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Salvador Dalí (Spanish 1904-1989) - Geopoliticus Child Watching the Birth of the New Man, lithograph in colours, signed and numbered 260/300 in pencil to the margin, visible sheet 53 x 59.5cmVery slight undulation to the sheet.Time staining/discolouration to the margins.Canvas good and strong.No tears, holes or creases.
This framed lithograph from prominent Vanity Fair illustrator Jean-Baptiste Guth from June, 1897 titled A Cimiez. Promenade matinale, portrays Queen Victoria seated in a carriage overlooking the French countryside. Printed by Vincent Brooks, Day & Son, Ltd. and displayed in a wooden frame, this illustration likely commemorates Queen Victoria's later years during her reign. Cimiez, near Nice, was a favored retreat for European royalty, and this artwork captures the Queen in a serene and dignified moment. Sight size: 9"L x 14.5"H. Frame dimensions: 14"L x 20"H x 0.75"W.Artist: Jean-Baptiste GuthIssued: 1897Dimensions: See DescriptionCondition: Age related wear.
* JOHN BYRNE RSA (SCOTTISH 1940 - 2023) BIG SELFIE offset lithograph on paperframed and under glassimage size 35cm x 27cm, overall size 50cm x 42cm Note: John Byrne studied at both Edinburgh and Glasgow Schools of Art in the late 50s and early 60s. A superb painter and draughtsman, the multi-talented Byrne was also a first-class playwright (‘The Slab Boys’, ‘Tutti Frutti’), his ear for dialogue was as acute (and witty) as his eye for detail. Much of his subject matter in both disciplines is overtly autobiographical, he often included or refers to the Teddy Boy/Rock and Roll era of his youth. Byrne designed record covers for Donovan, The Beatles, Gerry Rafferty and Billy Connolly. His work is held in major collections in Scotland and abroad. Several of his paintings hang in The Scottish National Portrait Gallery in Edinburgh, the Museum of Modern Art and the Kelvingrove Art Gallery and Museum in Glasgow. At the time of writing, The Fine Art Society, Edinburgh is staging "John Byrne: In The Studio" (until 23rd December).
Takashi Murakami (Japanese 1962-), 'An Homage To Yves Klein, Multicolor B', 2012, offset lithograph in colours on wove paper, signed and numbered from an edition of 300 in ink, published by Kaikai Kiki Co; sheet; sheet: 74 x 53cmsheet: 74 x 53cmin very good condition No knocks, tears or creases to the sheet This work has been stored flat and has not been framed.
Bridget Riley (British 1931-), 'Untitled (Elongated Triangles 2)', 1971, lithograph in colours on wove paper, signed, dated, and numbered from an edition of 75 in pencil; sheet: 102.7 by 42.2cmARR †*This lot is to be sold outside of the auctioneers margin scheme, VAT will be added to the hammer price. sheet: 102.7 by 42.2cm In overall good condition No knocks, tears or creases to the sheet Minor discolouration/foxing to the extreme edges of the sheet recto Discolouration can be seen to the sheet verso, with a large, discoloured surface area at the top edge. This is due to the age of the work. Markings can be seen around the edges of the sheet verso upon inspection. These could potentially be signs of previous framing. This work is currently stored flat and is not framed.
Takashi Murakami (Japanese 1962-), 'Anywhere Door (Dokodemo Door) In The Field Of Flowers', 2018, offset lithograph in colours on smooth wove paper, signed, inscribed, and numbered from an edition of 1000 in silver ink, published by Kaikai Kiki Co; sheet: 60 x 60cmsheet: 60 x 60cmIn very good condition No knocks, tears or creases to the sheet This work has been stored flat and has not been framed.
Cy Twombly (American 1928-2011), 'Sets', 1986, offset lithograph in colours on wove paper, published by Yvon Lambert Gallery; sheet: 75 x 56cmsheet: 75 x 56cmIn good condition No knocks or tears to the sheetThere is some light wear to the edges of the sheet, mostly visible verso and upon close inspectionsome light markings verso, likely from time of productionThis work has been stored flat and has not been framed.
Takashi Murakami (Japanese 1962-), 'And Then x6 (White: The Superflat Method, Blue and Yellow Ears)', 2013, offset lithograph in colours on wove paper, signed and numbered from an edition of 300 in ink, published by Kaikai Kiki Co; sheet: 50 x 50cmsheet: 50 x 50cmIn very good condition No knocks or tears to the sheet Soft crease to the upper right hand corner of the sheet, visible upon close inspection This work has been stored flat and has not been framed.
Takashi Murakami (Japanese 1962-), 'Me and the Mr. DOBs', 2013, offset lithograph in colours on wove paper, signed and numbered from an edition of 300 in ink, published by Kaikai Kiki Co; sheet: 50 x 50cmsheet: 50 x 50cmIn Very Good ConditionNo knocks, tears, or creases to the sheetThe work has been stored flat and never been framed
Yoshitomo Nara (Japanese 1959-), 'Marching On A Butterbur Leaf', 2019, offset lithograph in colours on archival paper, from an unknown edition, published by Dallas Contemporary; sheet: 61 x 45.5cmsheet: 61 x 45.5cmIn very good condition No knocks, tears or creases to the sheet This work has been stored rolled and has not been framed.
