We found 70553 price guide item(s) matching your search

* Ghika (Nikos, 1906-1994). The Balcony, 1959, colour lithograph on paper, signed and numbered 35/50, with an additional inscription in pencil 'To Pierre Rouve, amicalement', gallery label to frame verso, mount aperture 29.5 x 38.5 cm (11 3/4 x 15 1/4 ins), framed and glazed (44 x 52.5 cm)QTY: (1)NOTE:Pierre Rouve, to whom this impression is dedicated, was a Bulgarian film producer and writer. He was also known as an interpreter, diplomat, art critic, semiotician, BBC World Service broadcaster, translator, and university lecturer.

* Ellis (Clifford, 1907-1985 and Rosemary, 1910-1998). Teignmouth, colour lithograph on wove paper, initialled 'C & R E' in the plate, the full sheet, image size 56 x 44.5 cm (22 x 17 1/2 ins), sheet size 76 x 50.5 cm (30 x 19 3/4 ins), framed and glazed (86.5 x 65.5 cm) together with Elliot (Geoffrey, 1935-). Royal Pavilion, Brighton, 1968, screenprint in colours on T H Saunders Hot Press wove paper, signed, titled and numbered 34/75 in pencil, the full sheet, image size 44 x 58.5 cm (17 1/4 x 23 ins), framed and glazed (59.5 x 73.5 cm) plus Beck (Paul, 1922-). St Mary's Church, Saffron Walden, 1970s, linocut on paper, an artist's proof, signed, titled and numbered 'AP 3' in pencil, image size 53 x 39.8 cm (20 3/4 x 15 3/4 ins), framed and glazed (75 x 61 cm)QTY: (3)NOTE:Another impression of Paul Beck's St Mary's Church, Saffron Walden is held by the Fry Art Gallery, Saffron Walden (catalogue number: Coll. 1519).

* Hlrshka (Tro, 20th century). Lida Pirkova Disevsa, circa 1920, colour lithograph, showing a woman standing on a stage singing, a man playing the piano in front of her, image size 45.5 x 32 cm (17 7/8 x 12 5/8 ins), framed and glazed (69.5 x 55 cm)QTY: (1)NOTE:Another copy of the same poster sold at Christie's, London, 19th & 20th Century Posters, 8 Dec-5 Feb 2010, Lot 244.

* Ravilious (Eric, 1903-1942). Nine illustrations from High Street, 1938, colour lithographs on cream wove paper, published by Country Life Ltd., London, printed by Curwen Press, London, from an edition of circa 2000, each with gallery labels, uniformly framed and glazed in oak (bar 'Theatrical Properties' which is mounted) 34 x 25.5 cm QTY: (9)NOTE:The titles of the nine illustrations are: Oyster Bar, Theatrical Properties, Saddler & Harness Maker, Family Butcher, Furrier, Cheesemonger, Hams, Submarine Engineer, and Amusement Arcade. High Street was never reprinted, as the original lithograph stones were destroyed during the Blitz when the Curwen Press premises in Plaistow, East London received two direct hits.

* Akroyd (Carry, 1953-). Blackbird, 2011, colour lithograph on wove paper, signed, dated, titled and numbered 33/50 in pencil, from the series 'Found in the Fields' and incorporating the poetry of John Clare, printed in collaboration with the Curwen Studio, the full sheet, image size 26.5 x 35.5 cm (10 1/2 x 14 ins), sheet size 36.5 x 45 cm (14 1/4 x 17 3/4 ins), plus Grasses, 2010, colour lithograph on wove paper, signed, dated, titled and numbered 23/50 in pencil, from the series 'Found in the Fields', the full sheet, image size 28 x 35.5 cm (11 x 14 ins), sheet size 36.5 x 45 cm (14 1/4 x 17 3/4 ins), together with Early Nesters by Angela Harding, all unframedQTY: (3)

