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The Treasure Seeker is an original hand-colored lithograph on paper by social commentary artist Seymour Rosenthal who poignantly depicts an old lady rummaging through trash where she finds a newspaper with the caption Great Society. Edition number, title, signature on lower edge: 132/250 Hand-colored, The Treasure Seeker, Seymour Rosenthal. Housed in a wood frame with a light blue mat. Sight size: 17.75"L x 24"H. Frame dimensions: 24"L x 30.50"H x 1"W. Artwork can be unframed and rolled for shipment. Artist: Seymour Rosenthal (American 1921-2007)Issued: c. 1980Dimensions: See DescriptionEdition Number: 132 of 250 Country of Origin: United StatesCondition: Age related wear.
Original monochrome lithograph on laid paper that depicts a nude couple in an erotic embrace. Signature in graphite on lower right: Vilas? Edition number on lower left: 43/200. Housed in a metallic frame with an brown mat. Sight size: 23"L x 16"H. Frame dimensions: 29.50"L x 22.50"H x 1.50"W. Artwork can be unframed and rolled for shipment. Issued: c. 1970Dimensions: See DescriptionEdition Number: 43 of 200 Condition: Age related wear.
An original hand-colored lithograph on paper by John Gould and Henry Constantine Richter of two smalls birds known as the Bornean banded pittas. Pulled from John Gould's folio Birds of Asia, Volume 5, published in 1850, which featured the avifauna found throughout the Asiatic region. Inscription below the illustration states: Drawn and lithographed by John Gould and Henry Constantine Richter. Printed by Walter & Cohn. House in a wooden frame with a green mat. Sight size: 12.75"L x 19.5"H. Frame dimensions: 20.5"L x 0.75"W x 27"H. Artist: John Gould and Henry Constantine RichterIssued: 1850Dimensions: See DescriptionCondition: Age related wear. Small brown spot under glass found towards the bottom.
Milford 'Mel' Hunter (1927-2004), 'In Our Birch Grove', 1976, limited edition colour lithograph, numbered in pencil 92/200 20 APs' bottom left, titled in pencil bottom centre, and signed by the artist in pencil bottom right, mounted framed and glazed, aperture 49.9cm wide, 41.7cm high, frame 68cm wide, 69.7cm wide.FOOTNOTE: Mel Hunter was a successful American science fiction and technical illustrator, producing illustrations for authors such as Isaac Asimov and Robert A. Heinlein, as well as being a technical and scientific illustrator for clients such as The Pentagon, Hayden Planetarium, and the Massachusetts Audubon Society.Artist's Resale Right fees will also apply to this lot if it sells for a hammer price of £1,000 or over.Condition: Etching appears to be undamaged, but the mount may possibly cover part of the printed surface at the sides and top. Colours bright, but the paper appears to be very slightly ambered/darkened. Unexamined out of frame or mount.Packing & Shipping Let us take the hassle of sorting out packing and shipping from you. Mark Hill Auctions is delighted to be able offer the buyer an in-house packing and shipping service for this lot. We use UPS for shipping and all packages are sent with a minimum of a tracked service. We do not use any other service such as Royal Mail. Please see below for cost estimates, including packing:UK (Guaranteed Price): £27.11 USA (Estimated Price): £71.70 EU (Estimated Price): £32.50 R.O.W. (Estimated Price): £101.10All above quoted packing and shipping prices will have VAT added at 20%. Unless otherwise indicated above, these are estimates only but we aim to be as accurate as possible. To request packing and shipping, please wait for your invoice to arrive by email and click on the ‘Request Postage’ button on your invoice, or contact us by email requesting packing and shipping for your lot(s). The actual packing and shipping cost will then be added to your invoice and your invoice will be resent to you for payment.IMPORTANT When you request your lot(s) to be packed and shipped, you understand and agree that you are committing to pay for packing and shipping because, in order for us to give you an accurate cost, we need to pack the lot(s) to ascertain the final weight and size. By doing that, we have already incurred cost by spending time and using materials to pack your lot(s). Therefore this charge must be paid, even if you later decide to collect your lot.INSURANCE The above quotes do not include insurance. If you require insurance, please request this when you request your lots to be packed and shipped. We can only know the cost of insurance after the hammer falls as it is only then that we will know the value to be insured.MULTIPLE PURCHASES The estimates above are for this lot only. If you buy multiple lots from this auction, they can be combined where possible into one or more packages - size, shape and weight permitting. For these packages containing multiple lots, you will receive a discount of 17.5% of the total of the applicable quotes listed for those lots.Please note that this packing and shipping service is undertaken entirely at the buyer’s risk. Whilst we take the utmost care to pack items as well as we can, we cannot be held responsible for any damage to, or loss of, items packed and sent to you. By paying for our in-house packing and shipping service, the buyer agrees that any items are sent entirely at their own risk and that no compensation can be offered for any loss or damage. Lots must be paid for in full before they will be released.
