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Click here to subscribeTHOMAS GALSWORTHY DUTTON AFTER NICHOLAS CONDY (1793-1857)'H.M. BRIG ACORN''16 Guns in Chase of the Piratical Slaver Gabriel, 6 July 1841', lithograph; the image 30 x 40cm.Note: This rare engraving depicts a vessel of the British West Africa Squadron enforcing the recent anti-slavery legislation. After a chase that lasted twelve hours the Gabriel was finally dismasted and captured.
§ § Laurence Stephen Lowry RA, RBA (1887-1976) Group of childrenoffset lithographsigned in pencil, from the unnumbered edition of 850,published by the Adam Collection, with The Fine Art Trade Guild blindstamps17.5 x 19.5cm Good condition, colours strong, slight acid staining around the mount, visible sheet 20.5 x 20.5cm, under museum glass in a plain oak framePLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § John Piper (British, 1903-1992) Long Melford Church (Levinson 336)lithographsigned in pencil, 245/275, printed by Curwen Studio, published by Canon Rubber Co., London.visible sheet 55 x 75cm Very good clean condition with no faults noted, under glass in a modern framePLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Béla Kádár (Hungarian, 1877-1956) Nudes in a landscapelithographsigned in pencil27 x 35.5cm Some slight undulation of the paper, water damage towards the top right corner, otherwise even discolouration of the unprinted paper, signed lower right, crude paper mount and later glazed frame. Ex Christie's sale Lot 246 25.3.86PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Laurence Stephen Lowry RA, RBA (1887-1976) 'The Harbour'lithographsigned in pencil, published in 1972 by Venture Prints, Bristol, Fine Art Trade Guild blindstamp40 x 55.5cm Honest untouched condition, colours remain strong, any signs of dirt appear to be on the glass not the work itself, visible sheet 44 x 58cm and this has slightly slipped in the mount showing that the paper is evenly discoloured, plain card mount and glazed white frame, no labels verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Laurence Stephen Lowry (1887-1976) ‘Man Lying on a Wall’offset lithographsigned in pencil and numbered 113/500, published by Grove Galleries, London41 x 50.5cm Very good clean condition, colours remain strong, unprinted margins white, visible sheet 43 x 52cm, under museum glass in a slim gilt framePLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Kenojuak Ashevak CC, RCA (1927-2013) 'Great Big Fish'lithographsigned and number 23/2577 x 107cm Essentially good condition, a slight pressure crease running diagonally from just left of 6 o'clock up towards 8 o'clock, no other faults noted, not framedPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Laurence Stephen Lowry (1887-1976) 'Street Scene near a factory’offset lithographsigned in pencil, from the edition of 850, printed by Chorley Pickersgill Ltd., Leeds, published by the Adam Collection Ltd., with the Fine Art Trade Guild blindstamp25.5 x 20cm Good untouched condition, paper perhaps slightly discoloured to an even buff tone, visible sheet 29 x 22.5cm, under museum glass with modern card mount and slim gilt framePLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Laurence Stephen Lowry RA, RBA (British 1887-1976) View of a Townoffset lithographsigned in pencil, bearing the Fine Art Trade Guild blindstamp unnumbered from an edition of 850, published by Mainstone Publications in 197346 x 55.5cm Overall colours remain good and strong but some discolouration of the paper particularly showing around the margins as acid staining, one or two fox marks showing in the centre of the sky, most of these look to be on the glass not the print, housed in a stepped card mount and metal frame, Pratt & Sons of Derby label verso giving details of the work.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
VANESSA BELL (BRITISH 1879-1961): A LITHOGRAPH IN COLOURS 'GIRL READING', 1945Signed with initials in the plate.38 x 29cmOne of the Eight Lithographs series printed in edition of 100 by Frances Byng-Stamper and Caroline Lucas, Miller's in Lewes.Listed in the 'The Bloomsbury Artists prints and book design' by Tony Bradshaw, published by Aldershot in 1999, no. 14.Provenance: Purchased by the vendor from Louise Kosmon, Modern British Art.Framed and glazed 58cm x 46cm
A large and colourful figurative lithograph print of two females in the art deco style by Amleto dalla Costa (1980). Dalla Costa is an Italian artist born in Milan in 1929 and is well known for his paintings and prints that draw on art history for inspiration. His work is mostly figurative and graphic in style. 47x36.5cm (image to mount edge) 62x52cm (framed)
▲ John Piper CH (1903-1992) 'Clytha Castle' (Levinson 257)lithograph in colours, 1976, signed 'John Piper' in pencil l.r., with Curwen Studio Proof stamp versosheet 38.5 x 55.5cm, unframedProvenance: The estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportLight handling creases. The margin and reverse of the sheet are foxed however the printed area does not appear to be affected. The print is unnumbered.
Yayoi Kusama (Japanese, b.1929) 'Pumpkin' (red)lithograph in colours, numbered '16/200' in pencil l.l., printed courtesy of Mori Art Museum, Tokyosheet 30 x 37cm, unframedCondition ReportA couple of small dirty marks to the lower edge on the reverse. The front of the print is unaffected and appears to be in good condition.
▲ Laurence Stephen Lowry RA (1887-1976) 'Man Holding Child'lithograph in colours, from an unnumbered edition of 350, signed 'L. S. Lowry' in pencil l.r., with Fine Art Trade Guild blind stamp, published by the Adam Collection Ltd.image 45 x 70.5cmCondition ReportFramed: 71.5cm x 96cmAppears to be in good condition. Not viewed out of glazed frame. Well presented and ready to hang.
David Shrigley (b.1968) Untitled ('Cat Watches Your Seizure'), 2020 offset lithograph, from an unnumbered edition of 350, published by the artist in collaboration with Shrig Shop sheet 70 x 50cm, unframed Condition ReportUnsigned. Light handling creases visible to the reverse but presents well overall.
