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A captivating limited edition Art Nouveau style lithograph, featuring an elegant female figure in traditional Balinese attire. The artwork is characterized by flowing lines, intricate detailing, and decorative elements reminiscent of the Art Nouveau movement. The central figure is dressed in an ornate gold-patterned costume, holding a delicate fan, and adorned with a lavish headdress embellished with floral motifs. Her poised stance and graceful expression reflect the refinement of cultural artistry. The background features a striking composition with a silhouette of a tiered pagoda against a softly rendered sky, framed by decorative embellishments that enhance the artwork sophistication. The artist masterfully balances traditional influences with Art Nouveau aesthetics, creating a harmonious and visually engaging composition. Edition numbered 16 of 300 on the lower left under the image, and the artist mark on the lower right under the image.Dimensions: 23"W x 36"HCondition: Age related wear.

Original color lithograph of Alphonse Mucha's celebrated poster Bieres de la Meuse, published as part of Les Maitres de l'Affiche (Plate 182). Printed by Imprimerie Chaix, this piece exemplifies Mucha's signature Art Nouveau style, featuring a central female figure adorned with a floral and wheat headdress, symbolizing abundance. The composition is enriched with swirling lines, organic motifs, and stylized typography, hallmarks of Mucha's work. The advertisement promotes the Meuse brewery with intricate vignettes of beer production scenes in the lower portion. Mucha was a pioneering artist and graphic designer of the Art Nouveau movement, renowned for his distinctive style characterized by flowing lines, decorative elements, and ethereal female figures. Born in Moravia (now the Czech Republic), Mucha initially worked as an illustrator before gaining international fame in 1894 with his iconic poster for the French stage actress Sarah Bernhardt in Gismonda. His success led to a long-term collaboration with Bernhardt and a prolific career in commercial art, designing posters, advertisements, book illustrations, and decorative panels. This color lithograph is stamped on the lower right with the blind embossing designed by Jules Cheret for Les Maitres de l'Affiche, a prestigious publication that featured works by leading poster artists of the late 19th century.Artist: Alphonse Mucha (Czech-French, 1860-1939)Issued: 1899Dimensions: 19.75"L x 23.50"HCountry of Origin: Czechoslovakia/FranceCondition: Age related wear.

This color lithograph titled Le Verger (The Orchard) after Marc Chagall's comes from the celebrated Daphnis et Chloe portfolio, a series created in 1961 as an homage to the ancient Greek romance by Longus. The series was commissioned by Teriade and is widely regarded as one of Chagall's greatest achievements in lithography. This image, rich in symbolism and rendered in Chagall's ethereal, dreamlike style, features lush greenery, whimsical lovers, and mythical figures, all composed with fluid motion and radiant color. The piece captures the magical, pastoral love story at the heart of Daphnis et Chloe, imbued with Chagall's signature emotional and fantastical interpretation. Signed in plate at lower right and numbered 21/375 on lower left, the work exemplifies the artist's mastery of color lithography and storytelling through visual poetry. Framed under glass with a linen mat and gilt wood frame.Artist: After Marc Chagall (Russian-French, 1887-1985)Issued: 20th centuryDimensions: 42.75"L x 33.75"HCountry of Origin: Russia/FranceCondition: Age related wear.

Salvador Dali (1904-1989) hand-signed lithograph from the "Les Caprices de Goya" series, a reinterpretation of Francisco de Goya's original 1799 etchings. This print, numbered "E.A.," is executed on BFK Rives paper and features Dali's distinctive signature in pencil in the lower right margin. The work is accompanied by a Salvador Dali Archives Ltd. authentication certificate, dated October 20, 2008, confirming its authenticity. Elegantly framed with a gold-tone plaque inscribed "Salvador Dali 1904-1989." Artist: Salvador Dali (Spanish, 1904-1989)Issued: 1977Dimensions: 26.5"L x 30.75"HCountry of Origin: SpainCondition: Age related wear.

Limited edition color lithograph after Marc Chagall, titled Chupa, portraying a romantic scene beneath a red canopy. The central figures, an embracing couple surrounded by ethereal figures and musicians, exemplify Chagall's unique blend of mysticism, folklore, and tender emotion. Executed in a soft yet vivid palette of turquoise, crimson, and cobalt, the composition floats between reality and dreamscape, hallmarks of Chagall's poetic style. Signed in plate at the lower right and hand-numbered 69/375 at the lower left. Printed on wove paper and presented under glass in a dark metallic frame with matting.Artist: After Marc Chagall (French/Russian, 1887-1985)Issued: 20th centuryDimensions: 35.75"L x 42.75"HCountry of Origin: France/RussiaCondition: Age related wear.

