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Click here to subscribeRichard Deacon RA b.1949- Untitled abstract composition; photo screenprint, 50.8x63.5cm: Glynn Boyde Harte b.1948- 'Asparagus & Champagne'; lithograph in colours, signed and numbered 130/195 in pencil: together with two other colour lithographs by the same hand, both signed and numbered in pencil, (4) (may be subject to Droit de Suite)
Peter Howson b.1958- 'Bandit Checkpoint', 1994; lithograph printed in colours, signed, dated 94 and numbered 1/100 in pencil, bears blind stamp, 88x96cm: John Keane b.1958- 'The Accident'; mixed technique print in colours, signed, dated 1988 and inscribed 'A/P' in crayon, titled within the plate, bears blind stamp, 89.5x72.5cm., (2) (may be subject to Droit de Suite)
Gilbert & George, b. 1943 & b. 1942 PINK ELEPHANTS each card signed by both artists in red ink; stamped with the title and stamped GG on the reverse of each envelope eight offest lithograph greeting cards printed comercially with eight envelopes each with ball-point pen drawing each: 13.4 by 21cm.; 5.25 by 8.25in. (16) Executed circa 1973. Provenance A gift from the artists to the present owner in 1973
Andy Warhol, 1928-1987 SAM titled lithograph with hand colouring 22 by 14cm.; 8.75 by 5.5in. Executed in 1954 in an edition of 190, this work is from the series 25 Cats named Sam and One Blue Pussy produced for the book of the same name written by Charles Lisanby and printed by Seymour Berlin. Provenance Gloria Byke, New York (a gift from the artist in the 1950's) Gloria Byke worked as Marketing Director for Miller Shoes Department Store, New York, where Andy Warhol did contract work and gifted five books to employees of the store.
Andy Warhol, 1928-1987 SAM titled lithograph with hand colouring 22 by 14cm.; 8.75 by 5.5in. Executed in 1954 in an edition of 190, this work is from the series 25 Cats named Sam and One Blue Pussy produced for the book of the same name written by Charles Lisanby and printed by Seymour Berlin. Provenance Gloria Byke, New York (a gift from the artist in the 1950's) Gloria Byke worked as Marketing Director for Miller Shoes Department Store, New York, where Andy Warhol did contract work and gifted five books to employees of the store.
Andy Warhol, 1928-1987 SAM titled lithograph with hand colouring 22 by 14cm.; 8.625 by 5.5in. Executed in 1954 in an edition of 190, this work is from the series 25 Cats Named Sam and One Blue Pussy produced for the book of the same name written by Charles Lisanby and printed by Seymour Berlin. Provenance Gloria Byke, New York (a gift from the artist in the 1950s) Gloria Byke worked as Marketing Director for Miller Shoes Department Store, New York, where Andy Warhol did contract work and gifted five books to employees of the store.
Christo, b. 1935 WRAPPED STATUES/SLEEPING FAWN/PROJECT FOR THE GLYPTOTHEK, MUNCHEN signed and numbered 16/25 offset lithograph, silkscreen, polyethylene, twine and crayon on board 80.8 by 57.6 cm.; 31.75 by 22.75in. Executed in 2000, this work is from an edition of 100 plus 25 artist's proofs.
Gerhard Richter, b. 1932 SEESTuCK (GEGENLICHT) signed colour offset lithograph image: 54 by 54cm.; 21.25 by 21.25in. sheet: 90 by 70cm.; 35.5 by 27.5in. Conceived in 1969, this work was published by Achenbach, Dussedorf in 1991 in an unknown edition. Provenance Private Collection, Dusseldorf Literature Herbutus Butin (ed.), Gerhard Richter: Editions 1965-2004, Catalogue Raisonne, Ostfildern-Ruit 2004, illustration of another example
Gerhard Richter, b. 1932 KERZE signed colour offset lithograph 89.5 by 94.5cm.; 35.25 by 37.25 Executed in 1988 and published by Kirschbaum Laserscan GmbH., Dusseldorf, this work is from an edition of 250. Provenance Private Collection, Dusseldorf Literature Hubertus Butin (ed.), Gerhard Richter: Edition 1964-2004: Catalogue Raisonne, Ostfilder-Ruit 2004, p. 209, pl. 64, illustration of another example
Burnet (John). Practical Essays on Various Branches of the Fine Arts, 1st ed., David Bogue, 1848 , the half-title present, lithograph frontispeice after David Wilkie, contemp. calf, gilt, joints rubbed, together with Guthrie (Thomas), Seed-Time & Harvest of Ragged Schools, or a Third Plea, with New Editions of the First & Second Pleas, A. and C. Black, 1860, wood-engraved frontispiece, orig. green cloth, a little soiled, and Chalmers (Thomas), On Political Economy in Connexion with the Moral State and Moral Prospects of Society, Second Edition, William Collins, 1832, text foxed, half morocco, rubbed, and Ramsay (Allan), editor, The Ever Green, being a Collection of Scots Poems, Wrote by the Ingenious before 1600, 2 vols., J. Cameron, Glasgow, 1824, 19th c., calf, stamped in blind, and others, 8vo et infra (25)
