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Lot 2827
BANKSY (born 1974); off-set lithograph on shaped wood board, 'Peckham Rock', with details verso, 119 x 18cm, unframed. (D)Purchased from The British Museum 'I Object Exhibition 2018'.Additional InformationIn good condition.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 2858
ANGUS; signed limited edition coloured lithograph, 'Four-Finger Exercise', signed titled and no.8/55, 47.5 47.5cm, mounted but unframed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 2870
JOHN BRUNSDON; a signed limited edition coloured lithograph, 'Resting Place', signed and titled no.17/35, 32.75 x 22.5cm, mounted but unframed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 321
HRH CHARLES, PRINCE OF WALES (BRITISH, B. 1948)Wensleydalesigned with initial, dated, titled and numbered in pencil 'C '90 223/295' (in lower margin)lithograph in colours26 x 38.5cmtogether with a certificate stating that this edition was printed at Curwen Chilford Prints by Stanley Jones, signed in pencil by Anna Hunter and Guy Thompson, 1990; and a blue folder emblazoned with the Prince of Wales crestARR(2)
Lot 47
JOAN MIRÓ I FERRÀ (Barcelona, 1893 - Palma de Mallorca, 1983)."Woman, birds, star", ca.1953.Lithograph with Pochior, copy 61/300.Signed and numbered in pencil in the lower margin.Derived from the homonymous painting by Miró, 1949.Measurements: 66 x 49,5 cm; 90 x 73,5 cm (frame).Joan Miró is formed in Barcelona, and debuts individually in 1918, in the Dalmau Galleries. In 1920 he moved to Paris and met Picasso, Raynal, Max Jacob, Tzara and the Dadaists. There, under the influence of surrealist poets and painters, he matures his style; he tries to transpose surrealist poetry to the visual, based on memory, fantasy and the irrational. His third exhibition in Paris, in 1928, was his first great triumph: the Museum of Modern Art in New York acquired two of his works. He returned to Spain in 1941, and that same year the museum dedicated a retrospective to him that would be his definitive international consecration. Throughout his life he received numerous awards, such as the Grand Prizes of the Venice Biennale and the Guggenheim Foundation, the Carnegie Prize for Painting, the Gold Medals of the Generalitat de Catalunya and the Fine Arts, and was named Doctor Honoris Causa by the universities of Harvard and Barcelona. His work can currently be seen at the Joan Miró Foundation in Barcelona, as well as at the Thyssen-Bornemisza Museum, the MoMA in New York, the Reina Sofía Museum in Madrid, the National Gallery in Washington, the MNAM in Paris and the Albright-Knox Art Gallery in Buffalo.
Lot 10
NAM JUNE PAIK (Seoul, 1932 - Miami, 2006).Untitled, 1992, from the "Suite Olympic Centennial".Lithograph on 270 grams Velin d'Arches paper, copy 58/250.Signed and justified by hand.Measurements: 63 x 90 cm.The Olympic Suite is composed of 50 lithographs and serigraphs chosen to represent various contemporary artistic trends. Edited to commemorate the first centenary of modern Olympism, the chosen artists are defined by diverse pictorial movements and trends.Nam June Paik worked throughout his career as a music composer, but also as a video artist, painter and printmaker. He received his musical training at the University of Tokyo, where he also studied Art History. He later traveled to Germany in the mid-1950s to study music theory in Munich, Cologne and Freiburg. He worked in the electronic music research laboratory of Radio Cologne, and participated in the artistic research groups Happening and Fluxus. In this and other lithographs he investigates the graphic possibilities from the serialization of elements close to the aesthetics of the video game and even the "emoticon".