‡SIR KYFFIN WILLIAMS RA (1918-2006) unnumbered lithograph - village 'Carmel', signed with initials, 39 x 56cmsProvenance: private collection Vale of GlamorganComments: unframed, light foxing to main image and border

‡CHARLES FREDERICK TUNNICLIFFE OBE RA (1901-1979) lithograph on sepia - entitled verso 'Barcud Coch / Red Kite', signed in pencil, 22 x 15.5cmsProvenance: private collection Ynys Môn (Anglesey), inscribed verso 'argraff wreiddiol wedi'i cofnodi gan C F Tunnicliffe, 1989' (original impression recorded by...)Comments: framed and glazed; foxing present

‡ JOHN ELWYN (1916-1997) limited edition (193/300) lithograph - 'Laugharne Estuary from Dylan Thomas's Writing Shed', dated 1988, 35 x 52cmsNote: John Elwyn admired Dylan Thomas’s poetry. It was introduced to him in the 1940s by his friend Anglo-Welsh writer Glyn Jones, who had helped establish Thomas’s reputation. Following a visit to Thomas’s boat house at Laugharne, Elwyn made a series of watercolour paintings of the Taf estuary and the Gower beyond. This limited-edition print was produced at the same time.Provenance: private collection CeredigionComments: unframed

‡SIR KYFFIN WILLIAMS RA (1918-2006) limited edition (85/100) lithograph - entitled verso 'Pen y Graigwen' on Martin Tinney Gallery label, signed with initials in pencil, 36 x 74cmsProvenance: private collection Vale of GlamorganComments: framed and glazed

‡ELERI MILLS (b.1955) limited edition (9/10) hand coloured lithograph - entitled, 'Sycharth' on Martin Tinney Gallery label, signed, 30 x 37cmsProvenance: private collection ChesterComments: framed and glazed

‡SIR KYFFIN WILLIAMS RA (1918-2006) limited edition (116/150) lithograph - 'Pontllyfni in Snow', signed fully (with Christie's Contemporary Art COA), 44 x 74cmsProvenance: private collection AberystwythComments: framed, glazed

‡JOSEF HERMAN OBE RA (1911-2000) limited edition (15/70) lithograph - figure with horse and cart, signed in pencil, 55 x 73cmsProvenance: private collection PembrokeshireComments: framed and glazed

‡JOHN ELWYN (1916-1997) limited edition (artist's proof) lithograph - Capel Hawen, Rhydlewis, 1975, 38 x 56cmsNote: The iconic Hawen Welsh Independent Chapel at Rhydlewis first made its appearance in John Elwyn sketchbooks and paintings in 1948. For decades it remained a source of reference. The Council for the Protection of Rural Wales reproduced this print on their Christmas card in 1981.Provenance: private collection CeredigionComments: unframed

‡CHARLES FREDERICK TUNNICLIFFE OBE RA (1901-1979) lithograph on sepia - song thrush in branches, 18.5 x 13cmsProvenance: private collection Ynys Môn (Anglesey)Comments: framed and glazed

‡CERI RICHARDS CBE (1903-1971) lithograph - entitled verso, 'Blossom' on Goldmark Gallery label, signed and dated 1965, 60 x 81cmsProvenance: private collection HerefordshireComments: framed, glazed

‡CERI RICHARDS CBE (1903-1971) lithograph - entitled verso 'Do Not Go Gentle into That Good Night', on Martin Tinney Gallery label, signed and dated '65, 79 x 56cmsProvenance: private collection Vale of GlamorganComments: framed and glazed

‡SIR KYFFIN WILLIAMS RA (1918-2006) limited edition (157/750) lithograph - Cattle Porth Cwyfan, signed and numbered in pencil, 29.5 x 37cmsProvenance: private collection Rhondda Cynon TaffComments: framed, glazed.