Paul Osborne Jones (1921-1997), lithograph in colours on paper, Helianthus Annuus (Common Sunflower), 52.5cm x 35.5cm, signed in the plate. Lithography by The Curwen Press on a matt coated cartridge paper made by Gelderland Tielens Papierfabrieken, Nijmegen. From the limited edition of Flora Magnifica, Ed. 304/506, published by The Tryon Gallery, London in 1976. Mounted, glazed and framed
Edward Bawden (1903-1989), lithograph on paper, The Battle of Qadisiya, 17.5cm x 43cm, from The Arabs, printed by The Curwen Press in 1947, mounted, glazed and framed. Bawden wrote of it - “I work upon the lithographs for a few hours every day, but because of the fine detail I find the work rather a strain on the eyes. In all I have finished one-fifth of the drawings but these include some of the most elaborate ones such as the two double spreads.” This is the second of those double spreads. Sadly, the work was never reprinted, as it included a pictorial depiction of Mohammed which led to widespread protests in the Arab world
TWO EARLY 19TH CENTURY SCRAP ALBUMS compiled by Anna Maria Ewen (1786-1857), continued by Charlotte Maria Ewen (1833-1915) and others, containing a mixture of Grand Tour, Military, fashion and other coloured scraps, many of the fashion scraps arranged into room settings, both folio, one green three-quarter bound, the other red leather, both with marbled boards, together with some loose scraps and a loose coloured Vowles lithograph - 'The Tyrolese Family', dated 1827Provenance: Hunstanton Hall, Norfolk and by family descent.
* HANNAH FRANK (SCOTTISH 1908 - 2008), WRAP THY FORM IN A MANTLE GREY (1941) lithograph on paper, signed and with personal inscription framed and under glassimage size 39cm x 29cm, overall size 52cm x 39cm Note: Since McTear's first promoted Hannah Frank's spectacular work in 2011, the prices for her ever more rare signed prints have continued to rise with many current prices being more than five times higher than those achieved barely a decade ago. The latest UK auction record figure for a single signed lithograph was most recently achieved (twice) in our auction on 24th October 2021 and now stands at £820 (hammer). Note 2: Hannah Frank was the last living link to the Arts and Crafts and Art Nouveau period. She studied at the Glasgow School of Art and Glasgow University in the 1920`s and her haunting pen and ink drawings have been exhibited at the Royal Academy, Royal Scottish Academy and Royal Glasgow Institute. A series of lithographs of some of her 90 drawings were made in the 1960's and again in the 1980's to satisfy the demand for her work after exhibitions in Edinburgh and Glasgow. Only a relatively few of these prints were hand signed (in pencil) by Hannah and it's understood that only one print was ever editioned (numbered) in a conventional manner. A major exhibition at the Royal Glasgow Institute in 2006 brought her work to a new generation of admirers and received considerable press coverage. Her work toured for five years in the UK and the USA culminating in an exhibition at Glasgow University which opened on her 100th birthday 23rd August 2008. After her death, she was awarded a posthumous Honorary Doctorate at Glasgow University and Glasgow City Council`s Lord Provost`s Award For Art (2009).
