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Rosebery's
Lot 265

After Paul Henry RHA, Irish 1876-1958- The Wicklow Mountains; lithograph printed in colours, signed within the plate, 55x55cm: together with one other colour lithograph after the same hand depicting Loch Derg, County Tipperary, also signed within the plate, 54x54cm Note: These two prints are likely to have been cut down from larger travel posters. The example of the Wicklow Mountains was originally issued by The London Midland and Scottish Railway Company circa 1925-1930 for use in the Republic of Ireland

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Rosebery's
Lot 380

Elsie Marion Henderson, British 1880-1967- "The Common or Garden Cat"; lithograph printed in colours, signed, titled and inscribed `Artist`s Proof` in pencil, 25x32cm (may be subject to Droit de Suite) Provenance: with Sally Hunter Fine Art, London, according to label attached to the reverse of the frame

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Rosebery's
Lot 385

Arthur Ridgen Read, British 1879-1955- "The Sweep"; woodcut, signed, titled, numbered 7/50 and dated 1924 in pencil, 20x21.5cm Provenance: with Michael Parkin Fine Art Ltd., London, according to label attached to the reverse of the frame: Edward Ardizzone CBE RA, British 1900-1979- "Christmas Card: Raise Your Glasses"; lithograph, signed within the plate, 12.5x11cm Provenance: with Sally Hunter Fine Art, London, according to label attached to the reverse of the frame: After Georges Barbier, French 1882-1932- Lady with attendant; hand-coloured lithograph, signed and dated 1923 within the plate, 23x16cm (may be subject to Droit de Suite) (3)

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Rosebery's
Lot 402

Eduardo Chillida, Spanish 1924-2002- "Idazki", 1971, publ by Edition Arte Paris; lithograph on BFK rives paper signed within the plate as issued, 63x47cm, (rolled) (unframed) (may be subject to Droit de Suite)

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Rosebery's
Lot 411

Louis Hague HPRI, Belgian/British 1806-1885- "Tomb of St James, Valley of Jehosaphat" after David Roberts RA, publ by F G Moon, 20 Threadneedle St, July 1st 1841; hand-coloured lithograph, 31x24.5cm: After Thomas Gainsborough FRSA, British 1727-1788- Woodland scene with cattle and a bridge; mezzotint, 14.2x18.3cm: After Louis de Chatillion, French 1639-1734- "Plante Chinoife: Aubepine"; hand-coloured engraving, 40x29.5cm: Charlin, French, 19th century- "Rosa Longifolia, Rossier á Feuilles de Pêcher", after Pierre-Joseph Redouté; stipple engraving printed in colours with hand-colouring, 35.5x27xm: Bessin, French, 19th century- "Rosa Villosa Terebenthina, Rosier Velu á Odeur de Térébenthine", after Pierre-Joseph Redouté; stipple engraving printed in colours with hand-colouring, 35.5x27cm, (5)

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Rosebery's
Lot 490

Clem Beer, British b.1941- "Happy Bays"- lithograph printed in colours, signed, titled and numbered 18/70 in pencil, 70x49cm: together with another lithograph printed in colours by the same hand depicting a busy seaside town, signed and numbered 32/70 in pencil, 70x49cm: Sheila Horton, British late 20th/early 21st century- "Six Portraits"; etching printed in colours, signed titled and numbered 20/100 in pencil, 30x22.5cm: Dorothy Lloyd-Griffiths, British, late 20th/early 21st century- "Goosey Gander"; etching printed in colours, signed, titled and numbered 21/200 in pencil, 9x11cm: C J Pelavin, British, late 20th century- "The Elephant Danced with Fans So Elegant"; etching printed in colours, signed, titled, dated 80` and numbered 4/75 in pencil, 24x18.5cm: together with another etching printed in colours by the same hand, entitled "Come Dance with Me", signed, titled, dated 1980 and numbered 27/75, 27x23cm: Kate Canning, British, late 20th century- "Parrot Tulips II"; screenprint in colours, signed, titled, dated `80 and numbered `A/P 1/15`, 75.8x56.2cm: together with three further screenprints in colours by the same hand entitled "Nosey Paikei", "Peeping Tom" and "Parrot Tulip I", all signed, titled and numbered in pencil, various sizes, (unframed), (10), (may be subject to Droit de Suite)