‡ SIR KYFFIN WILLIAMS RA (1918-2006) limited edition (86/150) lithograph - Penrhyn Du Farm, Ynys Môn (Anglesey) with Welsh Black cattle, fully signed in pencil, 56 x 73cmsProvenance: private collection ConwyComments: unframed, light foxing in upper margin

JOAN MIRO Montroig 1893 - 1983 Mallorca: Miró, Lithographe I - Miró, Der Lithograph II. Franz. bzw. deutsche Ausgabe. 2 Bände mit 4 (statt 12; einschl. Umschlag; 2 doppelseitig) und 12 (einschl. Umschlag; 4 doppelseitig) Orig.-Farblithographien, zahlr. Farbabb. und Text. Bearbeitet von F. Mourlot. Paris, A. C. Mazo & Cie., (1972) bzw. Genf, Weber, (1975). 4°. Lose in OPp.-Umschlag bzw. in Orig.-Umschlag und OKalikobd., jeweils in OLwd.- bzw. OKaliko-Kassette. Cramer B 160 und 198. M. 854, 857, 860 und 863 sowie Cramer L 1036-1047. - Band I mit Gefälligkeitssignatur (Lithographie VII, M. 863). Meist verso typographisch bezeichnet. Auf kräftigem Vélin. Umschläge gering fleckig (M. 854) bzw. knitterfaltig (C. L 1036). Kassette mit Rückenbeschädigung (Bd. I) bzw. leicht fleckig (Bd. II). Umfassen Mirós lithographisches Werk der Jahre 1930-1952 und 1953-1963. [ms]

JOAN MIRO Montroig 1893 - 1983 Mallorca: Miro, Der Lithograph II. Deutsche Ausgabe. Band mit 14 Orig.-Farblithographien (einschl. Umschlag; 4 doppelseitig), zahlr. Farbabb. und Text. Bearbeitet von F. Mourlot. Genf, Weber, (1975). 4°. Lose in Orig.-Umschlag, OKalikobd. und OKaliko-Kassette. 253 SS. Cramer B 198. Cramer L 1036-1049. - Expl. 91/150 der Vorzugsausgabe. Die beiden zusätzlichen Farblithographien (C. L 1048/1049) signiert und numeriert. Auf kräftigem chamoisfarbenem Vélin. Umschlag (C. L 1036 wellig). 2 Bll. (C. L 1048/1049) schwach stockfleckig bzw. mit kurzem Randeinriss. Umfasst Mirós lithographisches Werk der Jahre 1953-1963. [ms]

Portrait of a pensive woman seated on a chair, lithograph, signed in pencil lower right and dated '72, marked A/P lower left (Artist's Proof), 36 x 27.5cm, framed and glazed

Jean Cocteau, 1889-1963, Taureaux, limited edition lithograph, numbered 49/200 in pencil to the margin, 38 x 28cm

Harry Becker, 1865-1928, The Potato Gatherers, lithograph, 37 x 55cm

*After L S Lowry (British, 1887-1976), Industrial Scene, offset lithograph printed in colours, 1974, signed in pencil, published by Venture Prints Ltd., Bristol, with the Fine Art Trade Guild blindstamp, and numbered 242, with margins: image 38.5 x 27cm, unframed, two small faint water marks along top margin.

Taxidermy interest: Framed Lithograph from "The Illustrated London News March 7th 1896," called "The Taxidermist." By the Artist A. J. Wall.

Graham REYNOLDS (British 20th/21st Century) Dylan Lithograph Signed and numbered 1/100 to mount Framed and glazed Picture size 40 x 28cm Overall size 73 x 41cm

Ben MAILE (British 1922-2017) A Folio of Four Wild Life Studies - large bundle of ex trade stock, approx 36 Lithograph Signed and numbered of an edition of 650 Unframed 50 x 37cm

Manner of Henri de TOULOUSE LAUTREC Jane Avril Lithograph Framed and glazed Picture size 42 x 30cm Overall size 60 x 47cm

Robert Tavener, 'Cornfield & Downs', signed, titled and numbered 8/75, lithograph, I.39 x 52.5cm.

This limited edition lithograph commemorates the Florida Panthers' inaugural NHL game on October 12, 1993, at Miami Arena against the Pittsburgh Penguins. Created by artist Denis Periera, the artwork features a fierce panther gripping a hockey stick-shaped ticket, symbolizing the birth of the franchise. This piece is hand-signed by Panthers owner H. Wayne Huizenga and artist Denis Periera and is numbered 16/199. The display also includes two original game tickets from the historic first game and additional artistic elements from the event. Professionally framed with blue and gold matting and housed in a dark wood frame, this is a must-have for Panthers fans and NHL memorabilia collectors.Artist: Denis PerieraIssued: 1993Dimensions: 31.5"L x 43"HCountry of Origin: United StatesCondition: Age related wear.