* Matisse (Henri, 1869-1954). La Gerbe, 1953, colour lithograph, 34 x 40.5 cm (13 3/8 x 15 7/8 ins) mount aperture, centre fold as issued, framed and glazed (50 x 57 cm), together with Coquelicots, colour lithograph, 17.5 x 51.5 cm (6 7/8 x 20 1/4 ins) mount aperture, centre fold as issued, framed and glazed (41 x 66.7 cm), plus Vigne, colour lithograph, all printed by Mourlot Frères of Paris, 34 x 25 cm (13 3/8 x 9 3/4 ins) mount aperture, framed and glazed (51.5 x 42.5 cm), and two others by Matisse comprising: Poissons Chinois, and Décoration - Fruits, (with folds as issued), largest 34 x 77 cm mount aperture, and smallerQTY: (5)

* Laffon (Carmen, 1934-2021). Still Life, 1979, lithograph on thick arches wove paper, with watermark, from the edition of 10 impressions numbered in Roman numerals, signed, dated and numbered X/X in pencil, image size 335 x 445 mm, sheet size 505 x 655 mm, card window mountQTY: (1)

* Shannon (Charles Haselwood, 1863-1937). An Idyll, 1905, lithograph printed in blue-black on toned wove paper, signed in pencil, an early trial proof, image size 31 x 27.5 cm (12 1/4 x 10 3/4 ins), sheet size 34 x 29.5 cm (13 1/4 x 11 1/2 ins), window mounted, together with Le Fumeur (Reginald Savage), 1895, lithograph on laid paper, signed in pencil, gallery label to frame verso, image size 26.5 x 32.2 cm (10 1/2 x 12 5/8 ins), framed and glazed (65 x 54.5 cm)QTY: (2)NOTE:C.H. Delaney, The Lithographs of Charles Shannon, 61 and 29.Le Fumeur (Reginald Savage) was exhibited as part of Portrait of the Artist, Abbot Hall Art Gallery, Kendal; Wolseley Fine Arts, London; Pallant House, Chichester; The Victoria Art Gallery, Bath, February to November 1999.

* Ardizzone (Edward, 1900-1979). Shelter Scene, 1941, colour lithograph on paper, published by The National Gallery, printed at the Baynard Press, showing crowds of people sheltering underneath railway arches, image size 66 x 98.5 cm (26 x 38 3/4 ins), sheet size 76 x 101 cm (30 x 39 3/4 inches) together with a further nine copies of the same print, mostly in very good condition, a few with short nicks and tears to margins (not affecting image), some with marginal toning, all unframedQTY: (10)NOTE:NAP 72. This scene depicts 'The Tilbury' - a huge series of wine cellars underneath railway arches at Stepney that were popular shelters during the war.

* Harte (Glynn Boyd, 1948-2003). Late Afternon, Charlcote, circa 1990, lithograph in colours on wove paper, signed and numbered 'AP VI/XX' in pencil, additionally inscribed in pencil by the artist 'Happy 50th birthday Rodney with love from Glynn', image size 60.5 x 45.5 cm (23 3/4 x 18 ins), framed and glazed (81.5 x 63 cm)QTY: (1)NOTE:The dedicatee 'Rodney' is likely Rodney Archer (d. 2015), actor, aesthete, noted long-term resident of Fournier Street in Spitalfields and a friend of the artist.

2 Victorian Artists Paint Cases & Another,including a French polished case containing paints with a polychrome label for 'REEVES & SONS 113 CHEAPSIDELONDON EC' containing 12 paint blocks, case 19.5cm wide; a pine case with a hand painted lithograph of a woman with butterflies & flowers, containing 16 paint blocks case 21cm; and another later French set containing 23 paint blocks (3)

A COLLECTION OF ETCHINGS AND A LITHOGRAPH  To include Stephen Barclay, Mulholland and others (4) Condition Report:Available upon request

MAGDA AUDIFRED (SCOTTISH CONTEMPORARY)  ALUMBRANDO MI ENTRADA  Etching, signed lower right, dated (19)95, numbered 18/20, 44 x 56cm  Together with a lithograph by the same hand titled 'Flying back' (2) Condition Report:Available upon request

WILLIAM WATSON PEPLOE (SCOTTISH 1869-1933)   THE TEA ROOM  Lithograph, 20 x 14cm  Together with 2 similar by the same hand (3) Condition Report:Available upon request

RUSKIN SPEAR (1911-1990); a colour lithograph, 'The Piano Lesson', 76 x 101.5cm, framed and glazed.