* JOHN BYRNE RSA (SCOTTISH 1940 - 2023), BIG SELFIE offset lithograph on paperframed and under glassimage size 35cm x 27cm, overall size 51cm x 42cm Note: John Byrne studied at both Edinburgh and Glasgow Schools of Art in the late 50s and early 60s. A superb painter and draughtsman, the multi-talented Byrne was also a first-class playwright (‘The Slab Boys’, ‘Tutti Frutti’), his ear for dialogue was as acute (and witty) as his eye for detail. Much of his subject matter in both disciplines is overtly autobiographical, he often included or refers to the Teddy Boy/Rock and Roll era of his youth. Byrne designed record covers for Donovan, The Beatles, Gerry Rafferty and Billy Connolly. His work is held in major collections in Scotland and abroad. Several of his paintings hang in The Scottish National Portrait Gallery in Edinburgh, the Museum of Modern Art and the Kelvingrove Art Gallery and Museum in Glasgow. At the time of writing, The Fine Art Society, Edinburgh is staging "John Byrne: In The Studio" (until 23rd December).
* HANNAH FRANK (SCOTTISH 1908 - 2008), FLIGHT (1939) lithograph on paper, signedframed and under glassimage size 33cm x 26cm, overall size 48cm x 34cmNote: Since McTear's first promoted Hannah Frank's spectacular work in 2011, the prices for her ever more rare signed prints have continued to rise with many current prices being more than five times higher than those achieved barely a decade ago. The latest UK auction record figure for a single signed lithograph was most recently achieved (twice) in our auction on 24th October 2021 and now stands at £820 (hammer). Note 2: Hannah Frank was the last living link to the Arts and Crafts and Art Nouveau period. She studied at the Glasgow School of Art and Glasgow University in the 1920`s and her haunting pen and ink drawings have been exhibited at the Royal Academy, Royal Scottish Academy and Royal Glasgow Institute. A series of lithographs of some of her 90 drawings were made in the 1960's and again in the 1980's to satisfy the demand for her work after exhibitions in Edinburgh and Glasgow. Only a relatively few of these prints were hand signed (in pencil) by Hannah and it's understood that only one print was ever editioned (numbered) in a conventional manner. A major exhibition at the Royal Glasgow Institute in 2006 brought her work to a new generation of admirers and received considerable press coverage. Her work toured for five years in the UK and the USA culminating in an exhibition at Glasgow University which opened on her 100th birthday 23rd August 2008. After her death, she was awarded a posthumous Honorary Doctorate at Glasgow University and Glasgow City Council`s Lord Provost`s Award For Art (2009).
* JOHN BYRNE RSA (SCOTTISH 1940 - 2023), HANDS UP offset lithograph on paperframed and under glassimage size 36cm x 27cm, overall size 51cm x 42cm Note: John Byrne studied at both Edinburgh and Glasgow Schools of Art in the late 50s and early 60s. A superb painter and draughtsman, the multi-talented Byrne was also a first-class playwright (‘The Slab Boys’, ‘Tutti Frutti’), his ear for dialogue was as acute (and witty) as his eye for detail. Much of his subject matter in both disciplines is overtly autobiographical, he often included or refers to the Teddy Boy/Rock and Roll era of his youth. Byrne designed record covers for Donovan, The Beatles, Gerry Rafferty and Billy Connolly. His work is held in major collections in Scotland and abroad. Several of his paintings hang in The Scottish National Portrait Gallery in Edinburgh, the Museum of Modern Art and the Kelvingrove Art Gallery and Museum in Glasgow. At the time of writing, The Fine Art Society, Edinburgh is staging "John Byrne: In The Studio" (until 23rd December).