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Rosebery's
Lot 501

Richard Spare, British b.1951- "Four Trunks"; etching with aquatint printed in colours, signed, titled and numbered 4/150 in pencil, 20x25cm: David Meldrum, British, late 20th century- "Summer Table"; lithograph printed in colours, signed, titled, and numbered 29/75 in pencil, 76x56cm: together with four etchings with aquatints printed in colours by the same hand, entitled "Chickens", "Blue Jay with Flowers", "Quayside" and "Decoy Duck", ea. signed, titled and numbered in pencil, ea. embossed with blind stamp, various sizes: Martin Leman, British b.1934- "Flowers In My Cabin"; etching with aquatint printed in colours, signed, titled, dated `76 and inscribed `A/P` in pencil, 27x24.5cm: together with two further etching with aquatints by the same hand entitled "What a Difference a Snake Makes" and "Red Shoes", one mezzotint printed in colours by the same hand entitled "Panda" and three lithographs printed in colours by the same hand entitled "Hill Street Blues", "Rosie" and "Good Companions", all by the same hand, ea. signed, titled, dated and inscribed in pencil, various sizes, (13), (unframed), (may be subject to Droit de Suite)

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Rosebery's
Lot 505

* André Dunoyer de Segonzac, French 1884-1974- "Etude pour les Georgiques"; lithograph, titled within the plate, signed in pencil, 31x24.5cm, (unframed), (may be subject to Droit de Suite) VAT charged on hammer price.

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Rosebery's
Lot 549

Kristian Krokfors, Finnish b.1952- "Deja Vu"; mixed technique lithograph with screenprinting in colours, signed, titled, dated `80 and numbered 93/100 in pencil, 83x62.5cm: Martin Ware, British late 20th/early 21st century- "Sails 7"; etching printed in colours, signed, titled, dated and numbered in pencil, 45x59cm: together with two other etching with aquatints printed in colours by the same artist, entitled "Sails 2" and "Icarus 2", (4) (may be subject to Droit de Suite)

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Rosebery's
Lot 556

Félix Labisse, French b.1905-1982- "Artifiction X"; lithograph printed in colours, signed and numbered 99/195 in pencil, 48.5x67cm: Sam Scopas, Greek fl. 1983- "Rancho da Taos Winter"; lithograph printed in colours, signed and numbered 2/60 in pencil, 56x36cm, (2), (may be subject to Droit de Suite)

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Rosebery's
Lot 563

James William Giles, British 1801-1870- "James Watson Esqre Brook Hill Co Antrim", after Charles Hancock, publ M & N Hanhart Lith Printers; lithograph, bears label for John Mason, House, Sign, Furniture and Ornamental Painter, Gilder & Japanner, and Paper-Hanger, Southwell attached to the reverse, 50.5x63cm: Robert Walker Macbeth RA, Scottish 1848-1910- "The Ballad Seller", publ January 7th 1903 by W R Howett & Co Bedford Row Chambers London W; etching on silk, signed with initials and dated 1901 within the plate, signed in pencil, 33x47cm: After Percy H Martindale, British 1869-1943- Portrait of H M Burge, Bishop of Oxford 1919-1925; photogravure, signed by the artist in pencil, 49x37cm: After Wilfred R E Fairclough, British 1907-1996- "Wye College", 1947; reproduction print, 47.5x60.5cm., (4) Provenance: from the collection of the Estate of the Hon Christopher Lennox-Boyd

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Rosebery's
Lot 894

A Victorian needlework of Napoleon standing on a shoreline, framed and glazed, 35 x 32,5cm. together with another Victorian needle point of a woman with an Arab, framed and glazed, a Maesani and Becquet French coloured lithograph entitled Le Clemence de Napoleon, cut as a jigsaw, two machine woven tapestries and two large floral bedspreads (7)

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W. & H. Peacock
Lot 202

A.. Ducote, 'The Dilly looking up', Coloured lithograph, 29 x 40 cm, together with two satirical lithographs, various sizes CONDITION REPORT: first with nicks, otherwise ok

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W. & H. Peacock
Lot 518

Fletcher T. ( Ed. ) : Read's History of the Isle of Axholme, Its Manors and Parishes 1858. Royal 8vo. Portrait frontis. Lithograph plates, some tinted, 3 folding maps ( two hand coloured ), folding genealogy tables ( nobility ) and other charts, tables and illustrative engraved vignettes. This copy appears to have derived from a series of parts published in sequence, an original cover of which is bound in near the beginning of the volume. Scarce. Dunston G. : The Rivers of Axholme, with a History of the Navigable Rivers and Canals of the District, Nd. C.1900. Qto. Portrait frontis, 3 fldg. maps, folding chart of strata identified in bore-hole investigations, one plate. Together with 2 folding maps of Lincolnshire : White's County Map in a folder and one other map dated 1849, engraved title, h/c in outline. CONDITION REPORT: Isle of Axholme has been bound at some point early in its existence although the outer cover has been crudely repaired and is loose. One of the folding maps has marked staining and there are some adhesive tape repairs to the verso. There are some stains to the inner margins of some pages otherwise the remaining text block, maps and plates etc are vg. Rivers - vg. White's map has selotape repairs

