John Gould and Henry Constantine Richter - 'Petrocossyphus Cyanus' (Birds), 19th century stone lithograph with hand-colouring, 50cm x 35cm, together with six further ornithological lithographs from the same series, all within matching gilt frames.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
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Peter Irwin Brown - 'Japan, Japanese Government Railways' (Travel Poster), lithograph, printed by Kyodo Printing Co., Tokyo, circa 1934, 102cm x 62.5cm, together with another Japanese Government Railways poster.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
L. Laguta (Soviet School) - 'БЕРЕЖЛИВОСТЬ ЧЕРТА КОММУНИСТИЧЕСКАЯ' (Propaganda Poster), offset lithograph, circa 1985, 64cm x 48cm, together with 'НЕТ ВОЙНЕ', twenty-six Soviet anti-war posters, published circa 1986, each 44cm x 33cm, within a paper folder, and a collection of French art magazines.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Leonard Richmond - 'Folkestone the All-the-year-round Resort' (Southern Railway Travel Poster), lithograph, printed by McCorquodale & Co, circa 1930s, 101cm x 63.5cm.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
British Railways (publisher) - 'Sunny Worthing, go by Train' (Railway Travel Poster), lithograph, published by British Railways (Southern Region), printed by the Baynard Press circa 1961, 101cm x 63cm.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Honegger, after Fucus - 'Chinesen Aus Hohern Standen' (Chinese People from the Higher Class), 19th century stone lithograph, circa 1836, 37cm x 27cm, together with sixty-one further lithographs of figures in regional costumes, the majority of Asia and Oceania interest.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Leonard Richmond - 'Jersey Sunshine Sands Scenery' (Railway Travel Poster), lithograph, printed by Waterlow & Sons, circa 1930s, 101.5cm x 63.5cm.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Paul Henry - 'L.M.S. London Midland & Scottish Railway, Connemara, Ireland This Year' (Travel Poster), lithograph, published by the London Lithographic Co, circa 1926, 101.5cm x 63.5cm.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Ludwig Hohlwein - 'Golf in Deutschland', lithograph, printed by Reichsbahnzentrale für Deutschen Reiseverkehr, Berlin, circa 1930, 101cm x 63.5cm.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Abbott (George). Views of the Forts of Bhurtpoore & Weire, 1st edition, London: Engelmann, Graf, Coindet & Co. for J.M. Richardson, 1827, lithograph title, dedication (to General Combermere), letterpress explanatory leaf, subscribers list and 11 uncoloured lithograph plates on india paper by Lynch, MacKenzie, Templeton, Harding and Gauet after Abbott, occasional light marginal tears, soiling and stains, disbound, oblong folio, sheet size 33.2 x 48 cmQty: (1)Footnote: Uncommon. Not in Abbey Travel. The views are of the Forts of Bhurtpore (modern day Bharatpur), capital of the Kingdom of Jat, and Weire after the siege of the fortress by British troops, commanded by Lord Combermere in 1825-26.
Tahiti & South Sea Islands. Cook (James), Carte de L'Isle D'Otahiti par le Lieutenant J. Cook, 1774, uncoloured engraved map, some staining and offsetting, old folds, 240 x 410 mm, together with Carte des isles découvertes aux environs D'Otahiti dans plusiers Voyages faits autour du Monde par les Capitaines Byron, Wallis, Carteret et Cook en 1765, 1767, 1769, circa 1774, uncoloured engraved map, old folds, 250 x 515 mm, with Neele (Samuel). Plan of Cook's Bay [with inset map] Plan of Easter Island taken in April 1786, G. G. & J. Robinson, 1798, two uncoloured engraved maps and four horizon profiles on one sheet (as published), slight staining, 390 x 500 mm, together with Débarquement à Tanna l'une des Nouvelles Hébrides, Vue D'Anamooka & Débarquement à Middleburgh l'ine des Isles Friendly (Des Amis), circa 1774, together three uncoloured engravings old folds, each approximately 225 x 470 mm, with La Perouse (Jan Francois de Galaup). Massacre de MM. de Langle , Lamanon et de dix autres individus des deux Equipages, [1797], uncoloured engraving, slight spotting and staining to the margins, 290 x 420 mm, plus Benoist (Phillipe). Vue de la Baie D'Umata (Ile de Guam), circa 1860, uncoloured lithograph after De Saison, 270 x 360 mm, and two further engravings of South Sea native artefacts and and sheet of horizon profiles of the Sandwich Islands, various sizes and conditionQty: (10)
