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Lot 922
David Wright Pencil Signed Limited And Numbered Edition. ''Summer Showers'' Colour Lithograph Print. This Print is no 26 of 500 pieces. To celebrate the Centenary Of Blackpool Tower 1894- 1994 and 30 years after the closure of Blackpool Central Station 1964-1994. Mounted and framed behind glass. Print size only 18 inches x 20 inches.
Lot 942
David Shepherd Artist Signed Ltd and Numbered Edition Colour Lithograph / Print. Titled ' Lone Wanderers of The Arctic ' No 263 of 1,500 Copies. Fine Art Trade Guild Stamp to Bottom Left of Margin, Pencil Signed by David Shepherd to Lower Right Margin. Mounted and Framed Behind Non Reflective Glass. Lithograph / Print Size 19 x 28.75 Inches. Size with Frame 28 x 38 Inches. All Aspects of Condition Is Excellent.
Lot 978
Tom Merry Framed Colour Lithograph Presentation Cartoon 'Elopement Extraordinary' From St Stephens Review November 15th 1884 Polychrome lithographic Cartoon by Tom Merry, framed and mounted under glass in later wood frame with gilt fluted inner detail. Published by Gilbert & Rivington, Limited London. Tom Merry, also known as William Mecham was an illustrator and political satirist, his work was reproduced in The St Stephens Review which was in circulation in the UK from 1883 to 1892. 14 x 10 inches, some areas of staining and foxing to print margins.
Lot 979
Tom Merry Framed Colour Lithograph Presentation Cartoon 'The Return Of The Prodigal Son' From St Stephens Review August 30th 1884 Polychrome lithographic Cartoon by Tom Merry, framed and mounted under glass in later wood frame with gilt, fluted inner detail. Published by Gilbert & Rivington, Limited London. Tom Merry, also known as William Mecham was an illustrator and political satirist, his work was reproduced in The St Stephens Review which was in circulation in the UK from 1883 to 1892. 14 x 10 inches, some areas of staining and foxing to print margins.
Lot 981
Tom Merry Framed Colour Lithograph Presentation Cartoon 'The Road To Ruin Or Too Fast To Last' From St Stephens Review January 12th 1884 Polychrome lithographic Cartoon by Tom Merry, framed and mounted under glass in later wood frame with gilt, fluted inner detail. Published by Judd & Co, Lith London. Tom Merry, also known as William Mecham was an illustrator and political satirist, his work was reproduced in The St Stephens Review which was in circulation in the UK from 1883 to 1892. 14 x 10 inches, some areas of staining and foxing to print margins.
Lot 982
Tom Merry Framed Colour Lithograph Presentation Cartoon 'Will It Come To This (A Radical's Vision Of The Future)' From St Stephens Review October 11th 1884 Polychrome lithographic Cartoon by Tom Merry, framed and mounted under glass in later wood frame with gilt, fluted inner detail. Published by Gilbert & Rivington, Limited London. Tom Merry, also known as William Mecham was an illustrator and political satirist, his work was reproduced in The St Stephens Review which was in circulation in the UK from 1883 to 1892. 14 x 10 inches, some areas of staining and foxing to print margins.