Lot 64
JOAN MIRÓ I FERRÀ (Barcelona, 1893 - Palma de Mallorca, 1983)."Ubu Roi 4", 1966.Lithograph, copy E.A.Signed, justified and dedicated in pencil in the lower margin.Edition by Tériade, printed by Mourlot, Paris.Provenance: Gildens Fine Art, London; Galleri Ostergard, Svalov, Sweden.Certified by Gildens Fine Art, London, no.1495.Work catalogued in "Miró lithograph vol. III: 1964-1969", by Joan Teixidor (Barcelona; Polígrafa, 1987). It is part of the suite "Ubu Roi", composed of thirteen lithographs accompanying texts by Alfred Jarry, 1966, p.403.Measurements: 54 x 75 cm; 82 x 104 cm (frame).Joan Miró is formed in Barcelona, and debuts individually in 1918, in the Dalmau Galleries. In 1920 he moves to Paris and meets Picasso, Raynal, Max Jacob, Tzara and the Dadaists. There, under the influence of surrealist poets and painters, he matures his style; he tries to transpose surrealist poetry to the visual, based on memory, fantasy and the irrational. His third exhibition in Paris, in 1928, was his first great triumph: the Museum of Modern Art in New York acquired two of his works. He returned to Spain in 1941, and that same year the museum dedicated a retrospective to him that would be his definitive international consecration. Throughout his life he received numerous awards, such as the Grand Prizes of the Venice Biennale and the Guggenheim Foundation, the Carnegie Prize for Painting, the Gold Medals of the Generalitat de Catalunya and the Fine Arts, and was named Doctor Honoris Causa by the universities of Harvard and Barcelona. His work can currently be seen at the Joan Miró Foundation in Barcelona, as well as at the Thyssen-Bornemisza Museum, the MoMA in New York, the Reina Sofía Museum in Madrid, the National Gallery in Washington, the MNAM in Paris and the Albright-Knox Art Gallery in Buffalo.
Lot 48
ZAO WOU KI (Beijing, 1921 - Nyon, Switzerland, 2013).Untitled, from the Suite Olympic Centennial, 1992.Lithograph on 270 gram Vélin d'Arches paper, copy 58/250.Signed and justified by hand.Measurements: 90 x 63 cm.Zao Wou Ki is the second most sought-after postwar artist in the world and is the sixth most expensive artist of all time. In the first half of 2018, his sales ranked only behind those of stars such as Picasso, Monet, Modigliani or Andy Warhol. At the end of 2018, one of his paintings was sold for 56.5 million euros at auction at Sotheby's. The work made Wou-Ki the most expensive Asian artist in history.Zao Wou Ki was born into a Franco-Chinese family and grew up in a highly cultured environment, interested in the arts and sciences. He studied calligraphy in his childhood, an aspect that would influence his mature work, and later trained in painting at the Hangzhou College of Fine Arts between 1935-1941. A few years later, in 1948, he settled in Paris, in the Montparnasse district, where he would follow the artistic courses of Émile Othon Friesz and come into contact with the contemporary artistic avant-garde. He begins to experiment with lithography, a technique that he eventually mastered, as a result of his contact with Desjobert. He holds a solo exhibition at the Creuze Gallery in May 1949, with a presentation written by Bernard Dorival, curator of the National Museum of Modern Art. In January 1951 Pierre Loeb visits Wou-Ki's studio with Henri Michaux, organizing an exhibition at the Pierre Gallery for June, thus laying the foundations for a close collaborative relationship that would last six years. Thus, he exhibits regularly at the Pierre Gallery, and meets I. M. Pei and his wife Eileen, opening his circle of exhibitions to Switzerland, London, Basel and Lausanne, as well as in New York, Washington and Chicago. His painting is eminently abstract and colorist, very influenced by the work of Paul Klee, for his expressionist and emotive abstraction. He tends to work with large masses of intense and contrasting color, often creating works of large dimensions, as well as diptychs or triptychs. They are often explosions of color, germinal "big bangs", the origin of a world in creation, as we can see in this lithograph. Delicate patches of blue and mauve intermingle with some gray tones.
