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Lot 625
3 ANNA PUGH. Two coloured etchings, “Dragonfly” and “Bonsai Beach”, both titled, signed and dated 85 in pencil, marked A/P 19/20, plat, 34cm x 44cm; ROSALIND FORSTER, lithograph, “Basket Roses”, signed and titled in pencil, numbered 26/150, blind stamp CCA Galleries London, plate 39cm, x 59cm; VAL ARCHER, lithograph, “Wild Strawberries”, signed and titled in pencil, marked SP 11/11, 36.5cm x 54cm, all unframed. (4).
Lot 626
3 ANNA PUGH. Two coloured etchings, “Dragonfly” and “Bonsai Beach”, both titled, signed and dated 85 in pencil, marked A/P 19/20, plat, 34cm x 44cm, together with ROSALIND FORSTER. Lithograph, “Basket Roses”, signed and titled in pencil, numbered 26/150, blind stamp CCA Galleries London, plate 39cm, x 59cm; VAL ARCHER. Lithograph, “Wild Strawberries”, signed and titled in pencil, marked SP 11/11, 36.5cm x 54cm, all unframed.
Lot 630
TERENCE WARREN. Two lithographs, “Castello di Nipozzano”, signed and titled in pencil, numbered 172/200, plate 48cm x 69cm, “It Never Rains but it Pours” signed and titled in pencil, numbered 54/110, plate 78cm x 65cm, unframed; KATHERINE DOYLE, lithograph “Quiet Evening”, signed and titled in pencil, studio proof 2/2, plate, 53cm x 106cm , framed. (3)
Lot 451
HARRIS (Captain William Cornwallis) The Wild Sports of Southern Africa; Being the Narrative of a Hunting Expedition from the Cape of Good Hope, Through the Territories of the Chief Moselekatse, to the Tropic of Capricorn. London: Henry G. Bohn, 1852. Large 8vo (9 1/4 x 6 1/2 inches; 235x165 mm), colour tinted lithograph additional title and 25 plates (including the frontispiece) and a small folding map, later three-quarter crimson crushed morocco over cloth covered boards, upper cover with applied gilt rhino motif, the spine gilt lined and lettered within raised bands, a.e.g, frontispiece neatly repaired to fore-edge, other plates generally good, some light marginal age discolouration to text
Lot 178
Victor Pasmore, CH, CBE, RA (British, 1908-1998) Variation of Points of Contact all signed lower right "Victor Pasmore" and one signed "Victor Pasmore '51" lithograph 57 x 444cm five (5) Victor Pasmore was perhaps the most influential abstract artist in Britain and became one of the leading abstract painters of our time. His work can be found in many Public Collections around the world including: Tate Britain, Royal Academy of Arts - London, Museum of Modern Art - New York, The British Council, Yale Center for British Art and numerous regional British galleries
Lot 221
Fernand Leger (French, 1881-1955) Les Trois Soeurs et Enfant Au L'Accordeon printed signature lower right "FL 50-51" mixed media lithograph 44x 32cm Provenance: From the collection of Eric Estorick Esq. Sent directly from the Leger Studio to Eric Estorick (American, 1913-1993), the founder of the Estorick Museum in London, with its collection of Italian Futurism. Estorick collected French paintings and this print was in his own personal collection. Fernand Leger was born in Argentan, Normandy, and was apprenticed to an architect in Caen betwen 1897-1899. He was a painter who linked industry to art. In 1913 he signed a contract with Daniel Kahnweiler who had already discovered Picasso and Braque. During Leger's Cubist period his tubular and curvilinear abstractions contrasted with the rectilinear forms produced by these painters while he became the first of the Cubists to experiment with non-figurative abstraction. Leger is considered to be one of the greats of the 20th century and his work is in museums all over the world. Eric Estorick was political scientist and writer who was a passionate collector. In the year of his death he established a foundation to display his collection and to stage loan exhibtions. The Estorick collection has been hailed as one of the finest early 20th century colelction of Italian art anywhere in the world.