Spy, pseudonym of Leslie Ward (1851 - 1922), after, Alexander Meyrick Broadley,  He Defended Ahmed Urabi, 37cm x 26cm, colour lithograph, published by Vincent Brooks, Day & Son Ltd, 37cm x 21cm; another, Mr James Coates;   Mel, Taking a Night Cap, signed, dated 45, watercolour, 32cm x 21cm;   Cartoon, I Remember, I Remember, The Days When I Was Young (4)

BUNYAN THE PILGRIM'S PROGRESSAdam & Co, Newcastle-on-Tyne, with lithograph colour plates and embossed binding, late 19th century

Michael English (1941-2009) - 'Bubble Gum' 1970, unframed offset lithograph poster on wove, with original packaging from gallery, 101 x 96.5cm

Northumberland. Broadside: Sir John Delaval, Slip Song of Berwick Election, s.l., s.n., n.d. [1754-1786], 28 x 15cm, mounted, 20th c black leather over papered board folio; Private Press: [Michael Aislabie Denham], two folk lore tracts, To Old Father Christmas and Janus The Double-Faced God, this tract on the rhymes and proverbs of Yule Tide and the New Year is Right Humbly Inscribed, one of 50 copies only, Civ Dunelm: Imprinted by Will: Duncan and Sons, 1853, 12pp, with an additional 1[ff] 1851 Northampton Mercury newspaper clipping on Christmas Day, [bound with] "I'll Neville You, Etc.", Dunelm, s.n., 1st August, 1851, 4pp, with an additional letterpress leaf following Gateshead Observer correspondence, dated 28th August, 1851, contemporaneous red cloth over blue papered boards, 12mo; Chapbook: The History of Stoney Bowes, otherwise Andrew Robinson Bowes, Newcastle-on-Tyne: John Ross, Printer & Publisher, n.d. [1847-52], publisher's original pictorial upper-wrapper only and the leaves disbound and now loosely-inserted between tissue-paper sheets, 20th c black leather over marbled paper boards, 12mo; The Tyneside Songster, A Collection of Comic and Descriptive Songs, Chiefly in the Newcastle Dialect, Alnwick: Printed and Sold by W. Davison, n.d. [c. 1840], frontispiece, title-page and in-text wood-engraved vignette in the manner of Bewick, original publisher's limp green cloth boards, in blind, uncut, 12mo in 6s; four unrelated titles, including a Napoleonic Wars period Royal Navy sailor's song or sea shanty broasheet, s.l., s.n., n.d. [c. 1830], lithograph printed, hand-coloured, 25.5 x 20.5cm, hinge-mounted, later cloth and paper folio; Sunday School Tracts No. 15, The History of Thomas Frankland, London: Published by W. Kent, n.d. [1807], title-page vignette, 12pp, uncut, the leaves disbound and now loosely-inserted between tissue-paper sheets, 20th c black leather over marbled paper boards, 12mo; Bewick (Thomas, illustrator), Robert Burns: A Souvenir from Northumberland, one of 165 copies, Newcastle-upon-Tyne: Robert Robinson, 1899, frontispiece and title-page vignette, original wrappers, 8vo; etc., (11)

Michael English (1941-2009) - 'Spoon' 1970, unframed offset lithograph poster on wove, signed in ink, 101 x 96.5cm

The Inklings. Michael Williams, 20th c - Tolkien's Lord of the Rings, signed and numbered XXIV in pencil by the artist, further signed, dated and inscribed within the plate: Michael Williams, 1968, with acknowledgements to Professor J.R.R. Tolkien, monochrome lithograph, 33.5 x 46cm Good condition, some slight toning. Unexamined out of the frame.

