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Lot 291
* Arthur Wardle. Wills Gold Flake Cigarettes. Shop display hanging advertising display, c.1930s,. lithograph on cardstock, together with two others depicting Sir Francis Drake, one a cut-out format portrait display totem, plus other advertising posters and artwork, mostly smoking related (15)
Lot 322
* Gooden (Stephen, 1892-1955). The Great Whore of Babylon (Book of Revelations), 1926,. copper engraving, signed and dated in pencil, plate size approx. 133 x 102 mm, framed and glazed, together with Whistler (James Abbott McNeill), Woman seated in an armchair, b&w lithograph, printed by The Studio, signed with butterfly monogram in the image, Studio blindstamp to lower margin, approx. 250 x 170 mm, mounted, plus Hartrick (A. S., 1864-1950), Hayrick on fire, b&w lithograph, signed and titled in pencil, image size approx. 275 x 360 mm, mounted, and other various modern prints, watercolours, etc., including six mounted b&w reproductions after Josef Herman, each signed, a panoramic mezzotint landscape etching by Frank Short, signed in pencil, a colour lithograph by Ceri Richards illustrating Dylan Thomass The force that through the green fuse drives the flower (published in Poetry London, September-October 1947), an etched illustration by Dunoyer de Segonzac to Les Georgiques de Virgile, 1947, a collection of approx. twenty wood-engravings and a few etchings by Leo Wyatt, including several signed, and a collection of thirteen watercolour sketches and studies by John Pinches, R.A. (approx. 45)
Lot 366
* Read (David Charles, 1790-1851). A group of four landscape etchings,. unsigned, various sizes (plate size approx. 100 x 235 mm and smaller), each mounted, together with Gavarni. Les Parens Terribles, plate 18 (Masques et Visages), c. 1850, hand-coloured lithograph, sheet size approx. 375 x 260 mm, mounted, plus Eeckhout (Gerbrandt van den, 1621-1674), Examining Botanical Specimens, hand-coloured etching, trimmed to margins, approx. 90 x 127 mm, mounted, and six other uncoloured continental landscape etchings, late 17th/early 18th c., including views after Ruisdael, Stefano della Bella, Zeeman, etc. (12)
Lot 1
Anthony Southcombe (Contemporary), Fire Brigade, Limited edition lithograph, Signed within the margin lower right, Inscribed with title and 12/100 lower left, 48.5cm x 63cm, Moatfiore (late 20th century), Man with three doves, Limited edition lithograph, Signed, inscribed 2/36 and dated 1974 lower right, S. 93.5cm x 64cm, and a quantity of unframed prints by artists including Barbara Karban, Elaine Epps, Philip Solly, Ilana Richards, Francis Kelly, Patricia Langmead, and John Brunsdon (qty)
Lot 1
HAGHE (LOUIS) Sketches in Belgium and Germany, 26 tinted lithograph plates (missing lithograph title pp.), orig. quarter morocco, rubbed, a large but marginal corner stain to all plates, 1 plate with further stains into image, and a few others with other marginal stains, jumbo folio, Day & Haghe, 1840 LOCATION D
Lot 1
David Gentleman b.1930- 'Ickworth', published by CCA Galleries, London; lithograph printed in colours, signed in pencil and numbered 299/350 in pencil, bears publishers' blind stamp, 48x61cm: together with one other colour lithograph by the same hand titled 'King's, Cambridge', signed and numbered 184/200 in pencil: Martin Renton Ware b.1949- 'Red Glass', 'Green Bottle', 'Yellow Flower' and 'Pink Flowers'; etchings printed in colours, a suite of four, each signed, dated and numbered 2/200, 5/200, 42/200 and 42/200 in pencil, respectively, (6)
Lot 1
M A Richards, British Provincial School mid 19th century- Exotic birds upon a branch; pencil, signed and dated, 18x23cm: L A Fletcher late 20th Century- Country House; watercolour, signed: Guilini 20th Century- 'Rik Axe'; lithograph: together with four other 20th century watercolours by and after various hands to include Stephen McCabe (Irish), E Nicholson and others, (7) (may be subject to Droit de Suite)
Lot 1
French Provincial School Mid 19th Century- 'Captain Boutha, Marine Artillery, Cherbourg, 1849'; watercolour, with inscription and dated 1849, 35x28cm: After Emilio Rossi mid 19th century, portrait of a young woman, head and shoulders, wearing a white collar and bow, together with a similar portrait of a young woman by the same hand, lithograph printed in black, signed within the plate, 30x26cm, ea: Irish Provincial School Early 20th Century- 'Delphi, Co Mayo'; watercolour, indistinctly signed, (4) (unframed)
Lot 1
Manner of Henry Moore 1898-1986- Stonehenge; lithograph printed in red, four separate lithographs in a common frame, 55x39cm: Arthur Rigden-Read early 20th century- 'Geese and Gander'; linocut printed in colours, stamped monogram: Chinese School 19th Century- Dancing figure; opaque watercolour on rice paper: together with two 18/19th century engravings depicting the first manned balloon flight, (5)
