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Lot 379
Two section Vienna Kunstgewerbeschule, coloured poster print 'Tanzende Kinder' (Dancing Children) by Helli Fritz, aged 15 years, School of Emmy Zweybruck Prochaska, Vienna, circa 1920, panoramic colour lithograph, printed by the Secession Ges. M. b. H., Wien for the Austrian Junior Red Cross, unframed, a vintage Belgian poster for the Loterie Coloniale and various prints and other pictures Condition:
Lot 484
*Bawden (Edward, 1903-1989). Sidewall, Riviera, 1929, original colour lithograph from linocut, printed by the Curwen Press, one or two short closed tears to left margin, sheet size 90 x 55 cm (35.5 x 21.7 ins) Bawden designed 14 wallpapers between 1926 and 1933 for the Curwen Press. These papers are now rare. (1)
Lot 486
*Braque (Georges, 1882-1963). Personnage sur fond rose, 1958, lithograph in black and pink on japon, from the published edition of 200, signed in pencil, and numbered 133/200, in good condition, image size 44.5 x 30 cm (17.5 x 11.75 ins) mount aperture, sheet size 51.5 x 33.5 cm (20.25 x 13.25 ins), framed and glazed Vallier 298. (1)
Lot 490
Erte (Romain de Tirtoff, 1892-1990). Precious Stones, 1969, the set of six colour lithographs on BFK Rives handmade paper, with watermark, printed by the Curwen Press, in an edition of 75, published by Grosvenor Gallery, London, 1969, each titled in pencil to lower right Amethyst, Diamond, Emerald, Ruby, Sapphire and Topaz, sheet size 65 x 50 cm (25.5 x 19.75 ins), together with two colour lithograph Ert‚ posters (Sears Vincent Price Gallery, Ontario, Chicago, December-January 1968 & Christmas Greetings from Colin (Symphony in Black), circa 1983, plus the printed catalogue for the Grosvenor Gallery Exhibition of September-October 1967, and an original signature in black ink by Ert‚ on white cartridge paper, used for an album of reproductions of Ert‚ designs, entitled Fashions, and published in 1967 (10)
Lot 496
*La Dell (Edwin). The Cricket Match, colour lithograph, published by School Prints, framed and glazed (1)NB: Condition Note - The print is somewhat trimmed to the image, although the inscriptions on the lower edge including the school print inscription, the date 1951, as well as the correct name for the print which is MCC at Lords, by Edwin La Dell. There is a small area of loss to the centre of the right hand margin.
Lot 502
Nash (Paul, 1889-1946). Match Making, 1931, rare advertising brochure for Bryant and May, with colour lithograph cover by Nash, printed in yellow, blue, green and black, by the Curwen Press, 55 pages, photographs by Francis Bruguiere, text by E. P. Leigh-Bennett, minor marks, staples removed from spine, generally in very good condition, large slim 8vo (33.5 x 18cm) (1)
Lot 506
*Piper (John, 1903-1992). Llangloffan Baptist Chapel, from A Retrospective of Churches, 1964, colour lithograph on heavy wove paper, laid down on card, an unsigned proof, aside from the published edition of 70 printed by Curwen Studios, and published by Marlborough Graphics, sheet size 60 x 81.5 cm (23.5 x 32 ins) Levinson 140. (1)
Lot 507
*Roberts (William, 1895-1980). London's Fairs, 1951, colour lithograph poster for London Transport, printed by Curwen Press, one or two short closed marginal tears without loss, 101.5 x 63.3 cm (40 x 24.9 ins), framed and glazed, together with the lower colour portion of the companion poster to this work, which provided text relating to London's fairs, their dates and locations, with a colour lithograph frieze at top and bottom (the lower frieze only is present here) London Transport Posters, page 197. (2)
Lot 260
*Prout (Samuel, 1783-1852). View of the Zwinger Palace, Dresden, pen, brown ink and watercolour on wove paper, signed with monogram lower right, 236 x 180 mm (9.25 x 7.1 ins) The present work would appear to be the original from which the lithograph was made for Prout's Facsimiles of Sketches made in Flanders and Germany, published by Hullmandel in 1833. (1)
Lot 345
*Heaphy (Charles, 1820-1881, after). Thorndon Flat and Part of the City of Wellington, New Zealand, circa 1840s, oil on canvas, unsigned, 62 x 74 cm (24 x 29 ins), contemporary probably totara or rimu burr veneer frame Provenance: Acquired by Dr Charles Arundel Overbury Fox (1886-1971) from Francis Edwards, London, circa 1935. Fox was an English collector of early New Zealand and Pacific works of art; acquired by the current owner's family from the estate of Dr Fox following his death in Birmingham, England, in 1971. Some brief manuscript notes of provenance in Dr Fox's hand and a letter from Rex Nan Kivell of the Redfern Gallery, London, dated 20 May 1959,are offered with the lot. The letter from Rex Nan Kivell suggests a connection with a lithograph Charles Heaphy and says that