Travel. Nansen (Fridtjof) & Archer (William, translator), Eskimo Life, first English edition, London: Longmans, Green, and Co., 1893, half-title, 16 full-page plates as called, in-text illustrations, 24pp publisher's catalogue bound at rear, original publisher's green cloth, pictorial gilt, slight wear, uncut, 8vo; Kallmorgen (Friedrich), In's Land der Mitternachtssonne: Tagebuch eines Malers, Karlsruhe: Kunstdruckerei Künstlerbund, n.d. [1899], lithograph printed facsimile of the Impressionist artist's sketchbook, contemporary publisher's red cloth gilt, oblong folio (31 x 42.5cm); Naylor (R.A.), Letters on Sweden and Norway, first edition thus, [Warrington]: Printed for Private Circulation Only, [by Bowker Brothers], [June 1887], photographically-illustrated with three portraits by Parkinson of Warrington, original pictorial cloth, all edges gilt, 8vo; Goodman (E.J.) & Lange (Paul, illustrator), New Ground in Norway, first edition, 1896, original publisher's cloth, pictorial gilt, 8vo; etc., (5)

Ronald Searle CBE RDI (1920-2011) - The Mysterious Object, signed, titled, dated 73 and numbered 70/99 in pencil by the artist, Michel Cassé and Edition RS blindstamps, lithograph, 49.5 x 65cm Unexamined out of frame. Good condition. Some slight marginal toning.

Travel. Landor (A. Henry Savage), Across Coveted Lands [...], two volume set, first edition, London: Macmillan and Co., Limited, 1902, full-page plates and 2 folding maps, original publisher's red cloth, 8vo; Gore (Frederick St. John), Lights & Shades of Hill Life in the Afghan and Hindu Highlands of the Punjab: A Contrast, signed and dedicated by the author, first edition, London: John Murray, 1895, full-page plates, some after photographs, 2 folding maps, original publisher's two-tone cloth gilt, top edge gilt, others uncut, manuscript presentation and seal armorial bookplate of Sir (William) Henry Neville Goschen, 1st Baronet, KBE, JP, DL (1865 -1945), 8vo; Polo (Marco), Frampton (John, translator), & Penzer (N.M., editor), The Most Noble and Famous Travels, printed on Japon Vellum, copy no. 359/1050 London: [Published by] The Argonaut Press, Cambridge: Printed by Walter Lewis, University Press, 1929, colour frontispiece, folding map, title-page woodcut, original publisher's parchment over cloth boards, uncut, 4to; Huc (Évariste Régis) & Gabet (Joseph), Travels in Tartary, Tibet and China, 1844-1846, two volume set, first edition thus, London: George Routledge & Sons, Ltd., 1928, original publisher's red cloth only, 8vo; Betts's Series of Interrogatory Maps: Asia, n.d., lithograph with hand-colouring, laid on linen, 62 x 34.5cm open, original publisher's cloth case; Bertram's A Magician In Many Lands, first edition, 1911, illustrations, original cloth, 8vo; etc., (11)

Richard Reeve (1780-1835) after John Buckler (1770-1851) - North West View of the Collegiate Church of Saint Mary, Southwell, Published October 1810, by J. Buckler, Bermondsey, Surrey, aquatint, 57.5 x 72.5cm; J. Burton, early 19th c - A North-West View of Southwell Collegiate Church, [London]: [Printed by] Day & Haghe, n.d. [c. 1830], lettered proof, lithograph, 31 x 42.5cm; Hilkiah Burgess (1775-1868) after William Burgess (1754/5-1813) - Gosberton Church, near Spalding, Lincolnshire, s.l., s.n., n.d. [1800], engraving, 26 x 36cm; Chereley Dennis, early 19th c - Old Scaleits, Sexton of Peterborough Cathedral, Peterborough: Published by J.S. Clarke, n.d. [c1820], lithograph, 27.6 x 19cm (5) Unexamined out of their frames. Buckler's aquatint of Southwell generally good, with one or two foxed spots, typically toned portions, including the broad margins. The rest in mixed condition. Please see images.

