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Lot 276
Richard Smith (1931-2016)Untitled (Green)Etching with aquatint and embossing printed in colours, 1970, signed and dated in pencil, numbered in Roman Numerals from the proof edition of 10, aside from the edition of 50, published by 2RC Edizioni d'Arte, Rome, on wove paper, with full margins, sheet 498 x 705mm (19 5/8 x 27 3/4in);Together with Richard Smith, Chapbook, signed and dated in pencil, 1982, Lithograph printed in colours, numbered from the edition of 75, published by Bernard Jacobson Gallery, London, on wove paper, with full margins, sheet 570 x 765mm (22 1/2 x 30 1/8in) (2)
Lot 277
Richard Smith (1931-2016) Lawson Set I (Green Tied in 3 Sections) Lithograph printed in colours, 1973, signed and dated in pencil, numbered from the edition of 50, published by Bernard Jacobson Gallery, London, on two sheets of wove paper with string ties, the full sheet printed to the edges, sheet 595 x 780mm (23 1/2 x 30 3/4in)
Lot 280
Richard Smith (1931-2016) Two of a Kind 3b (Bright Red X on Green) Lithograph printed in colours, 1978, signed and dated in pencil, numbered from the edition of 90, published by Bernard Jacobson Gallery, London, on folded Arches paper with paperclips, the full sheet printed to the edges, sheet 1025 x 465mm (40 3/8 x 18 1/4in)
Lot 284
Cathie Pilkington (b.1968)Primal SceneLithograph printed in colours, 2016, signed, titled and dated in pencil, numbered from the edition of 40, on wove paper, with full margins, image 295 x 375mm (11 2/2 x 14 3/4in)Together with:Richard FozardYorkshire SceneEtching printed in colours, 1959, signed, titled, and dated in pencil, numbered from the edition of 30, on wove paper, with full margins, framed size 560 x 620mm (22 x 24 1/2in) (2)
Lot 5
Takashi Murakami (b.1962)FireballOffset lithograph printed in colours with cold stamp and high gloss varnishing, 2022, signed in silver marker, numbered from the edition of 300, published by Kaikai Kiki Co. Ltd., Tokyo, on wove paper, the full sheet printed to the edge, sheet diameter 710mm (28in)
Lot 6
Takashi Murakami (b.1962)Flowers of GratitudeOffset lithograph printed in colours with cold stamp and high gloss varnishing, 2022, signed in silver marker, numbered from the edition of 300, published by Kaikai Kiki Co. Ltd., Tokyo, on wove paper, the full sheet printed to the edge, sheet diameter 710mm (28in)
Lot 67
Anna Weyant (b.1995)Two EileensOffset lithograph printed in colours, 2022, signed in black ink, from the edition of unknown size, published by Gagosian, New York, in conjunction with the artist's debut exhibition 'Anna Weyant: Baby, It Ain't Over Till It's Over', 3rd September-23rd December 2022, on wove paper, the full sheet printed to the edges, sheet 762 x 610mm (30 x 24in)
Lot 7
Takashi Murakami (b.1962)Inside the SoulOffset lithograph printed in colours with cold stamp and high gloss varnishing, 2022, signed in silver marker, numbered from the edition of 300, published by Kaikai Kiki Co. Ltd., Tokyo, on wove paper, the full sheet printed to the edge, sheet diameter 710mm (28in)
Lot 8
Takashi Murakami (b.1962)Let Us Devote Our HeartsOffset lithograph printed in colours with cold stamp and high gloss varnishing, 2022, signed in silver marker, numbered from the edition of 300, published by Kaikai Kiki Co. Ltd., Tokyo, on wove paper, the full sheet printed to the edge, sheet diameter 710mm (28in)
Lot 85
Derrick Adams (b.1970)Be The Table, 2023Offset lithograph in colours, 2023, signed and dated in black pen, published by Gagosian, Beverly Hills, in conjunction with the artist's exhibition 'Derrick Adams: Come As You Are', 14th September-28th October 2023, on wove paper, with full margins, sheet 760 x 610mm (29 7/8 x 24in)
Lot 92
Jasper Johns (b. 1930) after.False Start IOffset lithograph printed in colours, 1975, printed and published by Universal Limited Art Editions, Inc., Islip, with their stamp, on BFK Rives wove paper, the full sheet, sheet 570 x 443mm (22 3/8 x 17 3/8) In 1970, Tanya Grosman and the ULAE embarked on a project with Jasper Johns to create a catalogue raisonné of the artist's prints. To be included in the publication were twelve offset lithographed prints inspired by the artist's most iconic images and original editions. Other than their size, the paper, colour and printing sequence match the original edition. The project was ultimately abandoned after Grosman's untimely death in 1982, and there are thus only a limited number of these 'after' editions like the present example available today.