he has a painting of the same size that is obviously a copy from the lithograph. An early large-scale painting of the harbour and settlement of Wellington in New Zealand. As a composition, this painting is most similar to that engraved byThomas Allom after the drawing by Charles Heaphy entitled 'Part of Lambton Harbour, Port Nicholson, New Zealand; Comprehending about One Third of the Waterfrontage of the Town of Wellington, April, 1841', published for the New Zealand Company in 1842. Unlike the original watercolour of the same scene which has no figures by the flagpole on 'Flagstaff Hill' from where the scene is observed, two groups of three figures have been added into the engraving, one European and five Maori. The flag in the watercolour is that of the New Zealand Company while the lithograph shows a Union Jack. The painting here offered shows many similar characteristics to the watercolour and print and strongly suggests the artist had knowledge of the print. Charles Heaphy was employed by the New Zealand Company as a draughtsman and drew his watercolour in April 1841. He presented the new settlement in a positive light in order to attract new immigrants and investors, showing cows wandering on the beach, the Maori in the foreground welcoming a European, and the gentle hills suggesting suitability for farming. Heaphy is not known to have painted in oils. The painting here has five figures set in two groups by the flagpole, but also shows European and Maori figures, a man in a straw hat facing the viewer possibly being that of the artist. The flag is that of the New Zealand Company and unlike Heaphy's watercolour and the print after it, is shown furled and not blowing in the breeze. There are fewer boats in the harbour in this painting than in Heaphy's version and while there are no cows on the beach there are various figures in front of the Maori settlement. The tide is out and shows a tongue-shaped spit of sand near identical to Heaphy's depiction; the settlements along the far shore and rising chimney smoke below the hills are very similar too. With thanks for the assistance of Dr Oliver Stead of the Alexander Turnbull Library, Wellington, New Zealand. (1)NB. The frame details given in this lot description have been amended from walnut burr.
Lot 466
@Nevinson (Christopher Richard Wynne, 1889-1946). Banking at 4000 feet, 1917, offset colour lithograph on wove paper, signed in pencil, image size 193 x 155 mm (7.6 x 6.1 ins), sheet size 285 x 224 mm (11.25 x 8.75 ins), issued in The Great War Fourth Year by C.R.W. Nevinson, with an essay by J.E. Crawford Flitch, published by Grant Richards, 1918, monochrome plates, original green cloth-backed boards, with printed paper labels to spine and upper cover, spine label slightly chipped, minor stains to extreme lower edge of upper cover, 4to (1)
Lot 467
@Nevinson (Christopher Richard Wynne, 1889-1946). Column on the March, 1917, offset colour lithograph on thin wove, signed in pencil lower right, sheet size 287 x 220 mm (11.3 x 8.7 ins), as issued in Modern War Paintings by C.R.W. Nevinson, with an introductory essay by P. G. Konody, 1st edition, Grant Richards Ltd., 1917, monochrome plates, untrimmed, original green cloth-backed boards with printed paper title labels to upper cover and spine, minor stain to lower edge of upper cover, otherwise in very good condition, 4to (1)
Lot 468
@Nevinson (Christopher Richard Wynne, 1889-1946). Banking at 4000 Feet, 1918, offset lithograph printed in colours, on thin wove, signed in pencil, sheet size 285 x 222 mm (11.25 x 8.75 ins), bound as issued in the book The Great War: Fourth Year: Paintings by C.R.W. Nevinson, with an introductory essay by J.E. Crawford Flitch, published by Grant Richards Ltd., 1918, original green cloth-backed boards with printed paper labels to spine and upper cover, rubbed, 4to (1)
Lot 625
Anglo German School (circa 1824)A group of eleven designs for garden pavilions and ornaments including one of the interior of the conservatory at Ashridge Hertfordshire, several inscribed Schaumberg; Attributed to James McNeill Whistler, a sketch of a Regency building, probably in London (possibly Regent Street), black and white chalk on brown paper, laid down, 17 x 21cm; a drawing of The Piazza of St Mark's, Venice, attributed to Whistler, indistinctly inscribed lower centre; and a lithograph by Whistler of a gallery interior (14), pencil on paper The present drawings were formerly in an album with a Berlin binding but containing Whatman paper with a watermark for 1824. A possible attribution with Prince Puklav Musckau, an Anglophile who visited Ashridge and made two English gardens in Germany, has been suggested. All laid down. Sold with research paperwork. The tapestry design drawing is torn in half.
