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Lot 183
Framed lithograph, "Evacues a Verdun," by Theophile Alexandre Steinlen (French, 1859-1923) stone signed "Steinlen" lower right, titled in pencil lower left, edition 136/400, overall: 15.5"h x 22,.75"w. Provenance: Estate of Rebecca and Seymour Fromer (founder of the Judah Magnes Museum, Berkeley, CA) Start Price $20
Lot 197
Framed color lithograph, "A Christmas Eve Parade - Santa Claus Reviews His Faithful Subjects in New York, 19th century, J. Ottoman Lithographers (New York), overall: 21"h x 26.5"w. Provenance: Estate of Rebecca and Seymour Fromer (founder of the Judah Magnes Museum, Berkeley, CA) Start Price $20
Lot 261
Unframed lithograph, "7me Exposition Du Salon Des 100," 1896, by Frederic Auguste Cazals (French, 1865-1941), published by Imprimerie Chaix for Les Maitres de l`Affiche art publication, Pl. 15, publication line lower left, publishers blind stamp lower right, paper: 15.25"h x 10.75"w Start Price $20
Lot 264
(Lot of 2) Unframed lithograph and etching, "Moon Path" and Female Nude, 20th century, American School, signed lower right "Sapel Monk" and indistinct signature within etching lower left, largest overall: 13.75"h x 19.5"w Provenance: Estate of Rebecca and Seymour Fromer (founder of the Judah Magnes Museum, Berkeley, CA) Start Price $20
Lot 286
(Lot of 5) Unframed lithograph, "Cobbled Street with Spire," 1933, by Ernest Exlund, inscribed, dated and signed in pencil "To Albert Bender from Ernest Exlund, 1933" lower left, unframed etching "La Bourse," circa 1935 by De Gasendi, signed in pencil lower right, edition 1/250, and three woodcuts, "Madelgabel," "Rue de Pera, Istanbul," and "Istanbul," circa 1935 by Margaret Dormann (Californian, b. 1910), each signed and titled in pencil, largest overall: 19"h x 14.5"w . Provenance: Deaccession San Francisco Museum of Modern Art, San Francisco, California, gift of Albert M. Bender (Albert M. Bender Collection) Start Price $150
Lot 287
Unframed lithograph, "Lithograph #14," by William S. Schwartz (American, 1896-1977), signed within print, pencil inscribed lower left "Lithograph #14, Impression #25," paper: 10"h x 11"w Provenance: Estate of Rebecca and Seymour Fromer (founder of the Judah Magnes Museum, Berkeley, CA) Start Price $50
Lot 324
(Lot of 2) Linen backed original lithograph circus poster, Ringling Bros and Barnum and Bailey, 1935, by Erie Litho., Erie, Pennsylvania featuring a roaring tiger and a framed example, Ringling Bros and Barnum and Bailey featuring a tiger and lion, signed indistinctly at lower right quadrant, largest overall: 44"h x 29"w Start Price $50
Lot 412
After Marc Chagall, Russian 1887-1985- "Abraham and Sarah", 1956, from the Bible Series; lithograph printed in colours, 35x26cm: After Auguste Renoir, French 1841-1919- "Le Fleuve Scamandre"; etching, bears printed signature, 23x18cm: After Henri Matisse, French 1869-1954- "Head of a woman" 1972, from "Poesies Antillaises"; lithograph printed in brown, 26.5x27.5cm: After Maurice Utrillo, French 1883-1955- Figures in a Parisian Square; reproduction print with pochoir, signed within the plate, bears number 4/20 in pencil, 34x26.5cm: together with another similar print with figures in a Parisian street, bears number 15/20 in pencil, 25x33cm: British School, late 20th century- "Couple-13"; hand coloured etching, signed, titled and dated 1987 in pencil, 30x37.5cm, (6)
Lot 429
Donald Hamilton Fraser RA, British 1929-2009- Ballerina warming up; lithograph printed in colours, signed and numbered 245/250 in pencil, CCA galleries blindstamp, 83x58.5cm: Eileen Cooper RA, British b.1953- Two women; etching printed in red, signed, numbered 21/40 and dated 1991 in pencil, 8x8cm, (2), (may be subject to Droit de Suite)
