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A group of assorted watercolours, drawings and prints, including a watercolour of a castle in as rocky landscape signed Haslehurst, a watercolour street scene in the manner of Prout, a pastel study of a lady, a pair of 20th century reverse prints on glass of ships, a pencil drwing of a coaching scene, an engraving of a South East view of Portsmouth, and a lithograph of a Short Horned Heifer.(qty)
TURNER (printer). `Amusement in English History, a Game exhibiting the Most Remarkable Events from the Time of the Britons`, a mid-19th Century folding hand-coloured lithograph in 12 sections and backed onto linen, folding within original titled cloth. (? lacking additional pieces and instructions).
Cricket - ‘Felix on the Bat’: Being a scientific inquiry into the use of the cricket bat: together with the history and use of the catapulta. Also, The Laws of the Game as revised by the Marylebone Club. Nicholas Wanostrocht. London 1850. Rare SECOND edition. Nicely bound in quarter calf lacking original wrappers, the title page laid down to the endpaper. Sixty pages with seven hand-coloured lithograph plates and illustrations in the text. Damp staining to some pages otherwise in good condition
After Marc Chagall, French 1887-1985- "The Tribe of Benjamin", from The Twelve Maquettes of Stained Glass Windows for Jerusalem; lithograph printed in colours, signed within the plate, 62x46cm Provenance: with The Redfern Gallery, London, according to label attached to the reverse of the frame
David A Stewart, British, b.1952- "Paddington Bare"; lithograph printed in colours, signed, titled and dated 93 in gold pen, 56.5x70c: together with a 1987 Pirelli Calendar, signed, dedicated and dated 1987 in black felt-tipped pen by the photographer Terence Donavan, 59x42cm., (2) (may be subject to Droit de Suite)
Robert Havell Jnr, British 1793-1878- "Pine Finch Fringilla Pinus Male 1 Female 2 Pinus pendula Black Larch No 36 Plate CLXXX", after J J Audubon, publ by R Havell 1833; hand-coloured aquatint, 49x31cm: Thomas Shotter Boys, British 1803-1874- "Huy on the Meuse"; hand-coloured lithograph, 29.5x40.5cm., (2), (part unframed)
After Thomas Henwood, British 1797-1861- "The Procession of the Lewes Bonfire Boys, Nov 5th 1853"; hand-coloured lithograph, 30.5x49.5cm: William Ward Jnr, British c.1800-1840- "The Right Honble C W W Wynn, MP", after Sir M A Shee PRA, publ August 1835 by Messrs Colnaghi & Company 33 Cockspur Street Charing Cross; mezzotint, in a 19th century glazed maple veneered frame, 37x28cm: George Cruickshank, British 1792-1878- "A Very Good Man, no Doubt, but a Bad Sailor", publ Margate August 21 1845; etching, 23.5x16.5cm: British School, early 19th century- "His Most Gracious Majesty King William the Fourth"; engraving, 28.5x22.5cm: British School, late 19th century- "The Celeban Black Baboon"; chromolithograph, 16.5x10.5cm., (5)
Pierre Lelong, French 1908-1984- Woman in her bedchamber; lithograph printed in colours, signed in pencil, bears publisher`s blind stamp, 63x49cm: Mary Audsley, British 1919-2008- Seated woman; lithograph printed in colours, signed and numbered 32/75 in pencil, 73x54cm: Alain Prillard, French b.1948- "Faisant un Reve mais le Reve ne Paie pas"; mixed technique lithograph in colours with embossing, signed and numbered 11/20 in pencil, 39x29cm: Michel, French, mid 19th century- Sleeping female nude; red chalk on buff, signed and dated 49, 46.5x63.5cm: French Provincial School, early 20th century- "Chateau de Chaumont"; watercolour, inscribed, 22x28.5cm: together with two reproduction prints, one after Bonnard and the other after a 19th century view of Dieppe, (7) (may be subject to Droit de Suite)
John Brunsdon ARCA, British b.1933- "Gordale Scar"; etching with aquatint printed in colours, signed, titled and numbered 139/150 in pencil, 44x58cm: Mary Ford, British b.1944- Still life by a window; lithograph printed in colours, signed, numbered 12/200 and dated 79 in pencil, 61x51cm: Michael Blaker, British b.1928- "The Bridge at Flatford"; hand-coloured etching, signed within the plate, signed, titled and numbered 11/200 in pencil, 27.5x36.5cm: Ilana Richardson, British, late 20th/early 21st century- "Cool Veranda"; screenprint in colours, signed, titled, numbered 37/200 and dated 82 in pencil, 55x64cm: Alyson Stoneman, British b.1948- "Autumn Evening, Lamorna"; mezzotint printed in colours, signed, titled and numbered 82/200 in pencil, 36.5x42cm: Deirdre Morgan, British b.1933- Courtyard and fountain, Morocco; lithographs printed in colours, two, both signed and numbered 76/195 in pencil, 40.5x30cm., ea: Lilan Richardson, British, late 20th/early 20th century- "Sens Interdit"; screenprint in colours, signed, titled, numbered 38/225 and dated 87 in pencil, 55x45cm: Francois Ledan, Fanch, French b.1949- "Square G Baty" and Tour Eiffel; lithographs printed in colours, two, both signed, one numbered 23/200 and the other 72/200 in pencil, 59.5x79 and 79x59cm., respectively: Mario Fellani, Italian b.1934- Portrait of a woman seated at a table; lithograph printed in colours, signed and numbered 122/200 in pencil, 57x67cm., (11) (may be subject to Droit de Suite)
Russell Sidney Reeve RE RBA, British 1895-1970- "The Elephant Act", publ by Schools Prints Ltd, 1948; lithograph printed in colours, 49x76cm: D Wilkinson, mid-late 20th century- "Civil War Image"; screenprint in colours, signed, titled and inscribed within the plate, 67x55.5cm., (2) (may be subject to Droit de Suite)

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70555 item(s)/page