This signed lithograph by Isaac Ishtar Holtz captures a spirited and joyous Hasidic dance scene, rendered in detailed black-and-white tones. The composition centers on three figures, their hands raised in unison as they dance with fervor, surrounded by an animated crowd. The background features expressive onlookers, adding depth and movement to the scene. Holtz, known for his ability to convey the vibrancy of Jewish life, infuses this work with a dynamic energy and deep cultural resonance. His precise linework and tonal shading highlight the rich textures of traditional garments and facial expressions. A celebration of Jewish heritage and communal joy, this work exemplifies Holtz's mastery of figurative storytelling in print form. Edition on lower left: 229/250. Signature on lower right. Artist: Isaac Ishtar Holtz (Polish-American 1927-2018)Issued: c. 1980Dimensions: 36.50"L x 30.50"HCountry of Origin: Poland/United StatesCondition: Age related wear.

This framed memorabilia piece commemorates the Florida Marlins' inaugural game on April 5, 1993, at Joe Robbie Stadium, where they faced the Los Angeles Dodgers in their historic first MLB game. The display features a limited edition lithograph by artist Dina Periera, depicting a marlin leaping from a cracked baseball over a diamond, with the words "Inaugural Year 1993." Included in the frame is an original Opening Day ticket, a commemorative gold seal, and the first game box score, highlighting the Marlins' 6-3 victory. Signed by H. Wayne Huizenga, the team’s founding owner, this professionally framed piece is a must-have for Marlins and baseball collectors.Issued: 1993Dimensions: 33.25"L x 35.25"HCountry of Origin: United StatesCondition: Age related wear.

This color lithograph poster titled Sheer Elegance after renowned pin-up artist Alberto Vargas captures the ethereal beauty and sensuality that defined his work. The composition showcases a glamorous figure in a sheer flowing gown, posed in an arched-back stance, exuding grace and sophistication. The delicate rendering of fabric transparency and meticulous shading reflect Vargas' masterful ability to depict the female form with softness and precision. A defining figure in 20th-century pin-up art, Vargas became widely recognized for his work with Esquire and Playboy, shaping the visual culture of mid-century glamour. This professionally framed lithograph is a testament to his lasting influence in the genre.Artist: After Alberto Vargas (American, 1896-1982)Issued: c. 1990Dimensions: 25.25"L x 36.25"HCountry of Origin: USACondition: Age related wear.

This limited edition lithograph, commemorating the Florida Panthers' inaugural NHL game on October 12, 1993, is an exclusive collector's piece. The artwork, created by Denis Periera, depicts the team's fierce panther mascot gripping a hockey stick-shaped ticket. It is hand-signed by the entire 1993-94 Panthers team, including H. Wayne Huizenga (owner), Roger Neilson (head coach), Lindy Ruff (assistant coach), and players such as John Vanbiesbrouck, Scott Mellanby, and Brian Skrudland. The lithograph is numbered 40/40 and features an authentic game ticket from the Panthers' first-ever game against the Pittsburgh Penguins at Miami Arena. It comes with a Letter of Authenticity from SportPads, Inc., listing all signatories. Professionally framed with blue and gold matting, this is a rare and historic piece of NHL memorabilia.Artist: Denis PerieraIssued: 1993Dimensions: 31.5"L x 43"HCountry of Origin: United StatesCondition: Age related wear.

A Warner Bros. limited edition color poster titled Sluggers, featuring iconic Looney Tunes characters dressed in Major League Baseball uniforms, each representing a famous team. The artwork captures the humor and personality of classic animated figures such as Bugs Bunny, Daffy Duck, Porky Pig, and the Tasmanian Devil in a lively dugout setting under stadium lights. Issued in 1994 to commemorate the 125th anniversary of professional baseball, this piece is hand-signed in light green marker by Charles McKimson and Tom McKimson and numbered 1433 of 2500. The lithograph bears the Warner Bros. seal and is published by Toon Art, Inc.Artist: Charles McKimson (American, 1914-1999) & Tom McKimson (American, 1907-1998)Issued: 1994Dimensions: 46"L x 36.50"HCountry of Origin: USACondition: Age related wear.

This framed memorabilia piece celebrates the Florida Marlins' inaugural Opening Day game on April 5, 1993, at Joe Robbie Stadium, where they played against the Los Angeles Dodgers. The display includes a limited edition lithograph featuring the iconic Opening Day artwork by artist Dina Periera, depicting a marlin leaping through a cracked baseball over a field, with "Inaugural Game" inscribed below. Also included is an original Opening Day ticket, a commemorative gold seal, and the first game box score, documenting the Marlins' 6-3 victory. The piece bears the signature of H. Wayne Huizenga, the franchise's founding owner. Professionally framed with a teal and silver mat, this is a prized collectible for Marlins and baseball history enthusiasts.Issued: 1993Dimensions: 31.25"L x 35"HCountry of Origin: United StatesCondition: Age related wear.

