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Lot 10
Yaacov Agam, Israeli (1928) Limited Edition Lithograph "Ben Gurion". Signed Lower Right, Numbered 198/200 Lower Left. Signed on Frame Glass. Signed en verso. Good Condition or Better. Measures 27-1/4 Inches Tall and 21-7/8 Inches Wide, Frame Measures 36-1/2 Inches Tall and 31-1/8 Inches Wide. We will not ship this item due to its size. We will happily recommend a list of outside vendors upon request.
Lot 11
Yaacov Agam, Israeli (1928) Limited Edition Lithograph, "Star of Peace". Signed Lower Left, Numbered 95/180 Lower Right. Signed on Frame. Good Condition or Better. Sheet Measures 26-5/8 Inches Tall and 18-7/8 Inches Wide, Frame Measures 31-3/8 Inches Tall and 23-5/8 Inches Wide. Shipping $185.00
Lot 7
Yaacov Agam, Israeli (1928) Limited Edition Lithograph with Cut Outs, "#62 Midnight Lyht". Signed Lower Right, Numbered A.P. 11/27. Artist Label en verso with Title. Good Condition or Better. Measures 17-3/4 Inches Tall and 20-1/4 Inches Wide, Frame Measures 23-3/4 Inches Tall and 26-3/4 Inches Wide. Shipping $165.00
Lot 9
Yaacov Agam, Israeli (1928) Limited Edition Lithograph. Signed Lower Right. Numbered 5/9 Lower Left. Good Condition or Better. Measures 26-3/4 Inches Tall and 35 Inches Wide, Frame Measures 32 Inches Tall and 44 Inches Wide. We will not ship this item due to its size. We will happily recommend a list of outside vendors upon request.
Lot 207
Lehmann, Germany: An Pol 681 lithographed tinplate tri-wheeled vehicle, c.1910, with lithograph transfers (missing umbrella canopy). NB This model was a variation on "The New Century Cycle", commemorating the American explorer Robert E. Peary's reaching the North Pole on the 6th April, 1909, and put the two figures in woollen coats with the umbrella canopy of the topical map of the North Pole.
Lot 123
Mary Fedden OBE RA, British 1915-2012- "The Orange Mug", 1996, publ. by Bow Art; offset lithograph printed in colours, signed, numbered 444/550 in pencil, with blindstamp, 32x40.5cm (sheet), (unframed) (may be subject to Droit de Suite) CONDITION REPORT: Unframed, in plastic protective cover signed and numbered in pencil printed on thin card In very good condition.
Lot 124
Mary Fedden OBE RA, British 1915-2012- 'Red Sunset', 1994, publ. by Bow Art; offset lithograph printed in colours, signed and numbered 274/500 in pencil, blindstamp, 32x40.5cm (sheet), (unframed) (may be subject to Droit de Suite) CONDITION REPORT: Unframed, in plastic protective cover signed and numbered in pencil printed on thin card In very good condition.
Lot 220
Alfred Manessier, French 1911-1993- Untitled abstract composition; lithograph printed in colours, signed and numbered XLVII/LX in pencil, 54x36cm (may be subject to Droit de Suite) CONDITION REPORT: mounted in a glazed ebonised frame, early 21st century may or may not be stuck down as unexamined out of the frame sheet somewhat yellowed overall some fine spotting top edge mount has acidified and edges of sheet look to be browned otherwise good condition
Lot 225
Percy Wyndham Lewis, British 1882-1957- Portrait of David Low; lithograph, signed and dated 1932 within the plate, 36.5x26cm (may be subject to Droit de Suite) CONDITION REPORT: in a perspex glazed ebonised frame, early 21st century may or may not be stuck down as unexamined out of the frame sheet subject to minor marks and soft handing creases otherwise good condition
Lot 59
Peter Coker RA, British 1926-2004- "Pont Neuf from Hotel Chatelet"; lithograph printed in colours, signed and numbered 23/95 in pencil, bears blindstamp for Curwen Studio, Chilford, 91x67.5cm: together with two further lithographs by the same hand, one entitled "Pont au Change at Night" and the other depicting a cityscape with river and bridges, ea. signed and inscribed in pencil 'Curwen Archive 1', ea. bearing blindstamp for Curwen Studio, 92.5x71cm and 65.7x55.6cm, (3) (part unframed) (may be subject to Droit de Suite)
Lot 338
French School, early 19th century, publ Rue Montmartre No 132- "Le Dejeuner Le Bon Genre, No 10"; hand-coloured engraving, 19.5x30cm: Parfait Augrand, French b.1782- "La Brodeuse" and "La Fileuse", after Dubrusle; stipple engravings printed in colours, mounted in matching glazed gilt frames, 22x17cm., ea: French School, 19th century- Portrait of a child; lithograph, 21x17cm: French School, early 19th century- Portrait of a lady seated three-quarter length with a muff; stipple engraving printed in colours, in a shaped mount, 18x13cm: Gaetano Zancon, Italian 1771-1816- "Veduta di Roncengno Villaggio in Valsugana", after Pietro Marchioretto; engraving with etching, 20x22cm., (6) CONDITION REPORT: |Le Dejeuner: mounted in a glazed wooden moulding frame with stringing may or may not be stuck down as unexamined out of the frame some yellowing and soiling to the sheet top left corner shipped with associated losses spotting here and there overall fair condition Parfait Augrand: both frames with some wear and tear to the corners and edges both sheets may or may not be stuck down as unexamined out of the frames both sheets subject to yellowing and time fading some spotting to both sheets overall fair to good condition Remaining prints: portrait, sheet yellowed, stained with spotting woman in muff, good condition Zancon, margins grubby, otherwise good