Lot 577
Attributed to Mario Pezzano, mid 20th century- Cockerel; gouache on paper, signed and dated 1966, contained within an exhibition catalogue at the Imperial, Torquay 1966, 20x15cm: together with a figure study, oil on board, signed, by the same hand and a lithograph by Alex Portner b.1920, (3) (may be subject to Droit de Suite)
Lot 619
After Cecil Charles Windsor Aldin RBA 1870-1935- Cat and dog by a green chair; lithograph printed in colours, 27x24cm: After Ettore Titto 1859-1941- "On a Souvent..."; hand-coloured lithograph, signed within the plate: together with a further three lithographs from the same or similar suite: After John Leech 1817-1864- "Mr. Briggs, through the influence of a friend, has a days spring fishing, wind, north east", originally published, London, by Bradbury and Evans, 11 Bouverier Street, Fleet Street, c.1860: together with five other examples from the same or similar suite and a further quantity of similar 19/20th century prints and chromolithographs after various hands, (19)
Lot 647
* Tom Eckersley, late 20th century- Abstract composition; screenprint, signed and dated 87, 84x58cm: Anna Ticho 1894-1980- Dunes; lithograph, signed and numbered 85/105 in crayon: Mary Moser, late 20th century- "Eastern Shapes"; aquatint, signed, dated 83 and numbered 5/12 in pencil and others, (a lot) (may be subject to Droit de Suite)
Lot 660
After David Roberts RA 1796-1864- "Nazareth, April 28th 1839"; published by F G Moon, 20 Threadneedle Street, London, June 1st, 1844, hand-coloured lithograph, signed and titled within the plate: Louis Haghe 1806-1888- "Temple In Jafa In Nubia"; hand-coloured lithograph after David Roberts RA, publ. August 1st, 1846 and a further fifteen other hand-coloured and uncoloured topographical lithographs after David Roberts RA: After Francois Stroobant 1819-1916- "Jerusalum Vu de la Montagne des Oliviers"; hand-coloured lithograph after Louis Haghe, signed and dated 43 within the plate, together with eight other lithographs after Francois Stroobant depicting similar topographical landscapes, (unframed) (24)
Lot 677
British School early 20th century- "His Majesty King Edward the VII., Navy, on which the Sun Never Sets", publ R Abrahams, 6 Exeter St, Plymouth, circa 1902; lithograph printed in colours, 54x88cm: together with one further similar chromolithograph printed in colours, entitled "Royal Jubilee Review by the Queen, 1887", in matching frames, (2)
Lot 741
* Russian School early 20th century- A woman holding a lamb; published 1923; lithograph printed in colours; signed within the plate: together with thirteen further lithographs from the same edition, by the same hand, loose sheets contained within a folio as issued, 40x30cm., ea: Nemo act.1884- "My August Master"; publ by Vanity Fair, Oct 11, 1884; chromolithograph, signed within the plate, (folio/16) (unframed) (may be subject to Droit de Suite)
Lot 791
Sir Francis (Frank) Job Short RA PRE, 1857-1945- "Walberswich Pier, Sept, 1890"; drypiont etching, signed in pencil, signed, titled and monogramed, within the plate, 16x24cm: together with four other prints by the same hand, as follows: "Old Quay on the Nith"; drypoint etching, signed in pencil and within the plate: "Canal at Cookley, Dee Sands"; lithograph, initialed in pencil: "Seine Fishing"; lithograph, signed in pencil: "Cloudburst Over Dee Sands, mill at Ash, Kent"; lithograph, initialed in pencil, in matching gilt frames, (5)
Lot 886
Thomas Goldsworth Dutton d.1891- "English Fleet Entering the Great Belt, March 24th, 1854"; published: Nov 27th, 1854 by Day & Sons, London, after Oswald Walter Brierly 1817-1894; hand-coloured lithograph, 43x59cm: together with other other 20th century reproductions after various hands, (6)
Lot 948
Gio Barozzi, publ mid 19th century- "Gran Theatro la Fenice in Venezia..", after Gio Pividor; lithograph,30x33cm: After William Hogarth- "The Enraged Musician", originally publ Nov the 30th 1741, this from a later edition; hand-coloured engraving on wove, 36x41.5cm: together with two other prints and lithographs and eight engraved examples of decorative sheet music, each surmounted with a pictorial vignette, (13)
Lot 550
HRH The Prince of Wales - autographed limited edition Artist's Proof lithograph No 1 of 10 in glazed frame 'Overlooking Wadiarkam, Asir Province, Kingdom of Saudi Arabia', signed and dated in pencil 'Charles 2000' - contained in presentation case with gilt tooled inscription and with certificate of authenticity, 33cm x 38cm
Lot 291
After Louis Wain-"The Cats' Circus", comic anthropomorphic coloured lithograph, the upper margin with cats holding banners inscribed "Grimalkin's Royal Circus", "A Cat in Mittens Catches No Mice" and "Brer Rabbit and His Marvelous Fiery Untamed Steeds, The Tumbling Tommies...", printed in Bavaria for Ernest Nister, London (some staining); a black and white Illustrated London News print "Professor Frederick's Performing Cats", (2-framed)
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70555 item(s)/page