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Harris, Capt. W.C. Portrait of the game and wild animals of Southern Africa. [London, 1840], oblong 4to [38 by 29cm], 30 lithograph plates [some pasted onto leaves with margins trimmed], uncoloured, no text, some worming to front endpaper and first page [pasted plate not affected], contemporary half calf gilt, rubbed Note: Trial proofs for Harris' classic work on African game-hunting.
Travel - Haghe, Louis Sketches in Belgium and Germany. Third Series. London, 1850, folio, lithograph title, 26 coloured plates, half morocco gilt portfolio, boards loose, worn at edges, foxing [Abbey Travel 41]; Clarke, Edward Daniel Travels in various countries of Europe, Asia and Africa. London, 1811-14, second edition, volumes I-II (of 6) only, 104 maps and plates [some folding], contemporary calf gilt, hinges cracking, upper board of volume II part 2 loose, offsetting throughout; Livingstone, David Missionary travels and researches in South Africa. London, 1857, 8vo, lacking frontispiece, later morocco gilt, title page repaired; Rousselet, Louis India and its native princes. London, 1878, folio, illustrated, contemporary decorative cloth, rebacked with original spine (6)
Derriere le Miroir. no. 1-43, 46, 48-51; Bazaine, 1953, no.55-56, 2 lithographs including wrappers; Kandinsky, 1953, no.60-61, 5 lithographs including wrappers; Tumac-Humac, 1954, no.62-63, lithographs; Tal Coat, 1954, no. 64, 4 lithographs including wrappers, Giacometti, 1954, no. 65, 3 lithographs including wrappers; Calder, 1954, no. 69-70, 3 lithographs including wrappers; Palazuelo, 1955, no.73, 2 lithographs including wrappers; Raoul Ubac, 1955, no. 74-76, 3 lithographs including wrappers; Kandinsky, 1955, no.77-78, plates; F. Leger, 1955, no.79-81, plates; Tal Coat, 1956, no. 82-84, 3 lithographs including wrappers; Braque, 1956, no. 85-86, 4 lithographs including wrappers; Miro et Artigas, 1956, no. 87-89, 7 lithographs including wrappers, slight wear to wrapper; Chillida, 1956, no. 90-91, 1 plate, wrappers; Derain, [1957, no.94-95], plates, wrappers; Bazain, 1957, no. 96-97, 4 lithographs including wrappers; Giacometti, 1957, no.98, plates; Kandinsky, 1957, no. 101-103, 5 lithographs including wrappers; Palazuelo, 1958, wrappers; Ubac, no. 105-106, 5 lithographs including wrappers; Kelly, no. 110, 5 lithographs including wrappers; Derain, no. 111, plates; Calder, no. 113, 2 lithographs; 1958, 5 lithographs including wrappers; no. 112, Miro, ceramique murale, 1961; Tal Coat, no. 114, 5 lithographs including wrappers; Fiedler, no. 116, 7 ltihographs including wrappers; no. 117, wrappers soiled; Tal-Coat, 1960, no. 120, 5 aquatints including wrappers; no.121-122, lithographed wrapper by Chagall, no. 123; Chillida, 1961, no. 124, 3 lithographs, 2 double-page, lithographed wrappers, slight creasing; Miro, 1961, 8 colour lithographs by Miro including 2 tryptychs, lithographed wrappers, very slight creasing; no.125-126, Giacometti, 1961, no. 127, 14 lithographs including wrappers, slight creasing; Miro, 1961, no. 128, 7 lithographs including wrappers; F. Fiedler, 1961, no. 129, 6 lithographs including wrappers; Ubac, 1961, no. 130, 6 (of 7) lithographs including wrappers; Bazaine, 1968, no. 170, 5 lithographs including wrappers; Riopelle, 1968, no. 171, 10 lithographs including wrappers; Kemeny, 1968, no. 172, plates; Calder, 1968, no. 173, 8 lithographs including wrappers, Chillida, 1968, no. 174, plates; Tapies, 1968, no. 175, 8 lithographs including wrappers, Calder, 1971, no. 190, 3 lithographs by Calder, one double-page; Pol Bury, 1971, no. 191, standard edition not signed, wrapper split at spine; Miro, peintures sur paper, 1971, no. 193-194, 3 lithographs by Miro, 2 double-page; no. 195, cover lithograph by Raoul Ubac, wrapper slightly rubbed and soiled; Homage a George Braque, 1964, no. 144-146 in one, one black and white lithograph by Picasso, one lithograph by Braque, one by Joan Miro, Pierre Tal-Coat, Rauol Ubac and Pierre Pallut; Ubac, 1964, no. 142, 7 coloured lithographs; Chillida, 1964, no. 143, Chagall, 1964, no. 147, 3 lithographs by Chagall including upper wrapper, upper wrapper very slightly creased and soiled at head; Kelly, 1964, no. 149, 4 coloured lithographs including wrapper; and nos. 131, 133-141, 148, 150, 153-163, 166,-169, 177-178, 180-186-188, 196-200, 202-204, 206, 208, 209, 210, 211, 213, 233, original boards, loose in publisher's cloth portfolios, most wrappers lightly or somewhat soiled, paper of a few of the early numbers browned as usual, one portfolio broken; sold not subject to return
Storm Thorgerson (British, b.1944) Ummagumma, a Pink Floyd Album Cover, 1969, printer's proof 4/4, colour lithograph, published by the Curwen Press, 84 x 64ccm. Storm Thorgerson is an English graphic designer. He was a key member of the British graphic art group Hipgnosis, and designed many of their most famous single and album covers. Perhaps his most famous designs are those for Pink Floyd. His design for Dark Side of the Moon has been called one of the greatest album covers of all time
After H.N. Humphrey - Group of Glass, by Count Harrach of Bohemia for The Great Exhibition, lithograph by F. Bedford, London, printed and published February 15th 1852 by Day and Son, lithographers to the Queen and a large group of similar material displayed at The Great Exhibition at Hyde Park in 1852, all within gilt frames.