John Piper CH (1903-1992) - Three Somerset Towers II (L.107), lithograph on Barcham Green, 1958, signed by the artist in pencil on the mount and numbered 8/70, 53 x 75cm

Quantity of hand-coloured maps and prints, inlcuding:After Robert Morden, East Riding of Yorkshire, 42x48cm;After Robert Morden, Leicestershire, 36.5x42cm;George Vernon Stokes, Spaniel retrieving a duck, lithograph, 13x17cm;hunting and horse racing related prints, Vanity Fair Cricketer, rugby cigarette cards, etc.

Dame Elizabeth Blackadder DBE, RA, RSA (1931-2021) Still life with Pagodacolour lithographsigned in pencil, 15/10056 x 72cm PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

§ § Laurence Stephen Lowry (English, 1887-1976) St Simon's Churchoffset lithograph on wovesigned in pencil, 232/300visible sheet 40.5 x 30.5cm Looks to be in honest and good condition, ground paper of an even tone, stepped card mount with some staining in the top corner, glazed wooden frame with Leigh Gallery label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

§ § Laurence Stephen Lowry (1887-1976) 'Street Scene near a factory’offset lithographsigned in pencil, from the edition of 850, printed by Chorley Pickersgill Ltd., Leeds, published by the Adam Collection Ltd., with the Fine Art Trade Guild blindstamp25.5 x 20cm Good untouched condition, paper perhaps slightly discoloured to an even buff tone, visible sheet 29 x 22.5cm, under museum glass with modern card mount and slim gilt frame.*PLEASE NOTE - POSTAGE AND OR PACKING NOT AVAILABLE ON ANY PICTURE LOTS IN TODAYS SALE, COLLECTION OR COURIER RECOMMENDED*PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

§ § Salvador Dali (Spanish, 1904-1989) Le Cabinet Anthropomorphique, 1973sterling silversigned, inscribed "Sterling" with the edition number 128/330-A on left side of drawers, cast by Foneria Mibrosa, Barcelona, with the foundry mark on drawers verso11.5cm high, 23cm long Published: Passoni, Morse and Field, Dalí, Milan, 1986, page 79 (bronze cast illustrated); Levi, The Dalí Universe, London, 2000, pages 80-81 (larger bronze cast illustrated); Descharnes, Dalí, The Hard and the Soft, Spells for the Magic of Form, Sculptures & Objects, Azay-le-Rideau, 2004, page 266, number 683 (bronze cast illustrated); Lechien, Dalí, Dalí! ou l'éclosion apothéosique d'un sculpteur, Brussels, 2004, pages 70 and 99 (larger bronze cast illustrated).Dalí's (1904-1989) Le Cabinet Anthropomorphique revisits his celebrated Venus de Milo with Drawers, plaster, 1936, for which he appropriated the form of the famous classical Greek marble now in the Musée du Louvre, Paris. The Art Institute of Chicago, which holds the Dalí plaster sculpture, notes, "Among Dalí's many memorable works, perhaps none is more deeply embedded in the popular imagination than Venus de Milo with Drawers, a half-size plaster reproduction of the famous marble statue (130 / 120 BC), altered with pompon-decorated drawers in the figure's forehead, breasts, stomach, abdomen and left knee. The combination of cool painted plaster and silky mink tufts illustrates the Surrealist interest in uniting different elements to spark a new reality. For the Surrealists, the best means of provoking this revolution of consciousness was a special kind of sculpture that, as Dalí explained in a 1931 essay, was 'absolutely useless . . . and created wholly for the purpose of materializing in a fetishistic way, with maximum tangible reality, ideas and fantasies of a delirious character.' Dalí's essay, which drew upon the ideas of Marcel Duchamp's readymades, inaugurated object making as an integral part of Surrealist activities.Influenced by the work of Sigmund Freud, Dalí envisioned the idea of a cabinet transformed into a female figure, which he called an 'anthropomorphic cabinet.' Venus de Milo with Drawers is the culmination of his explorations into the deep, psychological mysteries of sexual desire, which are symbolized in the figure of the ancient goddess of love."Dalí also made an oil on wood painting of the subject, Anthropomorphic Chest of Drawers, 1936, now in a private collection, Germany, and a lithograph, Drawers of Memory, 1965. Very good condition with no faults noted, nice bright colour to the silver, on a marble plinth which has some light scuffing which is essentially in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Large collection of ephemera, brochures and books relating to Louth, Louth Grammar school, Almanacs, Lincoln Wills 1601-1652, Louth Market Place lithograph after T W Wallis, N E View of Old Vicarage House Louth after Bennet Hubbard, Town Hall plans (copies) needlework & woven bookmarks and a copy of "Thoughts Verses and Songs" by Claribel London 1877 'Charlotte Alington Barnard'