A captivating limited edition color lithograph depicting a European market scene with a blend of architectural realism and loosely sketched foreground elements. The composition features historic stone and timber buildings, their textured facades rendered in meticulous watercolor detail, juxtaposed against a lively marketplace with vendor umbrellas and stalls that fade into light ink sketches. This technique creates a dynamic interplay between structured precision and artistic suggestion, evoking the vibrancy of an old-world European town square. The piece is hand-signed by the artist in pencil in the lower right and numbered 8/300, indicating its place within the limited edition series. Artwork can be unframed and rolled for shipment.Issued: 20th centuryDimensions: 43"L x 31"HCondition: Age related wear.

This framed limited edition lithograph, titled The Guardians, commemorates the Florida Panthers' second NHL season in 1994. Created by renowned artist Denis Periera, the artwork captures two fierce panthers defending their territory in a dramatic ice-themed composition. The lithograph is hand-signed by Periera and numbered 19/340. Additionally, it features the signature of legendary Panthers All-Star goalie John Vanbiesbrouck, a key figure in the team's early years. The artwork includes a Letter of Authenticity, confirming its exclusivity as part of a limited edition of 340, with 35 artist's proofs and 17 publisher's proofs. Professionally framed with a sleek black border and matting, this is a must-have for Panthers fans and hockey collectors.Issued: 1994Dimensions: 22.75"L x 32"HCountry of Origin: United StatesCondition: Age related wear.

This framed limited edition lithograph celebrates the Florida Marlins' inaugural Opening Day game on April 5, 1993, at Joe Robbie Stadium, where they faced the Los Angeles Dodgers. Created by Denis Periera, the artwork depicts a Marlins leaping from a cracked baseball, symbolizing the team's historic debut. The display includes two original Opening Day tickets, both from the Founders Club Box Seats, and notably signed by team owner H. Wayne Huizenga, adding to its rarity and collectible appeal. The lithograph is also signed by artist Denis Periera. Professionally framed with teal matting and a dark wood frame, this piece is an exceptional find for Marlins fans and baseball memorabilia collectors.Artist: Denis PerieraIssued: 1993Dimensions: 35.5"L x 37"HCountry of Origin: United StatesCondition: Age related wear.

An assortment of vintage billiards related prints. Including Frank Reynolds 'Polite Host', 19.5cm x 14cm, framed and glazed, a 'Vanity Fair', Vincent Brooks Day & Sons coloured lithograph 'He Might be Champion if there were a Championship', 31cm x 21cm, framed and glazed, etc.

Ravilious (Eric).- Richards (J.M.) High Street, first edition, wood-engraved title vignette and 24 colour lithograph plates by Eric Ravilious, old paperclip rust stain to head of front free endpapers (very slightly showing through to head of frontispiece), original pictorial boards, very slightly rubbed at edges (mainly corners), spine a little browned and slightly chipped at foot, 8vo, Curwen Press for Country Life Ltd., 1938.*** A fine copy of a notoriously fragile book, one of the best examples of Ravilious's experimentations with colour lithography produced for the Curwen Press. 

Trianon Press.- Blake (William) Illustrations to the Bible: A Catalogue compiled by Geoffrey Keynes, number 394 of 506 copies, tipped-in colour lithograph frontispiece, tissue guard, collotype plates, some colour, original morocco-backed marbled boards, 1957; Blake's Illustrations of Dante, number 31 of 440 copies, engraved plates and illustrations, prospectus loosely inserted, original morocco-backed cloth, spine ends slightly scuffed, cloth slip-case, 1978, folio and oblong folio, Trianon Press (2) 

Africa.- Stanley (Henry Morton) Through the Dark Continent, 2 vol., first edition, 2 portrait lithograph frontispieces, plates and illustrations, 11 maps, of which 2 folding, 2 in pocket at end with foldines neatly strengthened at verso, one with splits to foldlines, occasional light water-staining, scattered faint spotting, original pictorial cloth, a little rubbed, bumping to corners and extremities, [Hosken p.189], 8vo, 1878.