Lot 440
Sidney Robert Nolan, Australian 1917-1992- "Desert Landscape"; photolithograph printed in colours, signed, titled and numbered 95/100 in pencil, 66x77.5cm: After Antoni Tapies, French 1923-2012- "Tapies 10 Juillet 13 Septembre 1976", publ Fondation Maeght, 06570 Saint-Paul Paris; lithographic poster printed in colours, 75x48.5cm: Richard Davies, British 1945-1991- "Red Acropolis"; lithograph printed in colours, signed, titled, dated `66 and numbered 1/10 in pencil, 50.5x60.5cm, (3), (may be subject to Droit de Suite)
Lot 580
Gustave Leheutre, French 1861-1932- `La Passerelle du Quai Maubec, La Rochelle`; etching, drypoint, signed within the plate and in pencil, blindstamp `Ed Sagot Editeur, Paris`, 22.8x32cm: After Paul Signac, French 1863-1935- `Paris, le pont des arts avec remarquers`; etching & aquatint, signed within the plate, 12.2x18.7cm: After Pieter Dupont, Dutch 1870-1911- Moored row boats; etching, stamped `Atelier P.Dupont` in plate, 19x13.3cm: After Jean-Louis Forain, French 1852-1931- `Le Café de la Nouvell Athènes`; etching, signed within plate, 16x12cm: After Jean-Louis Forain, French 1852-1931- `Le Noeud de Cravate`; etching, 15x9.5cm: After Louis Anquetin, French 1861-1932- Woman with viola; lithograph, signed within plate, 28.5x24cm: After André Dauchez, French 1870-1948- Ship in a dry dock; etching, signed in plate, numbered 66/70 in pencil, signed and inscribed by Philippe Dauchez in pencil, 15.4x28.2cm: After Honore Daumier, French 1808-1879- `Les Amazones` from Histoire Ancienne, publ. by Bauger et Cie & Imp d`Aubert et Cie, Paris; lithograph, 33x24cm, (8) (unframed)
Lot 634
After Jan Kip, Dutch 1653-1722- `Sherborn the Seat of S. Ralph Dutton Bar` together with five other similar country estate scenes; reproduction print, printed in colours, in matching faux green marble and gilded knot frames, 37x45cm (each) (6): After Thomas Gainsborough, British 1727-1788- `Mr & Mrs Andrews; lithograph printed in colours, 45.5x79cm: together with two portraits; reproduction print, printed in colours, in matching gilt frames, 23x18cm & 21x16.2cm., (9) (a lot)
Lot 641
Terry Willson, British b.1948- "Self Portrait"; lithograph printed in colours, signed, titled and numbered 89/100, 80x61.5cm: together with seven further prints by the same artist including another lithograph printed in colours entitled "Portrait of Lynda", signed, titled and numbered 90/100, 80x61.5cm, three mixed technique mezzotints with hand-colouring, "Classical Poses a and b", "c and d", "g and h", each signed, titled and inscribed, `Exhibition Copy`, ea. 27x34.5cm, a mezzotint "From the Action at the....", signed, dated `79 and inscribed `artists proof`, 34x55.5cm, two screenprints in colour, "Anonymous Portrait no.5" and "no.6", signed, dated `80 and numbered 12/150 and `artists proof` respectively, ea. 99.5x77.5cm, (8), (unframed), (may be subject to Droit de Suite)
Lot 668
* Hilary Adair, British b.1943- `Window with Bottles`; etching with aquatint in colours, two, signed and dated `85, titled and numbered 31/60 & 32/60 in pencil, 34x43.5cm: Kenneth Leech, British c.1915-1990- `Still Waters` & `Lark Rise`; serigraph in colours, two, signed, titled and both numbered A/P 2/15, ea. 42x29.7cm: Elizabeth Bessant, British 20th century- `Yuccas`, `Walled Garden`, `The Pink House`; serigraph in colours, three, signed, titled and numbered, 129/200, A/P, 51/175, one dated 84, max. 50.7x41cm: Gerald Mynott, British b.1947- Vila in an avenue of poplars (two) & Venice; lithograph in colours, three, signed, and numbered 97/250, 105/250, A/P XVII/XXV ea. 60x48.5cm & 51x36.5cm (unframed), (10) (may be subject to Droit de Suite) Provenance: Paintings in Hospitals