Aldin (Cecil). 'Here's to the Hound with his Nose upon the Ground', Lawrence & Jellicoe, 1908, chromolithograph, signed by the artist in pencil to the lower left, 430 x 550 mm, framed and glazed with the title on an ivorine plaque attached to the frame, together with The Fallowfield Hunt 'The Breakfast', circa 1900, colour lithograph, framed and glazed with the title on an ivorine plaque attached to the frame, 375 x 615 mm, with another copy similar, with A Hunting Morning [and] Drawn Blank, Richard Wyman, 1906, a pair of colour lithographs, each approximately 345 x 605 mm, uniformly mounted and framed, plus The Portsmouth Road - The Talbot at Ripley [and] The Brighton Road - The Maiden's head at Uckfield, Lawrence & Bullen, 1903, two chromolithographs, each approximately 410 x 620 mm, uniformly mounted, framed and glazed, with another copy of 'The Brighton Road, but trimmed to image, and another two similar prints after Aldin, both framed and glazedQty: (10)
Military. Harris (John), 1st Life Guards. Band Passing in Review, Rudolph Ackerman, Septr. 30th 1851, aquatint after Henry Martens with contemporary hand-colouring, laid on linen, one very small puncture wound to the image, slight staining to the print borders, good margins, 540 x 670 mm, framed and glazed in a contemporary burr walnut frame, together with Harris (John). The Grenadier Guards, Rudolph Ackermann, August 7th 1858, aquatint after H. Martens with contemporary hand-colouring, slight spotting, 380 x 280 mm, framed and glazed, with Spooner (W. publisher). Officers of the British Army No. 17. 75th Regt. of Foot (Grenadiers), printed by Lefevre & Co., circa 1830, lithograph after L. Mansion & S. Eschauzier with contemporary hand-colouring, some spotting and slight staining, 345 x 250 mm, mounted, framed and glazedQty: (3)
North America. Oakes (William), Scenery of the White Mountains with Sixteen Plates from the Drawings of Isaac Sprague, Crosby, Nichols and Company, Boston, 1848, title page and 12 (only) uncoloured lithographic plate, one with long closed tear, crudely repaired on the verso, some spotting throughout, lacking boards and spine, folio, together with Illman & Sons (publisher). William Penn's Treaty with the Indians. This Justly Celebrated Treaty was formed in the Year 1682..., hand-coloured engraving, with another copy similar and a further 5 uncoloured examples, slight spotting, each 380 x 280 mm, with Sabatier (Leon Jean Baptiste). Vue de l'entree de la Baie de San-Francisco (hte. Californie), originally published in Abel de Petit-Thouars's 'Voyage Autour du Monde sur la Venus', 1841, uncoloured lithograph after Romuald G. Menard on India wove, some spotting, long closed repaired tears but not affecting the image, 145 x 305 mm, plus Hayward (George). View of the Quarantine Grounds and Buildings, Staten Island, May 1858, uncoloured lithograph, old folds, slight staining and offsetting, 155 x 430 mm, with an uncoloured wood-engraved vignette of Baltimore in 1752, circa 1860, 125 x 380 mm, plus a colour printed lithograph of the steamship 'City of Chicago', 380 x 265 mm, and ten uncoloured engravings of North American cities (all late 20th-century re-strikes), each approximately 145 x 210 mmQty: (22)
Stafford. Burn (H.), To the Right Hon. Earl Talbot K. G. Lord Lieutenant of the County, This View of Stafford from the Railway Station Bridge, Is with Permission, respectively dedicated..., Rogers & Wright Stafford, August 1st 1845, tint stone lithograph, short repaired closed tear affecting the title, laid on later thin card, 300 x 390 mmQty: (1)Footnote: Scarce.