Lot 1
Atkinson (Thomas Witlam). Travels in the Regions of the Upper and Lower Amoor and the Russian Acquisitions on the Confines of India and China. With Adventures among the Mountain Kirghis; and the Manjours, Manyargs, Toungouz, Touzemtz, Goldi, and Gelyaks: The Hunting and Pastoral Tribes, 1st edition, 1860, colour lithograph frontispiece, folding map at end, wood engraved illustrations, publisher's catalogue at end, some light spotting, endpapers renewed, small booklabel, original blindstamped cloth, rebacked with original spine relaid, faded, 8vo, together with Travels in Russia, and a Residence at St. Petersburg and Odessa, in the Years 1827-1829; Intended to give some account of Russia as it is, and not as it is Represented to be, by Edward Morton, 1st edition, 1830, 16 pp. publisher's catalogue at front, library stamps, original boards with later calf spine, crease marks to covers, 8vo, with three others: S.G.W. Benjamin's Persia and the Persians, 1887, D. Mackenzie Wallace's Russia, 2 volumes, 4th edition 1877 (ex-libris) and John Bell's Travels from St. Petersburgh in Russia to Various Parts of Asia, volume I only (of 2), Edinburgh, 1788 (6)
Lot 102
[Hunter, Joseph]. Antiquarian notices of Lupset, the Heath, Sharlston, and Ackton, in the County of York, [London: Printed by J.B. Nichols and Son], 1851, tinted lithograph frontispiece with scattered spotting, all edges gilt, original green cloth gilt, spine torn at head & foot, tall 8vo, together with [Thomas, John], Walks in the Neighbourhood of Sheffield, Yorkshire, Sheffield: Printed by Robert Leader for John Thomas, 1830-31, bound with Walks in the Neighbourhood of Sheffield (Second Series), Sheffield: Printed & Published for John Thomas, 1844, some spotting and toning, top edge gilt, late 19th/early 20th century maroon half morocco gilt by Townsend, extremities rubbed, 8vo, with Cartwright (James J.), Chapters in the History of Yorkshire: Being a Collection of Original Letters, Papers, and Public Documents, illustrating the State of that County in the Reigns of Elizabeth, James I, and Charles I, Subscriber's Copy, Wakefield: B.W. Allen, 1872, three tinted lithograph folding facsimile manuscripts, light toning, original green cloth gilt, 4to, and Ambler (Louis), The Old Halls & Manor Houses of Yorkshire, with Some Examples the Year 1700, London: B.T. Batsford, [1913], numnerous sepia plates from photographs by Horace Dan, front free endpaper inscribed to Horace Dan, top edge gilt, remainder untrimmed, original gilt decorated cloth, 4to, plus other Yorkshire related, including Sheffield & Wakefield, 19th and early 20th century publications (approx. 140)
Lot 104
Kennion (George). The Illustrated Hand-Book for Harrogate, with Excursions in the Neighbourhood..., also, Incorporated by Permission, Observations on the Medicinal Springs of Harrogate, published Harrogate, 1858, two folding engraved maps on silk (creased), eight tinted lithograph plates (including frontispiece), 32pp. advertisements at rear, all edges gilt, original cloth gilt, worn at head of spine, 8vo, together with Peel (Frank), Spen Valley: Past and Present, Heckmondwike: Senior & Co., 1893, engraved portrait frontispiece, black & white plates and illustrations, toning to frontispiece & title, top edge gilt, remainder untrimmed, original gilt decorated cloth, 4to, with Hulbert (Charles Augustus), Annals of the Church and Parish of Almondbury, Yorkshire, 1882, photograph portrait frontispiece, numerous plates, original cloth gilt, dust-soiled, large 4to, with Harland (J.), Historical Account of the Cistercian Abbey of Salley in Craven, Yorkshire..., 1853, lithograph frontispiece and title, plates and folding plan, original cloth, faded, 8vo, and [Wheater, William], Handbook for Tourists in Yorkshire and Complete History of the County, 2 volumes, Leeds, 1891, black & white vignette illustrations, untrimmed, original cloth, 4to (limited edition 186/200), plus other Yorkshire history related (approx. 100)
Lot 105
Leeds. A History of the Town and Parish of Leeds, Compiled from Various Authors. To which are added, a History of Kirkstall Abbey and a Leeds Directory, Containing a List of the Merchants, Tradesmen, etc. in the Town of Leeds, 2 parts in one, published Leeds, [1797], title trimmed and relaid, three engraved plates, some dust-soiling and spotting, early 19th century calf, joints cracked and some wear to spine, 12mo, together with A Walk Through Leeds, Or, Stranger's Guide to Every Thing Worth Notice in that Ancient and Populous Town; with an Account of the Woollen Manufacture of the West-Riding of Yorkshire, Leeds: printed by J.H. Leach, 1806, two engraved plates, contemporary half calf, joints cracked and some wear to spine, 12mo, plus The Leeds Guide: Giving a Concise History of that Rich and Populous Town, the Circumjacent Villages, and Kirkstall Abbey, Leeds: printed for John Ryley by Edward Baines, 1808, lacking frontispiece, contemporary cloth, upper cover detached, 12mo, with Wardell (James), The Antiquities of the Borough of Leeds, Described and Illustrated, 1853, Large Paper copy, sixteen lithograph plates (some hand-coloured), original front wrapper bound-in, contemporary half calf by J.W. Jackman of Leeds, rubbed and scuffed, slim 8vo, and Kidson (Joseph R., & Kidson, Frank), Historical Notices of the Leeds Old Pottery with a Description of its Wares..., Leeds: J.R. Kidson, 1892, engraved portrait frontispiece, photogravure plates, edges rough-trimmed, original cloth gilt, spine slightly rubbed, 4to (limited edition 132/250), plus other Leeds related, 19th & 20th century publications (80)
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70553 item(s)/page