Lot 1403
Early 20th Century Distler Jacko the Merry Organ Grinder German clockwork tinplate toy (Circa 1920's), with working musical mechanism and lithograph design to organ grinder, in gd condition with some general age related wear and missing dancing monkey, with some rusting to handles of cart and back wheel showing paint loss
Lot 310
A modern Mahjong set (cased), a small quantity of Chinese embroidered textiles, a scroll painting, and a signed limited edition lithograph by Edwin La Dell (1914-1970) depicting Kings College, CambridgeThe cambridge related print is a signed limited edition lithograph by Edwin La Dell (1914-1970) depicting Kings College on the river - an edition of 23/50 - Aperture measure: 25cm x 38cm
Lot 460
A Group Of Four Military Related Pictures To include a varnished 19th century watercolour of a 'Coldstream Guard', signed with initials 'R.J.M', The Parker Gallery label verso, 31.5cm x 17cm; a hand-coloured engraving after Henry Martens (1790-1868) of the Coldstream Guards, The Parker Gallery label verso, 24cm x 17cm; a 19th century French hand-coloured engraving of a cavalier drummer, 23cm x 16cm; and a hand-coloured unsigned lithograph after Samuel Dukinfield Swarbreck (fl.1830-1865) of King James V's Palace, 40.5cm x 30cm (4)
Lot 494
A Group Of Four Pictures To include an original Art Nouveau lithograph of semi-naked woman by Armand Rassenfosse (1862-1934), published in the Belgian periodical Le Musée du Livre, December 1907, 19.5cm x 15cm; a 20th century watercolour of woodland, unsigned, 15cm x 24cm; another pastel/watercolour of a Scottish landscape (?), usigned, 24cm x 33.5cm; and a framed 19th century hand-coloured print after John Varley Senior (1778-1842), 13.5cm x 18cm (4)
Lot 496
§ John Piper OM, CH (1903-1992) The Investiture of the Prince of Wales, limited edition lithograph poster 2/150 signed in ink by the poet laureate C.Day-Lewis, artist John Piper (1903-1992) and typographer Josef Herman (1911-2000), unframed, 50 x 74cm; together with a 1968 printing of Caernarvon Castle, unframed, 47.5 x 64cm (2)
Lot 22
New Zealand 4 works Power, W. Tyrone. Sketches in New Zealand Sketches with Pen and Pencil. London: Longman, Brown, Green & Longmans, 1849. 8 lithograph plates, modern half calf;Stoney, Capt. H. Butler. A Residence in Tasmania. London: Smith, Elder & Co., 1856, First edition, frontispiece, double-page map, and 7 plates, original blue cloth, g.e., rebacked, original spine laid down;Therry, R. Reminiscences of Thirty Years' Residence in New South Wales and Victoria. London: Sampson Low, 1863, 8vo, contemporary half morocco;Cruise, Richard A. Journal of a Ten Months' Residence in New Zeland. London: Longman, Hurst, Rees, Orme and Brown, 1823, First edition, hand-coloured engraved frontispiece, errata slip at end, modern antique style quarter calf, errata slip at end(4)
Lot 65
Lighthouses: sketches, watercolour sketches and prints A collection A large quantity, including:Sketch of Skerries Light House, looking west, 38.5 x 56cm;Pen and ink wash sketch of Smalls Light House, 38 x 52cm;White, P.W.? Sketch of Lundy Island Light House, 15 x 22cm;After W. Simpson. The Light-House at Cape Chersonese, looking south, tinted lithograph;Desprez & Panseron. Cayer contenant les plans et elévations de trois differents phaneaux, propre a eclairer les vaisseaux sur les ports de mer, projet par le Sieur Panseron. [Paris: Chéz l'auteur : Le Vasseur graveur : Desnos, 1781] Folio, 5 plates of 6 only;and many others(quantity) FROM THE LIBRARY OF THE STEVENSON LIGHTHOUSE ENGINEERS
Lot 446
† GLYNN BOYD HARTE (20th century); three limited edition colour lithograph prints, each a still life of cricket ball, bat, pad and Pimms glasses, signed in pencil and numbered 90/500, 359/500 and 369/500 (3).Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org