Lot 221
Morgan(Lady Sydney)Italy...a Journal, 3 vol.., second edition, 1824-Marcello the Autobiography of a Roman Patriot...edited by his friend MacIan, 3 plates, inscribed by the editor, Dumfries, 1891-Francis(J.G.) Notes from a journal kept in Italy and Sicily, 7 tinted lithograph plates, 1847-Gilbert(J.) Cadore or Titian's country, plates, 1869 original cloth, the last rather worn; and others, similar (9)
Lot 61
Marc Chagall, French/Russian (1887-1985) "Les Glaïeuls, 1965" Color Lithograph, Pencil Signed and Inscribed on Lower Border. Marked D' après Marc Chagall - CH. Sorlier Grav. In the plate. Gallerie Pascal Retelet labels en verso. Subject has been featured in Marc Chagall's "Lithograph V" hardcover book in Pg. 216. Provenance: original COA, original receipt, and correspondence from Gallerie Pascal Retelet, France S.A.R.L. dated 1998. Condition: Small crease upper right, light foxing and toning to border. Measures 16" H x 12" W (sight), frame 28-3/4" H x 24-5/8" W. Shipping: Third party. (estimate $6000-$8000)
Lot 1
δ Edward Bawden (1903-1989)Dunkirk Lithograph printed in colours, 1986, signed, titled and numbered from the edition of 75 in pencil, on wove paper, printed by Curwen Studio, Isleworth, published by Hurtwood Press, Oxted, with full margins, image 363 x 562mm (14 1/2 x 22 1/8in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 10
δ Terry Frost (1915-2003)Brown Figure (Kemp 25)Lithograph printed in colours, 1957, signed, dated and numbered from the edition of 30 in pencil, on handmade Barcham Green Crisbrook paper, printed by Johnston Douglas at Harley Bros, Edinburgh, published by St George's Gallery, London, with their blindstamp, with full margins, sheet 565 x 699mm (22 1/4 x 27 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 11
δ Terry Frost (1915-2003)Easter (Kemp 34)Lithograph printed in colours, 1966, signed, dated and inscribed 'Artist's Proof' in black ballpoint pen, one of five artist's proofs, on wove paper, with margins, sheet 592 x 390mm (23 1/4 x 15 3/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 112
Pablo Picasso (1881-1973) (after)Portrait of Frederic Joliot-CurieLithograph, 1959, signed, dated and dedicated in black crayon, with a small flower drawing in black crayon, aside from the edition of 200, on Arches wove paper, the full sheet printed to the edges, 660 x 515mm (26 x 20 1/4in) (unframed)
Lot 118
δ Pablo Picasso (1881-1973) (after)Colombe de la Paix (Czwiklitzer 207)Lithograph printed in colours, 1962, signed in red crayon, a proof before letters, on wove paper, published by Editions Combat pour la Paix, with their blindstamp, with full margins, sheet 470 x 540mm (18 1/2 x 21 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 119
δ Pablo Picasso (1881-1973) (after)La Ronde de la Jeunesse Lithograph printed in colours, signed and numbered from the edition of 200 in pencil, on wove paper, with full margins, sheet 445 x 450mm (17 ½ x 17 ¾in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 120
δ Pablo Picasso (1881-1973) (after)Bouquet de Fleurs (Czwiklitzer 147)Lithograph printed in colours, 1958, signed in blue crayon, a proof before the text, on wove paper, published by Éditions Combat pour la Paix, Paris, with their blindstamp, with full margins, sheet 555 x 380mm (27 7/8 x 15in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 121
δ Pablo Picasso (1881-1973) (after)Grand MaterniteLithograph printed in colours, 1963, signed and inscribed 'H.C.' in pencil, an hors de commerce impression aside from the edition of 200, on wove paper, published by Éditions Combat de la Paix, Paris, with their inkstamp verso, with full margins, sheet 895 x 630mm (35 1/4 x 24 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 125
δ Pablo Picasso (1881-1973)Sur la Plage II (3 Nus) (Bloch 43; Cramer 10)Lithograph, 1921, a proof before the edition of 50, signed in ink, on thin chamois wove paper appliqué onto stout wove paper, with margins, sheet 160 x 314mm (6 1/4 x 12 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 126
δ Pablo Picasso (1881-1973)Colombe Volant (Bloch 712; Mourlot 214)Lithograph printed in colours, 1952, signed and numbered from the edition of 200 in pencil, on Arches paper, with full margins, sheet 549 x 764mm (21 5/8 x 30in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 127
δ Pablo Picasso (1881-1973) (after)Composition Offset lithograph printed in colours, 1948, the edition was 3000, on wove paper, the sheet printed to the edges, 487 x 795mm (19 x 31 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 129
δ Pablo Picasso (1881-1973)Composition au verre a pied (Bloch 431; Mourlot 77)Lithograph, 1947, a proof aside from the book edition, on wove paper, as included in Dans l'Atelier de Picasso, with margins, sheet 445 x 330mm (17 1/2 x 13in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 135
δ Stanley William Hayter (1901-1988)Scorpio (Black and Moorehead 321)Lithograph printed in colours, 1968, signed, dated and numbered from the edition of 150 in pencil, on Arches wove paper, printed by Etablissements Guillard, Cachan, published by La Vision Nouvelle, Paris, with full margins, sheet 752 x 560mm (29 1/2 x 22in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 15
†δ Gordon House (1932-2004)Quarter Yellow (Baro 120)Lithograph printed in colours, 1978-79, signed, titled and numbered from the edition of 80 in pencil, on wove paper, with full margins, sheet 940 x 685mm (37 x 27in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.This lot is subject to VAT at 20% payable on the hammer price, which may be reclaimable as input VAT.