A group of assorted pictures and prints, including two portraits of elderly women, crayon drawings, two hunting prints after Alken, a hand coloured lithograph 'Aly Pey Captain Padra', two small engravings of Halnaker House, and the Ruins of the Palace at Mayfield and a linocut print 'Mare', signed Hearn '98. (Quantity).
SIR WILLIAM NICHOLSON (1872-1949) U FOR URCHIN Woodcut 25cm x 20 and another two, one by Nicholson and another of 'Kit', by William Orpen (3) Provenance:Arthur Kay Note: One of the works in this lot, a lithograph by William Orpen depicts 'Kit', who is likely to be the son of William Nicholson, Christopher 'Kit' Nicholson who went on to become an architect. Orpen was a contemporary of Nicholson's and a close friend of the Nicholson family.
After Stuart Boyce mid 20th Century- ''A Chariot Race''; lithograph printed in colours, published by Macmillan and Co Ltd, 43x53c: together with a large collection of similar lithographs printed in colours after various hands for the ''Today and Tomorrow'', Schools Series, contained in a folio, loose and a 19th century portrait of a young woman, pencil on paper, bearing inscription, (a lot) (part unframed) (may be subject to Droit De Suite)
After Maurice Utrillo 1883-1955- ''Montmartre''; lithograph printed in colours, signed, titled and dated September 1955 within the plate, bears stamped signature, numbered 43/200 in pencil, on B F K Rives paper, 35.4x56.4cm: together with three other similar lithographs printed in colours all similarly titled, signed, dated and titled within the plate, each individually numbered in pencil from an edition of 200, (4) (unframed)
After Raoul Dufy 1877-1953- Band stand; lithograph printed in colours, numbered 36/40 in pencil, bears label attached to the reverse 'Raoul Dufy, Dessins & Aquarelles, chez Jacques Dubourg, 126 Boulevard Hausmann, Paris VIII, du 23 Juin au 12 Juillet 1960', 35.5x45.8cm: After Marc Chagall 1887-1985- Two figures beneath the moon; lithograph in colours, inscribed in pencil, 49.7x32.5cm., (2)
Wenceslaus Hollar 1607-1677- "Prospect of y lower part of Tangier, from the hill West of White-Hall"; engraving, 12.4x21.5cm: Milevoy Uzelac 1897-1977- Riders in a forest; lithograph in colours, signed, 40.5x30.7cm: Philibert Louis Debucourt 1755-1832-"La Marchde de Cerises", "La Marchande de Coco", after Claude Vernet, publ Ch Bance; hand-coloured lithographs, a pair, 36x26.5cm., ea: together with a hand-coloured aquatint of a hunting scene by E Dincan after Alken and a small French engraving of figures signed with initials 'JDB', (6)
After Maurice Utrillo 1883-1955- Figures in a park; lithograph printed in colours, signed and numbered XV/XX within the plate, bears stamped signature, numbered 15/20 in pencil, on Vidalon paper, 33x51cm: together with two other lithographs printed in colours after the same hand depicting figures in a street scene, both signed within the plate, and both numbered in pencil, (3), (unframed)
After Maurice Utrillo 1883-1955- Windmill; lithograph printed in colours, signed within the plate in reverse, bears signature in pencil, numbered 12/50 in pencil, 27.3x21.5cm: together with six other lithographs printed in colours after the same hand, each numbered in pencil, mostly bearing a stamped signature, (7) (unframed)
After Maurice Utrillo 1883-1955- Figures in a street scene; lithograph printed in colours, signed within the plate, on BFK Rives paper, 32.5x41.2cm: together with two other lithographs printed in colours after the same hand, one depicting figures by a church, signed within the plate and bearing stamped signature, numbered 17/50 in pencil, the other of a street scene, signed within the plate, 41x32.3cm., ea., (3), (unframed)
After Maurice Utrillo 1883-1955- Figures in a Street scene; lithograph and pochoire printed in colours, signed within the plate, bears stamped signature, numbered 7/20 in pencil, 34x27.5cm: together with two other examples of the same print, one numbered 15/20 in pencil and bearing stamped signature, (3), (unframed)

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70555 item(s)/page