GEORGE GROSSMITH SIGNATURE: Leslie Matthew Ward (Spy) portrait of Corney Graham & George Grossmith, lithograph, 1888: signatures of both subjects window mounted to lower margin, image approx 36.5 x 25.5cm, framed and glazed. (1)

David Reid, Scottish artist, a coloured lithograph of a fisherman, monogram to front and old label to back, "An Old Salt", David Ried 157 Clifton Road, Aberdeen 

After Philip Armstrong, Tilden lithograph design for Selfridges department store, 33ins x 24ins 

Tony O'MALLEY (1913-2003) Landscape (1965) Lithograph, signed, image size 26 x 41cm, 58 x 71cm framed.

Marc CHAGALL (1887-1985) Jeremiah's Lamentations Lithograph, 34.5cm x 25.5cm, 56cm x 44cm framed.

Marc CHAGALL (1887-1985) The Prophet, Daniel, In The Lion's Den Lithograph, 34.5cm x 25.5cm, 56cm x 44cm framed.

Marc CHAGALL (1887-1985) Isaiah Lithograph, 34.5cm x 25.5cm, 56cm x 44cm framed.

John PIPER (1903-1992) Llangollan Farm Lithograph, signed, image size 40 x 57cm, 70 x 84cm framed.

Marc CHAGALL (1887-1985) Illustration For The Bible Lithograph, 34.5cm x 25.5cm, 56cm x 44cm framed.

Marc CHAGALL (1887-1985) Rahab & the Spies of Jericho Lithograph, 34.5cm x 25.5cm, 56cm x 44cm framed.

BANKSY (1974) Di Faced Tenner (2004) Offset lithograph in colours, 7.5 x 14.5cm, perspex frame 10 x 15cm.

Marc CHAGALL (1887-1985) Moses And The Bible Lithograph, 34.5cm x 25.5cm, 56cm x 44cm framed.

Sandra BLOW (1925-2006) The 1982 Crafts Fair Chelsea, Exhibition Poster Limited edition lithograph, signed and numbered 391/550, 77cm x 51cm, framed 95cm x 69.5cm.

Edward Lear (British, 1812-1888) Common Buzzard - Buteo Vulgarislithograph by John Gould, published for The Birds of Europe 1832-183747 x 34cmpaper uniformly browned/toned. Colour looks to be original.

Plate books. SHAKESPEARE (William) The Works, 2 vols., Imperial edition, edited by Charles Knight, Virtue & Co, [1873-75], folio, engraved frontispieces, steel engraved titles and plates, occasional faint spotting, previous owner's ink signature at start, half red/brown morocco, rubbed; WYNDHAM (Charles) Sketches of Cockermouth Castle, c.1840, folio, 9 lithograph views, morocco, rubbed; ARCHER (T) Charles Dickens a Gossip about his Life, Works and Characters, with eighteen photogravure plates by F Barnard, Cassell, no date, large folio, half morocco, (staining to cloth boards); ROSS (F) The Ruined Abbeys of Britain, 2 vols., no date, folio, coloured plates; MOULE (T) Great Britain Illustrated, plates by W Westall, in 30 separate parts numbered 1 to 30; ROSE & ALLOM. The Lakes, Fourth Series, Fisher's Picturesque Views, parts no.1 to 54 and Supplement, in wrappers; PUGIN & HEATH. Paris and its Environs, parts no.1 to 22; Sold as a collection of plates, not subject to return

MOORE (Henry) Heads, Figures and Ideas. London: G. Rainbird 1958, large folio, complete with Thirteen Standing Stones auto-lithograph in colours, colour illustrations, light foxing to final leaves, dust jacket

Farming, animal husbandry and similar. The Complete Farmer, or a General Dictionary of Husbandry, 4th edition, no date, circa 1800, folio, engraved frontis and 30 plates, calf with good reback; RAYNBIRD (W & H) On the Agriculture of Suffolk, 1849, 8vo, folding map, corner stain to final leaves, cloth; DEAN (G A) The Culture, Management and Improvement of Landed Estates, 1872, large 8vo, folding coloured geological map of Hertfordshire, 8 coloured lithograph plates of grasses, 4 plates of insects, half calf, a good copy; [YOUNG (A)] The Agricultiure of Suffolk,. 3rd edition, 1804, 8vo, folding map, modern boards; MORTON (J C) A Cyclopaedia of Agriculture, 2 vols., 1855, thick 8vo, illustrated, half calf; LOW (D) The Domesticated Animals of the British Isles, no date, circa 1850, thick 8vo, modern half brown morocco; others by Youatt, Wallace etc