▲ Laurence Stephen Lowry RA (1887-1976) 'Britain at Play'offset lithograph in colours, signed 'L S Lowry' in pencil l.r., with the Fine Art Trade Guild blind stampimage 44.5 x 59.5cmCondition ReportFramed: 77.5 x 90.5cmOverall the print has a slightly blue hue, please refer to illustration, however it appears to be in otherwise good condition. Not viewed out of glazed frame.
▲ John Piper CH (1903-1992) 'Easton, Portland, Dorset: St George Reforne, an 18th Century Church among the Quarries' (Levinson 137)lithograph, 1964, signed 'John Piper' in pencil l.r., with Archive of Stanley Jones blind stampsheet 59 x 82cm, unframedProvenance: The estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportLight handling creases to the margins. A couple of faint thumbprints to the centre of the right egdge. A few dark speckles to the margin in the lower left corner. The printed area appears to be in good condition.The print is unnumbered.
▲ Henry Moore OM CH FBA (1898-1986) 'Head of Prometheus', 1950 (Cramer 22)lithograph in colours on Marais wove, from the unsigned edition of 183, printed at the Mourlot Studio, Paris, published by Jonquières et Nicaise, Parisimage 31 x 23cmProvenance: With William Weston Gallery, London.Condition ReportFramed: 57 x 48cmA little time staining but appears to be in otherwise good condition. The print is crisp and the colours are bright. Not viewed out of glazed frame.
Takashi Murakami (Japanese, b.1962) 'Blackbeard', 2003;lithograph in colours, signed in silver pen and numbered '129/300' l.r.sheet 68.5 x 68.5cm,together with:'White DOB', 2003lithograph in colours, signed in pen and numbered '43/300' l.r.,sheet 69 x 69cm, unframed (2)Condition ReportLight handling creases. Both appear to be in otherwise good condition.
David Hockney OM CH RA (b.1937) 'Olympische Spiele München 1972'offset lithograph in colours, from an open editionsheet 101 x 64cm, unframedCondition ReportThe signature is printed. There is a small dark mark/ line in the lower right corner. The print appears to be in otherwise good condition.
▲ Duncan Grant (1885-1978) 'Washerwoman'lithograph in colours, 1973-74, signed 'D. Grant' in pencil l.r.sheet 77.5 x 56cm, unframedProvenance: The estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportThe sheet has slight undulations however the printed area presents well and the colours are bright. There is a faint vertical line/ impression to the left margin, running parallel to the edge of the sheet.
▲ John Nash RA (1893-1977) 'Window Plants', 1945lithograph in colours, from the 'School Prints' series, printed by the Baynard Press, Englandsheet 49.5 x 75.5cm,together with:Edwin La Dell (1914-1970)'Tower of London', 1946lithograph in colours, from the 'School Prints' series, printed by the Baynard Press, England49.5 x 75.5cm (2)Condition ReportMounted in plastic clip frames measuring 60 x 80cm. Time staining. A couple of very tiny tears to the extreme edges.
David Shrigley (b. 1968) 'I Will Not Fight', 2020offset lithograph in colours, open edition, from the 'Animal Series'sheet 80 x 60cm, unframedCondition ReportA light crescent shaped handling crease to the upper right. There is a slight dent in the centre of the right edge. Previously rolled.
▲ David Hockney OM CH RA (b.1937) 'Hollywood'offset lithograph, printed with 'DH, Hollywood, '69'sheet 47.5 x 42cm, unframedCondition ReportA little stain to the centre-right edge and discolouration mark to the hip with a small crease to the left bottom edge, please refer to imagesHandling crease marks visible with a significant crease mark to the upper left corner Small rectangle of discolouration and slight abrasion to the reverse of the print, possible cause by acidic tape being previously applied, there is a faint circle of staining possibly a watermark around the rectangle. On close inspection, this is visible on the front to the left side of the chest
After David Hockney 'The Restaurateur', an illustrated menu for Langan's Brasserieoffset lithograph in coloursvisible 48 x 32.5cm;and anothervisible 41 x 29cm (2)Condition ReportColoured example: Framed: 48.5 x 33.5cmTime staining and foxing. There are thunderbugs trapped behind the glazing. The menu items and prices are listed over the print but the text is very faded. Not viewed out of glazed frame. The glass is chipped in the extreme top left corner.Black and white example : Framed: 42 x 30.5cmDirty marks and stains, please see images. Foxing starting to emerge. A little time staining and cockling. On close inspection the menu items and prices are listed over the print but the text is very faded. Not viewed out of glazed frame.
▲ John Piper CH (1903-1992) 'Buckden in a Storm', 1977unsigned lithograph in colours, after the screenprintimage 57 x 84.5cmCondition ReportFramed: 79 x 104.5cmA little time staining. A diagonal crease mark in the upper right corner which crosses into the printed area. Light cockling. Not viewed out of glazed frame.
David Shrigley (b.1968) 'He Will Only Eat Squid Ink Pasta', 2020offset lithograph in colours, open edition, from the 'Animal Series'sheet 80 x 60cm, unframedCondition ReportLight handling creases. A more prominent 9cm jagged crease mark to the background in the lower left quarter. A faint pink mark to the margin in the lower right which crosses into the printed area. Previously rolled.
▲ Bernard Cathelin (French, 1919-2004) 'Large Tokonoma with White Roses', 1990lithograph in colours on Arches paper, signed 'Cathelin' in pencil l.r., and numbered '16/30'sheet 249 x 124cm, unframedCondition ReportFaint dirty brown marks and scuffs to the margins. The printed areas apppears to be in good condition. Previously rolled.
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