Lot 26
CHU TEH-CHUN (Baitou Zhen, Jiangsu, China, 1920-2014).Untitled, from the Suite Olympic Centennial, 1992.Lithograph on 270 gram Vélin d'Arches paper, copy 58/250.Signed, dated and justified in pencil.Measurements: 63 x 90 cm.Chu Teh Chun is one of the most successful contemporary Chinese painters. He was born in 1920 in Jiangsu Province. His artistic inclination comes from the cradle, since his family was composed by doctors and collectors of Chinese painting. He began studying art at the age of 15 at the Hangzhou Academy of Fine Arts and became a professor at the National Central University of Nanking. In 1949 he moved to live in Taiwan, becoming a professor of art at the National University. In 1955 he moved to Paris to learn from the best and began exhibiting in the city of lights. There he frequented the artists of the School of Paris such as Pierre Soulages, Hartung or Mathieu, and his art met an initial success that spread abroad thanks to group exhibitions in which he presented his work (Pittsburg, Jerusalem, Athens, Sao Paulo). In 1987, the National Museum of Taipei organized an important retrospective for him: it was his first return to his native country. In 1997 he is elected to the Academy of Fine Arts of the Institute of France. For the ''Year of China in France'' in 2004, no less than four exhibitions are dedicated to him. And in 1997, he was the first Chinese artist to be elected as a member of the prestigious Academy of Arts and Letters in Paris. His artistic goal since then has been to unite Eastern and Western art without abandoning his Chinese artistic roots, which gives him this exclusivity. His works, practically all of them abstract, are Chinese landscapes, very poetic, that instead of showing, suggest rocks, waterfalls, mountains, colorful clouds... allowing the viewer to feel what is in each work. His work exudes energy and vitality having a life of its own. They are incredible compositions that intermingle romantic and abstract styles to give the works a special significance. Thanks to the opening of mainland China to the outside world, today, Chu Teh Chun is known and greatly praised in his homeland, where he has held countless exhibitions.The Olympic Suite is composed of 50 lithographs and serigraphs chosen to represent various contemporary artistic trends. It was published to commemorate the first centenary of modern Olympism. The chosen artists are defined by diverse pictorial movements and trends.
Lot 70
JOAN MIRÓ I FERRÀ (Barcelona, 1893 - Palma de Mallorca, 1983)."Montroig 4", 1974.Lithograph on Guarro paper, copy 26/30.Ediciones Polígrafa, Barcelona.Signed and numbered in pencil in the lower margin.Work published in "Miró lithographer", vol V, pg 93, ref. 956.Provenance: Masterworks Fine Art Gallery Oakland California, private collection Vancouver, Canada.Measurements: 75.5 x 55.5 cm; 98 x 78.5 cm (frame).This is an exclusive work because it is only 30 copies, and above all it is emblematic in that its title refers to Montroig del Camp, the Catalan village linked to Miró's childhood and an essential emotional landscape for the gestation of his work.Joan Miró was trained in Barcelona, and made his individual debut in 1918, in the Dalmau Galleries. In 1920 he moved to Paris and met Picasso, Raynal, Max Jacob, Tzara and the Dadaists. There, under the influence of surrealist poets and painters, he matures his style; he tries to transpose surrealist poetry to the visual, based on memory, fantasy and the irrational. His third exhibition in Paris, in 1928, was his first great triumph: the Museum of Modern Art in New York acquired two of his works. He returned to Spain in 1941, and that same year the museum dedicated a retrospective to him that would be his definitive international consecration. Throughout his life he received numerous awards, such as the Grand Prizes of the Venice Biennale and the Guggenheim Foundation, the Carnegie Prize for Painting, the Gold Medals of the Generalitat de Catalunya and the Fine Arts, and was named Doctor Honoris Causa by the universities of Harvard and Barcelona. His work can currently be seen at the Joan Miró Foundation in Barcelona, as well as at the Thyssen-Bornemisza Museum, the MoMA in New York, the Reina Sofía Museum in Madrid, the National Gallery in Washington, the MNAM in Paris and the Albright-Knox Art Gallery in Buffalo.
Lot 24
EDUARDO CHILLIDA JUANTEGUI (San Sebastian, 1924 - 2002).Untitled, 1992.Lithograph on 270 grams Vélin d'Arches paper, copy 58/250.Signed and justified in pencil.Measurements: 90 x 63 cm.Chillida began drawing at the Círculo de Bellas Artes in Madrid, and little by little his interest in sculpture grew. It was during his years in Paris when he made his first plaster sculptures, impressed by the archaic Greek sculpture in the Louvre. In the French capital he held his first sculpture exhibition in 1950. In 1951 he returned definitively to San Sebastian, and made his first work in iron, the material with which he would work for the rest of his life. Throughout his life, Chillida received numerous prizes and awards, including the Carnegie Prize, the Rembrandt Prize, the Wolf Foundation of the Arts and the Prince of Asturias Prize for the Arts. He was also an academician of San Fernando, and a member of the American Academy of Arts and Sciences, Honorary of the Royal Academy of Arts of London and of the Imperial Order of Japan, and was awarded the Grand Cross for Humanitarian Merit by the Institution of the same name in Barcelona. In addition to his Chillida-Leku Museum in Hernani, he is represented in museums and collections around the world, such as the Guggenheim in Bilbao, the MOMA in New York, the Reina Sofia in Madrid, the Tate Gallery in London and the Neue Nationalgalerie in Berlin.