* HANNAH FRANK (SCOTTISH 1908 - 2008), NIGHT (1930) lithograph on paper, signed in pencilunframedoverall size 40cm x 30cm Note: Since McTear's first promoted Hannah Frank's spectacular work in 2011, the prices for her ever more rare signed prints have continued to rise with many current prices being more than five times higher than those achieved barely a decade ago. The latest UK auction record figure for a single signed lithograph was most recently achieved (twice) in our auction on 24th October 2021 and now stands at £820 (hammer). Note 2: Hannah Frank was the last living link to the Arts and Crafts and Art Nouveau period. She studied at the Glasgow School of Art and Glasgow University in the 1920`s and her haunting pen and ink drawings have been exhibited at the Royal Academy, Royal Scottish Academy and Royal Glasgow Institute. A series of lithographs of some of her 90 drawings were made in the 1960's and again in the 1980's to satisfy the demand for her work after exhibitions in Edinburgh and Glasgow. Only a relatively few of these prints were hand signed (in pencil) by Hannah and it's understood that only one print was ever editioned (numbered) in a conventional manner. A major exhibition at the Royal Glasgow Institute in 2006 brought her work to a new generation of admirers and received considerable press coverage. Her work toured for five years in the UK and the USA culminating in an exhibition at Glasgow University which opened on her 100th birthday 23rd August 2008. After her death, she was awarded a posthumous Honorary Doctorate at Glasgow University and Glasgow City Council`s Lord Provost`s Award For Art (2009).
* HANNAH FRANK (SCOTTISH 1908 - 2008), IN THOUGHTS FROM THE VISIONS OF THE NIGHT WHEN DEEP SLEEP FALLETH ON MEN (1930) lithograph on paper, signed, with personal inscriptionframed and under glassimage size 40cm x 25cm, overall size 51cm x 33cm Note: Since McTear's first promoted Hannah Frank's spectacular work in 2011, the prices for her ever more rare signed prints have continued to rise with many current prices being more than five times higher than those achieved barely a decade ago. The latest UK auction record figure for a single signed lithograph was most recently achieved (twice) in our auction on 24th October 2021 and now stands at £820 (hammer). Note 2: Hannah Frank was the last living link to the Arts and Crafts and Art Nouveau period. She studied at the Glasgow School of Art and Glasgow University in the 1920`s and her haunting pen and ink drawings have been exhibited at the Royal Academy, Royal Scottish Academy and Royal Glasgow Institute. A series of lithographs of some of her 90 drawings were made in the 1960's and again in the 1980's to satisfy the demand for her work after exhibitions in Edinburgh and Glasgow. Only a relatively few of these prints were hand signed (in pencil) by Hannah and it's understood that only one print was ever editioned (numbered) in a conventional manner. A major exhibition at the Royal Glasgow Institute in 2006 brought her work to a new generation of admirers and received considerable press coverage. Her work toured for five years in the UK and the USA culminating in an exhibition at Glasgow University which opened on her 100th birthday 23rd August 2008. After her death, she was awarded a posthumous Honorary Doctorate at Glasgow University and Glasgow City Council`s Lord Provost`s Award For Art (2009).
* HANNAH FRANK (SCOTTISH 1908 - 2008), JOB (1933) lithograph on paper, signedframed and under glassimage size 32cm x 26cm, overall size 47cm x 35cm Note: Since McTear's first promoted Hannah Frank's spectacular work in 2011, the prices for her ever more rare signed prints have continued to rise with many current prices being more than five times higher than those achieved barely a decade ago. The latest UK auction record figure for a single signed lithograph was most recently achieved (twice) in our auction on 24th October 2021 and now stands at £820 (hammer). Note 2: Hannah Frank was the last living link to the Arts and Crafts and Art Nouveau period. She studied at the Glasgow School of Art and Glasgow University in the 1920`s and her haunting pen and ink drawings have been exhibited at the Royal Academy, Royal Scottish Academy and Royal Glasgow Institute. A series of lithographs of some of her 90 drawings were made in the 1960's and again in the 1980's to satisfy the demand for her work after exhibitions in Edinburgh and Glasgow. Only a relatively few of these prints were hand signed (in pencil) by Hannah and it's understood that only one print was ever editioned (numbered) in a conventional manner. A major exhibition at the Royal Glasgow Institute in 2006 brought her work to a new generation of admirers and received considerable press coverage. Her work toured for five years in the UK and the USA culminating in an exhibition at Glasgow University which opened on her 100th birthday 23rd August 2008. After her death, she was awarded a posthumous Honorary Doctorate at Glasgow University and Glasgow City Council`s Lord Provost`s Award For Art (2009).