[Merigot, James]. A Select Collection of Views and Ruins in Rome and its vicinity. Recently executed from drawings made upon the spot, London: sold by Messrs. Robinsons, Mr. White, Mr Faulder & Mr Evans, circa 1815-17, 62 tinted aquatint views, including frontispiece (correct as list at rear), washed-out ink stamp to verso of title and with manuscript classification number, occasional light offsetting and minor scattered spotting, contemporary half calf by J. Carss & Co. of Glasgow (binder's label to front pastedown), neatly rebacked preserving original spine, corners discreetly repaired, 4to, together with: Gell (William), Pompeiana: The topography, edifices and ornaments of Pompeii, the result of excavations since 1819, 2 volumes, London: Jennings & Chaplin, 1832, engraved portrait frontispiece and additional title to volume 1 (foxed), 79 plates (2 hand-coloured), 6 plans and 30 vignette illustrations, occasional light offsetting to text, armorial bookplates of Edmund Fitz Moore and William Garnett to upper pastedowns, all edges gilt, contemporary dark green morocco, gilt decorated spines, gilt-ruled and decorated borders to boards, joints slightly rubbed, large 8vo, Gell (William & Gandy, John P.), Pompeiana: The topography, edifices, and ornaments of Pompeii, London: Rodwell & Martin, 1817-1819, half-title, engraved frontispiece and additional title, engraved plates and plans (including some folding plans), front free endpaper inscribed 'To George Doudney Esq. with kind regards from his old friend William Gandy 1890', edges untrimmed, 19th century cloth, green morocco title label to spine, large 8vo, Northcote (James Spencer & Brownlow, William Robert), Roma Sotterranea of some account of the Roman Catacombs especially of the Cemetery of San Callisto, London: Longmans, Green, Reader, and Dyer, 1869, 20 chromo and tinted lithograph plates, illustrations to text, folding plan in rear pocket, scattered spotting, original cloth, joints cracked, 8vo,Qty: (5)Footnote: Merigot - Abbey, Travel 178. Majority of plates watermarked 1817 (plate 20 'Pyramid of Caius Cestius' which is watermarked 1815). Text watermarked 1816.
Way (Thomas Robert). Reliques of Old London, 1896; Later Reliques of Old London; 1897; Reliques of Old London upon the Banks of the Thames & in the Suburbs South of the River, 1899, lithograph plates, a little minor spotting and stains, endpapers a little toned, library bookplates to Reliques & Banks of the Thames, contemporary presentation to Later Reliques, original vellum-backed decorative boards, some soiling to spines, edges a little rubbed, 4toQty: (3)Footnote: Each a limited edition of between 275 and 2801 copies, signed by the artist.
Meyer (Henry Leonard). Coloured illustrations of British Birds, and their Eggs, 7 volumes, London: G. Willis, 1853-57, 424 hand-coloured lithograph plates, 8 uncoloured plates, plate 78 in volume 2 detached with marginal fraying, some light spotting front and rear, contemporary red half morocco, edges a little rubbed, a few light stains, 8voQty: (7)Footnote: Nissen 628; Wood p. 462.
STARR, Amory Reily (1847-1906). Amory R. Starr... Texas Real Estate Agency...Marshall, Texas. St. Louis: A. Gast & Co., [ca 1874].Oblong 12mo (85 x 129 mm). Illustrated lithograph trade card on heavy card stock. (Tiny chip to upper left corner, very minor soiling). Provenance: Acquired Dorothy Sloan.RARE LITHOGRAPHED TEXAS TRADE CARD, printed by the Gast firm in St. Louis. The small detailed scene shows surveyors at work depicting various surveyor's instruments. The Gast firm lithographed the General Land Office maps of Texas counties, and produced several notable images of Texas. Amory Reily Starr, who identifies himself as "successor to Jas. H. Starr & Son," assumed control of the James H. Starr and Son land agency, which had belonged to his father and uncle, in 1873.Property from the Collection of Dr. Brant MittlerFor condition inquiries please contact lesliewinter@hindmanauctions.com
CATLIN, George (1796-1872) Buffalo Dance (Plate 8). From The North American Indian Portfolio, London: Geo. Catlin, Egyptian Hall [but Chatto & Windus, ca. 1875].Tinted lithograph finished by hand, 428 x 584 mm sheet, a few tiny pinholes, some minor marginal toning, sewing holes and thread from binding visible top margin, matted and framed. For condition inquiries please contact lesliewinter@hindmanauctions.com
