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Lot 158
A COLLECTION OF ART RELATED EXHIBITION CATALOGUES AND BOOKLETS: Sutherland Apollinaire Le Bestaire ou CortŽge D'OrphŽe, Marlborough Fine Art 1979 and enc; John Houston, Edinburgh Festival Exhibition 2003; Ken Howard Inspired By Light 2002; John Piper Stained Glass: art or anti-art 1968, plus facsimile lithograph; L. S. Lowry retrospective Exhibition, 1959; Ingres Drawings From the MusŽe Ingres Montauban, Arts Council 1957; Vincent Van Gogh, Arts Council 1955-6; Louis Corinth, Late Graphic Art, 1967; Oskar Schlemmer, Stedelijk Museum Amsterdam, cat. 121, 1954/55; John Piper Victorian Dream Palaces, and Other Buildings In Landscape, Marlborough 1978 and enc. letter; David Messum Spring Preview 1979; The Armand Hammer Collection Four Centuries Of Masterpieces, National Gallery Of Scotland, 1978; William Blake Heads of the Poets, City of Manchester 2 copies, William Blake and William Hayley, City Art Gallery Manchester 1969, 2 copies; Royal Academy Of Arts Summer Exhibition Lists of Works 1978 and later (17); Festival Of Britain 1951 Industrial Power Kelvin Hall Glasgow, Architecture Poplar, Birmingham Leeds Manchester Nottingham, South Bank Exhibition London, Science South Kensington (5)
Lot 340
Edmund Blampied (British, 1886-1966) Dark Horse grazing in front of Trees, circa 1923 signed in pencil, on heavy cream wove paper with margins original lithograph 36 x 26cm Literature: Appleby, L.35 Rare. The existence of this lithograph was unrecorded until the recent Appleby catalogue which lists it as "Date unknown. Edition rare"
Lot 341
Sir Muirhead Bone (Scottish, 1876-1953) A Shipyard, 1917 signed and titled in pencil on smooth cream Japan-style paper with full margins original lithograph 47 x 36cm Good impression from the edition of 200 signed proofs, as published by the Ministry of Information for Building Ships. The Great War: Britain's Efforts and Ideals. Designed by Bone in his capacity as an official war artist
Lot 342
Barnett Freedman (British, 1901-1958) Window Box, 1954 on warm white wove paper, trimmed to borders of image original lithograph, signed on the stone 708 x 960mm Literature: Ref: Rogerson and Hoskins, Manchester Polytechnic Catalogue, 105 An impression of this lithograph was illustrated in colour as the front cover of the catalogue to the major exhibition of Freedman's work produced by Manchester Polytechnic Library, 1990 (ISBN 0 901276 37 5). This enormous lithograph is perhaps the most important of Freedman's later works. Produced as one of a series of 40 lithographs by well known artists for display in Lyons' teashops, The Window Box was printed under the direct supervision of the artist himself at Chromoworks of Willesden. Freedman was commissioned as Technical Advisor to supervise the production of the entire series - one of the most enterprising artistic projects of its time Barnett Freedman, along with Eric Ravilious and Edward Bawden, was one of the leading original lithographers of his generation. Trained under the expert guidance of T E Griffiths, Freedman became the leading specialist in original colour lithography and was one of its most successful commercial exponents in this country. His work in original lithography as an illustrator, cover designer and poster artist, from 1935 until his death, is virtually unrivalled
Lot 395
Ian Hamilton Finlay and Gary Hincks (British, 20th Century) Net Markers of the Disciples lithograph from an edition of 250, Wild Hawthorn Press, 2000; and two signed postcards from the limited edition of 250 cards published by Ian Hamilton Finlay's Wild Hawthorn Press; and a postcard by Jo Hinks (4)
Lot 171
After Alfred Charles Havell BEND OR a colour lithograph signed by the artist in the lower margin, published by Messrs. Fores, Piccadilly, 1908, the image 36.5 by 50cm.,14 1/2 by 19 3/4in., mounted, framed & glazed. Bend Or won the Derby in 1880 and was a champion stallion responsible for Ormonde, Kendal, Galtee More, Bona Vista and many other notable racehorses.
Lot 427A
'THE STUDIO' ALMANAC TWO LITHOGRAPH POSTERS one designed by Frank Brangwyn and depicting artists at work, for 1901, 65cm x 41.5cm; and another designed by 'R.P.G.', depicting signs of the zodiac, for 1903, 68cm x 48c; also a 1930S MARKETING POSTER, A RAFT OF CANADIAN TIMBER APPROACHING THE MILL, issued by the Empire Marketing Board, 48cm x 74cm (2)
Lot 30
CSARBA MASKUS 'Toscana', Ltd edition print, signed and numbered 139/350, 36" x 24"; two skiing lithographs by Duncan Hamilton Fraser, a Mediterranean view, lithograph, a collection of six nude studies and an etching by Marcel Jacque - Logging in the Barbizon Forest, all but the last item unframed (11).
Lot 70
*LUCAS 'Bosquet de la Salle du Bal dans les Jardins de Versailles', double page engraving, 17 1/4" x 23"; C. Grignion after Francis Hayman - figures seated around a table, engraving, 9 1/4" x 7"; and two others to include J. Summerfield 'Rubens and His Wife', 19 1/2" x 18 1/2"; and a figure beneath palm trees, lithograph (3)
Lot 78
BRIAN HANSCOMB (b. 1944) 'Beeny Cliff', wood engraving, pencil signed, titled and numbered 406/500 in the margin, 2 1/2" x 4"; Jo Cooper 'Early Closing Day, Welwyn' and 'More Snow to Come, Ayat St. Lawrence', two etchings, pencil signed in the margin and numbered 6/50 and 35/50, approximately 4" x 6" and a lithograph by 'David Gentleman' (4)
Lot 95
A MIXED FOLIO OF PRINTS AND ENGRAVINGS to include: J* Cummings - The Breakfast lithograph, pencil signed and dated '47, 7 1/2" x 9"; Michael Rotter - three tennis colour prints; Boilly lithograph; mezzotint after Sir Joshua Reynolds; etching in the manner of Rembrandt ; two colour engravings by William Allingham, Sidney Tushingham etching; a lithograph of the Nile after C. Werner, etc.
Lot 1789
A group of assorted prints including an equestrian subject, signed in pencil by Lester Piggott, a lithograph entitled 'Welsh Fashions', four prints of L'Armee Imperiale, and a group of hand coloured steel engravings including views of Stirling Castle, Windsor, Chichester, Clifton suspension bridge, Luton Hoo and others. (qty)
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70553 item(s)/page