Lot 445
† GLYNN BOYD HARTE (20th century); three limited edition colour lithograph prints, each a still life of cricket ball, bat, pad and Pimms glasses, signed in pencil and numbered 89/500, 297/500 and 357/500 (3).Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org
Lot 444
† HARLAND MILLER; offset lithograph, 'York: So Good They Named it Once' for York Art Gallery 14th February - 31st May 2020, signed lower centre, 81 x 54cm, framed and glazed.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org
Lot 94
Lugar (Robert). [Architectural sketches for cottages, rural dwellings, and villas, in the Grecian, Gothic, and fancy styles, with plans; suitable to persons of genteel life and moderate fortune. Preceded by some observations on scenery and character proper for picturesque buildings, London: Printed by T. Bensley for J. Taylor, 1805], title page lacking, with 38 aquatint plates and plans, some light spotting and damp-staining mostly to margins, contemporary dark blue straight-grain morocco, rubbed and light wear, 4to, together with:Robinson (Peter Frederick). Rural Architecture; or, A Series of Designs for Ornamental Cottages, 4th edition, London: Henry G. Bohn, 1836, additional lithograph title, 96 lithograph plates, occasional spotting and offsetting, contemporary morocco-backed cloth, morocco title label to upper board, spine worn at head, 4to, Pugin (Augustus). A Series of Ornamental Timber Gables, from Existing Examples in England and France, of the Sixteenth Century, 2nd edition, London: Henry G. Bohn, 1839, additional lithograph title, 30 lithograph plates, scattered spotting, hinges split, original cloth, lower joint partly split, 4to, and others related including Ferrey (Benjamin). Recollections of A. N. Welby Pugin, and his father, Augustus Pugin, London: Edward Stanford, 1861; Dallaway (James). Observations on English Architecture, Military, Ecclesiastical, and Civil..., London: J. Taylor, 1806; Scott (George Gilbert). Remarks on Secular & Domestic Architecture, Present & Future, London: John Murray, 1857, and Scott (George Gilbert). Personal and Professional Recollections..., London: Sampson Low, Marston, Searle, & Rivington, 1879QTY: (7)
Lot 3
Bewick (Thomas). A General History of Quadrupeds, 5th edition, Newcastle upon Tyne: Printed by Edward Walker, for T. Bewick and S. Hodgson, 1807, wood engraved vignette to title and numerous vignette illustrations throughout, upper pastedown with armorial bookplate of Bishop of Bangor: The Library of Watkin Herbert Williams (1845-1944), contemporary half calf gilt, lower joint slightly cracked, worn at head and foot of spine, 8vo, together with Bewick (Thomas). A History of British Birds, volume 1 only of 2 (Land Birds), Newcastle: Printed by Charles Henry Cook for R. E. Bewick, 1832, title with wood engraved vignette and numerous vignette illustrations throughout, edges untrimmed, modern half calf gilt, in slipcase, 8vo,Smith (Gerard Edwards). A Catalogue of Rare or Remarkable Phaenogamous Plants, collected in South Kent: with descriptive notices and observations, London: Longman, Rees, Orme, Brown and Green, 1829, 5 hand-coloured engraved plates, light dust-soiling mostly to title with early signature to upper blank margin of Robt. Sim Junr., 20th-century signature to front free endpaper, original green cloth, light wear to lower joint at head, slim 8vo, plus a duplicate of the same work in modern marbled wrappers, 8vo, plus other mostly 18th-19th century natural history and botany related including Spratt (George). The Medico-Botanical Pocket-Book, comprising a compendium of Vegetable Toxicology..., by G. Spratt, Surgeon, 1st edition, London: Published for the Author by John Churchill, [1836], 15 hand-coloured lithograph plates (old adhesive tape residue at gutter of one plate), original cloth, spine torn with loss, small 8voQTY: (17)