Lot 368
PAVEL TCHELITCHEW (RUSSIAN 1898-1957)BALLET RUSSES PROGRAMME Lithograph Signed, dedicated and dated 'A Edith Sitwell avec tout mon affection et ma grande croyance dans son amitie P. Tchelitchew 1938'' (verso)32 x 24.5cm (12½ x 9½ in.)Provenance: Gifted by the artist to Dame Edith Sitwell DBE (1887-1964), at 2 Carlyle Square, LondonThence by descent at Weston Hall.
Lot 380
λ GRAHAM SUTHERLAND (BRITISH 1903-1980)THREE STANDING FORMS IN BLACK (TASSI 58)Lithograph, 1953Signed with initials, dated 1952 and inscribed 'To Sacherevell Sitwell with admiration Graham Sutherland Jan 10. 1955', an artist's proof aside from the edition of 50Image 47 x 37cm (18½ x 14½ in.)Provenance: Gifted by the artist to Sacheverell Sitwell (1897-1988)Thence by descent at Weston Hall.
Lot 276
CHRISTOPHER RICHARD WYNNE NEVINSON (BRITISH 1889-1946)WET EVENING ON OXFORD STREET (BLACK 52)Lithograph, 1919Signed and dated in pencil, from the edition of 2574.5 x 48.5cm (29¼ x 19 in.)UnframedLiterature:Jonathan Black, C.R.W. Nevinson The Complete Prints, London, 2014, p. 142, no. 52, illustration of another impressionCondition Report: Unframed, hinged to the mount at two points along upper edge. The sheet is dirty recto and verso with mould throughout, most notably to the margins. The work would benefit from remounting on an acid-free board and professional cleaning.Condition Report Disclaimer
Lot 282
ÆŸ GAZETTE DU BON TON. 24 issues, 1912 - 1920. with RAOUL DUFY, Croquis De Modes, 1920. comprises. GAZETTE DU BON TON. 24 issues, Art-Modes & Frivolities, Emile Levy Editeur, Paris: Librarie Centrale des Beaux-Arts, 1912-1920. 24 issues, first editions, 4to., (256 x 195mm), original cream card wrappers, lettered in black, edges untrimmed, pages and plates mostly loose within the wrappers, incomplete with 184 lithograph plates, including 10 double-page, and two panoramas, Directeur, Lucien Vogel, French text. comprises: 12 issues, Nos. 1 - 3. n.d. (1912), No. 4. Fevrier, 1913 - No. 12. Octobre, 1913; a single issue, No. 7. Juillet, 1914, 2 Annee, London: William Heinemann, Paris, Berlin, New York, Buenos Aires, within additional white paper wrappers; a single issue, Nos. 8-9. Ete 1915, 2 Annee, Paris: Librarie Centrale des Beaux-Arts, with a decorated printed note to last page, 'Acheve d'imprimer sur les presses de la BON TON le 15 juin 1915, 316 jour de la Guerre' ('finished printing at the printers of Gazette du Bon Ton, 15th June, 1915, 316th day of the War'); 10 issues, Nos. 1-10. Janvier - Fevrier 1920, 3rd Annee, The Field Press, Beams Buildings, London, (not published in January and August). This Influential monthly fashion, beauty and lifestyle magazine was published 1912-1920, during a period of revolutionary change in art and society, (with an interruption to publication during the Great War). The magazine signed exclusive contracts with seven of Paris' top couture houses and collaborated with artists and illustrators of the day, including Georges Barbier, Jean Bakst, Pierre and Jacques Brissaud, Raoul Dufy and others, to reproduce the top designers' creations. Each issue featured ten