Emil Cardinaux, Swiss, 1877-1936, Jungfrau Bahn, lithograph, 1919, 127 x 90cmProvenance: Christie's, London, Annabel's, 20 November 2018, lot 139.

A group of four Musee de Louvre chalcographies of Paris, late 20th century, each with Musee de Louvre Chalcographie impression, comprising: a perspective view of L'hötel Royal de Invalides, 113 x 78.5cm; Plan Topographique du Chateau des Jardins et dime partie du Parc de St Cloud, 41 x 48.5cm; an architectural elevation of l'Hôtel Royal des Invalides, 31 x 86.5cm; an architectural elevation of Colonne crigée en ''Hôtel de Soisfons par Catherine de Medici, 51.5 x 36cm; all in modern oak and wood frames; together with a coloured lithograph of Place de la Concorde (5)

David Shrigley (b.1968) 'When Life Gives You A Lemon, You Must Eat the Lemon', 2021offset lithograph in colours from an open editionsheet 80 x 60cm, unframedCondition ReportPreviously rolled. A very tiny nick to the extreme upper left edge. Appears to be in otherwise good condition.

▲ Bryan Organ (b.1935) Tigerlithograph in colours, signed and dated 'Bryan Organ 1974' in pencil l.r., and inscribed 'For Stan'sheet 76 x 63cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportLight half moon handling creases to the unprinted areas. Creasing to the left edge. Light surface dirt with faint spots of foxing starting to emerge in places.

After Francis Bacon 'Portrait of Isabel Rawsthorne', 1966lithograph in colours from 'Derrière le Miroir' no.162, published by Maeght Éditeur, Parissheet 38 x 28cm, unframedCondition ReportMinor handling creases. The extreme lower left corner has an extremly tiny 2mm tear. The printed area appears to be in good condition.

▲ Allen Jones RA (b.1937) 'Concerning Marriages'lithograph in colours, signed and dated 'Allen Jones 64' in pencil l.r., inscribed 'Printers Proof' and 'For Roger on your Birthday 2009'sheet 75 x 56cmCondition ReportFramed: 82 x 63cmA little time staining. Faint discolouration starting to emerge around the edges. On close inspection a small handling crease is visible to the unprinted area, lower centre. Not viewed out of glazed frame.

After Francis Bacon 'Portrait of George Dyer Crouching', 1966lithograph in colours from 'Derrière le Miroir' no.162, published by Maeght Éditeur, Parissheet 38 x 28cm, unframedCondition ReportTiny speckles to the margins, possibly printing ink (?). Faint dirty marks to the lower margin. The printed area appears to be in good condition. A couple of extremely minor handling creases visible to the reverse.

▲ Clive Barker (b.1940) 'H.M Prison Wormwood Scrubs'lithograph in colours, signed and dated 'Clive Barker 1971' in pencil l.c., also inscribed '7854 Fraser' and numbered '2/10'visible 85 x 52.5cmProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 89 x 56.5cmAppears to be in good condition. Not viewed out of glazed frame.

▲ Colin Self (b.1941) 'Stadium I'lithograph in colours, signed 'Colin Self' in pencil underneath l.l., inscribed with title, dated 'June 1996' and numbered 'special print 2/4' sheet 57 x 76cm overallCondition ReportFramed: 64 x 83cmThe lithograph is printed on wove and stuck down to a sheet of Arches Aquarelle on which the signature, title, date and number are written underneath the print. Appears to be in good condition. Not viewed out of the glazed frame.