Lot 1
Henry William Bunbury 1750-1811- 'The Propagation Of A Lie'; hand-coloured engraving, 24x35cm:British School 19th Century- 'Rocket Practice In The Marshes'; hand-coloured engraving: Geo Hum Early 20th Century- 'The Deutsch Prize'; published Vincent Brooks Day & Son Ltd, lithograph printed in colours: together with further early aerial related lithographs, reproduction and engraving studies after various hands, ( a lot)
Lot 1
Roy Godfrey Botting ARCA- 1909-1999- 'Textures in Stone'; lithograph printed in colours, artists proof, signed and numbered 5/10 in pencil, 60x36cm: Alfred Kingsley Lawrence RA-1893-1975- 'The Sultan Of Jahor'; pastel, bears label of authentication signed by the artist's son verso, 44x34cm: together with six other watercolour, crayon and print studies by and after various hands to include Ernest H Shepard, E Sargieson and others, (8)
Lot 1
After Fernand Leger 1881-1955- Portrait in profile; lithograph printed in colours, signed within the plate and with stamp, and numbered 264/500, bears blind stamp for 'Musee Biot', 58x43cm: After Fernand Leger- Circus; reproduction printed in colours, bears blind stamp for 'Musee Biot', 41x47cm., (2)
Lot 1
J M Ardell late 18th century- 'Lady Ann Dawson'; published, 'Sold At The Golden Head In Covent Garden', after Joshua Reynolds; mezzotint, 38x29cm: British School 19th century- 'Robert Burns', published by Masterpiece Library, August 1895; lithograph printed in colours: together with eight other 19/20th century lithographs, etchings and photographic reproductions after various hands, (10)
Lot 1
After Samuel Howitt 1756-1822- 'Orme's Collection Of British Field Sports, An Exact Facsimile Of The First And Only Edition Of One Of The Rarest Of All Sporting Books', published by Charles W Traylen, Castle House, Quarry Street, Guildford; offset lithograph printed in eight colours, containing 20 plates, 45x56cm., (20)
Lot 1
After Jean Cocteau 1889-1963- 'Essais pour l'Affiche du Festival de Musique de Menton 1956', plate 24/25, from the edition of 150 published by F Mourlot, Paris 1975, after the originals executed by the artist in 1956-58; lithograph printed in colours, signed within the plate, stamped monogram, initialled by the publisher and numbered 47/150 in pencil, 60x44.5cm: together with thirteen other plates from the same suite, ten still in original folio and one further lithograph after the same hand, signed and dated 1963 within the plate, five of the above are framed and glazed, (15)
Lot 1
Ken Sprague 1927-2004- 'We Choose To Work At Porton'; lithograph printed in black and brown, signed and dated 69: together with four other lithographs printed in black and brown and contained in a folio, each entitled 'We're Only Obeying Government Orders', 'It's For Purely Defensive Purposes', 'It's A Big Dollar Earner' and 'If I Didn't Do It Someone Else Would; each signed and dated 69, 61x43cm., each, (5)
Lot 1
W Hall, British 19th century- 'John Earl of Eldon, Late Lord High Chancellor', After William Behnes; lithograph, in a 19th century gilt composition empire style frame, 36x29cm: together with a pair of maple framed portrait engravings and a quantity of unframed 19th century prints, (a lot), (part unframed)
Lot 1
Garth Evans b.1934- 'Dwight #24'; black ink and collage, signed, titled and dated 1980 in pencil, 58x73cm. Provenance: with Juda Rowan Gallery, London, according to label attached to the reverse: Mark Lancaster b.1938- Untitled; lithograph, signed, inscribed 'II', dated 71 and numbered 2/40 in pencil, in a perspex frame, 60.5x80cm: Late 20th Century School- Lakeland scenes; watercolours, two, both signed indistinctly in pencil, (4) (may be subject to Droit de Suite)
Lot 1
British School 19th century- 'The Last of the Coaches'; hand-coloured lithograph, 22.5x27.5cm: After De Marlet, French 18/19th century- 'Lecture des Tournaux, aux Thuileries', from 'Tableux de Paris'; hand-coloured reproduction print, 24.5x31.2cm: together with one other similar print after the same hand, (3)
Lot 1
Richard Deacon RA b.1949- Untitled abstract composition; photo screenprint, 50.8x63.5cm: Glynn Boyde Harte b.1948- 'Asparagus & Champagne'; lithograph in colours, signed and numbered 130/195 in pencil: together with two other colour lithographs by the same hand, both signed and numbered in pencil, (4) (may be subject to Droit de Suite)
Lot 1
Peter Howson b.1958- 'Bandit Checkpoint', 1994; lithograph printed in colours, signed, dated 94 and numbered 1/100 in pencil, bears blind stamp, 88x96cm: John Keane b.1958- 'The Accident'; mixed technique print in colours, signed, dated 1988 and inscribed 'A/P' in crayon, titled within the plate, bears blind stamp, 89.5x72.5cm., (2) (may be subject to Droit de Suite)
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70553 item(s)/page