BOB DYLAN (AMERICAN b. 1941), MR TAMBOURINE MAN lithograph on paper, signed and numbered 36/495, titled certificate versomounted, framed and under glassimage size 31.5cm x 61cm, overall size 73cm x 101cm Note: American singer Bob Dylan is considered by many to be one of the greatest songwriters of all time and has sold more than 125 million records. Although his musical success is common knowledge, it is slightly lesser known that Dylan also works in the visual arts, along with the musical arts. While on tour from 1989-1992, he created a series of drawings, comprising of scenes from life on the road. Originally they were compiled in a book and published in 1994, titled Drawn Blank. In 2006, Dylan was asked to create a museum exhibition from this body of work. Dylan had time to evolve the pictures, this time executing them in watercolours and gouache, giving them a more vibrant and expressive tone, and these became known as The Drawn Blank Series, with the originals being exhibited in 2007. In subsequent years, signed limited edition prints of these images were released and the collector demand has been "massive".
* HANNAH FRANK (SCOTTISH 1908 - 2008), SEATED FIGURE (1968) cast bronze sculpture, on wooden base22.2cm high including baseProvenance: Shown on page 131 Hannah Frank Drawings & Sculptures and described as "Seated Figure" 1968 bronze 22.2cm HFDS Plate 84 RSA 1970 terracotta, RGI 1975 bronze.Note: Since McTear's first promoted Hannah Frank's spectacular work in 2011, the prices for her ever more rare signed prints have continued to rise with many current prices being more than five times higher than those achieved barely a decade ago. The latest UK auction record figure for a single signed lithograph was most recently achieved (twice) in our auction on 24th October 2021 and now stands at £820 (hammer). Note 2: Hannah Frank was the last living link to the Arts and Crafts and Art Nouveau period. She studied at the Glasgow School of Art and Glasgow University in the 1920`s and her haunting pen and ink drawings have been exhibited at the Royal Academy, Royal Scottish Academy and Royal Glasgow Institute. A series of lithographs of some of her 90 drawings were made in the 1960's and again in the 1980's to satisfy the demand for her work after exhibitions in Edinburgh and Glasgow. Only a relatively few of these prints were hand signed (in pencil) by Hannah and it's understood that only one print was ever editioned (numbered) in a conventional manner. A major exhibition at the Royal Glasgow Institute in 2006 brought her work to a new generation of admirers and received considerable press coverage. Her work toured for five years in the UK and the USA culminating in an exhibition at Glasgow University which opened on her 100th birthday 23rd August 2008. After her death, she was awarded a posthumous Honorary Doctorate at Glasgow University and Glasgow City Council`s Lord Provost`s Award For Art (2009).
* HANNAH FRANK (SCOTTISH 1908 - 2008), NIGHT (1930) lithograph on paper, signed in pencil, titled and datedframed and under glassimage size 40cm x 29cm, overall size 44cm x 33cmNote: Since McTear's first promoted Hannah Frank's spectacular work in 2011, the prices for her ever more rare signed prints have continued to rise with many current prices being more than five times higher than those achieved barely a decade ago. The latest UK auction record figure for a single signed lithograph was most recently achieved (twice) in our auction on 24th October 2021 and now stands at £820 (hammer). Note 2: Hannah Frank was the last living link to the Arts and Crafts and Art Nouveau period. She studied at the Glasgow School of Art and Glasgow University in the 1920`s and her haunting pen and ink drawings have been exhibited at the Royal Academy, Royal Scottish Academy and Royal Glasgow Institute. A series of lithographs of some of her 90 drawings were made in the 1960's and again in the 1980's to satisfy the demand for her work after exhibitions in Edinburgh and Glasgow. Only a relatively few of these prints were hand signed (in pencil) by Hannah and it's understood that only one print was ever editioned (numbered) in a conventional manner. A major exhibition at the Royal Glasgow Institute in 2006 brought her work to a new generation of admirers and received considerable press coverage. Her work toured for five years in the UK and the USA culminating in an exhibition at Glasgow University which opened on her 100th birthday 23rd August 2008. After her death, she was awarded a posthumous Honorary Doctorate at Glasgow University and Glasgow City Council`s Lord Provost`s Award For Art (2009).