▲ John Piper CH (1903-1992) 'Easton, Portland, Dorset: St George Reforne, an 18th Century Church Among the Quarries' (Levinson 137)lithograph, 1964, signed 'John Piper' in pencil l.r., with Archive of Stanley Jones blind stampsheet 59 x 82cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportUnnumbered. Extremely minor handling creases. A couple of faint marks to the upper and lower margins.

▲ John Piper CH (1903-1992) 'Llan-y-Blodwell, Shropshire' (Levinson 128)lithograph in colours, 1964, signed 'John Piper' in pencil l.r., with Archive of Stanley Jones blind stampsheet 82 x 59cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportUnnumbered. Light creasing. Faint dirty marks to the margins. A larger mark to the lower left corner.

David Shrigley (b.1968) 'Frog (Front Of) Frog (Back Of)', 2021offset lithograph in colours, from an open editionsheet 80 x 60cm, unframedCondition ReportAppears to be in good condition. Previously rolled.

▲ Paul Hogarth RA (1917-2001) 'Skiathos'lithograph in colours, printer's proof, signed, titled and inscribed 'P/P1 for Stanley with appreciation/Paul Hogarth' in pencil l.l.sheet 54 x 73cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportAppears to be in good condition.

Henri de Toulouse-Lautrec (French, 1864-1901) 'Yvette Guilbert - Dans la Glu' (Delteil 252)lithograph, 1898, from an edition of 350image 32 x 26.5cmProvenance: Lord and Lady Moser.Condition ReportOverall: 57 x 42cmExecuted on laid paper within a platemark. Time staining. Foxing to the margins with light foxing starting to emerge to the printed area.. A couple of faint dirty marks to the margins. The print has been hinge mounted with two small pieces of tape attached to the top edge. Light creasing. The top of the right edge is a little uneven.

▲ John Piper CH (1903-1992) 'Malmesbury, Wiltshire: The South Porch' (Levinson 129)lithograph in colour, 1964, signed 'John Piper' in pencil l.r., with Archive of Stanley Jones blind stampsheet 82 x 59.5cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportLight handling creases to the top edge. Appears to be in otherwise good condition.The print is unnumbered.

▲ John Piper CH (1903-1992) 'Gedney, Lincolnshire: a Tower in the Fens' (Levinson 139)lithograph in colours, 1964, printer's proof, signed 'John Piper' in pencil l.r., numbered 'P/P I', with the Archive of Stanley Jones blind stampsheet 82 x 59.5cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportLight creasing. A few speckles of light surface dirt to the margins. There is a vertical line/ impression running the length of the left margin, 1cm in from the edge of the sheet. The bottom left corner is a little bent.

▲ John Piper CH (1903-1992) 'Courthouse, Long Crendon, Buckinghamshire' (Levinson 285)lithograph in colours, 1978, signed 'John Piper' in pencil l.r., with Stanley Jones Archive blind stamp and a Curwen Studio Proof stamp versosheet 57 x 77cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportThe printed area appears to be in good condition. Faint dirty smudges to the lower right corner. Light handling creases to the margins. There is a horizontal line/ impression running parallel to the lower edge, 1cm in from the edge of the sheet. The print is unnumbered.

▲ John Piper CH (1903-1992) 'Leckhampstead, Berkshire: a Victorian Church by S.S. Teulon' (Levinson 134)lithograph in colours, 1964, signed 'John Piper' in pencil l.r., with Archive of Stanley Jones blind stampsheet 81 x 60cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportA few speckles of light surface dirt with light creasing to the margins. There is a vertical line/ impression running through the margins around the print. The printed area appears to be in good condition. The print is unnumbered.

▲ Paul Hogarth RA (1917-2001) 'Grand Hotel Oloffson (The Comedians)'lithograph in colours, signed 'Paul Hogarth' in pencil l.r., and inscribed with titlesheet 54.5 x 74cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportThe print is not numbered. Light handling creases visible to the unprinted areas. Appears to be in otherwise good condition.