full-page fashion lithograph plates, (seven depicting couture designs and three inspired by couture, designed solely by the illustrators). A showcase of the Art of Living and French taste during the Roaring Twenties; together with DUFY, Raoul. (1877 - 1953). Croquis de Modes Soieries de Bianchini-Férier & Cie. Gazzette du Bon Ton, No. 1, Fevrier, 1920. first edition, 4to., (245 x 194mm), original paper wrappers lettered in brown to front, pages and plates loose within wrappers, 16pp, + 7 plates, (nos. I, II, III, IIII, V; VI, VII). (Qty 25) Provenance: The Sitwell Family Library, Weston Hall. Condition Report: No. 1 (n.d. 1912) - 9 plates, lacks Pl. V.No. 2. (n.d. 1912)) - 10 platesNo. 3. (n.d. 1912) - 10 plates, including Pl. III, double-page.No. 4. Fevrier, 1913 - 9 plates, lacks Pl. X.No. 5. Mars 1913 - 10 plates,No. 6. Avril 1913 - 10 plates. No. 7. Mai 1913 - 10 plates, including Pl. I, double-page.No. 8. Juin 1913 -10 plates, including Pl. I, double-page.No. 9. Juillet 1913 - 10 plates.No.10. Aout 1913 - 10 plates includes Pl. I, double-page.No. 11. Septembre 1913 - 10 plates, includes Pl. 1, double-page.No. 12. Octobre 1913 - 10 plates.Juillet, 1914, 2 Annee, No. 7, London: William Heinemann. - 9 Plates, including 63, 64, 66-72, lacks Pl. 65.Ete 1915, 2 Anne, Nos. 8-9. - 6 plates, includes Pl. 2-5, double-page, and Pl.6, panorama.Janvier-Fevrier 1920, No. 1. - 8 plates, lacks Pl. 9 + 10.(Mars) 1920. No. 2. - G. Franconnet Plates, Nos. 11-16, and Pl. 9, double-page, Pl.10, Pl.11, Pl. 14, Pl. 15. (Avril) 1920. No. 3. - 7 plates, Pl. 16, 17, 18, 20, 21, 22, 23.(Mai) 1920. No. 4. - 7 plates, Pl. 24 - 29, and Pl. 31, includes panorama Plate, 'Robes pour l'ete 1920'.(Juin) 1920 No. 5. - 7 plates, Pl. 33-39.(Juillet) 1920. No. 6. - 7 plates, Pl. 40-47, lacks Pl. 42.(Septembre) 1920. No. 7. - 8 plates, 48-55.(Octobre) 1920. No. 8. - 6 plates, 56, 57, 60, 61, 62, 63.(Novembre) 1920. No. 9. - 8 plates, 64-71.(Decembre) 1920. No. 10. - 8 plates, 72-79. Condition Report Disclaimer
Lot 2287
1982 Chateau Mouton Rothschild / Baron Philippe wine label lithograph, designed by John Huston, signed in the plate "In celebration of my beloved friend Baron Philippe's 60th harvest at Mouton, John Huston", framed and mounted, 16 x 19¾in (40.7 x 50.2cm.) overall; together with two framed photographs, dated 1985 of Chateau Margaux and Chateaux d'Yquem; and a framed 'Collectors Corkscrews' poster. (4) * John Huston (1906-1987), best known as a film director, but also a boxer, art lover, writer, horse trainer, big-game hunter and actor, was a talented painter from an early age. This watercolour for the Mouton Rothschild 1982 label is one of the last works he ever painted.
Lot 1369
After John Le Capelain (Jersey, 1812-1848), Mont Orgueil Castle, Jersey, hand coloured lithograph by Louis Hague after John Le Capelain, published by M. Moss, Guernsey, 1837; plus two identical hand coloured lithographs of Moulin de Nicolle, Les Vaux, Jersey by W. Gauci after John Neel (Jersey, 19th century), published by M. Moss, Guernsey, unframed. (3) * Some very light surface dirt but otherwise in good condition.