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Keys Fine Art Auctioneers
Lot 28

SALVADOR DALI, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (82/350) COLOURED LITHOGRAPH, “Flordali II”, 9” x 6”

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Keys Fine Art Auctioneers
Lot 29

SALVADOR DALI, SIGNED IN PENCIL TO MARGIN, COLOURED LITHOGRAPH, “Purgatory, Canto 24: The Tree of Penitence” (see certificate of authenticity verso), 13” x 10”

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Keys Fine Art Auctioneers
Lot 32

BLEDSOE, LIMITED EDITION (171/300) COLOURED LITHOGRAPH (PUBLISHED BY CIRCLE GALLERY 1979), Zebras, 10” x 18”

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Keys Fine Art Auctioneers
Lot 33

ROBERT GILLMOR, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (77/200) BLACK AND WHITE LITHOGRAPH, Badgers, 7” x 11”

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Keys Fine Art Auctioneers
Lot 57

OLIVER HALL, FIRST PROOF LITHOGRAPH, Landscape, 7” x 9 ½”, unframed

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Keys Fine Art Auctioneers
Lot 87

AFTER H NINHAM, ENGRAVED BY L HAGHE, BLACK AND WHITE LITHOGRAPH, Norwich Castle; together with four further Engravings of Norwich Castle, assorted sizes (5)

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Brightwells
Lot 448

ENGLISH SCHOOL CIRCA 1860. Pupils in a schoolroom, lithograph, 11 x 14 1/2 in; an engraving depicting Boadicea, after Stothard; and two engravings by F. Bartolozzi; four (4)

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Holloways
Lot 174

Vas Dias, Robert, Ribbed Vision: A Poem, New York, 1963, limited numbered edition 97 of 150, signed by the poet and by the illustrator Jack Bosson, each lithograph also signed in pencil by the illustrator, black laced boards, together with other volumes including Iron Men and Wooden Ships - Deep Sea Chanties, illustrated, New York, 1926, Polly, illustrated by William Nicholson, limited edition, signed, 1923 (6)

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Holloways
Lot 186

French school, 19th century, probably after Jacques-Louis David, A portrait of Napoleon Bonaparte, lithograph in colours, 8 x 6cm (3 x 2 1/2in)

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Holloways
Lot 195

Bernard Buffet (French, 1928-1999), Notre Dame, lithograph in colours, signed and dated `68in the plate, 56 x 45cm (22 x 17 1/2in)

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Duke's
Lot 10

FRENCH SCHOOL "Imperiale-Regts de Voltigeurs", published by Monsieur Martinet/Hautecoeur Brothers, lithograph by Goddard, titled and numbered 53 to the margin, hand-coloured lithograph 12" x 8" and twelve further lithographs ensuite (19). See illustration

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Duke's
Lot 26

LAURENCE STEPHEN LOWRY (1887-1976) "Market Scene", signed in pencil to the margin and with further printed signature and date 1959 to image, coloured lithograph, 18.75" x 24.25"

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Duke's
Lot 27

LAURENCE STEPHEN LOWRY (1887-1976) "Station Approach", signed in pencil to the margin with printed signature and date 1960 to the image, coloured lithograph, 16.75" x 20.25"

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Duke's
Lot 28

JOHN BELLAMY (1942- ) Portrait of a nude seated beneath a blanket, printed initials within the image and further signed in pencil, sepia lithograph, 14" x 13.5", and another monochrome lithograph of a recumbent nude by the same artist (2)

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Duke's
Lot 29

•SVEN BERLIN (1911-2000) Linear study of a horse, signed in pencil and inscribed "Offset 1947", lithograph, 16.25" x 11" Provenance: From the Estate of the artist.