Lot 680
* Martin Taylor, British b.1954- `Barn`; etching and aquatint in colours, signed, titled and numbered 28/150, blindstamp, 37.5x53cm: Arthur Byrne, British b.1946- `Autumn Garden 2` & `Derwent Valley 2`; lithograph in colours, two, signed, titled and numbered 25/275 & 245/250, max. 74.5x56cm: Rosalind Forster, British b.1948- `Beerwah` & `Wattamolla`; linocuts in colour, two, signed, titled and numbered 2/100 & 9/100, one dated 87 in pencil, max. 53x74cm: Jane Strother, British b.1956- `Mediterranean Plate` & `Summerhouse`; serigraph in colours, two, signed, titled and numbered 1/35 & 73/120, max. 61x57cm: David Lewis, British b.1955- `La Brie de la Balconette`; serigraph in colours, signed, titled and numbered 107/175, 71x52cm, (unframed) (7) (may be subject to Droit de Suite) Provenance: Paintings in Hospitals
Lot 142
Hibberd (Shirley). The Amateur’s Greenhouse and Conservatory..., 1880, six folding chromo lithograph plts. (inc. frontis.), numerous wood eng. illusts. to text, pubs. ads at rear, orig. cloth gilt, 8vo, together with Adams (W.H. Davenport), The Bird World Described with Pen and Pencil, 1880, wood eng. plts. and illusts., a.e.g., orig. gilt dec. cloth, 8vo, with Michelet (Jules), The Bird, new ed., revised, 1879, wood eng. plts. and illusts., a.e.g., orig. gilt dec. cloth, 8vo, plus three others. (6)
Lot 156
Paxton (Joseph & John Lindley). Paxton’s Flower Garden, 3 vols., 1st ed., 1853, 108 fine hand-coloured zincograph and lithograph plates, illustrations, a few minor spots to text, a.e.g., original green blindstamped cloth, spines lettered and decorated in gilt, a little faded, 4to. A good copy of one of the great garden flower books by two of the most eminent nineteenth century botanists. Nissen 1498. (3)
Lot 630
* Payne (Charles Johnson, “Snaffles”). A Point to Point, The Big fence, Slap at it for the honour of Hitem and Holdemshire, n.d., 1922, lithograph with hand colouring, central image surrounded by six vignettes of racing scenes, signed in pencil by artist to lower left, 360 x 630 mm, mounted framed and glazed. (1)
![* Greyhounds. McGahey (John), The Celebrated Greyhounds. ‘Lobelia’, ‘Master McGrath’ [and] ‘Bab](http://lot-images.atgmedia.com/SR/10729/2860743/660-201233111164_468x382.jpg)
![* Bluck (John). Worcester [and] Hereford, n.d., c.1810, pair of hand coloured aquatints, slight surface abrasion, slight spot](http://lot-images.atgmedia.com/SR/10729/2860743/669-2012331111616_468x382.jpg)
Lot 669
* Bluck (John). Worcester [and] Hereford, n.d., c.1810, pair of hand coloured aquatints, slight surface abrasion, slight spotting, each approx. 350 x 500 mm, together with Hanhart (M & N), High Street Bromsgrove from the Town Hall, n.d., c.1850, uncoloured lithograph on India wove, some staining and spotting, 295 x 330 mm. (3)
Lot 680
* British topographical views. McGahey (John), Liverpool in 1846 Taken from Upper Tranmere Cheshire, pub. George Smith & Co., Liverpool, n.d., c.1850, hand coloured lithograph, some surface abrasion and cracking, laid on later card, 410 x 500 mm, together with The Graphic (pubs.), Birds-Eye View of Birmingham in 1886, pub. Sept. 4th., 1886, uncoloured folding engraved panorama by H.Brewer, old folds strengthened on verso, one closed tear repaired on verso, 600 x 755 mm, plus Buck (Samuel & Nathanial), The North-West View of Trematon Castle in the County of Cornwall, 1734, uncoloured engraving, 195 x 375 mm, together with another approx. twenty-five prints, engravings and lithographs, including examples by Buck, Clark, Taylor, Highaim, Gaucci, Newman, Bury, Rowe, Basire, Turner, Wardale and Vivares, various sizes and condition. (28)
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70555 item(s)/page