[SAN FRANCISCO]. OTIS, Fessenden Nott (1825-1900). City of San Francisco from Rincon Point. New York: C. Parsons, 1855.Lithograph with hand coloring, visible area 655 x 1150 mm, matted and framed (unexamined out of frame). Some overall browning, a few tiny spots, some white spots to upper right sky or margin. A RARE EARLY VIEW OF SAN FRANCISCO, lithographed immediately following the Gold Rush, showing the view from the corner of Fremont and Harrison Streets on Rincon Hill, with a panoramic view of the city including Nob Hill, Russian Hill, Mount Tamalpais, Telegraph Hill, Angel Island, and Yerba Buena Island. The foreground shows the gardens of William F. Babcock, who had arrived in San Francisco in 1852, and who gained control of the Pacific Mail Steamship Company in 1854. Fessenden Nott Otis, a New York landscape artist and topographical draftsman, was also a ship's surgeon. He served the United States Mail Steamship Company on their Panama to California route from 1853 to 1859, during which he executed the drawing from which this lithograph was taken. VERY RARE: according to online records, only one example of this print has sold at auction in the last 40 years. Baird, Historic Lithographs of San Francisco, 33; Reps 274.Frame - 37 x 54 inches.For condition inquiries please contact lesliewinter@hindmanauctions.com
CATLIN, George (1796-1872) Wi-Jun-Jon. An Assinneboin Chief (Plate 25). From The North American Indian Portfolio, London: Geo. Catlin, Egyptian Hall [but Chatto & Windus, ca. 1875].Tinted lithograph finished by hand, 583 x 426 mm sheet, a few tiny pinholes, a few short closed tear not touching image, a few tiny spots, light toning to outer margins, matted and framed. For condition inquiries please contact lesliewinter@hindmanauctions.com
[CHILDREN'S BOOKS]. A group of 28 children 's books, including: WILLIAMS, Margery (1881-1944). The Velveteen Rabbit. New York, Doubleday, Doran and Company, 1922. Small 4vo. 7 color lithograph plates by William Nicholson. Decorated publisher 's boards, dust jacket. An early edition. -- SIGNLETON, Esther (1865-1930). The Wildflower Fairy Book. Toronto: The Musson Book Co., 1905. 8vo. Color plates and decorations by Charles Buckles Falls. Publishers cloth, gilt title, top edge gilt. -- BAILEY, Carolyn Sherwin (1875-1961). Miss Hickory. New York: The Junior Literary Guild and The Viking Press, 1946. 8vo. Lithographs by Ruth Gannett. Red publisher 's cloth, original dust jacket. PRESENTATION COPY, "To Helen Fulley, my treasured friend. Carolyn Sherwin Bailey and Miss H." -- And 25 others. Together, 28 works in 28 volumes, various 4to and 8vo sizes, various editions, condition generally fine. Complete list available upon request. Property from the Collection of Norman and Florence BlitchFor condition inquiries please contact lesliewinter@hindmanauctions.com
[SAN FRANCISCO]. San Francisco 1849. San Francisco: Max Burkhardt, 1886. Lithograph with hand-coloring, visible area 495 x 877 mm, matted and framed (unexamined out of frame). Some overall toning, a few small spots, some staining from old framing. First published in 1849 with several 19th-century reissues. Panoramic view of San Francisco, delineating the intersection of Montgomery Street and California Street. Key in lower margin identifying several ships, businesses, and ho mes. The present edition was "corrected by a committee of pioneers," consisting of Richard M. Sherman, William Heath Davis, and Ferdinand Vassault. RARE: we trace only one copy of any edition of this view at auction in the last 45 years. Reps 344 (state IX).Frame: 24 1/4 x 39 1/4 inches.For condition inquiries please contact lesliewinter@hindmanauctions.com
[SAN FRANCISCO]. SWASEY, William F., Captain. View of San Francisco, formerly Yerba Buena, in 1846-7. Before the Discovery of Gold. San Francisco: Bosqui Eng. & Print Co., 1884. Lithograph with hand-coloring, 502 x 548 mm visible area, matted and framed (unexamined out of frame). Some overall browning, some surface staining, a few mostly marginal tears or losses occasionally crossing image. RARE BIRD'S-EYE VIEW OF SAN FRANCISCO by noted California engraver Edward Bosqui, showing the early layout of streets, naming Clay, Kearney [sic], Washington and Montgomery Streets. A key in the lower margin identifies ships and early buildings, and two arrows mark the trails to the Presidio and Mission Dolores. Reps 343 (state II with the date).Frame size - 32" x 33"For condition inquiries please contact lesliewinter@hindmanauctions.com
