Reference Library and mid 20th century manuscript presentation inscription to front pastedowns (one label removed), publishers cloth gilt, a little worn, large 8vo (18)
Lot 125
[Rudder, Samuel]. The History and Antiquities of Gloucester: including the Civil and Military Affairs of that Antient City..., Cirencester: S. Rudder, 1781, folding engraved frontispiece, library stamp to verso of title, modern buckram with usual library markings, 8vo, together with The History of the Antient Town of Cirencester, in Two Parts, 2nd edition, Cirencester, 1800, engraved plan frontispiece, ink stamp to verso of title with show-through, engraved plates (some folding), endpapers renewed with library stamps & labels at front, contemporary half calf, rebacked, paper label at foot of spine and some wear, 8vo, with Britton (John), The History and Antiquities of the Abbey, and Cathedral Church of Gloucester..., 1829, wood engraved vignette to title (ink stamp to verso), numerous engraved plates, some spotting, modern buckram with library markings etc., large 4to, with Bathurst Rev. William Hiley), Roman Antiquities at Lydney Park, Gloucestershire, 1879, library label and stamps to title, lithograph plates and plans, original cloth, library markings and bookplates, small folio, plus other 19th and early 20th century Gloucestershire related, all ex-library (28)
Lot 133
Browne (Henry, of Amesbury). The Geology of Scripture, Illustrating the Operation of the Deluge..., with a Consideration of Scripture History, in Reference to Stonehenge and Abury, in Wiltshire; and to the Caves of Elephanta and Salsette, and the Wonders of Elora, in Hindoostan; a Statement of New and Important Views of Geology, Resulting from Information contained in Scripture; and an Interesting Tour from Christchurch, along the banks of the River Avon, and across the Wansdyke, to Abury, Frome: Printed by W.P. Penny, and Sold by the Author, 1832, ten lithograph plates, plans & maps (3 hand-coloured), faint erased signature to upper blank margin of title, edges untrimmed, original cloth backed boards, remnants of paper label to spine, some wear to spine and extrmities, 8vo (1)
Lot 134
Catalogue - Clydesdale Horses. Catalogue of Clydesdale Horses and Ayrshire Cattle, the Property of Mr. Lawrence Drew, to be Sold by Auction, at Merryton Home Farm, near Hamilton, on Tuesday, 9th April, 1878. Sale to Begin at Half-Past Twelve P.M., James Marshall, Auctioneer, Carluke, Glasgow: John M'Caul & Co., 1878, twenty-one lithograph plates of Clydesdale Horses, scattered spotting to first & last leaves, all edges gilt, original blue limp morocco, spine and extremities rubbed, 8vo (1)
Lot 150
[Miller, Hugh]. Poems, written in the Leisure Hours of a Journeyman Mason, 1st edition, Inverness: Printed by R. Carruthers, 1829, half-title, edges untrimmed, original boards, neatly rebacked, 12mo, together with The Old Red Sandstone; or New Walks in an Old Field, 1st edition, Edinburgh: John Johnstone, 1841, folding hand-coloured lithograph frontispiece and nine uncoloured plates, occasional spotting, sewing slightly weak, bookplate of Sir Philip de Malpas Grey Egerton, 10th Baronet FRS (1806-1881) to upper pastedown and related inscription to front free endpaper, original cloth with original worn printed title label to spine, 8vo, with a 2nd edition of the same work, and The Centenary of Hugh Miller being an Account of the Celebration held at Cromarty on 22nd August, 1902, Glasgow, 1902, black & white portrait frontispiece, light spotting, original cloth gilt, 8vo, plus Gillespie (William), The Theology of Geologists, as Exemplified in the Cases of the Late Hugh Miller, and Others, 2 parts in one, Edinburgh: Adam and Charles Black, 1859, title to printed wrappers, paper reback faded, some creasing & dust-soiling to covers, 8vo (5)
Lot 165
Young (Rev. George). A Geological Survey of the Yorkshire Coast: Describing the Strata and Fossils occurring between the Humber and the Tees, from the German Ocean to the Plain of York..., Assisted by John Bird, Artist, 2nd edition, much improved and enlarged, Whitby: Printed at the office of R. Kirby, 1828, engraved frontispiece, double-page hand-coloured engraved map and plan, 18 lithograph plates (17 hand-coloured and one double-page), subscribers list & errata present at rear, occasional spotting, some offsetting, early 20th century half cloth gilt, spine faded, joints & extremities slightly frayed, 4to, together with Phillips (John), Illustrations of the Geology of Yorkshire; or, a Description of the Strata and Organic Remains of the Yorkshire Coast, York: Printed for the Author, by Thomas Wilson and Sons, 1829, hand-coloured lithograph map, nine sectional lithograph plates (8 hand-coloured), fourteen lithograph plates of fossils, some dampstaining to plates, edges untrimmed, original printed wrappers, ink stamp to upper cover & front free endpaper, covers dust-soiled and slight wear, 4to, plus Gibson (Walcot), Memoirs of the Geological Survey. England and Wales. The Geology of the North Staffordshire Coalfields, 1905, eight plates (including folding colour map and sectional diagram), title browned, some toning throughout, original cloth gilt, upper joint split to lower third, large 8vo (3)
Lot 89
A FINE MID 19th CENTURY COLOURED ENGRAVING - 'The Wonders of the Menai Suspension & Tubular Bridges', published by S Hughes, Bangor, 1850, the view being from the south side, 30 x 47 cms and after G HAWKINS coloured lithograph 'The Britannia Tubular & Menai Suspension Bridges' published by Catherall, Chester & Bangor, 1852 and depicting the view from the north side, 24 x 29 cms
Lot 103
Micheal Farrell (1940-2000) I DON'T MIND HOW YOU PAINT MY SOUL BUT GET MY TIE CORRECT, 1999 etching and lithograph; (no. 134 from an edition of 150) signed and dated in the margin lower right; titled lower centre; numbered lower left 9¼ x 7¾in. (23½ x 19.69cm) Leinster Gallery, Dublin, 2005;Private collection Sheet size 21 by 15.75in.
Lot 49
Robert Polhill Bevan (British, 1865-1925) THE SMITHY, LUPPITT, DEVON, 1920 lithograph; (from an edition of 45) signed lower right; numbered lower left; with Executors of the late Robert Bevan label on reverse 9¾ x 12¾in. (24.77 x 32.39cm) Collection of George and Maura McClelland An example of this edition can be found in the Victoria & Albert Collection.
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70553 item(s)/page