Takashi Murakami (Japanese 1962-), 'And Then x6 Red', 2013, offset lithograph in colours on wove paper, signed and numbered from an edition of 300 in ink, published by Kaikai Kiki Co; sheet: 50 x 50cmsheet: 50 x 50cmIn very good condition No knocks, tears or creases to the sheet This work has been stored flat and has not been framed.
Takashi Murakami (Japanese 1962-), 'An Homage To Yves Klein, Multicolor C', 2012, offset lithograph in colours on wove paper, signed and numbered from an edition of 300 in ink, published by Kaikai Kiki Co; sheet; sheet: 74 x 53cmsheet: 74 x 53cmIn very good condition No knocks, tears or creases to the sheetThis work has been stored flat and has not been framed.
Takashi Murakami (Japanese 1962-), 'Pom & Me: On the Red Mound of the Dead', 2013, offset lithograph in colours on wove paper, signed and numbered from an edition of 300 in ink, published by Kaikai Kiki Co; sheet: 50 x 50cmsheet: 50 x 50cmIn very good condition No knocks, tears or creases to the sheet Extremely minor imperfection to the lower left hand corner of the sheet, visible upon close inspection This work has been stored flat and has not been framed.
Stik (British 1979-), 'Hip (Blue)', 2013, offset lithograph in colours on paper, signed in black ink, accompanied by a copy of The Big Issue Japan, sheet: 57 x 22.2cmARRNotes: These works were originally released in collaboration with The Big Issue Japan, Vol.223, Sep.15 2013 sheet: 57 x 22.2cm In very good condition No knocks or tears to the sheet There are a few light handling creases, visible mainly in raking light and upon close inspection Two horizontal folds to the sheet, as originally issued Stored folded inside accompanying copy of The Big Issue Japan.
Takashi Murakami (Japanese 1962-), 'An Homage To Yves Klein, Multicolor D', 2012, offset lithograph in colours on wove paper, signed and numbered from an edition of 300 in ink, published by Kaikai Kiki Co; sheet; sheet: 74 x 53cmsheet: 74 x 53cmIn very good condition No knocks, tears or creases to the sheet This work has been stored flat and has not been framed.
Tracey Emin (British 1963-), 'Curled Up, from Greenpeace 50 Years Print Portfolio', 2022, lithograph in colours on Somerset Velvet paper, signed, titled, dated, and numbered from an edition of 100 in pencil, published by Counter Editions; sheet: 60 x 76cmARR †*This lot is to be sold outside of the auctioneers margin scheme, VAT will be added to the hammer price. sheet: 60 x 76cm In very good condition No knocks, tears or creases to the sheet Deckled edges in good condition This work has been stored flat and has not been framed.
Takashi Murakami (Japanese 1962-), 'An Homage To Yves Klein, Multicolor A', 2012, offset lithograph in colours on wove paper, signed and numbered from an edition of 300 in ink, published by Kaikai Kiki Co; sheet; sheet: 74 x 53cmsheet: 74 x 53cmIn very good condition No knocks, tears or creases to the sheet This work has been stored flat and has not been framed.
Mr Doodle (British 1994-), 'Underground', 2017, lithograph in colours on paper, signed and numbered from an edition of 50 in ink; sheet: 29.5 x 39.5cmARR sheet: 29.5 x 39.5cm In good condition No knocks or tears to the sheet There is some skimming to all four corners of the sheet verso and some light markings, likely from previous framing This work has been stored flat and has not been framed.
Takashi Murakami (Japanese 1962-), 'We Came to the Field of Flowers Through Anywhere Door (Dokodemo Door)', 2018, offset lithograph in colours on smooth wove paper, signed, inscribed, and numbered from an edition of 1000 in silver ink, published by Kaikai Kiki Co; sheet: 60 x 60cmsheet: 60 x 60cm
Takashi Murakami (Japanese 1962-), 'Dazzling Circus: Embrace Peace And Darkness Within Thy Heart', 2013, offset lithograph in colours on wove paper, signed and numbered from an edition of 300 in silver ink, published by Kaikai Kiki Co; sheet: 69 x 53cmsheet: 69 x 53cmIn very good condition No knocks, tears or creases to the sheet This work has been stored flat and has not been framed.
Takashi Murakami (Japanese 1962-), 'And Then x6 Blue', 2013, offset lithograph in colours on wove paper, signed and numbered from an edition of 300 in ink, published by Kaikai Kiki Co; sheet: 50 x 50cmsheet: 50 x 50cmIn very good condition No knocks, tears or creases to the sheet Some light waving to the sheet, visible in raking lightThis work has been stored flat and has not been framed.

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70553 item(s)/page