▲ John Piper CH (1903-1992) 'Fotheringhay, Northamptonshire: Medieval Stone' (Levinson 135)lithograph in colours, 1964, signed 'John Piper' in pencil l.r., with Archive of Stanley Jones blind stampsheet 59 x 82cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportUnnumbered. A small dirty mark to the centre of the right margin. A little discolouration and light surface dirt to the extreme edges. Light handling creases to the margins.

Yayoi Kusama (Japanese, b.1929) 'Flowers'lithograph in colours, 2011, numbered '62/200' in pencil l.l., printed courtesy of Mori Art Museum, Tokyosheet 40 x 30cm, unframedCondition ReportAppears to be in good condition.

Yayoi Kusama (Japanese, b.1929) 'Pumpkin' (green)lithograph in colours, 2011, numbered '31/200' in pencil l.l., printed courtesy of Mori Art Museum, Tokyosheet 32 x 38cm, unframedCondition ReportAppears to be in good condition.

▲ Dame Elisabeth Frink CH RA (1930-1993) 'Horse and Rider'lithograph in colours, 1970, signed 'Frink' in pencil l.r.sheet 59 x 78cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportThe print is unnumbered. A little light staining to the edges including a faint strip of discolouration to the top of the right edge. Light handling creases. A small fold mark in the lower right corner.

▲ Paul Hogarth RA (1917-2001) 'Garsington Manor'lithograph in colours, signed 'Paul Hogarth' in pencil l.c., inscribed with title and numbered '64/150' with Curwen Chilford and artist's blind stampssheet 73 x 54cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportThe edges of the sheet have a border of slight discolouration where it appears the surface of the paper is slightly rubbed/ abraised. Tiny speckles of foxing to the extreme lower edge. The printed area appears to be in good condition.

▲ Allen Jones RA (b.1937) 'Take it From the Top'lithograph, artist's proof, signed and dated 'Allen Jones 82' in pencil l.r., numbered 'AP 3/10', published by Waddington Graphics, London sheet 72.5 x 94cm, unframedCondition ReportA faint dirty smudge in the lower left corner. Creasing to the top edge. A light handling crease to the unprinted section in the upper right corner.

▲ Lynn Chadwick RA (1914-2003) 'Moon Series E'lithograph in colours, signed and dated 'Chadwick 65' l.r., inscribed 'Proof for Tony' l.l.visible 46 x 59.6cmThis work is dedicated to 'Tony', believed to be for Tony Reichardt, a dealer who was considered a trailblazer for Modern British Art. Reichardt worked closely with Lynn Chadwick to promote him and his work at the Marlborough Galleries in the 1960s.Condition ReportFramed: 65.5 x 78cmUnnumbered. Extremely light handling creases. Some small spots of foxing starting to emerge. Tiny scattered speckles of printing ink (?) to the upper centre and centre of the right edge. Not viewed out of glazed frame.

Yayoi Kusama (Japanese, b.1929) 'Pumpkin' (red)lithograph in colours, 2011, numbered '52/200' in pencil l.l., printed courtesy of Mori Art Museum, Tokyosheet 32 x 40cm, unframedCondition ReportAppears to be in good condition.

Stephen Prina (American, b.1954) 'Exquisite Corpse: The Complete Paintings of Manet (129 of 556)’, 1988 ink wash on paper and offset lithograph 46.5 x 36.5cm and 65.5 x 82.5cm (2)Provenance: With Karsten Schubert, London;Richard Salmon Gallery, London. Exhibited: Karsten Schubert, London, 'Stephen Prina: The Complete Paintings of Manet, Recent Work', 3 October - 28 October 1989;Richard Salmon Gallery, London, 'Sequence', 29 August - 20 September 1997.Condition ReportLegend: framed, 75 x 92cm. Stuck down in the corners. Light cockling. On close inspection some extremely faint spots and speckles of discolouration/ foxing are starting to emerge. Not viewed out of glazed frame. Ink and wash: framed, 56 x 46cm. Cockling. Light crease marks to the centre and lower centre. Dirty marks on reverse of framing. Not viewed out of glazed frame.