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Duke's
Lot 30

ALBERT HOUTHUESEN (1903-1979) "St. Philemon", titled, signed in pencil and numbered 2 of 50 to the margin, sepia lithograph, 16" x 12"

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Duke's
Lot 36

BERYL COOK (1926-2008) "Sultry Afternoon", published by Alexander Gallery, printed signature to image and signed in pencil to the margin, numbered 13 of 850, coloured lithograph, 15.25" x 20" (oval)

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Duke's
Lot 37

BERYL COOK (1926-2008) "The Baron Entertains", signed in pencil to the margin and numbered 153 of 300, coloured lithograph, 27" x 18.25". See illustration

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Adams
Lot 12

William Henry Brooke ARHA (1772-1860) Ascent of the Galtee Mountains Oil on canvas, 35.3 x 53.4 cm (14 x 21") Signed and inscribed on artists label verso No1. Ascent of the Gaultee (Sic) Mountains/ W.H. Brooke, 17 Newman Street Exhibited: London, Royal Academy, 1823, no. 333 Literature: The Knight of Glin and Anne Crookshank, The Watercolours of Ireland, London, 1994, pp.95-96 (where illustrated as a lithograph) The son of the Irish history painter, Henry Brooke (1738-1806), William Henry Brooke spent much of his career in London. He is best known as an illustrator of books and periodicals alongside a successful practice as a portrait and genre painter. He was a regular exhibitor at both the Royal Academy from 1810 until 1826 and the Royal Hibernian Academy from 1827 to 1846. Based on a sketch by the antiquarian and writer, Thomas Crofton Croker, the amusing scene depicted is described in great detail in his book, Researches in the South of Ireland, London, 1824, pp.32-33. Three smartly dressed tourists, Croker himself on the left, his wife Marianne and Marianne's father, the landscape painter Francis Nicholson, all uncomfortably ensconced in a simple farmer's cart with but a few sheaves of hay to cushion the bumps of an unmade mountain track. Marianne holds on to the cart and her sketch book with a grim forbearance while the two men appear rather more nonchalant. All of this to the great amusement of the local bareback cart driver who no doubt had the double pleasure of schadenfreude and payment to boot.

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Ewbank's
Lot 1323

§ Barbara Hepworth, limited edition lithograph, "Delos" (from the Aegean Suite), number 34 of 60, signed in pencil. NOTE: VAT PAYABLE ON THIS LOT 32 x 23in. (81 x 58cm)

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Sworders
Lot 195

Sidney Arrobus (1901-1990), The Jaffa Gate, Jerusalem, signed and inscribed with title l.r., pen and ink and watercolour, 25 x 34cm, Alyson Heaton, Ravenscroft Street, limited edition print, signed, inscribed with title and number 25/100, sheet size 50 x 50cm, Massey, Trees on a Lakeside at Sunset, signed, watercolour, 14 X 25cm, and after Rubens, Head of a Child, print, Reuven Rubin (Israeli 1893-1974), Elders, lithograph printed in colours, signed and numbered 4/150 in pencil, 68 x 43cm

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Sworders
Lot 215

*Olwen Jones RWS (b.1945), `MICROFORM I`; Lithograph printed in colours, signed in pencil and inscribed and numbered 27/30 Sheet size 60 x 52cm; and another by the same hand, `PLANET FORM I` Screenprint and etching with aquatint, signed in pencil, inscribed with title and numbered 1/20 plate mark 46 x 40cm (2)

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Golding Young & Mawer - Grantham
Lot 182

After Lionel Dalhousie Robertson Edwards (1878-1966). The Cottesmore Hunt at Manton, with Lax HIll in the distance, coloured lithograph, signed in pencil, 42cm x 54cm.

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Golding Young & Mawer - Grantham
Lot 227

After Nicholas Matthew Condy, `Cutter Yacht The Elizabeth`, a hand coloured lithograph, 28 x 33cm.

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Richard Winterton Auctioneers
Lot 1525

BOYCE, KAY, signed limited edition lithograph with certificate

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Chiswick Auctions
Lot 432

Le Corbusier, lithograph of `Figure study of lady with red hair` (1932), from the "Oeuvre Plastique, Peintures et Dessins" portfolio, published in Paris in 1938 by Albert Morancé, framed and with decorated mat border in the style of Le Corbusier. 8¾ x 10½"/22.3 x 27cm

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Chiswick Auctions
Lot 452

Theodore Gericault (1791-1834), framed lithograph, "Cheval Espagnol", framed.