Lot 154
δ Richard Hamilton (1922-2011) & Dieter Roth (1930-1988)Exhibition Posters 'Collaborations' (Lullin p.265)Offset lithograph printed in colours, 1977, from the unknown edition size, on wove paper, the full sheet, 596 x 420mm (23 x 16 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 173
δ Peter Phillips (b.1939)Tiger and EnginePhoto-lithograph and screenprint in colours, 1971, signed, dated and numbered from the edition of 200, on BFK Rives wove paper, the full sheet, 650 x 500mm (25 5/8 x 19 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 180
Jasper Johns (b.1930)Technics and Creativity (Field 135)The deluxe book, 1970, comprising a white plastic clamshell box housing an offset lithograph multiples with collage of watercolour pads and a paintbrush, and the book Technics and Creativity by Riva Castleman, the edition was 22,500, published by the Museum of Modern art New York, and Gemini G.E.L. Los Angeles, overall size 270 x 220mm (10 5/8x 8 5/8in) (vol)
Lot 20
δ Kim Lim (1936-1997)Black WashLithograph printed in blacks, 1993, signed, dated, titled and numbered from the edition of 20 in pencil, on wove paper, the full sheet, 565 x 565mm (22 1/4 x 22 1/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 203
δ Arman (1928-2005)L'Interieur des Choses II: Le Transistor (Otmezguine & Moreau 38)Lithograph printed in colours, 1971, signed and numbered from the edition of 300 in pencil, on Arches wove paper, printed by Clot, Bramsen and Georges, published by Prisunic, Paris, the full sheet printed to the edges, sheet 655 x 485mm (25 ¾ x 19in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 219
δ Tracey Emin (b.1963)More Margate - More PastLithograph printed in black, 2006, signed, dated, titled and inscribed 'A.P.' in pencil, one of twenty-nine artist's proofs aside from the edition of 50, on wove paper, as included in In the Darkest Hour There May Be Light, co-published by the Serpentine Gallery and Other Criteria, London, the full sheet, 420 x 295mm (16 1/2 x 11 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 220
δ Tracey Emin (b.1963)She lay deep down beneath the seaLithograph printed in colours, 2011, signed, titled, dated and numbered from the edition of 150 in pencil, printed and published by Counter Editions, London, the full sheet printed to the edges, 560 x 725mm (22 x 28 3/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 222
δ Tracey Emin (b.1963)Beirut Offset lithograph printed in black, 2006, signed, dated and numbered from the edition of 100 in pencil, on wove paper, the full sheet, 406 x 584mm (16 x 23in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 223
δ Tracey Emin (b.1963) More of you Lithograph printed in colours, 2015, signed, dated and numbered from the edition of 300 in pencil, on Somerset wove paper, printed and published by Counter Editions, London, the full sheet printed to the edges, 900 x 705mm (35 1/2 x 27 7/8in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.Please note this print is signed from the edition of 100, rather than as stated in the printed catalogue.
Lot 224
δ Tracey Emin (b.1963)True Love Always WinsLithograph printed in colours, 2016, signed, dated and numbered from the edition of 300 in pencil, on wove paper, the full sheet printed to the edges, 760 x 600mm (30 x 23 5/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 227
δ Gilbert and GeorgeDeath after LifeOffset lithograph printed in colours, 2008, signed in black ball-point pen, numbered from the edition of 100 in pencil, on Hahnemule and Mohawk Superfine wove paper, published by Oak Tree Fine Press, Fyfield, with full margins, 250 x 460mm (9 ¾ x 18in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 235
δ Howard Hodgkin (1932-2017)Interior with Figure (Heenk 5)Lithograph printed in colours, 1966, signed, dated and numbered from the edition of 75 in pencil, on BFK Rives wove paper, published by Editions Alecto, London, with their rubber stamp verso, the full sheet printed to the edges, sheet 510 x 650mm (20 x 25 ½ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 236
δ Howard Hodgkin (1932-2017)Composition with Red (Arch) (Heenk 10)Lithograph printed in colours, 1970, signed and numbered in roman numerals in pencil, one of thirty-five impressions printed on Hosho vellum Japanese paper, printed by Stanley Jones at Curwin Prints Ltd, London, published by Felix Mann and Galerie Wolfgang Ketterer, Munich, with their blindstamp, the full sheet, 530 x 756mm (20 7/8 x 29 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 273