Lot 105
Ben Shahn (American, 1898-1969) 'McCarthy Peace' Lithograph Poster 1968, crayon signed lower right, presidential election poster; printed by Lincoln Graphic Arts, Inc; under acrylic in a simple wood frame Height: 37 1/2 inches, Width: 25 inches (sight)Frame Size: 39 1/2 inches by 26 1/2 inches Condition: Good, light wear; discoloration at top, stain on lower left; frame showing wear Category: Decorative Arts > Posters Estimated Sale Time: 11:20 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Illinois (8%), Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3
Lot 106
Bernard Villemot (French, 1911-1989) 'Confiance a Contrex' Lithograph Poster c.1980, printed signature lower right, an advertisement for mineral water depicting a seated female nude holding a bottle, on a green background, in a wood frame under acrylic Height: 70 inches, Width: 47 inches (sheet)Frame Size: 72 inches by 50 1/4 inches Condition: Good, staining lower right quadrant; buckling; creases to margins; puncture to margin upper right Category: Decorative Arts > Posters Estimated Sale Time: 11:20 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Illinois (8%), Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3
Lot 107
Bernard Villemot (French, 1911-1989) 'Inde' Air France Lithograph Poster 1956, printed signature lower right; depicting a dignified couple riding in a howdah atop an elephant flanked by a minaret and a palm tree as an airliner passes behind; framed behind acrylic in a wood frame Property from: a Chicago, Illinois (Streeterville) collector Height: 38 inches, Width: 24 inches (sight) Condition: Very Good, a short tear at crown of palm tree; several short creases and tears to left and right edges from previous rolling Disclaimers: not examined out of frame Category: Decorative Arts > Posters Estimated Sale Time: 11:21 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5
Lot 175
R. C. Gorman (American, 1932-2005) 'Wedding Basket' Lithograph 1987, white pencil signed lower left, #162/200 lower right; depicting a seated Native American Indian Navajo holding up a basket; floated on linen behind glass in a silver lacquered wood frame Property from: a Madison, Wisconsin collector Height: 25 inches, Width: 33 inchesFrame Size: 32 inches by 40 inches Condition: Very Good, no damage to artwork noted; light wear to frame Disclaimers: not examined out of frame Category: Fine Art > American Paintings Estimated Sale Time: 12:24 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4
Lot 206
Alex Grey (American, b.1953) 'Praying' Lithograph Undated, signed lower right margin, #30/30 lower left margin, depicting a transparent human figure surrounded by words of prayer in different languages, matted and framed under acrylic, Stux Gallery label attached to the reverse Property from: a Chicago, Illinois (Gold Coast) estate Height: 23 inches, Width: 15 1/4 inches (image)Frame Size: 31 1/4 inches by 22 3/4 inches Condition: Good, fading overall; buckling Disclaimers: not examined out of the frame Category: Fine Art > Prints Estimated Sale Time: 12:54 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6
Lot 207
Charles Vickery (American, 1913-1998) Offset Lithograph Assortment (3) items including pencil signed lower right with a small pencil sketch lower left 'The Sea Witch' matted behind glass in an inlaid burl wood frame; pencil signed lower right 'Farewell Chicago' #530/950 matted behind glass in a wood frame; and pencil signed lower right 'Moontide' #200/950 matted behind glass in a distressed silver lacquered wood frame Property from: a Crystal Lake, collector Height: 27 1/2 inches, Width: 32 1/2 inches (sight,)Frame Size: 40 inches by 45 inches Condition: Very Good, no damage to artwork noted; overall light wear to frames Disclaimers: not examined out of frames Category: Fine Art > Prints Estimated Sale Time: 12:55 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4
Lot 208
Charles Vickery (American, 1913-1998) Offset Lithograph Assortment (3) items pencil signed lower right including 'Joy of Lifting Fog' artist proof, 'Moonlit Sails' #53/950 and 'Golden Seas' #210/950; all matted behind glass in wood frames; 'Golden Seas' having a gold lacquered frame Property from: a Crystal Lake, collector Height: 21 1/2 inches, Width: 28 1/4 inches (sight, largest frame)Frame Size: 34 inches by 40 inches Condition: Very Good, no damage to artwork noted; 'Moonlit Sails' frame having bumps to right edge; overall light wear to frames Disclaimers: not examined out of frames Category: Fine Art > Prints Estimated Sale Time: 12:56 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4
Lot 209