* JOHN BYRNE RSA (SCOTTISH 1940 - 2023), SELF PORTRAIT IN GOLD TINTED GLASSES offset lithograph on paperframed and under glassimage size 36cm x 24cm, overall size 52cm x 39cm Note: John Byrne studied at both Edinburgh and Glasgow Schools of Art in the late 50s and early 60s. A superb painter and draughtsman, the multi-talented Byrne was also a first-class playwright (‘The Slab Boys’, ‘Tutti Frutti’), his ear for dialogue was as acute (and witty) as his eye for detail. Much of his subject matter in both disciplines is overtly autobiographical, he often included or refers to the Teddy Boy/Rock and Roll era of his youth. Byrne designed record covers for Donovan, The Beatles, Gerry Rafferty and Billy Connolly. His work is held in major collections in Scotland and abroad. Several of his paintings hang in The Scottish National Portrait Gallery in Edinburgh, the Museum of Modern Art and the Kelvingrove Art Gallery and Museum in Glasgow. At the time of writing, The Fine Art Society, Edinburgh is staging "John Byrne: In The Studio" (until 23rd December).
* HANNAH FRANK (SCOTTISH 1908 - 2008), GIRL AT WINDOW lithograph on paper, signed in pencilunframedoverall size 40cm x 30cm Note: Since McTear's first promoted Hannah Frank's spectacular work in 2011, the prices for her ever more rare signed prints have continued to rise with many current prices being more than five times higher than those achieved barely a decade ago. The latest UK auction record figure for a single signed lithograph was most recently achieved (twice) in our auction on 24th October 2021 and now stands at £820 (hammer). Note 2: Hannah Frank was the last living link to the Arts and Crafts and Art Nouveau period. She studied at the Glasgow School of Art and Glasgow University in the 1920`s and her haunting pen and ink drawings have been exhibited at the Royal Academy, Royal Scottish Academy and Royal Glasgow Institute. A series of lithographs of some of her 90 drawings were made in the 1960's and again in the 1980's to satisfy the demand for her work after exhibitions in Edinburgh and Glasgow. Only a relatively few of these prints were hand signed (in pencil) by Hannah and it's understood that only one print was ever editioned (numbered) in a conventional manner. A major exhibition at the Royal Glasgow Institute in 2006 brought her work to a new generation of admirers and received considerable press coverage. Her work toured for five years in the UK and the USA culminating in an exhibition at Glasgow University which opened on her 100th birthday 23rd August 2008. After her death, she was awarded a posthumous Honorary Doctorate at Glasgow University and Glasgow City Council`s Lord Provost`s Award For Art (2009).
* HANNAH FRANK (SCOTTISH 1908 - 2008), SUN (1943) lithograph on paper, signedframed and under glassimage size 39cm x 28cm, overall size 51cm x 35cm Note: Since McTear's first promoted Hannah Frank's spectacular work in 2011, the prices for her ever more rare signed prints have continued to rise with many current prices being more than five times higher than those achieved barely a decade ago. The latest UK auction record figure for a single signed lithograph was most recently achieved (twice) in our auction on 24th October 2021 and now stands at £820 (hammer). Note 2: Hannah Frank was the last living link to the Arts and Crafts and Art Nouveau period. She studied at the Glasgow School of Art and Glasgow University in the 1920`s and her haunting pen and ink drawings have been exhibited at the Royal Academy, Royal Scottish Academy and Royal Glasgow Institute. A series of lithographs of some of her 90 drawings were made in the 1960's and again in the 1980's to satisfy the demand for her work after exhibitions in Edinburgh and Glasgow. Only a relatively few of these prints were hand signed (in pencil) by Hannah and it's understood that only one print was ever editioned (numbered) in a conventional manner. A major exhibition at the Royal Glasgow Institute in 2006 brought her work to a new generation of admirers and received considerable press coverage. Her work toured for five years in the UK and the USA culminating in an exhibition at Glasgow University which opened on her 100th birthday 23rd August 2008. After her death, she was awarded a posthumous Honorary Doctorate at Glasgow University and Glasgow City Council`s Lord Provost`s Award For Art (2009).