δ Angus Fairhurst (1966-2008); Laurence Owen (b.1984)Proposal for a Public Place; Spot the DoggingScreenprint in colours, 2006, signed, dated, inscribed and numbered in pencil verso; together with a lithograph printed in colours, 2006, signed, dated, inscribed and numbered in black ink verso, each one of twenty-nine artist's proofs aside from the edition of 50, each on wove paper, as included in In the Darkest Hour There May Be Light, co-published by the Serpentine Gallery and Other Criteria, London, each the full sheet, each 420 x 295mm (16 1/2 x 11 5/8in) (unframed) (2)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 274
δ Marcus Harvey (b.1963); Steven Gregory (b.1952)Skull; A Nod's as Good as a Wink Lithograph printed in colours, 2006, signed, dated, inscribed and numbered in pencil, on wove paper; together with a digital pigment print in colours, 2006, signed, inscribed and numbered in silver ink, on Fujicolor Professional gloss paper, as included in the In the Darkest Hour There May Be Light portfolio, co-published by the Serpentine Gallery and Other Criteria, London, each the full sheet, each sheet 420 x 295mm (16 1/2 x 11 5/8in) (unframed) (2)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 276
δ Rachel Howard (b.1969); John Currin (b.1962); John Isaacs (b.1968)Can't Breathe Without You; The Jack Ass (Clambake); Impossible Dreams Screenprint in black, 2006, signed, dated, inscribed and numbered in pencil verso; together with a lithograph and a further offset lithograph printed in black, each signed, dated, inscribed and numbered by the respective artist in pencil, each on wove paper, each one of twenty-nine artist's proofs aside from the edition of 50, as included in the In the Darkest Hour There May Be Light portfolio, co-published by the Serpentine Gallery and Other Criteria, London, the full sheet printed to the edges, 420 x 295mm (16 1/2 x 11 5/8in) (unframed) (3)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 29
δ Henry Moore (1896-1986)Head (Cramer 364)Lithograph printed in colours, 1975, signed and inscribed 'ea' in pencil, an artist's proof aside from the edition of 50, on Japan Nacre paper, printed by Curwen Prints Ltd, published by Henry Moore & Felia Leal, Paris, with full margins, sheet 768 x 584mm (30 1/4 x 23in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 297
δ JR (b.1983) and David Lynch (b.1946)I Fix My Head IILithograph printed in colours, 2014 signed by the artists, dated by JR, numbered from the edition of 99 in pencil, on wove paper, printed by Idem, Paris, with their blindstamp, with full margins, sheet 1026 x 690 mm (40⅜ x 27⅛ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 30
δ Henry Moore (1898-1986)Woman Seated on Fireside Stool (Cramer 311)Lithograph printed in colours, 1973, signed and inscribed 's/p' in pencil, a proof aside from the numbered edition of 75, on wove paper, printed by Curwen Prints, Ltd, London, published by Fischer Fine Arts, Ltd, with full margins, sheet 650 x 500mm (25 6/8 x 19 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 31
δ Henry Moore (1896-1986)Visitation (Cramer 629)Lithograph printed in colours, 1981, signed and inscribed 'e/a' in pencil, an artist's proof aside from the edition of 50, on wove paper, printed by Curwen Prints Ltd, London, published by Raymond Spencer Company Ltd for the Henry Moore Foundation, Much Hadam, with full margins, sheet 446 x 410mm (17 1/2 x 16in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 32
δ Henry Moore (1896-1986)Three Marys (Cramer 627)Lithograph printed in colours, 1981, signed and inscribed 'e/a' in pencil, an artist's proof aside from the edition of 50, on wove paper, printed by Curwen Prints Ltd, London, published by Raymond Spencer Company Ltd for the Henry Moore Foundation, Much Hadam, with full margins, sheet 406 x 445mm (16 x 17 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 33
δ Henry Moore (1898-1986)Four Silhouette Figures (Cramer 283)Lithograph, 1973, signed and inscribed 's/p' in pencil, a proof aside from the numbered edition of 50, on wove paper, printed by Curwen Prints, Ltd, London, published by Gerald Cramer, Geneva, with full margins, sheet 326 x 452mm (12 3/4 x 17 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 4
δ Lynn Chadwick (1914-2003)Two Seated Blue Figures on a WaveLithograph printed in colours, 1971, signed and numbered from the edition of 100 in pencil, on wove paper, published by Erker Presse, St Gallen, with their blindstamp, the full sheet printed to the edges, 765 x 560mm (30 1/8 x 22in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
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70555 item(s)/page