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Capes Dunn
Lot 536

•GEORGES ROUAULT (1871-1958) AQUATINT IN BLACK `Juggler and Dog` Unsigned with Templeton and Rawlings, London, label of authentication verso describing the print as a lithograph, with margins 12 3/4" x 8 1/2" (32.5 x 21.5cm) plate EST 100-150

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Capes Dunn
Lot 540

JOHN COPLEY LITHOGRAPH IN BLACK `Jesus raised on the cross` signed in pencil in lower margin 19 1/2" x 11 1/4" (49.5x28.5cm) image (Acquired from Craddock and Barnard, London 1982) EST 100-150

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Lots Road Auctions
Lot 7

JIRÍ KOLÁR, (Czech, 1914-2002), 'Blue butterflies', original colour lithograph, 1968, 78cm x 60cm, framed. (Please Note Clause 6 of Buyer's Conditions)

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Lots Road Auctions
Lot 36

VALERIO ADAMI (Italian, b.1935) 'The kiss', original colour lithograph numbered 420/999, 34.5cm x 46.5cm, signed lower left and framed. (Please Note Clause 6 of Buyer's Conditions)

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Lots Road Auctions
Lot 52

EDUARDO CHILLIDA (Spanish, 1924-2002), 'Untitled' original lithograph, 456/500, signed in the plate, 13cm x 13cm. (Please Note Clause 6 of Buyer's Conditions)

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Lots Road Auctions
Lot 133

ANDY WARHOL (American, 1928-1987), 'Campbell's Tomato Beef and Noodle Soup', lithograph, numbered 1347/3000, 49cm x 32cm, signed in the stone and framed.

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Lots Road Auctions
Lot 134

ANDY WARHOL (American, 1928-1987), 'Mercedes Race Car, W125', 1937, lithograph, 30.5cm x 40cm, numbered 132/1000, signed in the stone and framed.

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Lots Road Auctions
Lot 190

HENRI MATISSE (French, 1869-1954), 'Odalisque au Cofferet Rogue', 1939, lithograph, folio 12/24, 17.5cm x 24cm, framed.

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Lots Road Auctions
Lot 191

ANDY WARHOL (American, 1928-1987), 'Mercedes Race Car, W125', 1937, lithograph, 41cm x 30.5cm, numbered 876/1000, signed in the stone and framed.

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Lots Road Auctions
Lot 495

MANNER OF DAVID ROBERTS RA (British, 1796-1864) 'INDIAN WARRIORS', hand coloured lithograph, 36.5cm x 26.5cm, framed.

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Lots Road Auctions
Lot 508

JOAN MIRO (Spanish, 1893-1983), 'Femme et oiseaux', 1940, lithograph, 34.5cm x 42.5cm, signed in stone to reverse with title and dated, framed.

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Arthur Johnson & Sons
Lot 14

A John Piper lithograph, published by the Baynard Press for The Traveller by Walter de la Mare, 1946, framed

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Arthur Johnson & Sons
Lot 15

A John Piper lithograph, published by the Baynard Press for The Traveller by Walter de la Mare, 1946, framed

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Nigel Ward & Company
Lot 1986

A Ducote's lithograph depicting cattle and game sporting scenes. London published by S & J Fuller, plus framed cattle sketches.

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DuMouchelles
Lot 210

WOOTTON [ENG. 1914-1998], "ADLERTAG, 15 AUGUST 1940", PILOT SIGNED, H 23", W 34": Frank Wooten color lithograph, #564/1500, "Adlertag 15 August 1940", commemorating the 50th anniversary of the Battle of Britain. Along with commemorative video tape. 564/1500. R.AF pilot signatures. Framed and matted under glass.

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DuMouchelles
Lot 2006

HELEN FRANKENTHALER [1928-2011], LITHOGRAPH, #5/75, 1970, 38" X 26", `WHAT RED LINES CAN DO`: Signed, dated and numbered lower right, label on reverse for The Arwin Galleries, Detroit [see additional photo], framed. Helen Frankenthaler, American, 1928-2011.

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DuMouchelles
Lot 2036

CAMILLE PISSARRO, CHINE-COLLÉ LITHOGRAPH C. 1895 H 12", W 9", "MARCHE A PONTOISE": Chine-collé lithograph; "Marche a Pontoise"; c. 1895; 12" x 9". Pencil signed on backing sheet and marked, "Ep. Def No. 14"; framed.

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John Nicholson
Lot 25

Thomas William Bowler (1812-1869) British. ‘View of Table Mountain, From Table Bay, Lithograph by M & N Manhart, 24” x 48”.

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John Nicholson
Lot 26

John Gould (1804-1881) & Henry Constantine Richter (c.1821-1902). ‘Nytale Tengmalmi’, Lithograph, 21” x 13.5”, and four others of various sizes, ‘Surnia Funerea’, ‘Scops Zorce’, ‘Syrnium Aluco’, ‘Athene Noctua’. (5)

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