Lot 19
Wright (John). The Flower Grower's Guide, 6 volumes, London: Virtue & Company, [1896-1901], 46 chromolithograph plates, each with tissue-guard, all edges gilt, original publishers light blue decorated cloth gilt, very lightly rubbed (generally in very good condition), 4to, together with[Edward Beck]. The Florist, Fruitist, and Garden Miscellany, 1861, 12 hand-coloured lithograph plates by J. Andrews, including one large folding plate of grapes (minor wear to folds), contemporary black half leather gilt, some marks to covers, 8vo, and other natural history and related including Robert Thompson, The Gardener's Assistant, new edition revised and extended by Thomas Moore, Blackie & Son, 1884, (with chromolithograph and monochrome plates, contemporary full calf, thick 8vo, plus John M. Wilson, The Rural Cyclopedia, or a General Dictionary of Agriculture, and of the arts, sciences, instruments, and practice necessary to the farmer, stock farmer, gardener, forrester, land steward, farrier, & c., 4 volumes, Edinburgh: A. Fullarton, 1848 (bound in contemporary uniform green half calf gilt, spines gilt decorated), E. J. Lowe, A Natural History of British Grasses, 1st edition, George Bell and Sons, 1871, in original publishers green cloth, and six othersQTY: (19)
Lot 46
* Furttenbach (Joseph). Seven engraved plates from Newes Itinerarium Italiae, in welchem der Reisende nicht allein gründtlichen Bericht... Ulm: Jonam Saurn, 1627, 7 copper engraved plates only from Furttenbach's Itinerarium Italiae (from the total of 30 plates including one folding map), comprising plates 5, 7, 21, 22, 23, 24 and 30, on laid paper with a watermark of a cross and wavy pattern within an oval, neatly trimmed just inside the platemark, traces of glue to outer corners verso, and modern mounting tabs to verso, sheet size 140 x 178 mm, together withNicholson (William). X, Xylographer, circa 1910, colour woodblock, gilt frame, glazed, a later reissue of James Gilray's 'Oh! that this to to solid flesh would melt', London: John Miller, circa 1810 or later, framed and glazed, 12 lithograph plates of Italian Costume, printed by Cucinienno & Bianchi,and two engravings of printing pressesQTY: (17)
Lot 159
Nanson (Fridtjof). "Farthest North"..., 2 volumes, London: George Newnes, 1898, numerous monochrome illustrations, some minor marginal toning, original uniform gilt decorated green cloth, spines & boards lightly rubbed to head & foot, 8vo, together with:Soulé (Frank, John H. Gihon, & James Nisbet), The Annals of San Francisco;..., New York: D. Appleton & Company, 1855, folding map, 150 engraved illustrations, period inscription to the front endpaper, front gutter cracked, some light toning & minor spotting, all edges gilt, original gilt decorated red full morocco, spine with a vertical crease & cracked with some small loss to the foot, front hinge slightly cracked, boards lightly rubbed to head & foot, 8vo, plusLloyd (L.), Scandinavian Adventures, during a residence of upwards of twenty years, 2 volumes, London: Richard Bentley, 1854, 13 lithograph plates including map, 102 engraved illustrations, front gutters cracked, some light toning & spotting, top edges gilt, contemporary uniform gilt decorated red half morocco, boards & spines lightly rubbed to head & foot, 8vo, and other 19th & early 20th century travel reference, including Polar, European, and African, some leather bindings, mostly original cloth, G/VG, 8voQTY: (3 shelves)
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70553 item(s)/page