Lot 528
After John Absolon, British 1815-1895, by Day & Son lithographers- "The Nave and Transept" Publ. by Lloyd Brothers Ltd 1851; hand-coloured lithograph, 33x41.5cm: togeher with five other lithographs from the Great Exhibition 1851, by Day & Son Lithographers after various artists- "The Furniture Court", "Church Furniture", "The Amazon (East Nave)", "America", "The Bradford Court" Publ. by Lloyd Brothers Ltd 1851; hand-coloured lithographs, 33x41.5cm ea., (6) (in matching frames) CONDITION REPORT: In wooden, gilded and glazed frames with cream mounts with gold and black edging Unexamined out of frame there are a few water stains present on two of the prints a few creases visible on the lead print minor brown staining otherwise in general good condition
Lot 6
Joseph Nash (1808-1878) British. ‘Bramshill, Hants’, Lithograph in Colours, Inscribed title in Pencil, 16” x 10.75”, and fifteen others by the same hand, of various sizes, all Inscribed in Pencil; ‘Long Gallery, Haddon Hall’, ‘Staircase, Hatfield, Herts’, ‘Presence Chamber, Hardwicke Derbyshire’, ‘Westwood, Worcestershire’, ‘Ockwells, Berks’, ‘Bedchamber, Knowle, Kent’, ‘Hall, Franks, Kent’, ‘Staircase, Wadhurst, Sussex’, ‘Hall, Beddington, Surrey’, ‘Chapel Haddon, Derbyshire’, ‘Staircase, Crewe Hall, Cheshire’, ‘Porch, Wroxton Abbey, Oxon’, ‘Hall, Moat House, Ightham, Kent’, ‘Southam, Gloucestershire’, ‘Postlip Hall, Gloucestershire’. (16)
Lot 390
§ John Piper, OM, CH (British, 1903-1992) Abbeville, St Wolfrun signed lower right "John Piper" in pencil and numbered 35/70 lithograph printed in colours, on wove, printed at Kelpra Studio, published by Marlborough Fine Art 84 x 64cm (33 x 25in) John Piper was a painter of architecture, landscape and abstract compositions, a designer for the theatre and of stained-glass windows and a writer on the arts. At first Piper painted mainly landscapes, but after a visit to Paris in 1933, he turned to abstraction. Condition appears fine.
Lot 348
§ Laurence Stephen Lowry (British, 1887-1976) Castle by the Sea signed lower right in pencil "L S Lowry" and numbered 67/75, published by Ganymed Original Editions Ltd, 11 Great Turnstile, London, WC1. lithograph printed in cream and black, 1969, on wove 50 x 63cm (20 x 25in) On buff paper and condition appears fine.
Lot 392
§ Marino Marini (Italian, 1901-1980) Spartaco signed lower right "Marino" and numbered "HC XIII/XXV lithograph 50 x 66cm (20 x 26in) Provenance: From the collection of Peter Inskip, Trinity House, Cardington, Bedfordshire. An Italian painter, sculptor, Lithographer and etcher who held several Professorships at art schools in Milan, and received the 1952 City of Venice prize for his sculpture. Under plexiglass and with some browning around the edges. Image is good.
Lot 387
Fernando Vilchis (Mexican, b.1932) Formas signed lower right "F Vilchis '64" and numbered 1/15 lithograph 47 x 31cm (18 x 12in) The Mexican artist Fernando Vilchis is highly sought after and his paintings and prints are in private collections and public galleries in Mexico and the United States. His highly coloured abstracts were sometimes done in oil and sand on masonite - the present lithograph dates from the early 1960s. Watermark can be seen on the paper - condition appears fine.
Lot 221
Arthur Merric Boyd (Australian, 1862-1940) Shoalhaven Quarter I-IV, 1988 numbered and inscribed with title in pencil, signed lower right under the print lithograph, edition of 77 (4) 81 x 63cm (32 x 25in) The present lithographs depict the Shoalhaven River valley, in south-eastern New South Wales. The Shoalhaven landscape was the inspiration for many of Boyd’s paintings. The area was the basis for one of Boyd's most well-known works, a tapestry commission by the Parliament House Art Collection, Australia, in 1984. The glass on one has been cracked to the bottom left corner
Lot 330
Sonia Woolf (British, 20th Century) Illustrations from Thomas De Quincy's 'Confessions of an English Opium Eater', 1930, together with a box of correspondence all signed "Sonia Woolf" and dated '27, '29 and ' 31 in pencil underneath the print lithograph (4) 51 x 18cm (20 x 7in) Exhibited: Exhibited at the Foyle Art Gallery, London, November 1930, in an exhibition of original drawings made to illustrate books published by John Lane The Bodley Head, during the Autumn of 1930. Literature: ‘The Confessions of an English Opium-Eater’ by Thomas De Quincey, pub. by John Lane The Bodley Head, 1930. Woolf studied at the Manchester Municipal School of Art from 1926. The accompanying correspondence includes that from fans of her work, a few from Art Agencies discussing the suitability of her work, a letter from The Collector’s Gallery, Manchester, enquiring after her work, and a few sheets of poetry. One framed and three unframed. All have some wear and some fading.
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70555 item(s)/page