Charles Vickery (American, 1913-1998) Offset Lithograph Assortment (4) items, all pencil signed lower right including 'The Discovery of Chicago' #188/1492, 'The Charles W. Morgan' #400/950, 'The Arrival' #793/950 and 'The Guiding Light' #465/950; all matted behind glass in wood frames Property from: a Crystal Lake, collector Height: 17 1/2 inches, Width: 22 1/2 inches (sight largest frame)Frame Size: 28 1/2 inches by 33 1/2 inches Condition: Very Good, no damage to artwork noted; light wear to frames Disclaimers: not examined out of frames Category: Fine Art > Prints Estimated Sale Time: 12:57 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5
Lot 210
Charles Vickery (American, 1913-1998) Offset Lithograph Assortment (5) items, all pencil signed lower right including 'Freedom Forever' open edition, 'Christmas Tree Schooner' #551/950, 'Rounding Cape Horn - The Sea Witch' #304/950, 'The Rouse Simmons' #251/950 and 'Hong Kong Harbor' #530/950; all similarly matted behind glass in wood frames Property from: a Crystal Lake, collector Height: 16 1/4 inches, Width: 20 1/2 inches (sight largest frame)Frame Size: 29 inches by 33 inches Condition: Very Good, no damage to artwork noted; light wear to frames Disclaimers: not examined out of frames Category: Fine Art > Prints Estimated Sale Time: 12:58 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6
Lot 211
Charles Vickery (American, 1913-1998) Offset Lithograph Assortment (5) items, all pencil signed lower right including 'Arctic Seas' #400/950, 'Homeward Bound' #652/950, 'Off the Cape of Good Hope' #304/950, 'Adventure Bound' #250/950 and 'Off With the Evening Tide' #176/950; all similarly matted behind glass in wood frames Property from: a Crystal Lake, collector Height: 19 inches, Width: 25 inches (sight largest frame)Frame Size: 31 inches by 37 inches Condition: Very Good, no damage to artwork noted; light wear to frames Disclaimers: not examined out of frames Category: Fine Art > Prints Estimated Sale Time: 12:59 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6
Lot 212
Charles Vickery (American, 1913-1998) Offset Lithograph Assortment (5) undated items including pencil signed lower left 'The Great Race Cutty Sark and Thermopylae', #249/1000, matted behind glass in a gold lacquered wood frame; and (4) pencil signed lower right, all #700/950, matted and shrink-wrapped, including 'Sailing Into History', 'Peace Before the Storm', 'The Storm of Battle' and 'The Storm of Battle' Property from: a Crystal Lake, collector Height: 8 1/2 inches, Width: 12 1/2 inches (visible, framed)Frame Size: 21 1/2 inches by 25 inches Condition: Very Good, no damage to artwork noted; light wear to frame Disclaimers: not examined out of frame or shrink-wrap Category: Fine Art > Prints Estimated Sale Time: 1:00 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6
Lot 215
Ivan Albright (American, 1897-1983) 'In the Morning / The Slut' Lithograph c.1937, signed lower right, titled lower left, depicting a reclining female nude, matted and framed under glass Property from: a Chicago, Illinois estate Height: 11 1/8 inches, Width: 14 1/8 inches (sheet)Frame Size: 19 1/4 inches by 16 1/4 inches Condition: Good, toning / mat burn from previous framing; mounting tape residue at corners of sheet Category: Fine Art > Prints Estimated Sale Time: 1:03 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6Photograph #7Photograph #8Photograph #9
Lot 216
Larry Rivers (American, 1923-2002) 'Parts of the Face: French Vocabulary Lesson' Lithograph 1991, pencil signed and numbered lower right, artist proof #9/25; in a mat behind glass in a lacquered wood frame Property from: a Chicago, Illinois collector Height: 28 1/2 inches, Width: 28 inches (sight, full sheet)Frame Size: 36 inches by 35 1/2 inches Condition: Very Good, no damage to artwork noted Disclaimers: not examined out of frame Category: Fine Art > Prints Estimated Sale Time: 1:04 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3
Lot 223
Robert Kipniss (American, b.1931) 'Interiors & Backyards' Lithograph Suite Set of (4) prints, 1977, each signed lower right margin and #184/250 lower left margin, published by Merrill Chase Galleries, Chicago and printed by George Miller and Sons, New York, including 'Summer II', 'Murie's Window', 'Interior with Balcony' and 'Gateposts and Dusk'; in a green cloth-bound portfolio with a Merill Chase certificate of authenticity Property from: a Chicago, Illinois (Gold Coast) estate Height: 21 1/2 inches, Width: 16 1/2 inches (each sheet) Condition: Very Good, discoloration to title page; pinhole to each lower margin original condition of prints; scuffs, scratches, and bumped corners to portfolio case Category: Fine Art > Prints Estimated Sale Time: 1:11 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6Photograph #7Photograph #8
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