Robert Stackhouse (American, b. 1942). Lithograph on paper titled "Red Deck and Passage Structure" depicting a geometric attic-like structure, 1987. Pencil signed, and numbered 26/45 along the lower left.Provenance: Percival Galleries, Inc., Des Moines, Iowa; Distinguished Corporate Collection.Unframed; height: 42 1/2 in x width: 30 3/4 in. Framed; height: 50 1/2 in x width: 38 3/4 in x depth: 2 in.Condition: The colors are bold and bright. The sheet is lightly toned. There are no major visible tears, creases, losses, or signs of restoration. Light wear along the deckled edges. Floated in frame. Framed under plexiglass; light wear to the frame, including a few faint scratches or scuffs to the plexiglass. Not inspected out of frame.
David Bradley (Chippewa, b. 1954). Lithograph on Arches paper titled "Enchanted Landscape," 1984. Pencil signed along the lower right; titled along the lower left; editioned "trial proof' along the lower center.Height: 15 1/2 in x width: 30 in.Condition: The colors are bold and bright. There are no major tears, losses, or signs of restoration. Light wear along the deckled edges. The work is not framed.
James Rosenquist (American, 1933-2017). Lithograph on paper titled "Terrarium," 1978. Pencil signed and dated along the lower right; titled and numbered 31/160 along the lower left.Unframed; height: 29 1/4 in x width: 44 1/2 in. Framed; height: 36 3/4 in x width: 51 3/4 in x depth: 1 1/2 in.Condition: The colors are bold and bright. The sheet is toned. There are no major visible tears, losses, or signs of restoration. Light wear along the deckled edges including two handling marks along the right edge. Floated in frame. Framed under plexiglass; some wear to the frame including accretions along the frame in addition to accretions and light scratches along the plexiglass. Not inspected out of frame.
David Bradley (Chippewa, b. 1954). Lithograph on Arches paper titled "George O'Keefe." Pencil signed along the lower right; titled along the lower left; editioned TP "trial proof' along the lower center.Height: 30 in x width: 22 in.Condition: The colors are bold and bright. There are no major tears, losses, or signs of restoration. Light wear along the extreme deckled edges. There are three areas of skimming along the upper edge of the verso, each approximately 1 1/2 in by 1 1/2 in. There is a faint crease along the lower third center of the work, mainly visible along the verso; due to the colorful nature of the work, is only visible upon close inspection from the recto. The work is not framed.
Harmony Hammond (American, b. 1944). Group of five prints. Includes the "Dance of the Ladder" suite, four color lithographs with screen printing on paper, all pencil signed, dated 1981, and numbered A.P. 8/10 along the lower right. With "Fan Lady Meets Cactus Lady," color lithograph, screenprint, etching, and collage on black paper; pencil signed, dated 1981, and numbered 47/48 along the lower right.Height ranges from 20 1/4 in to 29 1/2 in; width ranges from 29 1/2 in to 41 1/4 in.Condition: The colors are bold and bright. Due to the nature of the works, it is difficult to discern if there is damage; however, there are no major tears, losses, or restorations that do not appear original to the artistic process. The works are not framed.
Paul Jenkins (American, 1923-2012). Lithograph on paper titled "Composition IV" depicting vibrant splashes of color against a white background, 1965. Pencil signed along the lower right; numbered 90/95 along the lower left.Sight; height: 29 in x width: 20 1/2 in. Framed; height: 39 1/4 in x width: 30 in x depth: 1 3/4 in.Condition: The colors are bold and bright. There are no visible tears, losses, or signs of restoration. Some light creases to the sheet throughout, most notably running horizontally through center and upper corner of the work. Housed under a non-acidic mat. No glass or plexiglass present. Light wear to the frame. Not inspected out of frame.

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70555 item(s)/page