*Etchings, etc. A collection of various late 19th and early 20th c. etchings, etc., including a large view of Royal Windsor by C. O. Murray, after Niels M. Lund, pub. 1907, six copies of a large mezzotint landscape by Frank Short, each signed, with some staining and spotting to margins, two photogravure b&w reprods. after paintings of game birds by Archibald Thorburn, each signed in pencil, an etched landscape after D. W. Leader, signed by the engraver and artist, two etchings on silk after John Pettie, a colour mezzotint by Alfred J. Skrimshaw after Turner's Fighting Temeraire, a colour lithograph of a bridge on the Thames by Cecil Aldin, signed in pencil, mounted on card, and trimmed to margins, plus three copies of an etching by Arthur Garratt, depicting Rodin at work in his studio, each signed in pencil, etc. (approx. 25)
*Scrap album. An early 19th century scrap album, compiled by M. P. Francis, c. 1827, containing approx. 180 various prints and engravings, mainly engraved topographical views, hand-coloured and sepia aquatints, and genre scenes, some costume, humorous, and a few natural history subjects in stipple engraving, lithography and copper engraving, (a few watercolours of birds and butterflies, etc., several pencil landscape drawings), all mounted in orig. full morocco gilt, rubbed and minor wear to extrems., large 4to. Includes several series of small-format picturesque views in aquatint, two sepia late 18th c. oval aquatints, entitled Infancy and Infidelity, a stipple engraving by Minasi after Bartolozzi, entitled Natural Rest (published in Ackermann's Repository), a hand-coloured lithograph by L. Boilly, entitled Les Jouets du Jour de l'An, dated 1824, early 19th c. topographical engraved views in Yorkshire, Norfolk, southern counties, etc. (1)
*Rugby. Monk (W.), Repton College with rugby pitches in foreground, early 20th century, etched view, unsigned, plate dimensions 177 x 289 mm, together with Verjez (Pierre), lithograph of Bordeaux rugby players, c.1906, approx. 310 x 240 mm, and other related print and engravings including an original early 29th century pen and ink sketch of a rugby match, wood engravings of rugby matches from the Graphic, two modern facsimiles of Rugby School, etc. (12)
dAVID HOCKNEY (B. 1937) sNOW, 1973 signed and numbered in green crayon, lithograph and screenprint printed on on Arjomari mould-made paper, edition of 98, number 19/98. From The Weather Series, published by Gemini G.E.L., Los Angeles. 85cm x 72 cm (plate size) 88.4 x 71.9 cm 88.4 x 71.9 cm 88.4 x 71.9 cm 88.4cm x 71.9cm
hOWARD HODGKIN fOR JOHN CONSTABLE, 1976 signed and dated in pencil, lower right; numbered in pencil lower left, lithograph, edition of 63, number 63/100 44cm x 55cm (plate size) Literature: Liesbeth Heenk, Howard Hodgkin Prints; A Catalogue Raisonné, Thames and Hudson, 2003, p.169, no.25; Elizabeth Underhill, For John Constable, Tate Gallery, London, 17 February - 5th May 1976 (n.p.); Rosemary Simmons, Constable Portfolio, Arts Review, vol. 28, no.5, 5 March 1976, p.117; Howard Hodgkin Talking to Pat Gilmour About his Prints, 1 April 1976 (notes of recorded interview); Penelope Marcus, Howard Hodgkin: Complete Prints, Museum of Modern Art, Oxford, 1977 (n.p.); Pat Gilmore, Howard Hodgkin, The Print Collectors Newsletter, vol.12, no.1 March - April 1981, p.3. Exhibition History: Other examples are in the collections of: Tate Gallery, London & National Gallery of Australia, Canberra
Vevey - Album Officiel. De la fête des vignerons. Vevey 1889 5-9 Août. Vevey: Loertscher & fils, Jacot Guillarmod, [1889], oblong 8vo, one long folding coloured lithograph, original pictorial covers, very slight foxing at edges, one fold slightly torn; Livret officiel de la fête des vignerons se célébrant à Vevey les 4 5 7 8 10 & 11 août 1905. Vevey: Klausfelder, 1905 8vo, original printed wrapper, wrapper chipped; Album officiel de la fête des vignerons, Vevey 1927. Vevey: Klausfelder, (1927), oblong 8vo, one long folding coloured lithograph, original pictorial wrapper; [Album officiel] fête des vignerons. Vevey 1905. (Vevey: Säuberlin & Pfeiffer), [1905], oblong 8vo, one long folding coloured lithograph, original pictorial wrapper (4) Note: Simon, BG 1561 & 1564.
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