CATLIN, George (1796-1872) Buffalo Hunt, Chase (Plate 7). From The North American Indian Portfolio, London: Geo. Catlin, Egyptian Hall [but Chatto & Windus, ca. 1875].Tinted lithograph finished by hand, 414 x 586 mm sheet, a few tiny pinholes, a short closed tear not touching image repaired verso, a few tiny spots, matted and framed. For condition inquiries please contact lesliewinter@hindmanauctions.com
THIELEPAPE, Wilhelm Carl August (1814-1904), lithographer. Sam Recruiting, after the injunction of secrecy had been removed. San Antonio: Thielepape, July 1855.Lithograph on heavy paper, 610 x 480 mm. (Fully backed in japan tissue, a few minor losses with repairs occasionally affecting image or text, creased where formerly folded, separations along those creases.) Provenance: Acquired Dorothy Sloan (11 December 2009, Sale 22, lot 227). THE FIRST LITHOGRAPHED POLITICAL CARTOON CREATED IN TEXAS. The lithograph was printed when Sam Houston's political career was in shambles. Shortly after the publication of this cartoon, Houston failed in his reelection bid for the U. S. Senate, and in a run for the Texas Governor's office. In the cartoon, Houston is seen walking on the Constitution, the Declaration of Independence, and the Bill of Rights. He carries a "Net for Gudgeons," the handle of which is strung with a gun and knife ("Sam's Logic or reasoning powers"), a heart ("Sam's 'Great American heard,' sore"), and a mask ("Mask of Washington," "Worn when assuming to be the Savior of the Country"). He carries a lantern "used by Gui [Guy] Fawkes in his midnight plots, and bequested to [Houston's] father." The print was one of three lithographs, all created by Thielepape, considered to be among the first lithographs created in Texas. These three documented Thielepape lithographs pulled in Texas also include the letter sheet with a view of Alamo Plaza (see previous lot). When the present copy was sold by Dorothy Sloan, she located only two other copies of the lithograph: one at the Center for American history at the University of Texas, and one at the Dallas Historical Society. She quoted the unpublished research of Ron Tyler: "The first lithographs that can be documented as having been made in Texas appeared in San Antonio... Wilhelm C.A. Thielepape, a trained surveyor and recent immigrant with no printing experience, pulled the first lithograph from a Texas press in 1855. It was a crude map of San Antonio. He printed at least two other images, this caricature of Sam Houston and the other a view of the San Antonio plaza, before finally abandoning the badly worn lithographic equipment and closing his shop."Property from the Collection of Dr. Brant MittlerFor condition inquiries please contact lesliewinter@hindmanauctions.com
Dame Elisabeth Frink R.A. (British, 1930-1993)Reclining Horse lithograph printed in brown, 1972-1976, on Arches, signed and numbered 18/70 in pencil, 50.8 x 66cm (20 x 26in).Footnotes:Not in WisemanThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
UNSIGNED WATERCOLOUR and three antique tinted prints of Point Aberglaslyn North Wales, the watercolour depicting the bridge in view with people and livestock titled 'Pont Aber-Glas-Lyn Caernarvonshire', 40 x 31cms, 1850 print titled 'Pass of Aberglaslyn', 38 x 28.5cms, T Clay London 1818 titled 'Pont Aberglaslyn', drawn by T Compton, engraved by D Havell, 17 x 24cms and a Newman & Co London lithograph titled 'Pont Aberglaslyn Caernarvonshire', 23cms including title x 30cms
LAURENCE STEPHEN LOWRY R.A. (British, 1887-1976) offset lithograph - Landscape with Farm Buildings, 1974, on wove, signed in pencil, from an edition of 850, published by Venture Prints Ltd., Bristol, with the Fine Art Trade Guild blindstamp, with margins, (I) 40 x 49.5cms Provenance: private collection (North Wales) Comments: left edge rippled. Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)

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70553 item(s)/page